Tag: Chris Rivers

 

Planit Hank is a mysterious but up-and-coming, underground producer whose latest effort, the Night Before Purgatory EP is slated for release next month — and the EP finds Planit Hank collaborating with a who’s who of gritty, New York street shit hip hop, including M.O.P., AZ, Canibus, Chris Rivers, Styles P, Kool G. Rap, DJ Evil Dee and a few others. “Life in Crooklyn,” the EP’s latest single is centered by a production that’s equally soulful and mournful as it features an atmospheric and looped horn sample, tweeter and woofer rock boom bap beats and scratching by the incredible DJ Evil Dee. Jeru The Damaja, Buckshot and AZ all wax both nostalgically and heartbreakingly about their rough and tumble childhoods — Jeru The Damaja talks about all the people he knew and loved, who were tragically murdered, with the recognition that without music, he may have ended up much like those he remembered; AZ proudly rhymes about repping Brooklyn all day; Buckshot, arguably one of the best emcees ever manages to pay tribute to BIG, make a brief point about gentrification but while pointing out that gangster shit is still there — and always will be there. But along with that the song focuses on the lack of older heads giving guidance to young cats in the way that happened for these legendary emcees. What makes the track intriguing to me is that it manages to view things from an older perspective but without sounding like crotchety old men, screaming at the clouds and the young cats about how everything fucking sucks, and how the music the kids listen to these days is awful; nor is the nostalgia within the song maudlin. If anything, it speaks to how powerful music can be — that it save the lives of people in desperate circumstances.

 

 

 

 

With the release of “The Motions” featuring Chris Rivers, “The Road” produced by Sicknature of Snowgoons, Boston-based artist Rite Hook has received attention and praise as an emcee and as a vocalist. Building up on the buzz, he’s received Rite Hook has released a moody and spectral cover of Stone Temple Pilots‘ classic “Creep,” which has the Boston-based emcee and vocalist channeling Scott Weiland with an uncanny accuracy — as though he were possessed by the late vocalist’s spirit during the recording of the song.

Pairing The Arcitype’s production consisting of ominous atmospherics, layers of bluesy and buzzing guitars and propulsive drum programming with Rite Hook’s vocals, their rendition is a modern, Portishead-inspired cover that replaces the acoustic guitars of the original’s verses and electric guitars of the song’s chorus and hook while retaining the melancholy introspection of the original. Unfortunately, “Creep” will not appear on Rite Hook’s forthcoming full-length Modify — but from what I understand there are plans to official release it sometime this year.