Tag: Editors

New Video: Indie Rock, All-Star Side-Project’s Orchestral Interpretation of Their Noisy, Debut Material

While expanding upon the sound of their most famous primary projects, the band finds each member of the band sonically pushing themselves and crossing as many creative barriers as possible. Interestingly, the project’s soon-to-be released effort, Orchestral Variations is an album of orchestral and instrumental interpretations of the material off Minor Victories’ debut album. The concept, as the band’s Justin Lockey explained to the folks at VICE THUMP began with Lockey “fucking around” but as he progressed, it felt increasingly valid because it presented the songs and harmonies in a completely different light — revealing a stunning beauty underneath the vitriol. In press note Lockey explains that Orchestral Variations’ latest single “Give Up The Ghost” is an orchestral arrangement on the original song. On the full band album, the song begins with an enormous bit of fuzz and vitriol; however, the Orchestral Variation version has Lockey stripping the arrangement down to Rachel Goswell’s vocal melody, which was buried underneath layers of guitar tracks and arena rock-like drums. “In the end, I started with marimbas . . why? Because everyone loves a marimba (if not, they ought to). I guess from my part, it’s a huge nod to Steve Reich, with some melodramatic strings woven in for good measure.” And the result, is gorgeous and soaring and melodramatic composition that sounds as though it should be part of a movie soundtrack while capturing the mood of harried commuters rushing to and fro.

Interestingly, as Lockey explains in press notes, the video was shot by his brother James while they had a day off in Berlin and it features an incredibly simple concept — the band’s Rachel Goswell riding the Berlin metro with enormous headphones on, sitting next to her fellow commuters. And as the train travels you see the Goswell and her fellow commuters sitting next to her, lost in their thoughts and daydreaming; at points the motion of the train or the length of their day has someone close their eyes and nod off; at other points, people get off at their various stops; people and train stops rush by. If it wasn’t so relatively clean, it would look and feel as though you were riding the subway in New York.

 

British indie rock sensation Escapists can trace their origins to when Simon Glancy (vocals) relocated to London to concentrate on his songwriting, and as soon as he moved he asked the only musician friend he knew to help him record his musical ideas, Oil Court (guitar). Court then quickly recruited his friend, composer Max Perryment to play bass. And as the story goes, the trio spent a week of intensive songwriting sessions before deciding that they had enough musical and creative simpatico to continue collaborating together. Court’s former schoolmate Any Walsh (drums) was recruited to finalize the band’s lineup, and the newly formed quartet began writing and recording material inspired by Arcade Fire, The National and Broken Social Scene.

The quartet’s debut single received airplay from XFM‘s John Kennedy and within that year, they were touring with Imagine Dragons and played sets at Reading and Leeds Festivals. Continuing to build upon the buzz they received nationally, the quartet spent 2013 writing and recording the material that would comprise their 2014 debut, Only Bodies, which was released to critical praise from the blogosphere.

Over the past year or so, the band has reportedly gone through a change in sonic direction with their sound inching towards dance-floor-leaning post-punk. “Pyramid Scheme,” the first single off the band’s Eat You Alive possesses enormous, anthemic hooks, shimmering and angular guitar chords, thundering drumming, sinuous bass lines, and swooningly plaintive vocals. Structurally speaking there are some playful changes in tempo in a song that sounds as though its indebted to the likes of U2, Editors, The Killers, New Order and others.

Certainly, with such an enormous hooks and a dance-friendly sound, I think we’ll be hearing quite a bit from them over the next few months.

 

 

With the release of their debut effort, Black Sun, the Australian quintet of Gold Fields’ put themselves on the international map, as the album received praise from the likes of MTV and Billboard for it’s slickly produced, danceable sound, infectious hooks, angular […]

Australian quintet Gold Fields’ debut effort Black Sun, which Astralwerks released back on February 26th has received praise from the likes of MTV and Billboard for it’s slickly produced, danceable sound, infectious hooks, angular guitars played through reverb, […]

Australian quintet Gold Fields’ debut album, Black Sun has received praise from the likes of Entertainment Weekly, The New York Times, Rolling Stone and others for their slickly produced, electro pop sound – while listening to “Dark Again,” […]