Tag: Charlotte Cardin Big Boy EP

New Video: Catch Charlotte Cardin Hang Out with Friends in Her Hometown in Her Latest Tell Off of a New Single

Big Boy’s latest single “Dirty Dirty” will further cement Cardin’s burgeoning reputation for pairing her old-school jazz and pop-like vocals with sparse, electro pop and hip-hop-leaning production. In this case, tweeter and woofer rantingly beats, shuffling drum programming and twinkling keys in a swaggering and sultry song that’s simultaneously a tell off and a come on to a lover, who has ignored and rejected the song’s narrator for another in which the song’s narrator tells her love object “she should be me but because you’re a fool, I’ll move on without you.” Ouch!

Directed by Sebastien Duguay, who also directed the video for Cardin’s “Faufile,” the recently released music video for “Dirty Dirty” was filmed in Montreal’s Mile-End section and reveals Cardin at her most unguarded, candid and real as we follow Cardin hanging out with a collection of dear friends and family, eating, goofing off and singing the song. Not only does it capture Cardin in her most nature environment; but it also suggests something that’s profoundly true — that having dear friends and family, who sustain you and lighten your heart and soul can be rare.

New Video: The Swooning and Heartbreaking Visuals and Sounds of Charlotte Cardin’s Latest “Like It Doesn’t Hurt”

Big Boy’s latest single “Like It Doesn’t Hurt” will further cement Cardin’s burgeoning reputation for aching jazz/soul and pop vocals — and in this case paired with a sparse yet extremely contemporary production featuring twinkling and moody keys, undulating synths and electronics and stuttering boom bap-like drum programming and a guest spot from Montreal-based emcee Husser; while lyrically, the song describes a turbulent and dysfunctional relationship full of ecstatic highs, crushing lows, bitter and aching separations. And as a result of both Cardin’s vocals and the production, the song possesses a swooning almost drunken urgency — and it should remind the listener of young, foolish, passionate, heartbreaking love.

Directed by Kristof Brandl, the recently released video for “Like It Doesn’t Hurt” features the song’s collaborators Charlotte Cardin and Husser as the video’s central couple and with a series of frenetic cuts and flashbacks, the video emphasizes the turbulent and tumultuous relationship at the core of the song as you’ll see a couple who fight and love passionately and are separated after a violent incident, which has Husser arrested and sent to jail.

New Video: The Wistful and Gorgeous Visuals for Charlotte Cardin’s “Faufile”

Cardin’s latest single “Faufile,” which translates into English as “to slip or sneak away” features Cardin’s gorgeous and aching vocals paired with the singer/songwriter accompanied by a sparse yet eerie piano accompaniment, and the single will further cement the French Canadian singer/songwriter’s growing reputation for crafting hauntingly eerie pop that owes a debt to jazz. And hot on the heels of the release of “Faufile,” comes the wistful music video, which features a brooding and seemingly heartbroken on the rooftops and streets of what appears to be Montreal after a devastating breakup.

 

Up-and-coming Quebec-born vocalist Charlotte Cardin initially received attention as a model, who once worked for renowned Elite Model Management before deciding to commit to music full-time when she signed with Montreal indie label Cult Nation. Now, if you’ve been frequenting this site over the past year, you may recall that I wrote about “Big Boy,” the first single off Cardin’s recently released debut EP, Big Boy. Interestingly, that single revealed that Cardin specialized in meshing contemporary electronic production with jazz, pop and soul vocal stylings reminiscent of Amy Winehouse and Melanie De BIasio; in fact, that single also revealed that Cardin’s effortlessly soulful vocals possesses a profound ache.

The EP’s latest single “Faufile,” which translates into English as “to slip or sneak away” features Cardin’s gorgeous and aching vocals paired with the singer/songwriter accompanied by a sparse yet eerie piano accompaniment, and the single will further cement the French Canadian singer/songwriter’s growing reputation for crafting hauntingly eerie pop that owes a debt to jazz.