Tag: DRAMA Gimme GImme

New Video: DRAMA Releases a Surreal and Otherworldly Visual for “Years”

Tracing their origins back to a chance meeting between its core duo back in 2014, the Chicago-based pop duo DRAMA — producer and DJ Na’el Shehade and vocalist Via Rosa — have managed to bootstrap a subtle yet rapid rise with a proudly DIY ethos, releasing several EPs of material that blurs the lines between R&B, dance pop, heartbreak and bliss, centered around a sound that meshes Shehade’s Chicago house-infused production and Rosa’s soulful delivery, inspired by jazz, hip-hop and Bossa nova. 

Now, as you may recall, the Chicago-based pop act’s highly-anticipated full-length debut Dance Without Me is slated for a February 14, 2020 release through Ghostly International. The album’s material reportedly finds the duo recasting romantic tragedy as moonlit self-acceptance. Instead of wallowing alone in their blues and heartache, the material features characters who sashay and strut, knowing their self-worth while being vulnerable. This album is dedicated to the people watching their friend’s love-lives grow and happen around them, and not having anyone,” Rosa says in press notes.

I’ve written about two of the album’s releases singles so far: “Gimme Gimme,” a sultry synthesis of Between Two Selves-era Octo Octa and classic, Larry Levan-era house — and “Nine One One,” a slow-burning, cinematic bit of Quiet Storm-like soul pop. “Years,” Dance Without Me’s fourth and latest single is a decidedly R&B-tinged affair that nods at What’s the 411-era Mary J. Blige and Robin S.; however, at its core, the song is full of uneasy conflict and bitter uncertainty : the song’s narrator recognizes that they’re deeply devoted to someone, who isn’t right for them. “This track is a bittersweet song about the conflict of wanting to let go but still hold onto someone you love, but you know they’re not right for you,” DRAMA’s Via Rosa says in press notes. “It’s about knowing you should walk away but also wanting to confess your unconditional and eternal love.”

Directed by Adam Chiayat, the recently released video features the members of DRAMA performing through a series of surreal and otherworldly transitioning spaces. “Filmed practically, we set out to create a series of otherworldly, constantly transitioning spaces for DRAMA to perform through,” the video’s director says in press notes. “Emotions can feel like they take us on a ride, floating us forward and bringing us towards things we need to tackle in our lives. The floating and the spaces seek to represent the themes of the song – speaking to your own heart, confronting your past and opening yourself back up to vulnerability.”

New Audio: Introducing the Sleek Dance Floor Friendly Sounds of Chicago’s DRAMA

Na’el Shehade is a Chicago-born and-based, Palestinian-American producer and DJ, who inherited an entrepreneurial drive from his late father, who immigrated from Palestine to the States in the 70s to build a better life. Shehade fell in love with DJ culture as a kid and as an adult took up music production and engineering. The Chicago-born and-based producer and DJ’s interest and passion led to a diverse and eclectic array of professional opportunities, including early studio work with Chance the Rapper and Kanye West and music projects for MTV and Bravo. 

Shehade’s collaborator Via Rosa grew up in a rather musical household: her parents played in a reggae band and toured as a family, homeschooling Rosa into her early teens. Although her music listening was limited primarily to oldies, Sade, Brazilian music and Afrobeat, a teenaged Rosa kept poetry journals — and by high school, she started writing songs and making beats. After relocating to Chicago in 2010, Via Roa connected with THEMPeople, a collective at the center of her adopted hometown’s sprawling hip-hop scene. 

Interestingly, the Chicago-based duo’s collaboration together, DRAMA can trace its origins to a chance meeting between them back in 2014. And since its formation, the duo have bootstrapped a subtle yet rapid rise on their own terms, centered around a sound that meshes Shehade’s Chicago house-infused production and Rosa’s soulful delivery, inspired by jazz, hip-hop and Bossa nova while managing to blur the lines between R&B, dance pop, heartbreak and bliss. Along with that, the duo have had a long-held history of a proud and bold DIY ethos, self-releasing several EPs and making multiple tours — on their own terms. 

DRAMA’s highly-anticipated full-length debut Dance Without Me is slated for a February 14, 2020 release through Ghostly International. Thematically, the album’s material reportedly finds the duo recasting romantic tragedy as moonlit self-acceptance while the material pairs  Rosa’s candid lyrics focused on expressionistic narratives about the intricacies of interpersonal relationships with sleek, dance floor friendly production. Instead of wallowing alone in their blues and heartache, the material features characters who sashay and strut, knowing their self-worth while being vulnerable. This album is dedicated to the people watching their friend’s love-lives grow and happen around them, and not having anyone,” Rosa says in press notes. 

“Gimme Gimme,” Dance Without Me’s second and latest single is a sleek and slickly produced club banger, centered around shimmering synth arpeggios, thumping beats, Via Rosa’s effortlessly soulful vocals, twinkling hi-hats and a euphoric hook. And while seemingly being a sultry synthesis of Between Two Selves-era Octo Octa and classic, Larry Levan-era house, the track finds its love-sick narrator wobbling between aching vulnerability and proud, self-reliance, as she searches for a sign that it’s okay to love again. 

“The idea was to have a conversation with my myself about what kind of man I’m looking for,” Rosa explains in press notes. “In the chorus I repeat the line ‘I need you to stand and deliver. Cause I need a man that’s not gonna give me any any…’ The end I purposely left blank so listeners could insert what they don’t want from their next lover. Oddly enough the song was inspired by the closing scene in the movie Grease where Sandy sings to Danny ‘You better shape up cause I need a man.’ Only in my world, I’m Sandy, my heart is Danny and I’m telling my heart to shape up and give me what I want.”