Tag: Dr. Luke

New Video: Yelle Serves Up Looks in Sultry and Campy Visual for “Noir”

Acclaimed French electro pop act Yelle — Julie “Yelle” Budet (vocals) and Jean-François “GrandMarnier” Perrier (production, percussion) can trace their collaboration back to around 2000 when Budet and Perrier first met and became friends. But the duo didn’t start working on music together until 2005. Initially formed under the name YEL, an acronym for the phrase “You Enjoy Life,” the duo learned of a Belgian band with the same name, and were forced to change their name, eventually feminizing their original name to “Yelle.”

The duo quickly received attention when they posted a song they originally titled “Short Dick Cuizi,” which originally was a written as a mock diss track that referred to Cuiziner of acclaimed French hip-hop act TTC. The song eventually became “Je veux te voir,” which charted at #4 in their native France, and as a result of the buzz surrounding them, they caught the attention of Source Etc Records, who then signed the act. Interestingly, around the same time that the duo had started working on their full-length Perrier met the band’s now-former third member Destable, who at the time was working full-time as a journalist. As the story went, Baudet and Perrier were desperate for a touring keyboardist to flesh out their live sound, and they somehow managed to rope Destable into joining the band.

2007’s full-length debut Pop Up was released to widespread critical acclaim and was a commercial success as a result of “A cause des garçons,” which landed at #11 on the French Singles Chart and “Parle a ma main,” a collaboration with Fatal Bazooka that landed at number 1. Building upon a growing international profile, Baudet, Perrier and Destable spent a three year period between 2006-2009 touring to support Pop Up — with the band being named as MTV‘s Artist of the Week during the last week of March, 2008.

After taking a few months off, the members of Yelle returned to the studio to began work on their sophomore album, and by February 2010 they started their own label Recreation Center, headed by Perrier. Yelle’s sophomore album, 2011’s Safari Disco Club found the act focusing on harmonies, melodies and Budet’s vocals, and was released to generally positive reviews — including  The Independent, who wrote that the album was “essential for anyone, who appreciates dancefloor-friendly European synth pop.” The album caught the attention of Katy Perry, who invited the act to open for her during the British leg of her  California Dreams tour. After they completed that tour, they went on a European tour and went on a Stateside tour that fall. 

The French electro pop act’s third album, 2014’s Completement fou was co-produced by Dr. Luke and a team of producers that included Kojak, AC, Billboard Mat, Oliver, Cirkut, Mike and Madmax. Dr. Luke learned about Yelle through their remix of Katy Perry’s “Hot n Cold” — and after catching them live, he signed them to his label. The album was supported by extensive international touring, which included their third stop at Coachella, an extremely rare feat for a Francophone act, as well as tours across Europe, South American and China.

The acclaimed French act’s fourth album  L’Ère du Verseau (The Age of Aquarius) was released last September — and much like countless acts across the globe, Baudet and Perrier were gearing up for extensive touring to support the album, and to celebrate their 15th year together. In lieu of touring, the band released incredible visuals for album singles “Je t’aime encore” and “Vue d’en Face,” a breezy yet melancholy track centered around shimmering synth arpeggios, finger snaps, stuttering beats and Budet’s ethereal and achingly plaintive vocals.

L’Ere du Verseau’s latest single “Noir” is a dance floor friendly bop centered around thumping beats, shimmering synth arpeggios, funky bass line and Baudet’s sassy delivery. Interestingly, the song is meant to inspire the listener to strut like they’re on the catwalk, serving fools looks — hard.

Directed by Giant, the recently released video for “Noir” is a campy and fierce as fuck take on haute couture that features beautiful people serving up looks with fierceness while looking like behind the scenes footage of a photo shoot.

New Video: French Electro Pop Act YELLE Teams Up with Nicolas Maury on a Surreal and Mischievous Visual

Acclaimed French electro pop act Yelle — Julie “Yelle” Budet (vocals) and Jean-François “GrandMarnier” Perrier (production, percussion) can trace some of their origins back to 2000 when Budet and Perrier first met and became friends — but the duo didn’t start workin on music together until 2005. Initially formed under the name YEL, an acronym for the phrase “You Enjoy Life,” the duo had to change their name when discovered a Belgian band under that name. So they feminized the name to “Yelle.”

The members of Yelle quickly received attention when they posted a song originally titled “Short Dick Cuizi” on MySpace. The song eventually became “Je veux te voir,” but interestingly the song originally referred to Cuiziner of French hip-hop act TTC — and was initially released as a mock diss track. The track was commercial success and charted at #4 in their native France, and as a result of the buzz surrounding them, the French electro pop act caught the attention of Source Etc Records, who later signed the act. Around the same time that Budet and Perrier started working on their full-length debut, Perrier met the band’s now-former third member Destable, who was working full-time as a journalist. As the story goes, the duo were desperate for a touring keyboardist and they managed to rope Destable into the joining the band.

2007’s full-length debut Pop Up was released to widespread critical acclaim and was a commercial success as a result of “A cause des garçons,” which landed at #11 on the French Singles Chart and e “Parle a ma main,” a collaboration with Fatal Bazooka that landed at number 1.

Building upon a growing international profile, Baudet, Perrier and Destable spent a three year period between 2006-2009 touring to support Pop Up — with the band being named as MTV‘s Artist of the Week during the last week of March, 2008. After taking a few months off, the members of Yelle returned to the studio to began work on their sophomore album, and by February 2010 they started their own label Recreation Center, headed by Perrier.

Yelle’s sophomore album, 2011’s Safari Disco Club found the act focusing on harmonies, melodies and Budet’s vocals, and was released to generally positive reviews — including The Independent, who wrote that the album was “essential for anyone, who appreciates dancefloor-friendly European synth pop.” The album caught the attention of Katy Perry, who invited the act to open for her during the British leg of her California Dreams tour. After they completed that tour, they went on a European tour and went on a Stateside tour that fall.

The French electro pop act’s third album, 2014’s Completement fou was co-produced by Dr. Luke and a team of producers that included Kojak, AC, Billboard Mat, Oliver, Cirkut, Mike and Madmax. Dr. Luke learned about Yelle through their remix of Katy Perry’s “Hot n Cold” — and after catching them live, he signed them to his label. The album was supported by extensive international touring, which included their third stop at Coachella, an extremely rare feat for a Francophone act, as well as tours across Europe, South American and China.

Last September saw the release of the acclaimed French act’s fourth album L’Ère du Verseau (The Age of Aquarius). Much like countless acts across the globe, the members of Yelle were gearing up for extensive touring to support the new album before the pandemic. But to celebrate their 15th year together, the band collaborated with Loïc Prigent for the video for “Je t’aime encore.” Interestingly, the album’s latest single “Due d’en Face,” is a breezy yet melancholy track, centered around shimmering synth arpeggios, finger snaps, stuttering beats and Budet’s ethereal and achingly plaintive vocals.

Directed by Giant, the recently released video or “Vue d’en Face” stars Budet and renowned French actor Nicolas Maury as a pair of star-crossed doppelgängers — of sorts — who perform a series of Tik Tok-inspired dances, while managing to get close enough to the point of being completely inseparable.

Born Sophie Stern, Sophie Bom is a Los Angeles, CA-born and-based singer/songwriter and producer, who originally started her music career as a songwriter for mega-hit producer Dr. Luke writing songs for a number of pop stars, including Britney Spears, Kesha and Conor Maynard among others — and after spending a few years behind the scenes, the Los Angeles-born and-based singer/songwriter and producer, decided that she needed to go out on her own as a solo artist. Now, as you may recall, Bom’s solo career began with writing and recording with the Grammy Award-winning producer David Elevator, who’s best known for his work on Beck‘s Morning Phase and Dan Dare, who’s best known for his work with Marina and the Diamonds, Charlie XCX and M.I.A. for her attention grabbing recording project Sophie and the Bom Boms, which released the Shmixtape EP and the Going For the Heart EP before going on a hiatus.

“Broke,” Bom’s latest single, and first official single as completely solo artist finds the Los Angeles-born and-based singer/songwriter her roots — sitting at the piano and writing songs. Additionally, the single finds her producing herself for the first time, and the single features a fairly stripped down production in which Stern’s vocals float over a metronomic beat, warm and expressively blasts of electric guitar, but the spacious and unfussy production has one true star to it — Stern, who’s at her most honest and vulnerable. As the Los Angeles-based singer/songwriter and producer says of the song, “This song was written stream of consciousness, I hit record and sat at [the] piano and tried to sort out my life. Like, ‘Hello, my name is Sophie, and I’m a broken ass person trying to make a relationship work with another broken ass person. Relationships are funny. Love can be 2 faced. When you’re in a relationship, it can be make you feel so connected and understood by no just the other person, but to everything and everyone, everywhere .  . . and then on the flip side, it touches on the most painful parts of life and yourself and humans, and you feel cheated by the whole fucking world. This song is about about the broken side. Like maybe there’s a wall that you’ll never grow tall enough to climb over. 2 broken people not knowing how to fix something. Like, ‘I love you, but I’m tired . . . and paranoid . . . are you even there? Are we going to fix this? Kiki? Do you love me? Are you riding?”

 

 

 

 

 

 

 

 

 

Last December, I wrote about Sophie Stern, the Los Angeles-based creative mastermind behind the (mostly) solo recording project Sophie and the Bom Boms. Initially, Stern’s career began behind the scenes as a songwriter, who was signed to mega-hit producer and songwriter Dr. Luke’s camp. After spending couple of years as a go-to songwriter, Stern decided that it was time for her to go out on her own as a solo artist.

 

Inspired by a diverse array of artists including diverse array of artists including Erykah BaduTom Tom Club and a lengthy list of others, Stern began collaborating with two rather renowned producers, David Elevator, who won 3 Grammys for his work on Beck‘s Morning Phase and Dan Dare, who’s best known his work with Marina and the DiamondsCharli XCX and M.I.A. for her debut EP. The EP’s first single “Big Girls” was a breezy and infectious pop confection that paired big boom-bap beats, cascading synths, anthemic hooks and Stern’s effortlessly soulful vocals in a way that was reminiscent of Nu Shooz‘s “I Can’t Wait” while sounding remarkably contemporary.

The EP’s second and latests single “Appetite” will further cement Stern’s reputation for crafting incredibly infectious, breezy and anthemic pop as you’ll hear boom bap beats, handclaps, twinkling synths and an anthemic, hashtag worthy hook paired with Stern’s ballsy and bratty vocals in a song that’s a tell off to fuckboys, deadbeats, drama kings and queens and parasites everywhere — with the sort of sense of humor that would likely remind you of things you may have heard or said back in the schoolyard.

Sonically and thematically speaking the song manages to nod at Australian-born, Berlin-based indie pop artist Phia, Gwen Stefani‘s “Ain’t No Holla Back Girl,” and TLC‘s “No Scrubs” as it possesses the same “girl power/girl, drop that loser/girl, drop that deadbeat friend” air but backed by slick, modern production techniques.

 

 

 

 

Sophie Stern, the Los Angeles-based creative mastermind behind the (mostly) solo recording project Sophie and the Bom Boms originally started her career as a pop songwriter, who was signed to mega-hit producer and songwriter Dr. Luke’s camp. After spending a couple of years writing songs for several major stars, Stern, who was inspired by a diverse array of artists including Erykah Badu, Tom Tom Club and others, decided that she should go out on her own as a solo artist.

Stern collaborated with two renowned producers, David Elevator, who won 3 Grammys for his songwriting/production work on Beck‘s Morning Phase and Dan Dare, who’s best known his work with Marina and the Diamonds, Charlie XCX and M.I.A. for her forthcoming debut EP. The EP’s first single “Big Girls” is breezy and infectious pop confection that pairs big, boom-bap beats, cascading synths, anthemic hooks and Stern’s effortlessly soulful vocals. Sonically, the song draws from 80s synth pop and R&B (for example think of Nu Shooz‘s “I Can’t Wait“) while sounding remarkably contemporary — the production behind the song is incredibly slick without removing the song’s sense of fun or Stern’s larger-than-life confidence.