Back in early 2020, just before the COVID-19 pandemic caused the world ground down to a halt, singer/songwriter and multi-instrumentalist Max Keyes abandoned a short-lived move to Philadelphia and returned home to Seattle. The false start helped to spark a sort of existential crisis, and he quickly moved back north to Bellingham, WA, where he’d grown up, hoping the sense of home might provide some much-needed grounding. Perhaps best known for drumming with the acclaimed noise rock outfit Versing, Keyes began hammering out his own songs during this quieter and slower time, approaching the guitar for the first time with serious intention. “It was good to have a couple of years just writing and becoming more confident,” he reflects.
Keyes’ latest project Spiral XP initially started out as a lo-fi solo project with his debut EP, 2021’s Drop Me. He followed that up with last year’s It’s Been A While and this year’s TVXP EP, a collaboration with Seattle-based band TV Star. After those EPs, Keyes recruited scene vets Lena Farr-Morrisey (bass, vocals), Jordan Mang (guitar), Kyle McCollum (guitar) and Daniel Byington (drums) to augment the material, which would become the now, full-fledged band’s, JooJoo Ashworth-produced full-length debut, I Wish I Was A Rat, as they saw fit. “They ended up taking on a life of their own,” he explains, “that’s a little scary but also thrilling to me.”
Recorded entirely in analog at The Unknown, the legendary Anacortes, WA-based studio Phil Elverum helped construct in an abandoned church, the 12-song I Wish I Was A Rat reportedly documents the band at their purest, embracing happy accidents and gritty recording artifacts. “It goes back to that search for authenticity,” says Keyes, “It has a lot of limitations and it makes recording harder, but those limitations make the process so much more meaningful and deep.” While the material shows a reverence for the likes of Yo La Tengo, the material is indebted to a number of influential Pacific Northwest bands like Broken Water, Unwound and Beat Happening. The album’s material sees the band crafting a singular distillation of grunge, indie and slacker rock. Thematically the material explores meaning, truth and value under capitalism while navigating late-twenties existential ennui.
I Wish I Was A Rat’s latest single “Window Room” is a 120 Minutes-era MTV-like anthem anchored around crunchy and fuzzy power chords, thunderous drumming paired with enormous hooks and choruses and soaring falsetto vocals. But at its core is a mix of boredom and longing that should feel familiar.
“I was inspired to write the lyrics while sitting in an enclosed porch one day and examining the window reflections,” the band’s Lena Farr-Morrissey says. “Making plans of nothing and carving out time that is intentionally left blank, I found myself wondering what can bloom from recycled thoughts and memories. On the inside looking out, ‘Window Room’ carries a longing for being at peace with the unknown.”
Directed by Lauren Rodriguez, the accompanying video for “Window Room” featured saturated Super 8 footage of a woman daydreaming at the shore and a ferry. Fittingly, the video manages to match the 120 Minutes MTV aesthetic of its accompanying song.
I Wish I Was A Rat is slated for an October 18, 2024 release through Danger Collective Records.
