Tag: EBM

New Video: Normal Bias Share Surreal Visual for Thumping, Club Banger “Soft Power”

Currently split between New York and Atlanta, electro pop duo Normal Bias — Matt W.(vocals) and Chris C. (synths) — are a self-described “pump and dump scheme, mining the most bloodthirsty parts of decades of electronic music and striping it for parts” while describing their sound and approach as “equal parts techno synth pop and ruthless venture capital.” The duo have supported their recorded output — 2022’s self-titled EP and 2024’s Kingdom Come — with shows and touring with Nitzer Ebb, Boy Harsher, Nuovo Testamento, High Functioning Flesh and Phase Fatale. Adding to a growing reputation in the electronic music scene, the band is currently on tour with Spike Hellis, who has performed and collaborated with Nitzer Ebb, Boy Harsher, Pixel Grip, Buzz Kull, Nuovo Testamento, and more.

The duo’s sophomore album Ways of Keeping Clean will be released next year through DKA Records. Ways of Keeping Clean‘s first single “Soft Power” is an EBM and goth-styled banger built with thumping, wall-rattling beats, walls of glistening synths, razor sharp hooks paired with Matt W’s sultry Dave Gahan/Michael Hutchence-like vocals. Sonically seeming to channel early Depechde Mode, the song as the do explains “confronts the numbing effects of propagandized multimedia addiction that looms over the modern world and enables the worst instincts of our leaders and institutions, and leads us further into nowhere and nothing.”

Directed by Logan Devlin, the accompanying video for “Soft Power” is a sleek blend of live performance, stop-motion amination and Dali-esque landscapes with bursts of VHS glitch. While watching it, I thought of So and Us-era Peter Gabriel and Pet Shop Boys — but with a mix of mischief and menace.

New Audio: Los Angeles’ Charm School Shares A Thumping Club Banger for Our Dystopian Hellscape

Los Angeles-based electronic music act Charm School features Louisville, KY-born, Los Angeles-based multi-hyphenate artist and frontman Andrew Sellers and his longtime collaborators Matt Filip and Dave English. Sellers grew up immersed in Louisville’s underground scene, soaking up the work of local acts like Slint, Crain and Rodan, as well as the catalogs of beloved Chicago indie labels Touch & Go and Drag City. Later, Sellers got into PIL, Swell Maps, The Fall and Fugazi and The Nation of Ulysses. All of that informs Charm School’s sound and approach.

Their debut EP, 2023’s Finite Jest introduced listeners to a philosophically-minded, crushingly loud critique of modern life’s increasingly maddening realities. Last year’s full-length debut, Debt Forever introduced a broader range of influences and a much more acerbic viewpoint with lyrics drenched in salty, satirical humor.

Released earlier this year, Schadenfreude Ploy EP picks up where Debt Forever left off, musing on humanity’s tortured psyche and the confounding implications of living in a technocratic, dystopian hellscape in which tech billionaires, AI and modern life’s various manipulative traps are ubiquitous and seemingly inescapable.

Continuing a remarkably prolific period, the Los Angeles trio’s latest single, the Matia Simovich-produced “Desolation” is a hook-driven, EBM/darkwave/goth banger featuring 80s synthclavier stabs, thumping 808s paired with Sellers dryly sardonic yet simultaneously sincere delivery. Sonically bringing the likes of early Ministry, Depeche Mode, as well as contemporaries like Public Circuit to mind, the song is a club anthem for our dystopian hellscape. The world’s on fire and everything seems hopelessly fucked, so have a little fun, dance and sweat it out with some other humans.