Tag: Boys Noize

New Video: The Presets Return with an Anthemic Festival Banger Paired with Wild, Psychedelic Imagery

Comprised of Julian Hamilton and Kim Moyes, the Sydney, Australia-based electronic music production and artist duo The Presets can trace their origins to when the duo met while studying at the Sydney Conservatorium of Music. Hamilton and Moyes quickly became recognized for crating a sound that electronic dance music with an arena rock energy and vibe — and as a result, the duo signed with renowned Australian dance music label Modular Recordings, who released their first two EPs and their 2005 debut, Beams.

2008 saw the release of the duo’s critically and commercially applauded sophomore effort Apocalypso, an effort that went Triple Platinum in their native Australia and featured four smash hits, including “My People,” one of their biggest songs. And adding to a breakthrough year, Hamilton and Moyes won 5 ARIA Awards — including Album of the Year, 2 ARIA Artisan Awards, the J Award, the FBI SMAC Award for Album of the Year, and they shared the Songwriter of the Year at 2009’s APRA Awards. 

The duo’s third, full-length effort, 2012’s award-nominated Pacifica featured Rolling Stone Australia’s Song of the Year, “Ghosts,” and was nominated for an ARIA Award, shortlisted for the AMP Award, the J Award and was named the Herald Sun’s Album of the Year, the Daily Telegraph’s Album of the Year and the Sydney Morning Herald’s Electronic Album of the Year. And although, it’s been some time since I’ve personally written about the acclaimed, Aussie electro pop duo, the duo have been busy collaborating with a variety of artists —Hamilton cowrote Flume’s “Say It” and contributed tracks to albums by Flight Facilities, Steve Angello and Meek Mill, while Moyes produced the DMA’s latest album, remixed tracks by The Drones and The Jezabels and started an underground techno label Here To Hell.

“Do What You Want” is the first single from the duo in over four years, and it’s also the first single off the duo’s highly-anticipated fourth, full-length album slated for release sometime in 2018  — and unsurprisingly, the new single will further cement the duo’s reputation for crafting festival bangers with enormous, crowd rousing hooks and thumping beats; but interestingly enough, the new single features a looped, glitchy sample reminiscent of Boys Noize’s “ICH R U,” while also nodding at Tweekend-era The Crystal Method and Come With Us-era The Chemical Brothers. 

Directed by Kris Moyes, the recently released video is a wild, psychedelic homage to doing whatever the fuck you want, as long as it floats your boat, doesn’t harm anyone and is relentless and ridiculous fun. 


Perhaps best known as the frontman of renowned indie rock act Black Moth Super Rainbow, TOBACCO has developed a reputation as a solo artist, who crafts abrasive yet anthemic electronic music that channels Daft Punk,  The Black KeysKraftwerk and Boys Noize, but from some industrial, dystopian and fucked up future — perhaps immediately post Trump? — in which rusty and forgotten machinery and instruments whirr, mash and grind together.

Last year saw the release of Sweatbox Dynasty, the long awaited follow up to Ultima II Massage and while album singles “Gods In Heat,” “Human Om” and “Dimensional Hum” further cemented his reputation for scuzzy and abrasive electronic music, underneath the murky surface was a breezy and dreamy melodicism that added a strange, zen-like calm to the proceedings. Interestingly, TOBACCO recently released a stand-alone single “Get Wet in the Bomb Shelter” and the new single manages to sound as though it was a forgotten Sweatbox Dynasty B side, as the song consists of cascading layers of whirring and buzzing synths, stuttering and propulsive, boom bap-like drums and a glistening melody — and much like the material on Sweatbox Dynasty, the song upon repeated listens reveals a subtle push in a new sonic direction.



New Video: JOVM Mainstay Tobacco Returns with Another Abrasive Yet Anthemic Bit of Electro Pop with Surreal Visuals

Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage was released earlier this year and you may remember that I wrote about Sweatbox Dynasty’s first two singles “Gods In Heat,” and “Human Om” and while furthering his burgeoning reputation for scuzzy and abrasive electronic music; however, just underneath the murky surface of both singles, there’s a breezy and dreamy melodicism that adds a strange sense of calm, as well as a darkly mischievous sense of humor. And the album’s third and latest single “Dimensional Hum” continues on a similar vein as the album’s preceding singles as a gorgeously, twinkling synth melody floats over layers of buzzing and grinding synths while vocals fed through vocoders and distortion slash and burn through some of the muck and grime.

Adding to the grimy, almost low-budget feel of the song, the recently released music video follows an escaped prisoner as he skareboards to freedom with a cheap, Halloween-themed wig as a disguise.

New Video: The Swooning and Psychedelic Visuals for Boys Noize’s Equally Swooning and Urgent Single “2 Live”

Mayday’s latest single “2 Live” is an ecstatic and swooning, club banger which features layers of cascading and twinkling synths, tweeter and woofer rocker bass drops, propulsive and insistent beats are paired with a swooning and anthemic hook to create what may arguably be one of the Berlin-based producer’s most euphoric and lovelorn songs to date. Interestingly, the recently released music video, which continues Ridha’s ongoing collaborations with LIL INTERNET and SUSBOY follows a young couple as they explore the outskirts of Mexico City in the near future — and while the couple is desperately in love, the video explores what can happen when song love and virtual reality are combined. Ultimately, the result is a video that’s psychedelic and yet urgent.

New Video: The Tense, Paranoid Visuals and Sounds of Boys Noize’s “Mayday”

The album’s latest single, album title track “Mayday” has the internationally renowned producer pairing layers of glitchy and stuttering cascading towards the listener, industrial clang and clatter, enormous tweeter and woofer rocking, boom bap beats, wobbling and tumbling low end and a wild array of vocal samples in a swaggering, club banger that feels tense and paranoid, as though its creator was aware of the fact that he’s being monitored every single moment of his life, whether he noticed or wanted it. Interestingly, along with scoring the soundtrack to Oliver Stone’s latest major motion picture Snowden, about the controversial Edward Snowden, who revealed a complicated and invasive governmental surveillance, “Mayday” is featured in the movie and the recently released video, which was created by collaborators LIL INTERNET and Susboy combines footage from Snowden with public global surveillance camera footage and some sobering facts about the NSA and their surveillance program. It should frighten the shit out of you.

New Video: The Creepily Uneasy Visuals for Tobacco’s “Human Om”

Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage is slated for release this summer, and as you may remember I wrote about “Gods In Heat,” the first single off the album. I think that single will further cement his burgeoning reputation for crafting scuzzy, abrasive and anthemic electronic music as he pairs layers of abrasive industrial clang and clatter, skittering drum programming, surface-level analog tape hiss and sizzle, a chanted mantra and an infectious hook; but with a subtle dreamy element that nods towards psych rock. The album’s second and latest single “Human Om” pairs layers of buzzing, whirring synths, industrial clang and clatter, mathematically precise handclap-led drum programming and mantra-like lyrics fed through vocoder. Interestingly, the song displays a dreamy and breezy melodicism just underneath the murky surface and as a result it gives the song a darkly mischievous feel; but while radiating a strange sense of calm.

Directed by the artist himself, the recently released music video employs the use of distorted rubber masks of celebrities, politicians and other characters nodding over the song’s distorted beats and superimposed over a variety of scenes and scenarios — and it gives the video a nightmarish, surreal logic while it lulls the viewer into an uneasy hypnotic state.

Certainly, if you’ve been frequenting this site over the past year or so, you’d likely be familiar with electronic music artist and producer Tobacco, who is perhaps best known as the frontman of renowned indie act Black Moth Super Rainbow. As a solo artist, Tobacco has developed a reputation for crafting an abrasive yet anthemic sound — while seeming as though he wants to channel Daft Punk,  The Black Keys, Kraftwerk and Boys Noize — but from some dystopian future in which rusty, poorly maintained machinery and instruments whirr to grinding halt.

Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage is slated for release this summer, and earlier this year, I wrote about the album’s first single “Gods In Heat,” a single that I think will further cement his burgeoning reputation for crafting scuzzy, abrasive and anthemic electronic music as he pairs layers of abrasive industrial clang and clatter, skittering drum programming, surface-level analog tape hiss and sizzle, a chanted mantra and an infectious hook — but with a subtle dreamy element that nods towards psych rock. The album’s latest single “Human Om” pairs layers upon layers of buzzing and whirring industrial synths, mathematically precise handclap-led drum programming and chanted lyrics fed through vocoder with a dreamy psych rock-leaning melodicism that subtly lightens the murkiness.




Over the course of the six year history of this site, Berlin, Germany-based producer, electronic music artist, DJ and Boys Noize Records label head Alex Ridha, best known as Boys Noize has become one of this site’s earliest mainstay artists; in fact, his Out of the Black landed at number 8 on the site’s Best of List back in 2012. And since then, Ridha has been remarkably prolific as she’s collaborated in musical projects with internationally recognized mega-hit producer, electronic music artist and DJ Skillex and renowned pianist, composer, experimental pop artist and emcee Chilly Gonzales. Additionally, his label recently celebrated its tenth anniversary with a series of collaborative efforts featuring the work of a number of up-and-coming and renowned contemporary electronic music artists and producers including Tiga, Johnny Sack, Totally Enormous Extinct Dinosaurs, Atom TM, Pilo SCNTST and others.

Earlier this year, Ridha released “Overthrow,” a single that revealed the German producer, electronic music artist and DJ has expanded upon his signature sound — in this case, glitchy and chopped up samples, tweeter and woofer rattling bass and beats and enormous drops were paired with industrial clang and clatter and ominously swirling electronics in a song that stomped, strutted, swaggered and threw a vicious haymaker or two. “Euphoria,” which was released last month, sounded as though it drew from the legendary house music pioneer Larry Levan as a looped vocal sample was paired with skittering and propulsive drum programming and glitchy keyboard keys in a song that evoked a woozy rush of blood to the head. “Starchild,” a collaboration with indie electro pop sensation Poliça pairs vocalist Channy Leaneagh’s sultry and plaintive vocals with glitchy and stuttering beats, gentle cascades of twinkling and shimmering synths in what may arguably be Ridha’s moodiest and most pop-leaning single he’s released to date.