Currently featuring core trio Dylan Sizemore (vocals), multi-instrumentalist Josh Menashe and Shaughnessy Starr (drums), the Los Angeles
-based psych rock act Frankie and the Witch Fingers
can trace their origins back to their formation about a decade ago in Bloomington, IN
. Since the band’s formation the band has developed and honed a reputation for restless experimentation, multiple permutations and a high-powered, scuzzy take on psych rock, centered around absurdist lyrical imagery — fueled by hallucinations, paranoia and lust. And as a result, the band’s material manages to be simultaneously playful and menacing.
With the addition of Shaughnessy Starr, the Los Angeles-based psych rock act went through another sonic mutation that resulted in a lysergic and claustrophobic sound — while further relying on their penchant for Black Sabbath-style riffage. Building upon a growing profile, the members of the Los Angeles-based act has opened for the likes of JOVM mainstays Thee Oh Sees
, Cheap Trick
and ZZ Top
Written while on the road, the act’s forthcoming album Monsters Eating People Eating Monsters . . . is slated for an October 2, 2020 release through Greenway Records and Levitation Festival‘s label The Reverberation Appreciation Society. Recorded in a breakneck five day recording session, the highly-anticipated follow up to ZAM, Monsters Eating People Eating Monsters finds the band taking the turbulence of its immediate predecessor and making the material much more insidious, evil and ambitious while capturing the band in the midst of massive personnel changes — longtime bassist Alex Bulli left the band, and as a result the band’s Menashe wrote and played most of the material’s bass parts with occasional contributions from Dylan Sizemore. Much like King Gizzard and the Lizard Wizard‘s Infest the Rats Nest, Frankie and the Witch Fingers’ forthcoming album sees the band crafting expansive, maximalist material — with fewer moving parts. (Interestingly, Death Valley Girls‘ Nikki Pickle will join the band as a touring member.)
“Sweat Freak,” Monsters Eating People Eating Monsters . . .
‘s latest single features crunchy, power chord-driven riffs, punchily delivered yet surrealistic lyrics and explosive horn blasts within an expansive, constantly morphing and expansive song structure. Sonically, the result is a song that’s one part King Gizzard and the Lizard Wizard one part Stooges
and one part Tool
-like prog rock with a menacing and malicious air.
Done by Spaghetti Jesus, the recently released claymation video for “Sweat Freak” features trippy visual effects by Slob Dylan and 2D animation by Mitchell Zeni — and the video is centered around monstrous aliens performing weird and bloody experiments on people and each other. It’s hilariously disturbing and absolutely brilliant.