Tag: Denver Underground Music Festival

Video by William Ruben Helms

New Video: Lunar Twin Releases a Brooding Late Night Visual for Trip Hop-like “Leaves”

Deriving their name from a scientific theory that suggests that Earth may have had a second moon, a twin moon that was destroyed in a massive collision during the earliest moments of our solar system, Lunar Twin, which is comprised of vocalist Bryce Boudreau and multi-instrumentalist and producer Chris Murphy can trace their origins back to 2011’s Denver Underground Music Festival when Boudreau joined Murphy’s goth band Nightsweats as a guest vocalist. And by 2013, the duo started collaborating together full-time.

With the release of their debut, 2014’s self-titled EP and 2017’s Night Tides EP, the duo which is currently split between Hawaii and Salt Lake City have developed a unique take on chill wave/dark wave that draws from and possesses elements of synth pop, shoegaze, dream pop and others. A couple of years have passed since I’ve written about Lunar Twin — and as it turns out, the duo’s Chris Murphy has been busy sharing the stages with a growing list of acclaimed and renowned artists including Grimes, Bonnie Prince Billy and Peaches through other projects he’s worked in. But the duo have also been working on their long-awaited third EP Ghost Moon Ritual, which is slated for a February 16, 2020 release through  the band’s own imprint, Tropical Depression/Desert Heat. 

Ghost Moon Ritual reportedly finds the duo expanding upon the sound that caught the attention of this site and elsewhere with some of the material nodding at psych folk and desert noir-themed late night moon music. The EP’s latest single, the moody and atmospheric “Leaves” is centered around Boudreau’s sonorous, Mark Lanegan-like baritone, layers of buzzing and shimmering synths and thumping beats. And while simultaneously nodding at trip hop and dream pop, the song evokes — for me, at least — a a specific late night loneliness I’ve known — wandering a new town, a new country on your own, as a stranger, a man from far away. 

Directed by San Francisco-based Zoey Nyguen, the recently released video is set in a raw, late night, neon cityscape — her neighborhood of Russian Hill. ” I wanted to embody the song with visuals from my within my neighborhood and local surroundings and to include basically a collage of clips from different time periods and eras of the City,” Nyguen says in press notes. “I made the video as a simple Creative Commons project and then approached the group about a possible collaboration and then filmed them performing to add to the story I had built around their song into something more” 

“Collaboration with a new person is always a surprise creatively and I thought her vibrant and imaginative approach visualizing the song to be just right .. to curate this version of this songs story,” Bryce Boudreau says of the video. “Her choice of imagery really melds with the track. I’m very happy with the way the video develops and encapsulates everything we are trying to express musically” Chris Murphy adds in press notes. 

New Audio by William Ruben Helms

Deriving their name from a scientific theory that suggests that Earth may have had a second moon, a twin moon that was destroyed in a massive collision during the early days of our solar system, Lunar Twin, an electro pop/dream pop/shoegaze duo comprised of Bryce Boudreau (vocals) and Chris Murphy (multi-instrumentalist and producer) can trace their origins to the 2011 Denver Underground Music Festival when Boudreau joined Murphy’s goth band Nightsweats as a guest vocalist. And by 2013, the duo started collaborating together full-time.

Now, it’s been some time since the duo have released new, original material as both the Los Angeles, CA-based, Hawaii-based Boudreau and the Salt Lake City, UT-based Murphy have been involved in a variety of creative pursuits — with Murphy working in projects that have shared stages with an impressive list of renowned artists including Grimes, Bonnie Prince Billy and Peaches among others; however, the duo’s latest effort Night Tides EP was released earlier this month through Texas-based dream pop/shoegaze label Moon Sounds Records with an extremely limited run of lathe-cut vinyl through the band’s own imprint Lunar Industry Records, and a limited cassette run through their new label. Unsurprisingly because of the distance between the two collaborators, that distance plays a significant thematic role on the material of Night Tides. As Murphy mentions in press notes, ” We both live thousands of miles apart, separated by the Pacific Ocean and miles of mountains and desert. These totally different places of isolation are the nexus of our songwriting. The ocean plays a big part in this album. The ebb an flow of the die and the effect the moon has on it.”

Boudreau adds, “For this EP, we wanted to channel the spirit of the primordial world and a lost island in the equatorial night feeling. The dense warm air smelling of flowers beneath a canopy of banyan trees.”  “Waves,” the first single off Night Tides, Boudreau explains “is about drifting between two worlds — the primeval and the technological and between Earth and Water spirits.”  And while sonically speaking, the duo’s latest single will further cement their reputation for crafting moody and atmospheric pop in which they pair Boudreau’s rich Mark Lanegan-like baritone with a minimalist production featuring propulsive, tribal-like drumming, ambient synths with brief bursts of shimmering guitar and twinkling keys. It’s a hauntingly gorgeous track that manages to evoke  the sensation of awakening from a pleasant reverie and swimming within a warm and gently ebbing  body of water with the moonlight shimmering right in front of you.