Tag: Big K.R.I.T.

Live Footage: Luke James with Nu Deco Ensemble, Samoht and Sensei Bueno Perform a Gorgeous Re-Imagining of “shine on”

Luke James (born Luke James Boyd) is a New Orleans-born singer/songwriter and actor, whose musical career started in earnest as a background vocalist for Tyrese, along with a classmate Quentin Spears. While with Tyrese, James and Spears met acclaimed production outfit The Underdogs, who worked with and mentored the duo, who performed, wrote and recorded as Luke & Q.

Through his connection with The Underdogs, the legendary Clive Davis signed James to J Records, where he wrote material for Chris Brown, Britney Spears and Justin Bieber. But by 2011, he released his debut mixtape, #Luke, which featured the critically acclaimed single “I Want You.” “I Want You” eventually earned James a Best R&B Performance Grammy nomination. He followed that up with his sophomore mixtape 2012’s Whispers in the Dark and his 2014 self-titled, full-length debut.

Since the release of his full-length debut, James released “Drip,” which was later remixed by A$AP Ferg and his critically applauded, breakthrough sophomore album, last year’s to feel love/d. The album which featured guest spots from BJ The Chicago Kid, Ro James, Big K.R.I.T., Kirk Franklin and Samoht, and production by Danja, Cobaine Ivory, Guitarboy, and Sir Dylan received a Best R&B Album Grammy nomination. The album helped James earn his third Grammy nomination while being the only independent release album in the category to land a nomination.

As an actor, James played Johnny Gill in BET’s 2017 TV biopic The New Edition Story. He has appeared in the Regina Hall and Will Packer film Little. He played Noah Brooks in FOX’s Star and he’s appeared in HBO’s smash hit series Insecure, as well as BET’s The Bobby Brown Story. Last year, he was in the third season of Showtime’s The Chi.

The multiple Grammy nominee will star in the Broadway play, Thoughts of a Colored Man, which will open at The John Golden Theatre on October 31, 2021 and run through March 2022. The limited engagement will be the first new play to open on Broadway in almost two years, as a result of pandemic-related shutdowns. The play explores a single day in Brooklyn with seven Black men discovering the extraordinary together through a blend of spoken word, slam poetry, rhythm and humor.

Adding to a busy year, James teamed up with Sam Hyken, Jacomo Bairos and their Miami-based 30 member orchestra Nu Deco Ensemble on A Live Sensation, a live re-imagining of his Grammy nominated sophomore album to feel love/d.

Slated for release on Friday, A Live Sensation was recorded at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County and was originally broadcast exclusively on BET as a benefit concert for the NAACP’s Backing the B.A.R. Initiative, with donations and funds going towards Black-owned bars and restaurants hurt as a result of pandemic-related shutdowns.

A Live Sensation will feature nine tracks from the live performance, which sees James blend his soulful vocals with Nu Deco Ensemble’s orchestral sound. The album features guest spots from Sensei Bueno and Samoht.

“‘A Live Sensation’ is a raw orchestral expression inspired by the verb: love. It is a live recorded offering to the world, taken from a film inspired by love,” Luke James says of the new album. Nu Deco Ensemble co-founder and conductor, and collaborator Jacomo Bairos adds “It feels cosmically aligned to once again collaborate with our friend – the sensational and truly creative Luke James. We all recognized his unbelievable talent as well his generous and collaborative spirit when we first met years ago, so to have him return to collaborate on a project that highlights his unique vision through his GRAMMY nominated album on such a dynamic and creative project simply means the world to us. We are blessed to share this moment together, bringing more beautiful and meaningful music experiences to such a wide audience.” 

A Live Sensation‘s latest single is a re-imagining of to fee love/d‘s “shine on,” that pairs James’, Samoht’s and Sensei Bueno’s soulful and achingly vulnerable vocals with a breathtakingly gorgeous arrangement of soaring strings, shimmering guitar and twinkling Rhodes. The end result is a song that sounds enormous yet deeply intimate, while yearning heavenward with a rare, but profound sincerity.

New Video: Freddie Gibbs and Madlib Announce Their Long-Awaited Second Collaborative Album and Release a Cinematic Visual for “Crime Pays”

Born Fredrick Jamel Tipton, the Gary, IN-born emcee and JOVM mainstay Freddie Gibbs initially signed with Interscope Records in 2006 and after recording his full-length debut with the label, the Gary, IN-born emcee was dropped as a result of the label’s management changing hands — and the album was subsequently shelved; however, with the release of 2009’s The Miseducation of Freddie Gibbs, a prolific series of mixtapes and his 2013’s full-length debut ESGN (Evil Seeds Grow Naturally), Gibbs quickly established a reputation for being a talented lyricist and narrative-based storyteller with an imitable, gruff flow. 

Gibbs’ work largely focuses on street shit and hustling but unlike most of his peers, who take on exaggerated, superhuman personas and describe tales in which their heroes always win, Gibbs pulls the showbiz curtains aside with a frank and unvarnished honesty and realism. His characters inhabit a world much like own, full of gritty, almost Darwinistic struggles in which men and women do evil things to others to get by, fully aware of the fact that they’re paving roads to their own unique, fucked up hell.  And as a result, the Gary, IN-born JOVM mainstay became a go-to collaborator, working with an impressive list of artists and producers including Young Jeezy, Juicy J, Philadelphia Freeway, Dom Kennedy, J.U.S.T.I.C.E. League, Big K.R.I.T., Cardo, DJ Burn One, Speakerbomb, Block Beattaz, Beatnick and K-Salaam, Chip tha Ripper, The Cool Kids‘ Chuck Inglish and Mikey Rocks, Krayzie Bone, SpaceGhostPurrp, Jadakiss, Kirko Bangz, Jay Rock, Curren$y and others. 

Five years ago, Gibbs teamed up with Madlib, arguably one of hip-hop’s dopest, most inventive and prolific producers on the critically and commercially successful Piñata, which landed at #38 on the Billboard 200 and number seven on the US Top Rap Albums Charts. At the time of its release, I compared Piñata to Small Professor’s and Guilty Simpson’s collaboration Highway Robbery as both albums were the result of a shared artistic vision that channelled golden era hip hop.

In 2016 Madlib announced that he would be working with Madlib on their second album together Bandana, and that many of the rejected beats he auditioned for Kanye West’s The Life of Pablo would appear on the new album. Gibbs and his manager later confirmed that on Twitter. During that same period, the Gary, IN-born JOVM mainstay was busy with the release of his third solo album, 2017’s You Only Live 2wice and last year’s Fetti, a collaborative album with Curren$y.

Interestingly, three years after its initial announcement, the long-awaited Bandana is slated for a June 28, 2019 release through Keep Cool Records, RCA Records, Madlib Invazion and ESGN. Earlier this year, Gibbs and Madlib released Bandana’s first single, the album title track “Bandana,” which featured dancehall artist Assassin. Bandana’s second and latest single “Crime Pays” is centered around a Roy Ayers-like shimmering, old-school 70s jazz soul sample and Gibbs gruff and imitable baritone dexterously rhyming about the street shit and hustling that he’s well-known for, but underneath that is the bitter recognition that you can roll the dice so many times before hitting snake eyes at some point. 

Directed by Nick Walker, and starring Gibbs as himself, Zoe Neal as Farm Girl, John Pistone as Farm Guy 1, Mazen Shehabi as Farm Guy 2 and Benedikt Sebastian, the recently released video for “Crime Pays” is set on a farm in the seemingly fiction Mt. Kane. Gibbs’ character is a farm owner, who owns a massive property with three male helpers, who he cajoles and chides endlessly for being lazy, slow, stupid and so on. In fact, Gibbs’ character is so rich that he owns horses and zebras — but the video slowly reveals that they’re running a drug scheme that involves stashing loads of drugs in hay for delivery and distribution elsewhere. Gangster as fuck, indeed.