Tag: Devil in the Woods Records

New Video: Killer Whale Performs “Plenty of Time” at Downman Sounds Studios

New Orleans-based indie rock ‘n’ soul act Killer Whale is led by its frontman Thomas Johnson, who spent several years living and gigging in San Francisco before returning to Louisiana — and as a result, his work manages to infuse surf rock with the swamp, among other influences. The New Orleans-based act’s forthcoming album Tastes Like Yesterday is slated for a September 18, 2020 release though Devil In The Woods Records — and the album’s latest single “Plenty of Time” is a slow-burning track that’s one part old-school Muscle Shoals soul, one part breezy surf rock that’s centered around Johnson’s soulful crooning, an infectious hook, some jangling guitar work, some congo and simple backbeat. But at its core, the song manages to balance a wistful ache with a sobering realism: the song is about taking your time when you’re making the decision to stay with a lover or  move on. It ain’t an easy decision; it has a life altering implications for you and for the other person — and as a result, the song carries a profoundly heavy weight. 

Directed by Scott Lebell, the recently released video follows Killer Whale’s frontman as he travels to the studio to record “Plenty of Time” at Downman Sounds Studios. 

New Video: Mexico City’s Muuk Releases a Hypnotic and Unsettling Visual for “Seis Ausente”

Muuk is a Mexico City-based experimental rock act, comprised of Emiliano Baena (bass), JC Guerreo (beats, samples), LS Rodriguez (guitar), Omar Carapia (synths) and Erre Guevara (drums). Formed back in 2013, the act meshes electronic elements (turntables, sequencers, synthesizers and samples) with traditional rock instrumentation (guitar, bass and drums) to create a dense, frenetic and thunderous sound, centered around uncommon harmonies and improvisational passages.

Shortly, after their formation the Mexican experimental rock quintet recorded a homemade self-titled EP, which led to appearances across Mexico’s outdoor festival circuit with a number of collectives including Aqui no Hubo Escena (Here There Was No Scene), Colapso Post Rock, Lxs Grixes, Noise Affair and others. The members of Muuk followed up 2013’s debut EP with a small, handmade physical release in 2015 that was reviewed by a nubmer of outlets both nationally and internationally including Marvin, IMAS, URL Magazine, Letras Explicitas, Noisey, Remezcla, Post Rock, Faeton Music and Atlas of Sound. Album tracks “Are You Mad,” “De Niro” and  “Trypophobia” received airplay from Codigo DF Radio, GritaRadio and NoFM Radio.

The album was also named one of the best albums of the year by the likes of Indie Rocks and Sound & Vision. Building upon a rapidly growing profile, the band appeared in the documentary film Aqui No Hubo Escena, which offered a snapshot of Mexico City’s indie music scene. The band has also played sets at some of their hometown’s most important venues and clubs including Foro Indie Rocks, Caradura, Imperial, Pasaguero, Multiforo Cultural Alicia, Mutliforo 246 and Centro de Cultura Digital y Bajo Circuito.

May 2018 saw the members of Muuk collaborate with members of B.A.R.D.O.S.S. on an  improvised recording session titled Octomano. That July saw the band play the Hipnosis Festival lineup reveal gig at the Foro Indie Rocks. Last year, the band wrote and recorded their recently  sophomore album Balbuceo, which was released through Devil in the Woods Records.

Balbuceo‘s first single “Seis Ausente” is a genre-defying song featuring elements of prog rock, psych rock, shoegaze, post rock and even Dilla-esque beatmaking as the track is centered around a mesmerizing arrangement of found vocal samples, shimmering and atmospheric synths and swirling electronics, boom bap-like drumming, a funky bass line and bursts of guitar feedback. And from Balbuceo‘s first single, the rising Mexican act specializes in synthesizing elements of the familiar into something explosive and completely novel.

The recently released visual for “Seis Ausente” manages to be hypnotic and unsettling: the viewer sees some gorgeously detailed line drawings pulsating and undulating to the song’s mesmerizing and trippy arrangement, and as the visual progresses, the drawings are overcome with explosive splashes of color — particularly a blood-like red. 

 

Muuk is a Mexico City-based experimental rock act, comprised of Emiliano Baena (bass), JC Guerreo (beats, samples), LS Rodriguez (guitar), Omar Carapia (synths) and Erre Guevara (drums). Formed back in 2013, the act meshes electronic elements (turntables, sequencers, synthesizers and samples) with traditional rock instrumentation (guitar, bass and drums) to create a dense, frenetic and thunderous sound, centered around uncommon harmonies and improvisational passages.

Shortly, after their formation the Mexican experimental rock quintet recorded a homemade self-titled EP, which led to appearances across Mexico’s outdoor festival circuit with a number of collectives including Aqui no Hubo Escena (Here There Was No Scene), Colapso Post Rock, Lxs Grixes, Noise Affair and others. The members of Muuk followed up 2013’s debut EP with a small, handmade physical release in 2015 that was reviewed by a nubmer of outlets both nationally and internationally including Marvin, IMAS, URL Magazine, Letras Explicitas, Noisey, Remezcla, Post Rock, Faeton Music and Atlas of Sound. Album tracks “Are You Mad,” “De Niro” and  “Trypophobia” received airplay from Codigo DF Radio, GritaRadio and NoFM Radio.

The album was also named one of the best albums of the year by the likes of Indie Rocks and Sound & Vision. Building upon a rapidly growing profile, the band appeared in the documentary film Aqui No Hubo Escena, which offered a snapshot of Mexico City’s indie music scene. The band has also played sets at some of their hometown’s most important venues and clubs including Foro Indie Rocks, Caradura, Imperial, Pasaguero, Multiforo Cultural Alicia, Mutliforo 246 and Centro de Cultura Digital y Bajo Circuito.

May 2018 saw the members of Muuk collaborate with members of B.A.R.D.O.S.S. on an  improvised recording session titled Octomano. That July saw the band play the Hipnosis Festival lineup reveal gig at the Foro Indie Rocks. Last year, the band wrote and recorded their sophomore album Balbuceo, an effort mixed by Dalek’s Alap Momin and is slated for a February 21, 2020 release through Devil in the Woods Records.

Balbuceo‘s first single “Seis Ausente” is a genre-defying song featuring elements of prog rock, psych rock, shoegaze, post rock and even Dilla-esque beatmaking as the track is centered around a mesmerizing arrangement of found vocal samples, shimmering and atmospheric synths and swirling electronics, boom bap-like drumming, a funky bass line and bursts of guitar feedback. And from Balbuceo‘s first single, the rising Mexican act specializes in synthesizing elements of the familiar into something completely novel.