Tag: Elsewhere

New Video: No Joy’s Jasamine White-Gluz and Sonic Boom (a.k.a. Spacemen 3’s, Spectrum’s. and E.A.R.’s Pete Kember) Team Up For a Disco-Inspired Psych Pop Track

he band quickly signed to renowned indie label Mexican Summer, who released their debut 7 inch single “No Summer”/”No Joy,” an effort that allowed them to book their own national headlining tour with Katy Goodman and her project, La Sera. The 7 inch quickly sold out, and by November 2010, the duo released their full-length debut Ghost Blonde to critical praise from the likes of Pitchfork, AllMusic.com, The New York Times, Brooklyn Vegan, The Guardian and others. Building upon a growing profile, the duo released the “Hawaii” 7 inch in the UK,  a release that featured a remix of “Indigo Child” done by Stereolab’s Time Gane — and unsurprisingly, the members of No Joy toured the UK with Surfer Blood, which was promptly followed with a London show opening for Wire, and an appearance at Barcelona’s Primavera Sound Festival.
The rest of 2011 saw the band touring North America — and it included a busy SXSW appearance schedule, a tour with Vivian Girls and a co-headlining tour with Marnie Stern with whom they released a split single, which featured No Joy’s cover of the Shangri-La’s “He Cried.”
Since then, the band has released 2012’s Negaverse EP and Wait to Pleasure, 2013’s Pastel and Pass Out EP, 2015’s More Faithful, 2016’s Drool Sucker, the first of a planned series of EPs and last year’s Creep, which was released through the band’s new label Grey Market Records.  Interestingly, 2018 founds No Joy’s primary songwriter and founding member Jasamine White-Gluze collaborating with Pete Kember, a.k.a. Sonic Boom. who’s best known for his work with Spacemen 3, Spectrum and E.A.R. And although White-Gluz and Kember can’t accurately remember how they met, what the duo does recall that they first brought up the idea of working together in an email exchange in 2015. At the time, No writJoy had just finishing touring to support their third, full-length effort More Faithful, one of their hardest efforts to date, and White-Gluz was eager to try new ideas and do something different. “No Joy functioned as a four-piece ‘rock band’ for so long,” White-Gluz explains in press notes. “I wanted to pursue something solo where I collaborated with someone else who could help me approach my songs from a completely different angle. Pete is a legend and someone I’ve admired for a long time. Being able to work with him on this was incredible.”

Initially, the collaboration began as a bit of exploration between two friends, who admired each other’s work with each one passing songs back and and forth with White-Gluz writing and producing songs in her hometown of Montreal and Kember writing, arranging and producing in Portugal. The end result was their collaborative EP together — four tracks that reportedly walk the tightrope between electronica, trip hop and experimental noise.  As White-Gluz says in press notes, “I wrote some songs that were intended for a full band and handed them off to Pete, who helped transform them. I barely knew how to use MIDI so I was just throwing him these experiments I was working on and he fine-tuned my ideas. There are barely any guitars on this album, because I was focused on trying to find new ways to create sounds.”

The EP’s first single “Obsession” pairs White-Gluz’s ethereal vocals with layers of Giorgio Moroder meets Evil Heat-era Primal Scream -like undulating synths in an expansive song structure that allows the duo to display their uncanny ability to craft a mesmerizing, trance-like groove. The recently released video filmed by Nuno Jardim, featuring video synthesis by Sonic Boom ad starring Samantha Tyson manages to further emphasize the trippy and trance-like vibes of the song as it features wobbling visuals, neon bright colors, flashing lights and colors in the background and so on.

New Video: The Contemplative Visuals and Sounds of Faith Healer’s “& Waiting”

Initially begun as the solo recording project of its Edmonton-based creative mastermind, founding member, singer/songwriter and guitarist Jessica Jalbert, as a way to avoid and resist being pigeonholed as just a sensitive, singer/songwriter strumming a guitar, Faith Healer project expanded into a duo with the addition of multi-instrumentalist Remmy Wilson, who joined before the recording sessions for Jalbert’s sophomore Faith Healer effort (and first as a duo), Try ;-).  

As Jalbert has explained in press notes, the newly constituted duo’s recently released newest effort is a sonic and creative departure for her. “The last album had a lot of flowery ’60s flourishes. This time, we wanted to simplify it and just do some straight-ahead songs. Focus on the song itself rather than all of the production.” And although the material may seem effortless to the listener, the creative process which spawned it were according to Jalbert, rather intensive, as she and her bandmate spent time meticulous crafting the album’s material while focusing on plainspoken lyrics that focused on self-empowerment, depression and appreciating all the good in life; in fact, the album’s title was also deeply inspired by its creative process, and is a reminder that sometimes you need to be proactive and grab life by the horns rather than waiting for inspiration to strike.

Now, as you may recall, “Light of Loving,” Try ;-)’s first single featured a lush melody within an expansive, 60s psych rock-inspired song structure consisting of trippy and unexpected key and tone changes and a soaring hook — and while being relatively stripped down from its predecessor, the song manages to reveal some ambitious, arena rock meets psych rock-inspired songwriting that in some way reminds me of The Mallard‘s Finding Meaning in Deference and The Fire Tapes’ Phantoms. Interestingly, the album’s mellow yet jangling latest single is a subtle expansion of the sound they’ve developed on the album’s earliest single, as it finds them drawing a bit more from easy going, 70s AM rock, complete with a deeply introspective and sultry vibe. 

The recently released video further emphasizes the introspective nature of the song, as it features a simple concept, as we follow a brooding Jalbert on the beach, staring at the ocean, drinking wine from the bottle, waiting for something — or someone to happen. 

New Video: Dream Wife’s Dystopian Anime-Influenced Visuals for Anthemic New Single “Hey! Heartbreaker”

Deriving their name as a commentary on society’s objectification of women, the London-based punk rock trio Dream Wife, comprised of Icelandic-born, London-based Rakel Mjöll (vocals), Alice Go (guitar, vocals) and Bella Podapec (bass, vocals) met while the trio were attending art school in Brighton, UK — with Mjöll, Go and Podapec forming the band in 2015 as part of an art project conceptualized around the  idea of a band born out of one girl’s memories of growing up in Canada during the 1990s.  And since their formation, the trio quickly developed a national profile, as they’ve received critical praise for their earliest releases and their live shows from the likes of NPR, DIY, Stereogum, Nylon, Entertainment Weekly and others. Adding to a growing profile, the trio have toured across the European Union, opened for Sleigh Bells and The Kills during their respective US tours, and have played a number of the world’s biggest festivals, including SXSW.

Dream Wife’s highly anticipated self-titled debut is slated for a January 26, 2018 release through Lucky Number Music and from the album’s latest single “Hey! Heartbreaker,” the British based punk trio’s sound features stomp and shout in the mosh pit worthy hooks, fuzzy and angular guitar chords and a steady backbeat in a fashion that’s reminiscent of Is Is and Fever to Tell-era Yeah Yeah Yeahs and Elastica, complete with a brassy, kick ass and take names self-assuredness and bratty mischievousness at its core. 

Animated by Joe Prytherch, a former art director of Boiler Room, best known as Mason London, the recently released video envisions a dystopian yet familiar future inspired by anime, Akira, Josie and the Pussycats and Jem, in which the members of the band are depicted as robot performers held in a sleazy bar against their will, where they perform in front of bored customers. But when we catch them in the world of the video, the trio violently escape and lead the police through a breakneck escape from the city. 

As the members of the band said in press notes about the video and its concept, “We were super excited to work with Mason London to bring the world of ‘Hey! Heartbreaker’ to life. Collaboration is integral in our approach to Dream Wife, and we encourage different creative ideas and paths to mix with our own vision.

“It’s uncanny to watch these mechanical, parallel versions of ourselves rock out and then break out. We like to think that in another reality our robot versions are continuing their adventures; perhaps in the forest, perhaps plotting for a robot revolution, perhaps playing wild, secret rock shows to other robos.”

Comprised of Nye Todd, Adam Todd, Anna Cory and Niall McCamely, the Edinburgh, Scotland, UK-based indie pop act The Spook School derive their name from the famous Glasgow School of influential artists and designers that began to coalesce in the 1870s and flourished between 1890 to roughly 1910 or so. And within the The Glasgow School there were several groups responsible for creating the distinctive Glasgow Style — The Four (also known as The Spook School), which featured painter and glass artist Margaret MacDonald, acclaimed architect Charles Rennie Mackintosh (McDonald’s husband), MacDonald’s sister Frances Macdonald and Herbert MacNair — all of who made strides in the definition of Art Nouveau; the Glasgow Girls; and the Glasgow Boys. As for their modern counterparts, the members of the Glasgow-based indie pop act have developed a reputation for songs that lyrically explore gender, sexuality and queer issues while thematically focusing on gender fluidity and the lack of the gender binary.

The Spook School’s latest single “Someone to Spend Christmas With” is an incisive and anthemic, ambivalent Christmas song that features a rousing hook, soaring synths, shimmering guitar chords and propulsive drumming — and while sounding as though it simultaneously draws from 60s pop and 80s New Wave, as the band’s Anna Corey explains in press notes, “This is a song about figuring out how you want to conduct your own relationships when it feels like the world is full of conflicting advice about the ‘best’ way to do it, whether that be monogamy, polyamory, or something else entirely. The refrain relates to the ideal of having one important person in your life with whom you’ll always spend your special occasions.”

Along with the release of their new Christmastime single, the Scottish quartet announced an early 2018 North American tour, opening for Diet Cig that will include a March 1, 2018 stop at Brooklyn’s newest music venue Elsewhere. Interestingly, the tour will also coincide with the release of the band’s highly-anticipated third full-length effort Could It Be Different? on January 26, 2018 through Slumberland Records here in the States and Alcopop! Records in the UK. In the meantime, check out the tour dates below.

NORTH AMERICAN TOUR 2018

01/29 Buffalo, NY @ Mohawk Place # ^
01/30 Toronto, ON @ The Garrison # ^
01/31 Detroit, MI @ Marble Bar # ^
02/01 Chicago, IL @ Bottom Lounge # &
02/02 Madison, WI @ University of Wisconsin # &
02/03 Minneapolis, MN @ University of Minnesota # &
02/05 Lawrence, KS @ White Schoolhouse #
02/06 Omaha, NE @ Reverb Lounge & #
02/07 Denver, CO @ Lost Lake Lounge #
02/08 Salt Lake City, UT @ Kilby Court #
02/09 Boise, ID @ Neurolux # &
02/10 Vancouver, BC @ The Cobalt # &
02/11 Seattle, WA @ Chop Suey #
02/12 Portland, OR @ Aladdin Theater #
02/14 San Francisco, CA @ Rickshaw Stop #
02/15 Santa Cruz, CA @ The Catalyst # &
02/16 Los Angeles, CA @ Lodge Room #
02/17 San Diego, CA @ You Are Going To Hate This Fest 3 #
02/19 Tucson, AZ @ Club Congress # &
02/21 Austin, TX @ Sidewinder # &
02/22 Dallas, TX @ Three Links # &
02/23 New Orleans, LA @ Hi Ho Lounge # &
02/24 Atlanta, GA @ The Masquerade # &
02/25 Asheville, NC @ The Mothlight # &
02/26 Charlotte, NC @ Neighborhood Theatre # &
02/27 Carrboro, NC @ Cat’s Cradle # &
02/28 Washington, DC @ Rock & Roll Hotel # &
03/01 Brooklyn, NY @ Elsewhere # &
03/02 Boston, MA @ Brighton Music Hall # &
03/03 Philadelphia, PA @ First Unitarian Church # &

# = w/ Diet Cig
^ = w/ Lala Lala
& = w/ Great Grandpa

Over the past 13-15 months or so, JOVM has managed to catch the up-and-coming Brooklyn-based post punk/psych pop act Monograms on a couple of bills around town. And as you may recall, the band initially began as the solo recording project of its founding member Ian Joseph; however, since expanding into a full-fledged band, Monograms has received a growing profile, as they’ve opened for Clap Your Hands Say YeahGøGGS (a side project featuring Ty Segall and members of JOVM mainstay Ex-CultEzra FurmanSunflower BeanAPTBS‘ Dion LunadonQuiltDreamersSpires and others.

The band’s latest single “Sleep Cycle” finds the band experimenting and expanding upon their sound, with the single briefly nodding at 90s grunge rock and Gang of Four-like post punk as they pair fuzzy power chords with a propulsive and angular bass chords, forceful drumming and an anthemic hook, creating an ambitious and arena rock friendly song that manages to retain a sweaty, mosh pit worthiness.

Monograms has an upcoming show on Monday night at Brooklyn’s newest venue Elsewhere with Journalism and Obliques.

Check out the Facebook event page for more info: https://www.facebook.com/events/1450449005069867/