Tag: Berklee College of Music

New Video: Acclaimed Indie Act HAERTS Release a Dazzling Visual for Soaring “For the Sky”

Tracing their origins back to a budding high school romance in Munich, the acclaimed indie pop act HAERTS has evolved as its founding duo — Nini Fabi (vocals) and Benny Gebert (keys, guitar) — have evolved: the duo met their bandmates in Boston, while studying at Berklee College of Music with the the band relocating to Brooklyn, where they quickly built up a profile and released their major label, self-titled debut. And after a number of lineup changes in which the band’s founding duo has remained, Fabi and Gebert relocated to the woods of Upstate New York, where they worked on and released their sophomore album, 2018’s New Compassion.

Since the release of New Compassion, Fabi and Gebert have embraced their early international roots by splitting their time between Berlin and New York — and during that same period, they have been fueled by a renewed spirit of collaboration with musicians and visual artists they’ve long admired including Grizzly Bear’s Ed Droste and Julian Klincewicz, who they worked with on POWER/LAND.

“For the Sky,” the duo’s first bit of new material. this year, is centered around Fabi’s ethereal vocals, shimmering guitars, persistent drumming and a soaring hook. And while featuring a guest spot from Grizzly Bear’s Ed Droste, “For the Sky” continues an incredible run of carefully crafted pop tunes that reference Fleetwood Mac paired with earnest, lived-in songwriting. “‘For the Sky’ came from a dream I had when I first found out that I was pregnant, which was the catalyst and beginning of writing the new music,” HAERTS explain in press notes. “When we finished the demo for the song I kept hearing Ed’s voice and just thought he would sound amazing on it. We didn’t know him at the time, but were such fans. When we reached out we honestly thought we’d never hear from him. But we did and we went into the studio in LA, and ended up recording it just singing together in a room. Now that feels like such a nostalgic notion. But even then it was special. It was that feeling you get when you sing with somebody and something just clicks. And it’s especially crazy when you sing with a vocal force as Ed. I wish everybody could sing together more and feel that.”

Directed by their longtime visual collaborator Julian Klincewicz, the recently released video for “For the Sky” features a very pregnant and stunningly beautiful Nini Fabi dancing and singing along to the song. Indirectly, the visual points to the delicate balance between life and death; the resilience, strength, love and joy of motherhood; and the blessed miracle of healthy new life — especially in light of a global pandemic. “A few months later, we decided that we wanted to do a music video a week before i ended up giving birth,'” HAERTS says. “So it all came full circle when Julian came to NY and filmed me dancing at 9 months pregnant.”

“I think my process on this video was kind of about pushing through to the next chapter in our collaborative visual language,” Julian Klincewicz says of the video’s creative process. “I think If you look back at POWER/LAND, there’s a sort of directness or rawness in the humanity of it. And then if we look at YOUR LOVE – that rawness sort of transitions into a spiritual softness. I think right now is such a confrontational time – that to deal with some of those same themes it needs to have a bit more of a confrontational visual language… with the harsher more vibrant colors… its shifting from a kind of spiritual language, almost more into just a more energetic language. I think for me that’s the best word to describe it – the video is very much about an energy, a visual translation of the energy of the song. I was also thinking a lot about this idea of a coloring book – creating images that almost felt drawn, or like tracings of drawings. I think we started touching on that with the last album, but i wanted to push that a little further along. The raw footage we started off with was so clean and beautiful untouched, but i also had this urge to see how that footage could be pushed until it becomes something else entirely – until it could almost become its opposite kind of beauty – indirect, abstract, less literal. taking the spirit of it, but translating it into just the energy version of it.“

New Video: French Electronic Producer Edouard Releases a Glistening and Euphoric New Single

Constant reinvention has been a central part of French electronic producer Edouard’s music career and personal life: As a member of the French Touch movement of the 980s. his previous project wound up being an integral part of the European house music scene. Garnering widespread praise, the act signed to BMG Records — and as a result. they received massive radio play and appeared on compilation records alongside other acclaimed French Touch acts like Philipe Zdar, Etienne de Crécy, and Alex Gopher.

As time went on and as the musical landscape change, the French electronic music producer took up a number of different roles and lives: he was a solo-exhibited photographer; an art historian; an engineer; an investment bank manager; and he studied under six-time Grammy Award winner Gary Burton at the Berklee College of Music. Edouard’s latest musical project finds him writing and recording under his eponymous moniker — and sonically, the project meshes elements of electronica, electro pop, dance, house music, synthwave and several other electronic styles and subgenres with a retro-futuristic twist inspired by French electronic music pioneers like Daft Punk, Jean-Michel Jarre, Air, Justice, Laurent Garnier, Cassius, Bob Sinclair., Martin Solveig and the aforementioned Alex Gopher, who was studio engineer for Edouard’s forthcoming full-length, solo debut. Additionally, the project has a parallel focus on visual art, with graphic design duties being split between Filip Hodas and the artist himself.

Edouard’s fourth and latest single “Another World” is a Computerworld and Tour de France-era Kraftwerk meets Homework-era Daft Punk-like track, centered around multiple layers off glistening synth arpeggios, heavily vocodored vocals, stuttering beats, brief blasts of horn and a rousingly euphoric hook. The song finds Edouard carefully walking a tightrope between the mind-bending and expansive and straight forward, crowd pleasing club anthem. And interestingly enough, at the song’s core is a sunny optimism that there’s a much better world on the other side of this.

Directed by the French electronic music producer. the recently released video uses CGI to create exotic and surreal locales and worlds. It’s trippy as hell.

Lucias Tadini is an Italian-Brazilian singer/songwriter and multi-instrumentalist based in Los Angeles, where’s he best known for his solo recording project Tadini. The Italian-Brazilian singer/songwriter and musician, studied at Boston‘s Berklee College of Music— and after completing his studies, he wound up playing in a number of bands and projects, which have allowed him to hone his skills as a singer, keyboardist and guitarist, as well as producer and arranger.

Upon graduation, Tadini relocated to Los Angeles, where he started crafting arrangements centered around guitar, a collection of Moog synths, a Mellotron or two and a theremin that drew from Jimi Hendrix, Led Zeppelin, Pink Floyd and the rhythms and melodies of his native Brazil in a genre-blurring fashion. That material wound up becoming the Brazilian-born, Los Angeles-based singer/songwriter, multi-instrumentalist and producer’s forthcoming, full-length debut Collective Delusion. 

Last month, I wrote about “The Arsonist,” Collective Delusion‘s first single. Centered around explosive power chords, thunderous drumming and a rousingly anthemic hook, the song is full of arena rock friendly bombast and swagger paired with an incredibly self-assured performance that belies his relative youth. Written as he was relocating from Boston to Los Angeles. the song is a message about accepting and embracing change as a universal part of life. Continuing upon a similar vein as its immediate predecessor, Collective Delusion‘s second and latest single “Welcome Back to Freedom” is a slow-burning, bluesy dirge, centered around an enormous, power chord-driven hook, thunderous drumming and some explosive guitar soloing. Sonically, the song will likely draw comparisons to The Blue Stones,  Reignwolf and several others.

“‘Welcome Back to Freedom’ is  a song about surpassing your inner struggles (mental health) to win back your freedom, and the message is delivered through electrifying guitar riffs, a wall of synths and an arena ready catchy chorus, ” the emerging Los Angeles-based singer/songwriter and multi-instrumentalist explains in press notes.

 

 

 

 

New Video: Sarah Walk Explores Crippling Insecurity Self-Doubt and Uncertainty in Soaring “What Do I Want”

Sarah Walk is a Minneapolis-born singer/songwriter, and Berklee College of Music grad, who currently splits her time between Los Angeles and London. 2017’s Steve Brown-produced debut Little Black Book found the Minneapolis-born singer/songwriter and keyboardist crafting piano-based ballads. 

Walk’s forthcoming Leo Abrahams-produced sophomore album Another Me is reportedly a radical change in sonic direction for the Berklee College of Music grad with the album’s material moving towards shimmering and contemplative synth pop featuring soaring melodies and percussive arrangements. Thematically, the album’s material may be the most introspective she has ever written with the material inspired by a period of immense challenge and transformation, touching upon marginalization, survival, death, misogyny, vulnerability, reclamation of oneself and learning how to take up space. Additionally, the album sees Walk directly tackling the challenges of being a queer woman. “A lot of things had been untapped in my writing until now, many of which deal with burdens that I’ve carried or felt responsible for, which I believe has a lot to do with being a woman and being queer” Walk says in press notes. 

“What Do I Want,” Another Me’s latest single is an atmospheric bit of synth pop, centered around shimmering synth arpeggios, detailed syncopated percussion paired with Walk’s achingly plaintive vocals. And while bearing a resemblance to Kate Bush, the track reveals Walk’s knack for crafting a hook that’s both melodic and soaring. But despite its seeming tranquility, the song’s narrator attempts to work through anxiety, procrastination and paralyzing indecision in every aspect of her life. “Sometimes it’s easier to be so overwhelmed by what to do that you don’t do anything until someone else makes a decision for you,” the Minneapolis-born singer/songwriter and keyboardist explains. “I think part of that comes from being a woman; we’ve been conditioned to doubt our capability; afraid of confidence coming off as arrogant. Writing this song was a way of holding myself accountable so I can transcend societal structures and avoid falling into the same patterns of paralyzed anxiety.”

Another Me is slated for an August 28, 2020 release through One Little Indian Records. In the meantime, the recently released video for “What Do I Want” features Walk personifying the anxiousness and uncertainty within the song, as she seems plagued by crippling indecision. 
 

Born in Brazil to Italian parents, Lucias Tadini is an Italian-Brazilian singer/songwriter and multi-instrumentalist based in Los Angeles, best known as Tadini. As a child, he attended a Chinese school, where he learned how to speak and read Mandarin. Eventually he relocated to Boston, where he studied at Berklee College of Music— and after completing his studies, he wound up playing in a number of bands and projects, which have allowed the Italian-Brazilian singer/songwriter and multi-instrumentalist to hone his sills as a singer, keyboardist and guitarist, as well as a producer and arranger.

Relocating again to Los Angeles, Tadini began crafting arrangements centered around guitar, a collection of Moog, a Mellotron or two and a theremin that drew from Jimi Hendrix, Led Zeppelin, Pink Floyd and the rhythms and melodies of his native Brazil in a genre-blurring fashion. The end result is the emerging artist’s forthcoming, full-length debut Collective Delusion. 

Interestingly, “The Arsonist” is the Los Angeles-based artist’s debut single — and the first official single off his full-length debut. Centered around explosive power chords, thunderous drumming and a rousingly anthemic hook, the song is full of arena rock friendly bombast and swagger paired with an incredibly self-assured performance that belies his relative youth. Written as he was relocating from Boston to Los Angeles. the song is a message about accepting and embracing change as a universal part of life.

“It’s the first song I wrote for the album,” Tadini says in press notes. “It is about setting one’s old self on fire (therefore the arsonist) in order to start fresh, kind of like a Phoenix. It symbolizes the beginning of my solo career”.

 

New Video: Paris-based Synth Pop Act Superjava Releases a Funky Club Banger

The emerging Paris-based, disco and funk-influenced electro pop act Superjava features one of the most diverse lineups I’ve come across in some time — its members hail from Jakarta, Indonesia; Lima, Peru; and Paris, France. The act can trace its origins to when its founding duo Archi and Alex met back in 2015 while they were studying at Berklee College of Music. The pair began crafting funky riffs — and when they relocated to Paris, they met the band’s third and final member Arnuad. 

The band’s debut EP, Javaland established the band’s breezy, hook-driven take on synth pop. As the band explains, Javaland’s follow-up, Soul Dance EP, which is slated for release later this year, “has two main goals: put a smile on your face and make you dance.” Interestingly, the EP’s latest single, the Shapes-era Miami Horror-like “Dance For Me” is centered around a sinuous bass line, shimmering synth arpeggios, a big brass sample, Nile Rodgers-like funk guitar, thumping beats and an infectious hook featuring soulful backing vocals is a a feel good, club-banger meant to get you — and that pretty your thing you’ve been eying for the past three songs onto the dance floor. 

Directed by Dixhuit Prod, the recently released video features the brightly dressed members of Superjava along with a backing vocal section perfuming the song in front of a joyous party of young people getting down — and it’s fitting. 

Harris Breyfogle is an up-and coming singer/songwriter, guitarist and Berklee College of  Music graduate. His forthcoming full-length Complexus, which is slated for a Spring 2020 release and the album covers the emotional timeline of the Berklee Music School grad’s relationship with an ex girlfriend with the material thematically exploring the journey to find closure and peace in the aftermath of a messy and bitter breakup.

Some of the album’s material has received attention from Hype Machine, Imperfect Fifth and a number of other blogs. Building upon a growing profile, Breyfogle’s latest single “Angela” is breezy, two step-inducing pop confection centered around Nile Rodgers-like funk guitar, a sinuous bass line and an infectious, radio  hook. And while the song may stylistically draw inspiration from Daft Punk‘s smash-hit “Get Lucky,” the song also nods at George Michael‘s “Careless Whisper” and 80s yacht rock. Interestingly, the song takes it title from the woman,  who ultimately inspired Complexus‘ material — and as a result, the song is imbued with a mix of ache, longing  and nostalgia.