Tag: Bandcamp

New Video: Hot Snakes Release a Hilarious and Hallucinogenic Visual for Anthemic “Not in Time”

Over the past couple of years, I’ve managed to spill quite a bit of virtual ink covering the acclaimed — and downright legendary — punk act Hot Snakes. Continuing upon the momentum of 2018’s Jericho Sirens, the band released the “Checkmate”/”Not in Time” 7 inch late last year as the first of a series of four 7 inch singles released to lead up to the JOVM mainstay act’s highly-awaited fifth album.

The physical copies of “Checkmate”/”Not in Time” were sold only at shows during their UK tour to close out 2019 — and as you may recall, Sub Pop released, the sleazy AC/DC-like “Checkmate,” digitally through all DSPs. And until — well, today, the B-side “Not In Time” was unavailable anywhere else. “Not in Time” is essentially classic Hot Snakes: rousingly anthemic and euphoric hooks, pummeling guitar riffs, thunderous drumming and howled vocals. Goddamn it, I miss loud rock shows and sweaty mosh pits — because this one is a mosh pit anthem.

“Not in Time” will be available on Hot Snakes’ Bandcamp page tomorrow at Pay-Whatever-the-Hell-You-Want pricing for Friday only, as part of Bandcamp’s ongoing monthly fundraisers to generate funds for artists unable to tour as a result of the pandemic.

Directed by Jessica Kourkounis (Jason Kourkounis’ sister), the recently released video is a hilarious and hallucinogenic visual that follows a crew of skateboarders, who during an afternoon of wholesome shredding take tabs of Hot Snakes-branded acid and suddenly strange things happen — mainly, they see their arms elongate as they continue skating.
“This video started with a basic idea I had, which was, wouldn’t it be funny to see a bunch of skater dudes try and shred with extra-long arms” Jessica Kourkounis explains. “I have a bit of an obsession with homemade-looking costumes. So I hit up my friend Brian Emig to see if he would help me find the guys and film them. The rest happened pretty organically. We just went out and did it mostly. I also wanted to somehow include a visual of the band so I asked Rick to draw their heads so I could print them on blotter paper to help move the story forward. To great relief, it all worked out.”

Glassio · Breaking Through

Glassio is a Queens-based synth pop act that can trace its origins back to 2015 when its founding members — Sam R. and Charles Pinel  — met while attending NYU’s Clive Davis Institute of Recorded Music. Since the project’s formation, it has increasingly become the Queens-born and-based Sam R’s solo recording project. Interestingly, during that same period of time, Sam R. has managed to develop and hone what he has dubbed “melancholy disco,” a mix of dance music influences, wavering pop melodies, introspective, narrative-based lyrics and lush harmonies. Thematically, Glassio’s work draws from its creative mastermind’s own life and heartbreak, the difficult wrestling of self-acceptance we all deal with throughout our lives, loneliness and of course, major life changes.

Last year, Sam R released his sophomore Glassio EP EP Age of Experience, an effort that Mother Jones called “proof that electronic music and great storytelling are a perfect match.” The EP featured “Back for More,” which amassed over 2 million Spotify streams while being featured on Alan Ball’s HBO show Here & Now Outside of his own work, Sam R. has received attention for remixing and reworking the work of artists like Madge, Argonaut & Wasp, Sulene and Goldwash.

Sam R’s full-length, 11 song debut For The Very Last Time officially dropped yesterday — and so far, the Queens-based artist has released a handful of singles including “A Million Doubts,” which was featured in the latest season of the Freeform TV series Good Trouble“Nobody Stayed For The DJ,” “Are You Having Fun Without Me?” and “Make No Mistake,” the album’s fourth single, which featured a guest backing spot from New York-based vocalist Daneshevskaya. Centered around twinkling synth arpeggios, thumping beats and a soaring hook, the song finds Sam R. balancing an achingly wistful nostalgia with a much-needed sense of optimism. In a narrative sense, the album’s material captures the growth and re-birth of someone’s character out of a dark space. Thematically, the album is focused on shedding negativity and figuring out a way to trust yourself to love others again. So by the album’s last song, the character you’ve been hearing about has managed to evolve, accept their shortcomings and find a way to heal from personal loss.

“I wanted to take electronic-pop tropes and use them in a more fragile, loving way. I think there’s a bit of spiritual nature to the album — much of it is about rediscovering your faith in the world and those around you, as well as yourself, and much of it is about accepting fate,” Glassio’s Sam R. explains in press notes. “For those reasons, I wanted the songs to all sort of feel like little electronic-pop hymns. The record is about proudly displaying and accepting fragility. I needed the mixes and production to mirror that too. Nothing is mixed ‘perfectly’ by any means. I like having some instruments uncomfortably quiet and some uncomfortably loud. Many of the songs on the record are about feeling very disconnected and isolated from the world.”

“Breaking Through,” For The Very Last Time‘s fifth and latest single is centered around layers of glistening synth arpeggios, thumping beats and Sam R.’s plaintive vocals. And while further cementing the Queens-based artist’s reputation for an unerring knack for writing deeply earnest material with infectious hooks, the track evokes a skittish uncertainty that begrudgingly and slowly grows into confidence, as its narrator admits his vulnerability and frailties.

I have to add that half of the proceeds from the album will go to Black Mental Health Alliance while 100% of Bandcamp proceeds will go towards BHMA. So if you dig Glassio and want to buy the album, your money will also go to a great and necessary cause.

https://glassio.bandcamp.com

New Video: Pom Pom Squad Releases a David Lynch-like Cover of “Crimson + Clover”

Last year, I wrote a bit about the rising Brooklyn-based grunge rock/punk rock act Pom Pom Squad — Mia Berrin (vocals, guitar), Mari Ale Figeman (bass), Shelby Keller (drums) and Ethan Sass (guitar)  — and the act quickly became a local DIY scene staple for a modern take on the 90s grunge rock scene that find the band balancing solemnity and whimsy, old school punk aesthetics and emotional vulnerability in which they’ve dubbed Quiet Grrl punk. They’ve also developed and honed a raucous live show while sharing stages with the likes of Soccer Mommy, Adult Mom, Long Neck and others.

The Brooklyn-based act’s sophomore EP Ow was released last year to critical praised rom the likes of Stereogum, Paste, Under the Radar, Highsnobiety and Thrillist, and EP material received airplay on SiriusXM Alt Nation — and that shouldn’t be surprising: the band’s work is generally mosh pit friendly, power chord-driven rock paired with an unhinged, feral intensity reminiscent of Fever to Tell-era Yeah Yeah Yeahs.

The band recently recorded a brooding and atmospheric,  David Lynch-like cover of Tommy James & The Shondells’ “Crimson + Clover” in honor of both Pride Month and to support Bandcamp’s Juneteenth fundraising campaign. “This year would have been my first Pride as an ‘out’ person,” Pom Pom Squad’s Mia Berrin explains in press notes. “It took me a long time to come to terms with my identity in a true and honest way, but I am proud to meet myself where I am now. This year, the idea of walking down a street proudly, in my queerness and in my brown skin, feels particularly difficult for a multitude of obvious reasons, but this song is my small celebration of the scary, complicated, empowering process of owning my black, queer identity.” Directed by Mia Berrin and Shelby Keller, the recently released video, much like the song was produced during quarantine is a sultry fever dream. 

Now. as you may recall Bandcamp donated their share of all sales to the NAACP Legal Defense Fund and Pom Pom Squad will be donating their share of all digital downloads to For the Gworls Medical Fund, a POC-led emergency medical relief medical fund that pays for black trans folks to travel to clinics and pharmacies during the pandemic, and provide co-pay assistance if needed, so that they can continue to receive necessary — and important — prescriptions. 

Live Footage: JOVM Mainstay Adeline Performs 3 Singles for Colors Home/Bred Sessions

Initially making a name for herself as the frontwoman of the equally acclaimed dance music/nu-disco outfit Escort, the New York-based singer/songwriter, bassist and producer and JOVM mainstay Adeline has developed a reputation as a solo artist of note, releasing her self-titled, full-length debut to critical praise from the likes of Vogue, NPR, Refinery 29, Rolling Stone, The Fader and many others.

The JOVM mainstay has opened for Anderson .Paak, Lee Fields, Chromeo, Big Freedia and Natalie Prass among a lengthening list of artists, which  which has helped to further cement her reputation for dazzling audiences with her beauty, her captivating live show and energetic presence. Adding to a growing profile as a solo artist, the Parisian-born, Brooklyn-based singer/songwriter and bassist, has made appearances across the national festival circuit, including Afropunk, Funk on the Rocks and Winter Jazz Fest. She’s also a member of CeeLo Green’s touring band, making her — arguably — one of the hardest working women in New York’s music scene. 

Intérimes EP, the highly-anticipated follow-up to her full-length debut was originally slated for a June 12, 2020 release but the JOVM mainstay decided to reschedule the release to July 10, 2020 in order to make room for voices as the Black Lives Matter and police reform movements have been gaining momentum within the mainstream. In the meantime, Adeline will be releasing the #TwilightChallengeEP tomorrow — Juneteenth — on Bandcamp as a celebration of Black Culture and to support Black Lives Matter. 

#TwilightChallengeEP will feature seven artists of color from all over the world, performing the JOVM mainstay’s five favorite selections from her #TwilightChallenge fan competition, a competition in which she invited fans to make new version of “Twilight” using the instrumental version of the track. The artists include:

Jonathan Singletary, a Brooklyn-based singer/songwriter and musician, whose work meshes elements of R&B, soul and hip-hop while thematically exploring love and  the pursuit of  freedom. Singletary was a co-writer on Adeline’s “Twilight” and he’s a frequent collaborator with the Night Share production duo. Currently, he has plans to release new material this year. 
Lisko, a Nancy, France-based rapper, who has receiving attention for having a jazzy flow —  and for being a kind of “professor of good vibes.” 
Syndee Winters and Paze Infinite: Winters has had a diverse musical career that has included starring as Nala in The Lion King musical on Broadway and writing songs for a number of artists. Paze Infinite, is a rapidly rising beatmaker, producer, songwriter and emcee, who has received attention for crafting radio friendly beats for vocalists and emcees. 
Vilda Ray, an up-and-coming singer/songwriter and producer, who specializes in crafting music that will make your body sway — or leave you teary eyed. 
Lucas Afonso and Roberta Estrela D’Alva: Afonso is a Brazilian-born and-based poet, emcee, art educator, founder and host of acclaimed poetry slam “Slam da Ponta.” He’s also a Brazilian National Slam champion, and one of Brazil’s representatives in the 2016 Poetry Slam World Cup, held in France. Robetra Estrela D’Alva is a Brazilian-born and-based emcee, actress, spoken word artist, director and researcher. Known as one of the pioneers of  her homeland’s slam poetry scene, she’s a founder of Núcleo Bartolomeu de Depoimentos, Brazil’s first hip-hop theater company. 
The EP is part of Bandcamp’s Juneteenth fundraiser, will all donations received by Adeline going to Until Freedom, an intersectional social justice organization rooted in the leadership of diverse people of color to address systemic and racial injustice. All of Bandcamp’s proceeds will go to the NAACP. 

In between being out on the streets with the folks protesting injustice and  systemic racist, Adeline was invited by the internationally acclaimed production company COLORS to perform material off her forthcoming EP for their new Home/Bred sessions. The session includes the funky, Patrice Rushen-like two-stepper “Middle,” the sultry Quiet Storm-like breakup ballad “Twilight,”  and the slow-burning and atmospheric ballad “When I’m Alone,” which brings Thundercat’s “We Die,” to mind.  From this session,  it should be apparent that Adeline is  the real deal — and that you’re watching a soon-to-be superstar in an intimate setting. 

Sophie Allison is a Swiss-born, Nashville-based singer/songwriter and guitarist, best known as the creative mastermind behind the critically applauded indie rock project Soccer Mommy.  Allison first picked up guitar when she was six — and as a teenager, she attended Nashville School of the Arts, where she studied guitar and played in the school’s swing band. By 2015, the Swiss-born, Nashville-based singer/songwriter and guitarist began posting home-recorded songs as Soccer Mommy to Bandcamp during the summer of 2015, just as she was about head off to New York University, where she studied music business at the University’s Steinhardt School of Culture, Education and Human Development.

While she was in college, Allison played her first Soccer Mommy show at Bushwick, Brooklyn’s Silent Barn. The Swiss-born, Nashville-based singer/songwriter and guitarist caught the attention of Fat Possum Records, who signed her to a record deal. After spending two years studying at NYU, Allison returned to Nashville to pursue a full-time career in music.

Upon her return to Nashville, the acclaimed Swiss-born artist wrote and released two Soccer Mommy albums — 2016’s For Young Hearts through Orchid Tapes and 2017’s Collection through Fat Possum Records. Her proper, full-length debut, 2018’s Clean was released to widespread critical acclaim, and as a result of a rapidly growing profile, Alison has wound up touring with Stephen Malkmus, Mitski, Kacey Musgraves, Jay Som, Slowdive, Frankie Cosmos, Liz Phair, Phoebe Bridgers, Paramore, Foster the People, Vampire Weekend, and Wilco.

Before the COVID-19 pandemic, 2020 was gearing up to be a massive year for the young and rising singer/songwriter and guitarist: she began the year by playing at one of Bernie Sanders’ presidential rallies and had joined a list of contemporary artists, who endorsed his presidential campaign. Allison’s highly-anticipated sophomore album color theory was released to critical applause — and building upon a rapidly growing profile, the Nashville-based artist had been gearing up for a massive year: she was about to embark one a headlining tour with a number of dates sold-out months in advance, along with that, she had lined up appearances across the global festival circuit that included a stop at Glastonbury. Additionally, she was supposed to make her late-night, nationally televised debut on Jimmy Kimmel Live!

With touring being on an indefinite half for the music industry, the Swiss-born, Nashville-based singer/songwriter and guitarist recognized that this was a unique opportunity to get creative and experiment with new ideas. Combining her love of video games and performing, Allison held a digital concert on the online gaming platform Club Penguin Rewritten with over 10,000 attendees, who all had to make their own penguin avatars to attend it. The concert was so popular, that her fans crashed the platform’s servers, forcing a rescheduling of the event. Allison has also performed a number of live streams events, including  NPR’s Tiny Desk At Home (which she kicked off) and Pitchfork‘s IG Live Series. And she also recently released her own Zoom background images.

Recently, Allison and company embarked on a an Bella Clark-directed 8-bit virtual, music video tour in which the band plays some of the cities she was meant to be passing through — Minneapolis, Chicago,Seattle, Toronto, and Austin. Instead of virtually playing at the more common tourist locations or a traditional music venue, the members of the band are mischievously placed in unusual locations: an abandoned Toronto area subway station, a haunted Chicago hotel, a bat-filled Austin bridge and more.performing album track “crawling in my skin.”

Continuing some wildly creative ways to maintain the momentum of her full-length debut, Allison recently launched a singles series, Soccer Mommy & Friends that sees some of her most accomplished friends and associates covering her work — and Allison covering their work. The singles series will see contributions from MGMT‘s Andrew VanWyngarden, Beabadoobee, Beach Bunny, Jay Som and a list others — with releases dropping every two weeks. The singles series first release finds the acclaimed Oakland-based singer/songwriter and multi-instrumentalist Melina Duterte, the creative mastermind behind the acclaimed indie rock act Jay Som covering Soccer Mommy’s “Lucy.”

Interestingly, Jay Som’s take on “lucy” turns the jangling guitar pop anthem into a shimmering and brooding track, centered around atmospheric synths, thumping beats and ethereal vocals that to my ears reminds me quite a bit of Air’s ethereal remix of Beck’s “Heaven Hammer.” “I had an extremely fun time recording the ‘lucy’ cover,” Duterte says in press notes. “Sophie has such a special way of entwining catchy melodies and sometimes dark chord progressions. I feel very lucky to be a part of this comp!”

All net profits from Bandcamp sales from the series will be donated to Oxfam‘s COVID-19 relief fun. Oxfam is working with partners to reach more than 14 million people in nearly 50 countries and the US to prevent the spread of the COVID-19 in vulnerable communities and support people’s basic food needs and livelihoods. As we’re all aware women and girls usually bear a disproportionate burden of care in a crises like COVID-19, and Oxfam has a proven record of helping women cope during and recover after these crises in ways that allow them to be safer and stronger than ever.

 

 

 

 

 

 

New Video: Acclaimed Indie Artist Soccer Mommy Goes on a Virtual 8-Bit Tour

Sophie Allison is a Swiss-born, Nashville-based singer/songwriter and guitarist, best known as the creative mastermind behind the critically applauded indie rock project Soccer Mommy.  Allison first picked up guitar when she was six — and as a teenager, she attended Nashville School of the Arts, where she studied guitar and played in the school’s swing band. By 2015, the Swiss-born, Nashville-based singer/songwriter and guitarist began posting home-recorded songs as Soccer Mommy to Bandcamp during the summer of 2015, just as she was about head off to New York University, where she studied music business at the University’sSteinhardt School of Culture, Education and Human Development. 

While she was in college, Allison played her first Soccer Mommy show at Bushwick, Brooklyn’s Silent Barn. She caught the attention of Fat Possum Records, who signed her to a record deal — and after spending two years at NYU, she returned to Nashville to pursue a full-time career in music. Upon her return to Nashville, the acclaimed Swiss-born artist wrote and released two Soccer Mommy albums — 2016’s For Young Hearts through Orchid Tapes and 2017’s Collection through Fat Possum Records. Her proper, full-length debut, 2018’s Clean was released to widespread critical acclaim, and as a result of a rapidly growing profile, Alison has wound up touring with Stephen Malkmus, Mitski, Kacey Musgraves, Jay Som, Slowdive, Frankie Cosmos, Liz Phair, Phoebe Bridgers, Paramore, Foster the People, Vampire Weekend, and Wilco.  

Before the COVID-19 pandemic, 2020 was gearing up to be a massive year for the young and rising singer/songwriter and guitarist: she began the year by playing at one of Bernie Sanders’ presidential rallies and had joined a list of contemporary artists, who endorsed his presidential campaign. Allison’s highly-anticipated sophomore album color theory was released to critical applause — and building upon a rapidly growing profile, the Nashville-based artist had been gearing up for a massive year: she was about to embark one a headlining tour with a number of dates sold-out months in advance, along with that, she had lined up appearances across the global festival circuit that included a stop at Glastonbury. Additionally, she was supposed to make her late-night, nationally televised debut on Jimmy Kimmel Live!

With touring being on an indefinite half for the music industry, the Swiss-born, Nashville-based singer/songwriter and guitarist recognized that this was a unique opportunity to get creative and experiment with new ideas. Combining her love of video games and performing, Allison held a digital concert on the online gaming platform Club Penguin Rewritten with over 10,000 attendees, who all had to make their own penguin avatars to attend it. The concert was so popular, that her fans crashed the platform’s servers, forcing a rescheduling of the event. Allison has also performed a number of live streams events, including  NPR’s Tiny Desk At Home (which she kicked off) and Pitchfork’s IG Live Series. And she also recently released her own Zoom background images. 

Recently, Allison and company embarked on a an Bella Clark-directed 8-bit virtual, music video tour in which the band plays some of the cities she was meant to be passing through — Minneapolis, Chicago, Seattle, Toronto, and Austin. Instead of virtually playing at the more common tourist locations or a traditional music venue, the members of the band are mischievously placed in unusual locations: an abandoned Toronto area subway station, a haunted Chicago hotel, a bat-filled Austin bridge and more. Interestingly, the video four features the virtual band playing the album’s latest single “crawling in my skin.” Centered around looping and shimmering guitars, a sinuous bass line, shuffling drumming and subtly shifting tempos, the track reveals a remarkably self-assured young songwriter, who has an unerring knack for pairing earnest songwriting with an infectious hook. (Oh, and you’ll see the band adhering to social distancing rules while virtually performing!)  

“It’s really hard having our tour be postponed because I was really excited to play all of the songs on color theory for everyone, ‘crawling in my skin’ in particular,” Allison says. “I hope this little 8-bit performance can hold everyone over until the tour can happen.”

New Audio: The Legendary Mavis Staples Teams Up with Jeff Tweedy on a Much-Needed Anthemic Bit of Uplift

Throughout the course of this site’s almost ten year history, I’ve managed to spill quite a bit of virtual ink covering the legendary Chicago-born singer, actress, and civil rights activist Mavis Staples. Going into a deep dive into her career as a member of the Staple Singers and and a solo artist will be a bit gratuitous — but throughout her career, she has received commercial and critical success, as well as a proverbial boatload of accolades. Stapes has received eight Grammy Awards nominations with the Staple Singers, winning one — a Lifetime Achievement Grammy in 2004. She also received a Grammy nod for a collaboration with longtime friend Bob Dylan. And as a solo artist, she’s been nominated for five Grammys, winning two — Best Americana Album for 2010’s You Are Not Alone and a Best American Roots Performance for  2015’s ”See That My Grave Is Kept Clean.”

She also has been nominated for 11 Blues Music Awards, winning nine, including Album of the Year for 2004’s Have A Little Faith, which featured Song of the Year and album title track “Have A Little Faith.” She’s also won three Soul Blues Female Artist Awards — one in 2004 and back to back wins in 2017 and 2018. Staples was also inducted into Rock & Roll Hall of Fame as a member of The Staple Singers in 1999, was a Kennedy Center Honoree in 2016 and inducted into the Blues Hall of Fame in 2017.

The legendary Chicago-born singer, actress and civil rights activist turned 80 last year and with her achievements, it would be understandable if she had begun to slow down; however, over the past handful of years, Staples has been remarkably busy, releasing three critically applauded albums with Wilco‘s Jeff Tweedy and last year’s Ben Harper written and produced, We Get By.

Fittingly, Staples’ latest single is the hopeful and upbeat Jeff Tweedy-produced, “All In It Together,” which also features Tweedy contributing backing vocals and guitar. Centered around a shuffling, Chicago blues-like arrangement of twinkling keys, strummed guitar, a rousing hook and Staples’ imitable vocals, the track speaks directly to our current sociopolitical moment, while gently reminding the listener that at the end of the day, we’re all in this together. And that if we don’t get together at this most important moment in our collective history, then we’re all doomed. 

“The song speaks to what we’re going through now – everyone is in this together, whether you like it or not,” the legendary vocalist explains in press notes. “It doesn’t matter how much money you have, what race or sex you are, where you live…it can still touch you. It’s hit so many people in our country and around the world in such a horrible way and I just hope this song can bring a little light to the darkness. We will get through this but we’re going to have to do it together. If this song is able to bring any happiness or relief to anyone out there in even the smallest way, I wanted to make sure that I helped to do that.”

The song is available on all streaming services and Bandcamp. All proceeds from the song will be donated to My Block, My Hood, My City, a Chicago-based organization that ensures seniors will have access to the essentials needed to fight COVID-19. 

With the release of 2017’s breakthrough album Nightmare Logic, the Dallas, TX-based metal act Power Trip — Riley Gale (vocals), Blake Ibanez (guitar), Chris Ulsh (drums), Nick Stewart (guitar) and Chris Whetzel (bass) — exploded into the national scene the album received breathless praise from The New Yorker and Pitchfork‘s Best New Music and NPR and landed number 1s on the best of/year-end lists of Rolling StoneBillboard, Stereogum, AV Club, BandcampLA WeeklySpin, Vinyl Me PleaseDallas Observer and countless others. Adding to a huge year for the band, they were featured on the cover of Revolver and Decibelreceived Best Metal Album of the Year from Loudwire and received song placement with the WWE.

Since the release of Nightmare Logic, the Dallas-based metal quintet have been touring relentlessly, headlining shows across North America, the European Union and Japan. The band recently announced the date and lineup for their second annual metal festival, Evil Beat and the festival, which will be held at South Side Ballroom on January 11, 2020 will feature Carcass, Vio-lence, Razor, Deafheaven, Sheer Mag, Drab Majesty, Prurient, Warthog, Torche, Wiccans, Red Death, True Widow, Special Interest, Mil Spec, Dress Code  — and of course, the night’s local heroes, the aforementioned Power Trip. This year will also a feature a kick-off the night before (details to come). Along with that “Hornet’s Nest,” which originally debuted as part of Adult Swim’s Single Series and has since become a fan favorite will finally see a digital and vinyl release. As for the single, it’s a headbanger’s delight — furiously howled vocals, scorching guitar riffs, thunderous drumming and mosh pit friendly hooks. And while sonically being indebted to Slayer and Metallica, Power Trip’s latest single catches them at their most ornery and explosive.

The members of Power Trip will be embarking on a fall co-headlining tour with High on Fire that includes a two night stay at Elsewhere — November 21, 2019 and November 2019. After their Evil Beat festival, the band will go on a lengthy spring UK and European run with Lamb of God and Kreator. Check out the tour dates below.

Tour  Dates: 

2019

10/12: Manchester, TN – Exit 111

11/03: Yogyakarta, ID – Jogjarockarta Festival

11/07: Austin, TX – Levitation at Mohawk #

11/09: San Antonio, TX – Paper Tiger #

11/10: Houston, TX – Foamhenge #

11/11: Pensacola, FL – Vinyl Music Hall

11/12: Tampa, FL – The Orpheum #

11/14: Atlanta, GA – The Masquerade #

11/15: Charlotte, NC – Amos’ Southend #

11/16: Richmond, VA – The Broadberry #

11/17: Baltimore, MD – Baltimore Sound Stage #

11/19: Philadelphia, PA – Union Transfer #

11/20: Asbury Park, NJ – Asbury Lanes #

11/21: Brooklyn, NY – Elsewhere #

11/22: Brooklyn, NY – Elsewhere #

11/23: Hartford, CT – Webster Theatre #

11/24: Montreal, QC – Club Soda #

11/25: Toronto, ON – Danforth Music Hall #

11/26: Detroit, MI – Majestic Theatre #

11/27: Chicago, IL – Metro #

11/29: Denver, CO – The Oriental Theater #

11/30: Salt Lake City, UT – Metro Music Hall #

12/02: Vancouver, BC – Rickshaw Theatre #

120/3: Seattle, WA – Neumos #

12/04: Portland, OR – Wonder Ballroom #

12/06: Berkeley, CA – The UC Theatre #

12/07: Los Angeles, CA – The Regent Theater #

12/08: Santa Ana, CA – The Observatory #
# w/ High on Fire, Devil Master, Creeping Death

2020

01/11: Dallas, TX – Evil Beat Vol 2 at South Side Ballroom

02/02: Tokyo, JP – Liquid Room

03/27: Stockholm, SE – Fryshuset Arenan ^

03/28: Copenhagen, DK – Forum Black Box ^

03/30: Oulu, FI – Teatria ^

03/31: Helsinki, FI – Ice Hall Black Box ^

04/02: Kraków, PL – Tauron Arena ^

04/03: Berlin, DE – Columbiahalle ^

04/04: Oberhausen, DE – Turbinenhalle ^

04/05: Wiesbaden, DE – Schlachthof ^

04/07: Zurich, CH – Samsung Hall ^

04/08: Munich, DE – Zenith ^

04/09: Ludwigsburg, DE – MHP Arena ^

04/11: Hamburg, DE – Sporthalle ^

04/14: Barcelona, ES – Razzmatazz ^

04/15: Madrid, ES – La Riviera ^

04/17: Paris, FR – L’Olympia ^

04/18: Saarbrücken, DE – Saarlandhalle ^

04/19: Brussels, BE – Ancienne Belgique ^

04/21: Bristol, UK – O2 Academy Bristol ^

04/22: Manchester, UK- Manchester Academy ^

04/23: Glasgow, UK – O2 Academy Glasgow ^

04/24: Birmingham, UK – O2 Academy Birmingham ^

^ w/ Lamb of God and Kreator

Initially began as the solo recording project of Seattle-based singer/songwriter and multi-instrumentalist Natasha El-Sergany that focused on spectral balladry and late-night exploration, the Seattle-based shoegazer project Somesurprises has gradually expanded into a full-fledged band featuring Josh Medina (guitar, synth), Laura Seniow (bass) and Nico Sophiea (drums) since the release of the project’s 2016 debut effort Voice Memos

2017 found El-Sergany collaborating with Josh Medina for the ambient album Serious Dreams, an effort that was released to critical applause from the likes of The Quietus, Bandcamp, The StrangerSeattle Weekly and Tiny Mixtapes. The following year, the project expanded to a full band with the addition of MX-80 Sound’s Nico Sophiea aend Red Ribbon‘s Emma Danner (bass) for that year’s Alt, an effort that Aquarium Drunkard compared to “an imaginary collaboration between Grouper and Spiritualized.” Interestingly, the band started off this year with a collaborative split tape with fellow Seattle-based act Supercandy, some candy that featured contributions from Brenan Chambers, Lori Goldston, Monika Khott and Ambrosia Bardos, who added layers of guitar effects, cello, vocals and trumpet.

The band has built up a strong profile in their hometown, opening for the likes of Circuit Des Yeux, Carla dal Forno, A Place to Bury Strangers and The Cave Singers — and they’ve toured the West Coast. Building upon a growing profile, the band will be releasing their self-titled full-length debut through Drawing Room Records. Slated for a September 20, 2019 release, the Seattle-based sheogazers self-title full-length finds the band exploring a wide range of styles from intensifying meditative drones to songs, where the same moment never quite happens twice. And unlike their previously released material, the vocals and lyrics are much more focused — with the material thematically longing for and seeking knowledge of the self, to guide the way out of one’s own mind.
Clocking in a little over five minutes, “High Rise,” the latest single off the Seattle-based shoegazers forthcoming full-length, self-titled  album is an expansive and shapeshifting song that begins with a pensive and slow-burning, shimmering intro that slowly builds up into an explosive power chord and motorik groove driven middle section. The song then closes out with a pensive and slow-burning, shimmering coda to close off a mind-bending and expansive song that sounds like the perfect accompaniment to experimenting with hallucinogens.

 

 

New Video: Acclaimed Toronto Producer Harrison Teams Up with RALPH on Soulful 90s Synth Pop Inspired Track

With the release of his 2016 full-length debut, the critically applauded, Juno Award-nominated Checkpoint Titanium, the Toronto-based electronic music producer, electronic music artist Harrison turned from DIY bedroom producer, posting tracks on Soundcloud to a nationally and internationally acclaimed artist and producer, at the forefront of his hometown’s R&B tinged electro pop scene. 

Building upon a rapidly growing profile, the acclaimed Canadian’s sophomore album Apricity, (which is defined as “the warmth of the sun in winter”) found him at a point where he was evolving his sound and approach, figuring out ways to translate ideas and challenge existing conventions more effectively while working with an equally acclaimed set of collaborators including Daniela Andrade, IaamSaam, BADBADNOTGOOD’s Matty Tavares, Prince Innocence’s Talvi, Basecamp’s Aaron Tiem, Prince DCF and RALPH among others. 

Interestingly, Harrison quietly released a set of B-sides through Bandcamp that will be included as part of the Apricity Deluxe bundle, which also will include an official Fingerboard, and a limited edition 140g, Black Smoke LP copy signed by Harrison, as well unlimited Bandcamp streaming; but let’s talk about Apricity’s sultry, 90s synth pop-inspired summer banger “Your Girl.” A collaboration featuring up-and-coming local vocalist RALPH, the track is built upon a dense, hook-driven production consisting of lush layers of shimmering and arpeggiated synths, tweeter and woofer rocking beats, RALPH’s soulful, come hither delivery and chopped up vocal samples. Directed by Ft. Langley, the video stars Doug Paton as “The Man” and is a slick, hilarious and absolutely incisive commentary on consumerism and advertising becoming a part of our innermost dreams and fantasies.