Tag: BIg Boi

 

A.K. Paul is a London-born and-based singer/songwriter, producer, engineer and recording artist, who first came to prominence with a contribution to his brother Jai Paul’s debut single “BTSU.” The following year, Paul was very busy: he worked on his brother Jai’s “Jasmine (demo)” and Big Boi‘s “Higher Res,” feat. Jai Paul and Little Dragon, as well as co-writing material for Sam Smith and Emeli Sandé, which resulted in the London-born and based artist winning a Ivor Novello Award back in 2013.

In 2016, A.K. Paul, Jai Paul and Muz Azar started their own label Paul Institute, and the label released A.K’s full-length debut Landcruisin’. Unfortunately, Paul Institute and its co-founders had gone through a protracted legal fight that nearly shut the label down — but over the past few months, the label, along with its co-founders and artists have released new material.  “I’m really happy we’re releasing new music with Paul Institute this summer,” A.K. Paul says in press notes. “It’s been a while coming and the last couple of years have been perilous at times for PI, particularly because of a legal fight that set us back. So besides it being sick music, to return with such a strong set of releases feels like a vindication of our rights as artists too.”

Paul’s latest single “Be Honest” is a New Jack Swing-like take on house and electro pop, centered around stuttering beats, shimmering synth arpeggios, an infectious hook and the British artist’s soulful crooning. Sonically, the song is an escapist (and necessary summer) banger — even if it’s one of the strangest summers in recent memory. In press notes, Paul describes the song as being “about giving up control for a moment, allowing yourself to feel something beyond what you’ve known. It’s a song about liking something you didn’t think you would like, feeling something you didn’t think you’d feel — and as soon as you come to your senses being faced with the prospect you’ve only half lived . . .”

 

Although they’ve proudly boasted of their long-held reputation for crafting left of center pop and adhering to doing things in their own way, the Gothenburg, Sweden-based pop act Little Dragon, comprised of Yukimi Nagano (vocals), Hakan Wirenstarnd (keys), Fredrik Wallin (bass) and Erik Bodin (drums), have managed to achieve an enviable level of mainstream success and recognition: 2014’s full-length effort Nabuma Rubberband received a Grammy nomination and they’ve developed a reputation for being a highly sought-after collaborative unit, as they’ve worked with an impressive array of genre-defying, difficult to pigeon-hole artists and acts including BADBADNOTGOODGorillaz, SBTRKT, Flying Lotus, Kaytranada, Big Boi, De La Soul, DJ Shadow, Tinashe, Mac Miller, Future, Raphael Saadiq, Faith Evans and many more.

The acclaimed Swedish pop act can trace their origins back to when they would meet up after school to jam and play A Tribe Called Quest and Alice Coltrane records and reportedly the band’s forthcoming album New Me, Same Us finds the band going back to the basics and falling back in love with their instruments while crafting some of what may arguably be the most focused material of their growing catalog. Interestingly, the material thematically touches upon transitions, longing and saying goodbye. And as a result, it may also be among the most reflective and thoughtful of their careers. “We are all on our own personal journeys, full of chance, yet still we stand united with stories we believe in, that make us who are we are.”

The album which was entirely self-produced and recorded at the acclaimed Swedish pop act’s home-built Gothenburg-based studio “has been the most collaborative for us yet, which might sound weird considering we’ve been making music together for all these years, but we worked hard at being honest, finding the courage to let go of our egos and be pieces of something bigger,” the members of Little Dragon explain in press notes. Centered around shimming synth arpeggios, a sinuous bass line, propulsive polyrhythm  an infectious two-step inducing hook and Nagano’s soulful crooning, “Hold On,” Same Me, New Us‘ sultry first single manages to recall Fragile-era Cherrelle, with subtle house music flourishes.

The song as the band explains is a centered around a message about breaking away and moving on. It started out as a slick house track but transformed once Fred played the base through it and we all worked it together,” the band explains. “It became something raw and soulful. It’s a simple groove that makes us dance. We can’t wait to play it live because once we play it live it most certainly will change again.”

The acclaimed Swedish pop act will be embarking on a headlining international tour throughout the bulk of the Spring. The tour includes a two-night stand at Brooklyn Steel — April 17, 2020 and April 18, 2020. The April 18 show is already sold out. Check out the tour dates below.

2020 TOUR DATES
Mar 09 Stockholm, Sweden – Berns
Mar 10 Copenhagen, Denmark – VEGA *SOLD OUT
Mar 12 Berlin, Germany – Festsaal Kreuzberg
Mar 13 Warsaw, Poland – Niebo
Mar 15 Prague, Czech Republic – Roxy
Mar 16 Vienna, Austria – Flex
Mar 18 Zurich, Switzerland – Mascotte
Mar 19 Milan, Italy – Santeria Toscana 31
Mar 21 Brussels, Belgium – Botanique
Mar 23 Amsterdam, Netherlands – Melkweg
Mar 25 Paris, France – Gaîté Lyrique
Mar 26 London, UK – 02 Brixton Academy
Apr 15 Washington, DC – 9:30 Club
Apr 17 Brooklyn, NY – Brooklyn Steel
Apr 18 Brooklyn, NY – Brooklyn Steel *SOLD OUT
Apr 20 Philadelphia, PA – Union Transfer
Apr 21 New Haven, CT – College Street Music Hall
Apr 22 Boston, MA – Paradise Rock Club
Apr 24 Montreal, QC – Corona Theatre
Apr 25 Toronto, ON – Danforth Music Hall
Apr 27 Detroit, MI – Majestic Theater
Apr 28 Chicago, IL – The Vic Theatre
Apr 29 Minneapolis, MN – First Avenue
May 01 Denver, CO – Ogden Theatre
May 02 Salt Lake City, UT – The Complex
May 04 Seattle, WA – Showbox *SOLD OUT
May 05 Vancouver, BC – Commodore Ballroom
May 06 Portland, OR – Roseland Theatre
May 08 Oakland, CA – Fox Theater
May 09 Los Angeles, CA – Palladium
May 11 Santa Ana, CA – Observatory OC
May 12 San Diego, CA – House of Blues
May 16 Guadalajara, MX – Corona Capital Guadalajara

Comprised of Nick Wisdom and AstroLogical, the Vancouver, British Columbia, Canada-based hip-hop and electro pop production duo Potatohead People can trace their origins to when they first met in a high school, community baseball league in high school and bonded over their mutual love of J. Dilla and Madlib. In 2008 Wisdom and AstroLogicla began working together in the hip-hop collective Elekwent Folk; but soon after, the duo formed Potatohead People and began focusing on creating forward-thinking instrumental music.

After releasing a series of EPs digital through Vancouver-based net-label Jellyfish Recordings, the renowned New York-based label Bastard Jazz re-issued 2012’s Kosmichemusik EP and released a 7 inch, which quickly became collector’s item; in fact, the Vancouver-based production team’s association with Bastard Jazz helped land their song “Back to My Shit,” featuring Frank’n’Dank‘s Frank Nitty on a Powerade-produced Lebron James documentary. Adding to a growing profile, the duo have been championed by the likes of OkayPlayer, Kaytranada, Soulection, Nightmares on Wax, Pomo, Exmag, Big Boi and the late Phife Dawg among others.

Last year, the duo released their groundbreaking sophomore album Nick & Astro’s Guide to the Galaxy, an album that found them continuing an ongoing collaboration with Illa J, as well as a collection of other artists. Building upon the momentum of their sophomore album, the Canadian production duo will be releasing Nick & Astro’s Instrumentals, Remixes & B-Sides EP through Bastard Jazz Records on April 26, 2019 and the EP features a collection of instrumentals, B-sides and a handpicked collection of their favorite producers from around the world remixing their material. Additionally, the members of Potatohead People held a remix contest from which they picked one winner from an overwhelming number of submissions.

The soon-to-be released EP’s latest single is the New Jack Swing and Quiet Storm-inspired original track “Iced Tea.” Centered around a thumping, club friendly production featuring handclap-led percussion with thumping and shuffling beats, a sinuous bass line, layers of arpeggiated synths and a slick hook, the single reminds me of Cherrelle‘s “Saturday Love,” and “I Didn’t Mean to Turn You On,” and G-funk era hip-hop. giorgi and Radina Vee contribute sultrily delivered vocals that are part late night, come hither come on, part you’ve been friendzoned — but with someone who’s actually pretty awesome.