Tag: Chris Walla

Born Jennifer Hays, the Seattle, WA-based multi-instrumentalist, singer/songwriter and producer Jenn Champion grew up in Tucson, AZ, where in the mid 90s, she worked at a local pizza shop with future bandmates Ben Bridwell and Mat Brooke. In 1997 the trio moved to Olympia, WA for about a  year, before settling in Seattle and forming Hays’ first band Carissa’s Wierd. Although they only released three albums before splitting up in 2003, the band had a cult following that has resulted in the release of three compilation albums of their work, including 2010’s They’ll Only Miss You When You’re Gone: Songs 1996-2003, which was released through Hardly Art Records.

Since the breakup of Carissa’s Wierd, Champion has focused on several acclaimed solo projects including, the sparse, guitar and vocals-based pop project S, and with S she has released four albums, including 2010’s I’m Not As Good At It As You and 2014’s Chris Walla-produced Cool Choices. Critics and fans have applauded her open-hearted lyrics, technical skill and willingness to eschew conventions — and perhaps more important for writing sad songs meant to be cried to (or should I say be cried with?).  Interestingly, the B side of Champion’s last S album found her moving towards a more electronic-based sound; however, her single “No One” found Champion fully embracing electronics.  “I feel like a door got opened in my mind with electronic and digital music. There was a room I hadn’t explored before and I stepped in,” Champion says in press notes. While she’d initially intended to follow Cool Choices with “a rock record – guitar, a lot of pedals, heavy riffs,” plans changed. “I couldn’t pull myself away from the synthesizers and I realized the record I really wanted to make was more of a cross between Drake and Billy Joel than Blue Oyster Cult.”

After the release of “No One,” Champion’s publishers partnered her with Brian Fennell, an electronic music artist, songwriter and producer best known as SYML and the pair co-wrote “Leave Like That,” which was featured on SYML‘s Hurt For Me EP. Champion and Fennell hit it off so well that after Champion had written the demos for her forthcoming full-length Single Rider, she enlisted Fennell as a producer. Fennell agreed and they spent the next five months working on and refining the material on Single Rider. As Champion recalls, “In the studio with Brian, I was more open than I had ever been,” and as a result the material evolved into a slickly produced, anthemic dance floor friendly album; however, the new album reportedly finds Champion maintaining the earnest emotionality and vulnerability that has won her attention — but this time, the album’s material finds the acclaimed Seattle-based singer/songwriter imploring the listener to dance, dance, dance, dance, dance heartache, outrage and disappointment away, for a little bit at least. And goddamn it, sometimes strobe light, thumping bass and shimmering synths are so absolutely necessary to your basic survival.

Single Rider‘s latest single “Time To Regulate” is a slickly produced, sultry and propulsive bit of dance music centered around layers of shimmering, arpeggiated synths, cowbell-led percussion, thumping beats and an anthemic hook that reminds me of Soft Metals‘ Lenses, Cut Copy‘s In Ghost Colours, of 80s synth soul and Giorgio Moroder; but underneath the slick production, thumping beats and razor sharp hooks, there’s a desperate person trying to put on a brave face on a daily basis — with the acknowledgment that sometimes just being can be difficult in itself, and that adds a triumphant, “well, fuck man,” vibe to the shimmering proceedings.

 

 

 

 

 

 

 

TOUR DATES

08.09.18 – Seattle, WA – Chop Suey
08.10.18 – Portland, OR – Mississippi Studios
08.16.18 – Los Angeles, CA – Bootleg T

Advertisements

Initially began as the solo recording project of the Seattle, WA-based multi-instrumentalist, singer/songwriter Peter Michel, Hibou quickly exploded into the national scene with his self-produced, home recorded, 2015 self-titled debut, which received praise from Pitchfork, Stereogum, Consequence of Sound and others for crafting shimmering yet introspective bedroom pop. And adding to a growing profile, Michel opened for the like son Metric, Phantogram and Unknown Mortal Orchestra.

Michel’s sophomore Hibou effort Something Familiar is slated for a March 2, 2018 release through Barsuk Records finds Michel embracing a number of changes. The Seattle, WA-based singer/songwriter, multi-instrumentalist and producer made a rather conscious choice to track the album’s material in a real studio — this time, Chris Walla‘s Hall of Justice Studios, with an outside producer, Dylan Wall, who has worked with Craft Spells, a band that Michel once played drums in. Adding to a string of changes to his creative and recording process, Something Familiar finds Michel recording with his touring band. “I toured for a long time with the band, and it was really interesting to see how the songs changed when there were four people playing them, as opposed to just me in my bedroom,” Michel explains in press notes.

Along with that, the material reflects a period marked by profound changes. “I was still a teenager when I was writing the first album,” Michel says. “All of the songs feel a little one-faced. They’re about relationships and love and summertime and things like that. On this upcoming album, I really challenged myself lyrically to get a little more personal, and talk about some of the darker parts of myself.” In fact, the material addresses Michel’s ongoing bouts with anxiety and depersonalization. (Depersonalization is a disorder generally distinguished by feeling disengaged from the mind and body. as if if the sufferer is an outsider looking in at their own self.) Naturally, while still retaining elements of the sound that first caught both national attention and the attention of the blogosphere — namely, lush keys, reverb soaked guitars and Michel’s dreamy crooning.   “It was strange to start consciously writing from a different stylistic standpoint, but I didn’t want to totally turn the page,” Michel notes. “There is still a fundamental Hibou sound in there. It just is drenched in a little more honesty.”

You might remember that “Junipero Love” was reportedly inspired by the Emmy Award-winning “San Junipero” episode of Black Mirror.  Interestingly, Michel found common ground with the episode’s protagonist Yorkie, who navigated two different realities and a burgeoning relationship.  “The contrast between the two worlds depicted in the episode hit very close to home for me,” Hibou’s creative mastermind says in press notes. “I often feel torn between a conscious state and losing a hold of my memories and who I am.”  And while the single will further cement Hibou’s reputation for crafting breezy and shimmering guitar pop, there’s a subtle expansion of his sound as you’ll hear a tight and funky groove throughout; but underneath the breeziness is a wistful and bittersweet tone that suggests that the song’s narrator isn’t quite sure if he’s dreaming or awake or if he’s experiencing is actually real.

Something Familiar‘s latest single “Malison” is a breezy bit of power pop that features enormous power chords, soaring synths and a rousingly anthemic hook paired with Michel’s dreamy yet deeply anxious vocals within a song that sounds indebted to 90s alt rock, complete with a radio friendly air; but underneath, the swaggering arena rock sound, the song is much darker with Michel admitting in press notes that the song is “the most honest song I’ve ever written. It confronts the attention that my anxiety demands and handicaps me into a spiral of routines that only end up making things worse. I can’t remember the last time I had a day where I felt comfortable in my own skin and felt like I wasn’t putting on an act of normality.”

 

Initially began as the solo recording project of the Seattle, WA-based multi-instrumentalist, singer/songwriter Peter Michel, Hibou quickly exploded into the national scene with his self-produced, home recorded, 2015 self-titled debut, which received praise from Pitchfork, Stereogum, Consequence of Sound and others for crafting shimmering yet introspective bedroom pop. And adding to a growing profile, Michel opened for the like son Metric, Phantogram and Unknown Mortal Orchestra.

Michel’s sophomore Hibou effort Something Familiar is slated for a March 2, 2018 release through Barsuk Records finds Michel embracing a number of changes. The Seattle, WA-based singer/songwriter, multi-instrumentalist and producer made a rather conscious choice to track the album’s material in a real studio — this time, Chris Walla‘s Hall of Justice Studios, with an outside producer, Dylan Wall, who has worked with Craft Spells, a band that Michel once played drums in. Adding to a string of changes to his creative and recording process, Something Familiar finds Michel recording with his touring band. “I toured for a long time with the band, and it was really interesting to see how the songs changed when there were four people playing them, as opposed to just me in my bedroom,” Michel explains in press notes.

Along with that, the material reflects a period marked by profound changes. “I was still a teenager when I was writing the first album,” Michel says. “All of the songs feel a little one-faced. They’re about relationships and love and summertime and things like that. On this upcoming album, I really challenged myself lyrically to get a little more personal, and talk about some of the darker parts of myself.” In fact, the material addresses Michel’s ongoing bouts with anxiety and depersonalization. (Depersonalization is a disorder generally distinguished by feeling disengaged from the mind and body. as if if the sufferer is an outsider looking in at their own self.) Naturally, while still retaining elements of the sound that first caught both national attention and the attention of the blogosphere — namely, lush keys, reverb soaked guitars and Michel’s dreamy crooning.   “It was strange to start consciously writing from a different stylistic standpoint, but I didn’t want to totally turn the page,” Michel notes. “There is still a fundamental Hibou sound in there. It just is drenched in a little more honesty.”

“Junipero Love,” the latest single off Hibou’s forthcoming, sophomore effort was reportedly inspired by the Emmy Award-winning “San Junipero” episode of Black Mirror.  Interestingly, Michel found common ground with the episode’s protagonist Yorkie, who navigated two different realities and a burgeoning relationship.  “The contrast between the two worlds depicted in the episode hit very close to home for me,” Hibou’s creative mastermind says in press notes. “I often feel torn between a conscious state and losing a hold of my memories and who I am.”  And while the single will further cement Hibou’s reputation for crafting breezy and shimmering guitar pop, there’s a subtle expansion of his sound as you’ll hear a tight and funky groove throughout; but underneath the breeziness is a wistful and bittersweet tone that suggests that the song’s narrator isn’t quite sure if he’s dreaming or awake or if he’s experiencing is actually real.

 

 

With the release of their first two singles, “Loveless” and “This Is It,” the Los Angeles, CA-based indie rock trio Lo Moon, comprised off Matt Lowell (vocals, guitar), Crisanta Baker (bass, keys) and Sam Stewart (guitar), quickly became one of their hometown’s most buzzed about bands after receiving early praise from the likes of New York Times, NPR Music, V Magazine, KCRWLos Angeles Times, NPR’s World Cafe and others, and they’ve opened for the likes of Phoenix, Glass Animals, The Lemon Twigs, Air, London Grammar and others. Building upon the growing buzz surrounding them, the band is currently finishing up their Chris Walla and Francois Tetaz-produced full-length debut; but before that, the trio’s latest single “Thorns” is a slow-burning and atmospheric track that sounds indebted to Roxy Music (think of “More Than This” “The Space Between” and “Avalon“), The xx and others.

The band is currently on a lengthy tour that includes a November 6 stop at Rough Trade and a December 15 stop at The Beacon Theatre for WFUV’s Holiday Cheer. Check out tour dates below.

Tour Dates
October 14: Buffalo, NY @ HRVST Festival (w/ Phoenix)
October 15: New Haven, CT @ College Street Music Hall (w/ Phoenix)
October 17: Manchester, UK @ O2 Apollo (w/ London Grammar)
October 18: Leeds, UK @ O2 Academy (w/ London Grammar)
October 20: Manchester, UK @ O2 Apollo (w/ London Grammar)
October 21: London, UK @ Eventim Apollo (w/ London Grammar)
October 23: Birmingham, UK @ O2 Academy (w/ London Grammar)
October 24: Edinburg, UK @ Usher Hall (w/ London Grammar)
October 26: Nottingham, UK @ Rock City (w/ London Grammar)
October 27: Bristol, UK @ Colston Hall (w/ London Grammar)
October 29: Newcastle, UK @ City Hall (w/ London Grammar)
October 30: London, UK @ O2 Brixton Academy (w/ London Grammar)
November 1: Dublin, IE @ Olympia Theatre (w/ London Grammar)
November 2: Belfast, IE @ Waterfront Hall (w/ London Grammar)
November 6: Brooklyn @ Rough Trade (headline)
November 7: Philadelphia @ Boot & Saddle (headline)
November 16: Los Angeles @ The Troubadour (headline)
November 22: Luxembourg @ Rockhal (w/ London Grammar)
November 23: Amsterdam, NL @ AFAS Live (w/ London Grammar)
November 25: Cologne, DE @ Palladium (w/ London Grammar)
November 26: Berlin, DE @ Velodrom (w/ London Grammar)
November 28: Hamburg, DE @ Mehr! Theatre (w/ London Grammar)
November 30: Zurich, CH @ Halle 622 (w/ London Grammar)
December 4: London, UK @ The Lexington (headline)
December 8: Stuttgart, DE @ Liederhalle Hegelsaal (w/ London Grammar)
December 9: Munich, DE @ TonHalle (w/ London Grammar)
December 11: Antwerp, BE @ Lotto Arena (w/ London Grammar)
December 12: Antwerp, BE @ Lotto Arena (w/ London Grammar)
December 15: New York City, NY @ WFUV Holiday Cheer at Beacon Theatre (w/ Jeff Tweedy and more)