Tag: Bloomington IN

New Video: The 80s Inspired Visuals for Swooning Phil Spector-like “Can’t Help The Way I Feel”

Over the past couple of months, I’ve written a bit about the Indianapolis, IN-based folk pop duo Lily & Madeleine, And as you may recall, the act, which consists of siblings Lily and Madeline Jurkiewicz can trace its origins to when the Jurkiewicz Sisters began singing together while attending high school, uploading home videos of various covers to YouTube. Those videos caught the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records.

Adding to a growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. After playing some of their first sold out shows in their hometown, they made their national TV debut on CBS This Morning to promote their self-titled, full-length debut, which was released in February 2013. The album was praised from a number of major media outlets, including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

Now, as you may recall, the Jurkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Grammy Award-winning production team Daniel Tashian and Ian Fitchuck, who worked on Kacey Musgraves’ Golden Hour pairs the Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others.

Canterbury Girls, the Jurkiewicz Sisters’ the fourth full-length album is slated for a February 22, 2019 release through New West Records and interestingly, the Phil Spector-like “Can’t Help The Way I Feel” is centered by what may arguably be the tightest and funkiest groove on the entire album, with a razor sharp and infectious hook, handclaps, twinkling keys and the Jurkiewicz Sisters easygoing yet gorgeous harmonizing. At its core, the song’s narrator is proud and defiant, openly saying that while her friends may disapprove of her love interest, she simply can’t help how she feels — even if the relationship isn’t good for her. Somehow, I suspect that many of us can relate.

Directed by Horatio Baltz, the recently released video for “Can’t Help The Way I Feel” features the Jurkiewicz Sisters are swooning and lovestruck 80s teens. Owing a visual debt to John Hughes films, the video features some slick split screens and some dreamy glamor sequences.

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New Audio: Lily & Madeleine Release a Gorgeous and Swooning New Single

Over the past month, I’ve written quite a bit about the Indianapolis, IN-based folk pop duo, Lily & Madeleine, and as you may recall, the act which is comprised of siblings Lily and Madeline Jurkiewicz can trace its origins to when the Jurkiewicz Sisters began singing together while in high school, uploading home videos of various covers songs YouTube. Those videos catgut the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records.

Adding to a rapidly growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. The duo’s self-titled full-length debut was released in February 2013, and received praise from a number of major media outlets including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

The Jurkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Daniel Tashian and Ian Fitchuck,  pairs Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others. “Can’t Help The Way I Feel,” the sibling duo’s second single of this year was centered what may arguably be the tightest and funkiest groove on the entire album — but perhaps more interesting is the fact that the track features a razor sharp and infectious hook, handclaps, winkling keys. shimmering and arpeggiated organ lines and the Jurkiewicz Sisters easygoing yet gorgeous harmonizing. At its core, the song’s narrator is proud and defiant, openly saying that while her friends may disapprove of her love interest, she simply can’t help how she feels — even if the relationship isn’t good for her. 

Co-written by Lucie Silvas and the Jurkiewicz Sisters, their third single of this year is the swooning and atmospheric “Analog Love.” Centered around shimmering steel pedal guitar, shuffling drumming, acoustic guitar and the Jurkiewicz Sisters gorgeous vocals, the track is a sweet love song that sonically seems to draw from honky tonk country and Phil Spector pop while evoking the sensation of the sort of love in which the world fades away, and for a few moments, it’s you and your love; but there’s also the underlying recognition that nothing lasts forever and as a result, there’s this desire to hold on to what you can for as long as you can. 

Earlier this month, I wrote about Lily & Madeleine, an Indianapolis, IN-based folk pop duo, consisting of siblings Lily and Madeline Jurkiewicz. The act can trace its origins to when the Jurkiewicz Sisters began singing together while in high school, uploading home videos of various cover songs to YouTube. Those videos catgut the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records.

Adding to a growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. After playing some of their first sold out shows in their hometown, they made their national TV debut on CBS This Morning to promote their self-titled, full-length debut, which was released in February 2013. The album was praised from a number of major media outlets, including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

Now, as you may recall, the Jurkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Daniel Tashian and Ian Fitchuck, who worked on Kacey MusgravesGolden Hour pairs the Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others.

Canterbury Girls, the Jerkiewicz Sisters’ the fourth full-length album is slated for a February 22, 2019 release through New West Records and interestingly, its latest single is the Phil Spector-like “Can’t Help The Way I Feel.” Centered by what may arguably be the tightest and funkiest groove on the entire album, the track features a razor sharp and infectious hook, handclaps, winkling keys. shimmering and arpeggiated organ lines and the Jerkiewicz Sisters easygoing yet gorgeous harmonizing. At its core, the song’s narrator is proud and defiant, openly saying that while her friends may disapprove of her love interest, she simply can’t help how she feels — even if the relationship isn’t good for her. Somehow, I suspect that many of us can relate.

Lily & Madeleine will be touring to support the new album throughout February and March, and the tour will include a February 21, 2019 stop at Rough Trade. Check out the tour dates below.

TOUR DATES: 

Mon., Feb. 18 / Cafe Nine / New Haven, CT

Weds., Feb. 20 / The Saint / Asbury Park, NJ

Thurs., Feb. 21 / Rough Trade NYC / Brooklyn, NY

Fri., Feb. 22 / World Cafe Live Upstairs / Philadelphia, PA

Sat., Feb. 23 / Songbyrd / Washington, DC

Mon., Feb. 25 / Cat’s Cradle – Back Room / Carrboro, NC

Tues., Feb. 26 / Eddie’s Attic / Decatur, GA

Thurs., Feb. 28 / Zanzabar / Louisville, KY

Fri., Mar. 1 / Deluxe @ Old National Centre / Indianapolis, IN

Sat., Mar. 2 / Schubas Tavern / Chicago, IL

Sun., Mar. 3 / Turf Curb / St. Paul, MN

Mon., Mar. 4 / The Mill / Iowa City, IA

Weds., Mar. 6 / The Pike Room at The Crofoot / Pontiac, MI

Thurs., Mar. 7 / The Drake Hotel / Toronto, ON, Canada

Fri., Mar. 8 / Quai Des Brumes / Montreal, QC, Canada

Sat., Mar. 9 / Berklee College of Music: The Red Room @ Cafe / Boston, MA

 

 

New Audio: Acclaimed Folk Pop Duo Lily & Madeline Release a Bold and Self-Assured New Single

Lily & Madeleine are an Indianapolis, IN-based folk pop duo, consisting of siblings Lily and Madeline Jurkiewicz. Interestingly, the act can trace its origins to when the Jurkiewicz Sisters began singing together while in high school, uploading home videos of various cover songs to YouTube. Those videos catgut the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records. 

Adding to a growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. After playing some of their first sold out shows in their hometown, they made their national TV debut on CBS This Morning to promote their self-titled, full-length debut, which was released in February 2013. The album was praised from a number of major media outlets, including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

The Jerkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Daniel Tashian and Ian Fitchuck, who worked on Kacey Musgraves’ “Golden Hour pairs the Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others.  

Initially formed back in 2010 as a trio, Cincinnati, OH-based punk rock act Vacation quickly released a slew of tapes, singles and albums through a number of DIY labels while playing pop-inspired punk shows throughout the Midwest and the rest of the country. Since their formation, the band has expanded into a quartet while managing to balance prolificacy with a relentless touring schedule that has had the Cincinnati-based punk rockers opening for the likes of The Breeders, JOVM mainstays Screaming Females, The Black Lips, and others.

Back in 2016 Vacation recorded a two-part album Southern Grass: The Continuation of Rock ‘n’ Roll, a miscellaneous collection of basement punk ephemera, and by the time of the album’s release that July, the members of the band had returned to the studio to write and record their latest album Mouth Sounds #2699 slated for a release through Bloomington, IN-based Let’s Pretend Records later this week. Engineered by The Afghan Whigs‘ John Curley at Ultraseude StudioMouth Sounds #2699 reportedly finds the band at their most experimental with songs that nod at Tom Petty, krautrock and punk rock; in fact, the album’s latest single “Deflector Head” is a prime example of what the band specializes in — ragged, gritty and rousingly anthemic punk with decidedly Cheap Trick-like power pop leanings. It’s the sort of song that you should raise your beer as high as possible and shout along lustily to the hook — as rock ‘n’ roll should make you do.

 

 

Depending on what you’d count and how you’d count, Amy Oelsner, best known as Amy O has contributed to and recorded somewhere between two and nine albums, which would paradoxically make her an old pro and a relatively new artist. But let’s begin with some background: Growing up in Fayetteville, AR Oelsner taught herself guitar and began writing songs, eventually recording a series of lo-fi albums while moving around the country for school and for work. Each album, whether solo or with a band was released independently and with little regard for sales, promotion or radio airplay, and according to the Bloomington, IN-based singer/songwriter, at the time, the endeavor was more about the entire experience, including learning the thrill and discipline involved in creating. “Songwriting,” as Oelsner explains “became a way for me to process things and make sense of my life. I got hooked on it emotionally.”

After stints residing in Ohio, Massachusetts and Brooklyn, Oelsner relocated to Bloomington to work at Rhino’s Youth Center, which offers creative-leaning after-school programs to teenagers — and in many ways it’s a school, art gallery, music venue, a community theater, a community center and a whole host of other things. Oelsner took a job leading the Zine Writing Program, a program which encourages local teens to share their stories, to engage with the public in creative ways, to define and address the issues that affect their lives on a very granular level. Interestingly, the Bloomington, IN-based singer/songwriter’s professional life influences her creative life, as the deluxe edition of her forthcoming album Elastic will be released by her own zine Yoko, Oh Yes, which will feature interviews from a number of women musicians and artists — including The Roches’ Terre Roche, Frankie Cosmos’ Greta Kline, Free Cake for Every Creature’s Katie Bennett and others discussing songwriting and technique, early experiences, gear, the recording business, money, inspiration and advice. Certainly for any aspiring female artist, hearing from those who have been where you have been, have made mistakes and learned from them and have achieved success and renown will be a transformative and inspiring experience.

As far as the actual album, which is slated for an August 4, 2017 release, Oelsner performs with a backing band of friends and collaborators including Madeline Robinson (bass, vocals), Justin Vollmar (drums), Damion Schiralli (guitar) and Aaron Denton (keys, vocals) and from the album’s first single “Lavender Night,” possesses an infectious exuberance, the easygoing self-assuredness and craft of old pros and razor sharp hook — a hook that’s paired with zigzagging guitar work and a propulsive, chugging rhythm section. While sonically drawing from Sleater-Kinney, The Roches and others, the track as she explains “came to me quickly and without fuss. I wrote it after a little scare I had at the doctor with a mysterious lump. It’s about the constant (and often invisible) line of fragility that we walk upon in life, leaning how to follow trails of light throughout difficult circumstances, and resisting the black hole-like vacuum of negative thought patterns.” And as a result, the song has the urgency of one who has recognizes that they’ve dodged a bullet — and that good turn of luck could quickly end.

 

New Audio: Introducing the Wire-Inspired Post-Punk Sound of Bloomington, Indiana’s Permit

Permit is a Bloomington, IN-based indie rock/punk rock duo and with the release of their debut 7 inch, the duo’s sound was indebted to power pop, classic rock and early punk; however, with the release of their debut EP Vol. 1 the duo’s sound has increasingly taken on a frenetic post-punk vibe that makes their material sound as though it were indebted to Pink Flag-era Wire but as though it were a 33 rpm album played 45 rpm speed, as you’ll hear on Vol. 1’s latest single “Track #6.”

 

 

The up-and-coming Winnipeg, MB-based quartet Living Hour can trace their origins to basement jam sessions, writing dreamy songs inspired by the cinematic sky of their hometown. And as a result their sound, which possesses elements of shimmering guitar pop, swirling synths and ethereal vocals draws equally from classic shoegaze, dream pop and chillwave is both stunningly gorgeous and dramatic, as you’ll hear on their  latest single “Seagull,” a single that sounds as though it could have been released during 120 Minutes-era MTV — in particular think of Mazzy Star‘s “Fade Into You” and you’ll see exactly what I’m getting at.  (In other words, it’s the sort of song that would have been the soundtrack of an intense and fervent make out session — or would have been the soundtrack of a teenaged breakup.)

It’s been a busy year or so for the Canadian quartet. They contributed two songs to Family Portrait II, a vinyl compilation released by the London/Bristol-based label Art is Hard Records back in April and released a limited run cassette tape of their self titled debut effort through Bloomington, IN-based Tree Machine Records. But 2016 looks to be a breakout year for the band as they signed with Lefse Records, and will be releasing their full-length debut on February 19, 2016, which will be followed by a tour to support the effort. Check out some of the early tour dates below.

 

TOUR DATES:


March 3    Winnipeg, MB    The Good Will Social Club
March 4    Fargo, ND    The Aquarium
March 6    Des Moines, IA    Des Moines Social Club
March 7    Rock Island, IL    Rozz Tox
March 9    St Louis, MO    Foam
March 11    Denver, CO    Lion’s Lair
March 13    Phoenix, AZ     Trunk Space
March 18    Santa Barbara    CA    FUNZONE
March 19    Fresno    CA    Peeves Pub
March 22    Santa Cruz    CA    Bocci’s Cellar
March 25    Davis    CA    Third Art Space Collective
March 29    Portland    OR    The Analog Cafe
March 31    Bellingham    WA    Loudhouse
April 2    Rossland    BC    The Flying Steamshovel
April 3    Kamloops    BC    Zacks Coffee

New Video: Check Out the Roll Bounce-Inspired Video for Chicago-based Soul act The Main Squeeze’s New Single “Angelus”

Over the past couple of years, the Chicago-based neo-soul and funk quintet The Main Squeeze have become something got a mainstay act on this site as I’ve written about them on a handful of occasions. The quintet originally […]