Tag: Echo and the Bunnymen The Killing Moon

New Video: JOVM Mainstays Secret Shame Releases a “120 Minutes” MTV-Inspired Visual for Anthemic and Shimmering New Single

Over the past 15-18 months or so, I’ve spilled quite a bit of virtual ink covering Asheville, NC-based goth/post-punk act and JOVM mainstays Secret Shame. Founded in 2016, the act — currently, Lena (vocals), Nathan (drums), Matthew (bass) and Billie (guitar) has been centered around its members desperate need to create, “If I couldn’t sing or play music, I would tear my skin off.” the band’s front person Lena explained in press notes. Shortly after their formation, the band released their self-titled debut EP, which helped established their dark and atmospheric sound — while the material thematically touched upon domestic rabuse, mental health, political and social dissatisfaction and frustration.

The Asheville-based JOVM mainstays’ full-length debut Dark Synthetics was released to critical acclaim last year — and the album find the band expanding upon their sound, crafting material that seemed indebted to both Siouxsie and the Banshees and 4AD Records. Building upon the growing momentum surrounding the band since the release of their debut, the members of Secret Shame have released a series of Dark Synthetics remixes as a teasers while they were returning to the studio to record new music. 

Throughout their relatively short history together, they’ve developed a reputation for an ever-changing songwriting process centered around a collective songwriting approach. The end result is that it allows the band to not allow themselves to be pigeonholed into a single subgenere of goth or post-punk. Interestingly, Secret Shame’s latest single “Dissolve” finds the band turning towards a completely new sound while managing to evoke the same feeling and vibe of their previously released material. There’s clear nods to Joy Division, New Order, and Echo and the Bunnymen on this one — with a tiniest of nods to The Smiths here: the song features shimmering guitars, rapid-fire four-on-the-floor, enormous and rousingly anthemic hooks and Lena singing with a plaintive earnestness. It’s arguably their most gorgeous sounding song they’ve released to date, but underneath the shimmer, is a hardened bitterness and dark thematic concerns that have won the band attention. As the band’s Lena says of the song, “A cathartic break from a bad situation, but a gateway to something still destructive. What are the benefits of nobody knowing what’s on your mind? What are the drawbacks?”

Visually, the recently released video for “Dissolve” seemed indebted to 120 Minutes-era MTV with tape hiss and nods at Echo and the Bunnymen’s “Lips Like Sugar” and “The Killing Moon,” among others that immediately come to my mind. 

“Dissolve” will appear on a self-released 7 inch that will be release don June 5, 2020. 

New Video: The Fittingly 80s-Inspired Visuals for Count Vaseline’s “Russia”

Stefan Murphy is a singer/songwriter, multi-instrumentalist and the creative mastermind behind the mostly Berlin, Germany-based New Wave and post-punk-inspired recording project Count Vaseline. Interestingly, Murphy started the project during a creative spell — and after a handful of live shows, Murphy went to the U.S. to write and record his Count Vaseline debut Yo No Soy Marinero, a deeply personal effort that focuses on what may have been one of the more difficult times of his own life — and as a result, the album is kind of a debaucherous romp that celebrates both his trials and tribulations and creativity while in Berlin.

Of course, Murphy’s decision to decision to stay in the US was followed by an earth-shattering Presidential election that still has countless people reeling, and his recently released sophomore effort Cascade thematically focuses on the depressingly cyclical patterns of both world history and world politics and the overall sense of pervasive doom; however, the album’s latest single “Russia” is an account of two lovers desperately trying to break free from the constraints and horrors of the modern world. And while deliberately performed at 117 beats per minute — the same beats per minute as Michael Jackson’s “Billie Jean” — the song manages to sound like what would happen if Duran Duran had covered Echo and the Bunnymen’s “Bring on the Dancing Horses” but with a young Ian McCulloch taking up vocal duties.

Directed by Kevin Brannigan and David Thomas Smith, the recently released video for “Russia” is decidedly an 80s-inspired video — in particular seemingly drawing influence from the music videos for Echo and the Bunnymen’s “Lips Like Sugar,” and “The Killing Moon,” and others, as it features a brooding, Slavic-looking woman vamping and strutting in front of a screen showing images of everyday Russian life while cutting to stock footage of warfare in Russia and elsewhere and of Russian gymnasts.