Tag: Boy & Bear

Single Review by William Ruben Helms

New Audio: King Canyon, A Supergroup Featuring Eric Krasno Shares Soulful Track with Son Little

King Canyon is a new supergroup featuring:

  • Eric Krasno, a a two-time Grammy winning, guitarist, producer and JOVM mainstay, best known for his work with Soulive, Lettuce, and Pretty Lights. Krasno has received seven Grammy nominations in the following categories: Best Blues Album, Best Contemporary Blues, Best R&B and Best Electronic Album.

  • Otis McDonald, a producer and multi-instrumentalist, best known for a large catalog that continues to be used in millions of videos across the Internet.

  • Mike Chiavaro, a Brooklyn-based electric and upright bassist, who has played with Richard Marx, Boy & Bear, and a lengthy list of others.

The trio can trace their collaboration back to April 2020: Krasno came across McDonalds music on Instagram and immediately became a fan. Months later, McDonald who had been woking on material with his longtime friend Chiavaro, enlisted Krasno to add some of his guitar to the mix. And before they knew it, the trio had an album’s worth of material rooted in classic R&B, funk and soul-tinged grooves, nostalgia, and a newfound friendship based in their mutual love for music.

For the creative process and the feel captured on the album are unlike any other project that these artists have been involved with previously. With each musician in a different location — Krasno in Los Angeles, McDonald in San Francisco and Chiavaro in Brooklyn — the band wrote and recorded material remotely while becoming arguably the highest band who never played a gig. “It was easy and fun. Exactly what it should be,” King Canyon’s Otis McDonald says. “It didn’t take long before we had a couple of albums’ worth of songs. Some tracks feature special guests and others showcase the power trio format. King Canyon is fresh and rooted in nostalgia.”

The trio’s self-titled, full-length debut is slated for a January 13, 2023 release through Mixto Records. The album will feature the trio collaborating with an impressive and eclectic array of guests including Tedeschi Trucks Band‘s Derek Trucks and Son Little. The trio have released two singles “Keep on Moving” and “Mulholland” that have received praise from the likes of Khraungbin, John Mayer, Black Pumas‘ Adrian Quesada, Live for Live Music, Jambands.com, and Relix.

The self-titled full-length debut album’s third and latest single “Ice & Fire” is an old-school soul and R&B-inspired strut centered around twinkling keys, an irresistible, funky groove and swinging, J. Dilla-inspired drumming paired with Son Little’s soulful yet plaintive vocal. Sonically, “Ice & Fire” brings a mix of JOVM mainstays Black Pumas and classic soul to mind — thanks to a dusty, old-timey feel with subtly modern production flourishes, and earnest performances.

“Son Little and I met a few years back at a festival. We had a lot of mutual respect for each other’s music and decided to start writing together,” Eric Krasno explains. “We instantly became tight as friends and frequent collaborators. Ice & Fire is a perfect mixture of the sounds of Son Little & King Canyon. Son’s lyrical imagery blends with the KC’s soundscape creating a unique and soulful sound.“

Video by William Ruben Helms

Live Footage: Alice Phoebe Lou Performs “Only When I”

Acclaimed Cape Town-born, Berlin,-based singer/songwriter, multi-instrumentalist and JOVM mainstay  Alice Phoebe Lou grew up in an intensely creative home: her parents were documentary filmmakers, who took a young Lou to piano lessons. As a teenager, the Cape Town-born, Berlin-based artist taught herself guitar.

When she was 16, she went on a life-altering trip to Paris to visit her aunt. Armed with an acoustic guitar, a young Lou met some of the city’s buskers and street performers, eventually learning poi dancing from some of them. After completing her studies, she returned to Europe, first settling in Amsterdam, where she made money as a poi dancer.

Some time later, she relocated to Berlin, where she quickly developed a reputation as a well-regarded busker — and for a fiercely punk rock-like DIY approach to her career. With the release of her self-released debut EP, the Cape Town-born, Berlin-based JOVM mainstay began to receive national and international attention that led to a number of performances at  TED events in London and Berlin during the following year.

2016’s Orbit was a critical success, leading to Lou earning a Best Female Artist nomination at that year’s German Critics’ Awards. Building upon a rapidly growing profile, she wound up playing at the 27th Annual Conference for the Professional Business Women of California — and she appeared on bills with Sixto Rodriguez, Boy & Bear, and Allen Stone. Lou need the year with three, sold-out multimedia events at the Berlin Planetarium. Those Berlin Planetarium shows were so popular and in such high demand that additional shows had to be added to her tour schedule in 2017.

In 2018, the live version of “She” amassed over four million views on YouTube, and was featured in Bombshell: The Hedy Lamarr Story — before the studio version of the single had been recorded or released. She then spent the bulk of the year working on the material, which would eventually comprise her sophomore album, 2019’s Noah Georgeson-produced Paper Castles. According to Lou, the album was “about nostalgia, about growing into a woman, about the pain and beauty of the past, about feeling small and insignificant but finding that to be powerful and beautiful, about acknowledging that childhood is over but bringing some of it with you.”

The recently released Glow is the highly-anticipated follow-up to Paper Castles, and the album’s material may arguably be the most raw and personal her growing catalog. The material which finds Lou frequently delivering lyrics in a old school, jazzy croon paired with scuzzy guitars, sauntering and strutting bass grooves and mesmerizing piano sequences finds Lou being unafraid to be vulnerable and yearning while embracing songwriting as her truest, most honest form of expression. “I used to feel quite self-conscious about writing love songs,” the acclaimed JOVM mainstay says in press notes,” but now I like the idea that your music can be a friend to someone, and make them feel as though they’re being related to. This album simply poured out of my heart and my subconscious, and there was no stopping the lovestruck nature of them. Sometimes love, love lost and the ways in which these matters of the heart affect us, are the most relatable feelings in the world.”

Much like the rest of us, last year brought challenges both personally and as an artist for Lou. “I spent more time alone than I ever had,” she shares. “I shaved may head. Had an ego death. Fell in love. Had my heart broken. I was a raw little mess. And that was what I wrote about.”

And to celebrate the album’s release, the acclaimed singer/songwriter released a self-directed bit of live footage of her and her backing band performing the slow-burning and hushed “Only When I.” Nodding at Quiet Storm soul, the song, which is centered around Lou’s plaintive and ethereal crooning, twinkling keys, atmospheric synths and a strutting bass line is a heartbreaking and familiar admission of the lovesick and lonely — and full of desperate longing for companionship and that touch of someone you can’t get back.

Video by William Ruben Helms

Live Footage: JOVM Mainstay Alice Phoebe Lou Performs “Galaxies” at Berlin’s Zeiss Planetarium for Majestic Casual Sessions

Over the past year or so, I’ve written quite a bit about the  Cape Town, South Africa-born, Berlin, Germany-based singer/songwriter and multi-instrumentalist and JOVM mainstay  Alice Phoebe Lou. And as you may recall, Lou grew up in a very creative home — her parents were documentary filmmakers, who took a young Lou to piano lessons. As a teen, Lou taught herself guitar; but when she turned 16, she went on a life-altering trip to Paris to visit her aunt. While in Paris, armed with an acoustic guitar, the young artist met some of that cit’s buskers and street performers — eventually learning poi dancing from some of them.

After completing her studies, Lou returned to Europe, first landing in Amsterdam, where she made money as a poi dancer. She then relocated to Berlin, where she quickly developed a reputation as a well-regarded busker and for a fierce, punk rock-like DIY approach to her musical career. With the release of 2014’s self-released debut EP, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist began to receive national and international attention, which resulted in performances at a number of  TED events in London and Berlin during the following year.

Lou’s sophomore effort, 2016’s Orbit was nominated for Best Female Artist at that year’s German Critics’ Choice Awards. And building upon a rapidly growing profile both nationally and internationally, she played at the 27th Annual Conference for the Professional Business Women of California, which featured keynote speakers Venus Williams, Judy Smith, and Memory Banda and shared bills with Sixto Rodriguez, Boy & Bear, and Allen Stone before ending the year with three, sold-out multimedia events at the Berlin Planetarium. (The Berlin Planetarium shows were so popular and in such high demand that she had to add two additional shows there to her tour schedule in 2017.)

Additionally, the live version of “She” amassed over 4 million views on YouTube and was featured in the major motion picture Bombshell: The Heady Lamar Story — all before the studio version of the single was even recorded or released. But for most of 2018, Lou worked on her Noah Georgeson-produced sophomore effort Paper Castles, which was released earlier this year. And as Lou explains, the album is “about nostalgia, about growing into a woman, about the pain and beauty of the past, about feeling small and insignificant but finding that to be powerful and beautiful, about acknowledging that childhood is over but bringing some of it with you.”

“Something Holy,” the album’s first single was a slow-burning 70s AM rock meets 70s soul-like track centered around shimmering guitar line, hushed drumming, a sinuous hook, a psychedelic tinged bridge and Lou’s aching vocals with the song’s narrator taking a deeply introspective and unvarnished look into her complicated relationships with sex, love, men and ultimately, with herself. The song reflects, as Lou explained in press notes, “the moment that I managed to get over the main hurdle of my past traumas with sex, with men and with my own deeper understanding of intimacy and what it means to be intimate.” 

Paper Castles’ latest single is the gorgeous and expansive “Galaxies.” Beginning with a shimmering and spacey introduction and Lou’s plaintive wailing, before the song turns into a spacey 70s jazz funk number, centered by a sultry, reggae-like bass line and a mournful saxophone solo and then morphs back into a shimmering and spacey coda — and while the song seamlessly shifts back and forth in a fashion reminiscent of Heatwave’s “Boogie Nights,” the song is imbued with a cosmic sheen. 

Majestic Casual invited the JOVM mainstay for a live session of “Galaxies” that was fittingly shot at Berlin’s Zeiss Planetarium.  Game of Throes star Maisie Williams opens the live session with a spoken word piece musing on humanity’s place within the cosmos directly inspired by the song. 

Video by William Ruben Helms

New Video: Acclaimed Singer-Songwriter Alice Phoebe Lou Releases a Trippy 70s Inspired Single from Forthcoming Sophomore Album

Over the past year, I’ve written a bit about the Cape Town, South Africa-born, Berlin, Germany-based singer/songwriter and multi-instrumentalist Alice Phoebe Lou. And as you may recall, Lou grew up in a rather creative home — her parents were documentary filmmakers, who took the budding artist to piano lessons as a child. As a teenager, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist taught herself guitar. The summer she turned 16, Lou went to Paris to visit her aunt. Armed with an acoustic guitar, the young artist met a number of that city’s buskers and street performers — with some of them teaching her poi dancing. 

Upon completing her schooling, Lou returned to Europe, first landing in  Amsterdam, where she made money as a poi dancer. She then relocated to Berlin, where she became a well-regarded busker and developed a reputation for a fiercely independent, punk rock-like DIY approach to her career. With the release of 2014’s self-released debut EP, Lou began receiving international attention, eventually spending the following year performing at a number of TED events in London and Berlin. Building upon a rapidly growing international profile, Lou released her full-length debut Orbit in 2016. The album garnered a nomination for Best Female Artist at that year’s German Critics’ Choice Awards and a set at the 27th Annual Conference for the Professional Business Women of California, which featured keynote speakers Venus Williams, Judy Smith, and Memory Banda. She ended the year, touring on bills with Sixto Rodriguez, Boy & Bear, Allen Stone and Crystal Fighters, as well as three, sold-out multimedia events at the Berlin Planetarium. Those Berlin Planetarium shows were so much in demand that she added two additional planetarium shows to her 2017 itinerary. 

Besides touring, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist has had the live version of “She” amassed over 4 million views on YouTube and was featured in the major motion picture Bombshell: The Heady Lamar Story — all before the studio version of the single was even recorded or released. Additionally, Lou spent time working on her much-anticipated, Noah Georgeson-produced sophomore effort Paper Castles, which is slated for a March 8, 2019 release. And as Lou explains, the album is “about nostalgia, about growing into a woman, about the pain and beauty of the past, about feeling small and insignificant but finding that to be powerful and beautiful, about acknowledging that childhood is over but bringing some of it with you.”

The album’s first single is a slow-burning, 70s AM rock and 70s soul-like “Something Holy.” Centered around a shimmering guitar line, hushed drumming, a sinuous hook, a psychedelic tinged bridge and Lou’s aching vocals, the song is a deeply introspective and unvarnished look into the narrator’s complicated relationships with sex, love, men and herself. As Lou says, the song reflects “the moment that I managed to get over the main hurdle of my past traumas with sex, with men and with my own deeper understanding of intimacy and what it means to be intimate.” Sonically speaking, the song reminds me quite a bit of Amber Arcades’ European Heartbreak. 

Made by Manners Studio is a heady mix of brightly colored, cinematically shot footage of young people brooding and looking bored in a stylish chamber room, animation and Lou earnestly performing the song. 

Video by William Ruben Helms

New Video: Berlin’s Alice Phoebe Lou and Olmo Team Up for a Sparse and Atmospheric Blues Duet

Earlier this year, I wrote about the Cape Town, South Africa-born, Berlin, Germany-based singer/songwriter and multi-instrumentalist Alice Phoebe Lou, and as you may recall, Lou has developed a reputation for a fiercely independent, punk rock-like DIY approach to her ethereal folk music. And although her parents were documentary filmmakers, Lou took piano lessons as a child and as a teenager, taught herself to play guitar. When she turned 16, Lou spent a summer vacation visiting her aunt Paris, where armed with an acoustic guitar, she met a number of buskers and other street performers — some who taught her poi dancing.

Upon graduation, Lou went to Europe — first landing in Amsterdam, where she made money as a poi dancer, before relocating to Berlin, where she became a well-known and well-regarded busker, performing interpretations of popular songs and her own original material, and eventually developing her own unique sound.  With the release of her 2014 self-released debut EP Momentum, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist began receiving international attention — and as a result, she spent the following year performing at a number of TED events in London and Berlin.

Building upon a rapidly growing profile, Lou released her critically applauded, 2016 full-length debut Orbit, which saw her garner a nomination for Best Female Artist at that year’s German Critics’ Choice Awards, as well as a set at the 27th Annual Conference for the Professional Business Women of California, which featured keynote speakers Venus Williams, Judy Smith, and Memory Banda. Lou spent much of that year on the road, touring to support her debut effort, sharing bills with Sixto Rodriguez, Boy & Bear, Allen Stone and Crystal Fighters. Additionally, the Cape Town-born, Berlin-based singer/songwriter played three, sold-out multimedia events at the Berlin Planetarium — and by demand, she added two additional planetarium shows to her 2017 tour itinerary.

Along with the Berlin Planetarium shows, Lou recorded a live version of “She” with the live performance video, shot during two different Berlin area shows going viral, receiving more than 2.5 million YouTube streams, and the song was featured in the major motion picture Bombshell: The Hedy Lamar Story;  in fact, the song was shortlisted for an Oscar for Best Original Song. Adding to an incredible run of critical success, Lou released her latest EP, Sola at the end of last year.

Lou released a studio version of “She” back in February, which coincided with a number of international tour dates to build up buzz for her highly-anticipated sophomore album.  But before that, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist collaborating with the Bologna, Italy-born, Berlin-based blues singer/songwriter and multi-instrumetnlist Franceso Lo Giudice, best known as Olmo. Much like Lou, Olmo spent his summers going to a different city or two with a lap slide guitar, busking and soaking up the local vibes. Upon finishing his studies at the University of Bristol, Lo Giudice got heavily into production — so much so that he left a band he started Amoa Mass, relocated to Berlin and started his solo project, which meshes the blues with electronic music. Interestingly enough, Lou and Lo Giudice’s collaboration can trace its origins to when they met while busking in Berlin, and their latest song together “Devil’s Sweetheart” was reportedly written and crafted within an hour — and the song is a sparse, atmospheric yet cinematic track centered around a looping twangy, blues guitar line, a moody string arrangement, and the duo’s uncanny harmonies. Sonically, the song brings to mind Daughn Gibson’s dusty, old-timey sample-based take on country and the work of the legendary T. Bone Burnett.

The gorgeous and moodily shot video for “Devil’s Sweetheart” features some spectacular aerial performances by Valia Beauvieux and Dennis Macaofrom the Berlin based circus crew Birdmilk Collective.

Video by William Ruben Helms

Live Footage: Alice Phoebe Lou Performing the Oscar-Shortlisted Song “She” in Berlin

Alice Phoebe Lou is a Cape Town, South Africa-born, Berlin, Germany-based singer/songwriter and multi-instrumentalist, who has developed a reputation for a fiercely independent, almost punk rock-like DIY approach to her ethereal indie folk music. Although her parents were documentary filmmakers, Lou took piano lessons as a child and then as a teenager, taught herself to play guitar. As the story goes, when the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist was 16, she spent a summer vacation visiting her aunt in Paris. Armed with an acoustic guitar, the young singer/songwriter met a number of buskers and other street performers — some who taught her poi dancing.

Upon graduation, Lou went to Europe — first landing in Amsterdam, where she made money as a poi dancer, before relocating to Berlin, where she became a popular busker, performing interpretations of popular songs and her own original material, and eventually developing her own unique sound.  With the release of her 2014 self-released debut EP Momentum, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist began receiving international attention — and as a result, she spent the following year performing at a number of TED events in London and Berlin, as well as Exponential Medicine.

Building upon a rapidly growing profile, Lou released her critically applauded, 2016 full-length debut Orbit, which saw her garner a nomination for Best Female Artist at that year’s German Critics’ Choice Awards, as well as a set at the 27th Annual Conference for the Professional Business Women of California, which featured keynote speakers Venus Williams, Judy Smith, and Memory Banda. Additionally, Lou spent much of 2016 on the road, touring to support her debut effort, sharing bills with Sixto Rodriguez, Boy & Bear, Allen Stone and Crystal Fighters. During the course of that year, she played three multimedia sold out events at the Berlin Planetarium — and by demand, she added two additional planetarium shows to her 2017 tour itinerary.

Along with the Berlin Planetarium shows, Lou saw a live version of “She” with the live performance video, shot during two different Berlin area shows going viral — and as of this post, the video has received over 2.5 million YouTube streams. Interestingly, the song is also featured in the major motion picture Bombshell: The Hedy Lamarr Story , with the song recently being shortlisted for an Oscar for Best Original Song. Adding to an incredible run of critical success, Lou released her latest EP, Sola at the end of last year.

As for “She,” the song will further cement the Cape Town-born, Berlin-based artist’s reputation for her ethereal and tender soprano — but in this case, paired around what may be the most shoegazer rock-like arrangement, she’s ever produced as the song features looping and shimmering guitar chords, thundering and tribal-like drumming,  gently swirling electronics and an anthemic hook. And while at points the song is reminiscent of the likes of Wolf Alice, Lightfoils and others, it possesses a restless longing at its core.

A studio version of “She” is slated for a February 23, 2018 release, and after the single’s release, Lou will embark on a international tour that will include a Stateside run. And a new album is currently in the works, too.