Tag: EMI Records

Currently comprised of founding members Alexis Taylor and Joe Goddard, along with Owen Clarke, Al Doyle, and Felix Martin, the critically applauded, Grammy Award-nominated, London-based electro pop act Hot Chip can trace its origins back to when its founding duo of Taylor and Goddard met while studying at Elliot School, Putney. Bonding over a shared love of R&B and house music, Hot Chip’s founding duo started collaborating together musically as early as 1998.

After releasing 2001’s Mexico EP, 2002’s San Frandisco EP and a handful of other material through small labels and independently, the act caught the attention of Moshi Moshi Records, who signed the band in 2003 and subsequently released their full-length debut, 2004’s Coming on Strong. Interestingly around this time, the project expanded to a full-fledged band with the additions of Owen Clarke, Felix Martin and Al Doyle. And with their new lineup, the act began working on their sophomore album The Warning while signing a UK and US record deal with DFA Records and EMI Records, which resulted in Astralwerks releasing their full-length debut in the States in 2005.

Released in 2006, The Warning earned the band a more mainstream following while being critically applauded — the album featured two UK Top 40 singles  “Over and Over” and “Boy from School,” before eventually being shortlisted for that year’s Mercury Prize and Mixmag‘s Album of the Year. Adding to a growing national profile. “Over and Over” was named the best single of that year by NME.

The acclaimed London-based electro pop act’s third, full-length album, 2008’s Made in the Dark featured “Ready for the Floor,” which peaked at #6 on the UK charts. Building upon the buzz the single received, the band made appearances on Friday Night with Jonathan RossJimmy Kimmel Live! and Last Call with Carson Daly — with the song receiving a Grammy nod for “Best Dance Recording,” eventually losing out to Daft Punk’s “Harder Better, Faster, Stronger (Alive 2007).

After completing a lengthy world tour to support Made in the Dark, the members of Hot Chip returned to London and began writing and recording their fourth full-length album, 2010’s disco and early house music influenced One Life Stand, which found the band collaborating with This Heat‘s and Camberwell Now’s Charles Hayward, The Invisible’s Leo Taylor and Trinidadian steel panist Fimber Bravo.

Since then the band released two more albums: their fifth album, 2012’s In Our Heads, an album that the band’s Alexis Taylor said was written and recorded in a speedier fashion with less pressure and more fun — and 2015’s Why Make Sense, which featured album single “Huarache Lights.”

Hot Chip’s seventh full-length album A Bath Full of Ecstasy is slated for a June 21, 2019 release through Domino Records — and while being their third album for Domino, the album reportedly finds the band firmly cementing the sound they’ve been celebrated for — bringing euphoria and melancholy with breezy and colorful melodies, plaintive vocals and propulsive beats. Interestingly, the album which was recorded in Paris and London finds the act opening themselves up to a more adventurous and collaborative songwriting process, choosing to work with outside producers for the first time in their history —Cassius‘ Philippe Zdar, who has worked with Phoenix and Rodaidh McDonald, who has worked with the likes of The xx, David Byrne, Sampha and others.

Clocking in at 6 minutes, the album’s first single  “Hungry Child” is centered around glistening synths, tweeter and woofer rocking beats, finger snaps, plaintive vocals, an anthemic hook and a motorik-like groove — and while clearly being indebted to classic house and sultry French electronica, the track also subtly recalls JOVM mainstay Beacon. And as a result, it has a bittersweet air; the sort that comes from the recognition that joy is often paired with pain.
2019 will also see the members of Hot Chip embarking on what may arguably be the biggest tour of their entire history with a number of club shows during the Spring across Europe and North America, including a sold out April 29, 2019 stop at Elsewhere — before making stops across the European festival circuit. They return to New York in the fall with two dates — September 3, 2019 and September 4, 2019 at Brooklyn Steel. Check out the tour dates below.
Tour Dates
4/4 – London @ Village Underground SOLD OUT
4/5 – Brighton @ Concorde 2 SOLD OUT
4/6 – Bristol @ Trinity SOLD OUT
4/8 – Paris @ Trabendo SOLD OUT
4/9 – Brussels @ Botanique Orangerie SOLD OUT
4/11 – Cologne @ Luxor SOLD OUT
4/12 – Hamburg @ Mojo SOLD OUT
4/13 – Berlin @ Columbia Theatre SOLD OUT
4/14 – Amsterdam @ Paradiso Noord SOLD OUT
4/29 – Brooklyn, NY @ Elsewhere SOLD OUT
5/1 – Los Angeles, CA @ El Rey Theatre SOLD OUT
5/2 – Pioneertown, CA @ Pappy and Harriet’s SOLD OUT
5/4 –  San Francisco, CA @ August Hall SOLD OUT
5/24 – London @ All Points East Festival
6/1 – Egeskov Castle, Denmark @ Heartland Festival
6/8 – Helsinki, Finland @ Sideways Festival
6/14 – 6/18 – Mannheim, Germany @ Maifeld Derby Festival
6/28 – 6/30 – Somerset @ Glastonbury Festival
6/4 – Catalonia Spain @ Vida Festival
6/5 – Six-Fours-les-Plages, France @ Pointu Festival
6/11 – Lisbon, Portugal @ NOS Alive Festival
6/11 – 6/13 – Bilbao, Spain @ Bilbao Live Festival
6/19 – 6/21 – Jodrell Bank, Macclesfield @ Bluedot Festival
6/19 – 6/21 – Biarritz, France @ Biarritz en été Festival
6/26 – Aulnoye-Aimeries, France @ Les Nuits Secrètes Festival
8/2 – 8/4 – Waterford, Ireland @ All Together Now Festival
8/4 – Glasgow @ Playground of Sound Festival
8/16 – St Malo, France @ La Route du Rock Festival
8/16 – 8/18 – Hasselt, Belgium @ Pukkelpop Festival
8/30 – Vlieland, Netherlands @ Into The Great Wide Open Festival
Autumn 2019 headline tour
9/3 – Brooklyn, NY @ Brooklyn Steel
9/4 – Brooklyn, NY @ Brooklyn Steel,
9/7 – Washington, DC @ 9:30 Club
9/8 – Philadelphia, PA @ Union Transfer
9/9 – Boston, MA @ Royale
9/10 – Montreal, QC @ MTELUS
9/12 – Toronto, ON @ Phoenix Concert Theatre
9/13 – Chicago, IL @ Riviera Theatre
9/14 – Minneapolis, MN @ First Avenue
9/17 – Vancouver, BC @ Vogue Theatre
9/18 – Seattle, WA @ The Showbox
9/19 – Seattle, WA @ The Showbox
9/20 – Portland, OR @ Roseland Theater,
9/24 – Santa Cruz, CA @ The Catalyst
9/25 – Oakland, CA @ Fox Theater
9/27 – Los Angeles, CA @ Shrine Auditorium
10/17 – Dublin @ Olympia
10/18 – Birmingham @ O2 Institute 1
10/21 – Bristol @ O2 Academy
10/22 – Nottingham @ Rock City
10/24 – Norwich @ LCR
11/30 – Milan @ Alcatraz
12/2 – Amsterdam @ Melkweg
12/3 – Berlin @ Columbiahalle
12/4 – Luxembourg @ den Atelier
12/5 – Lausanne @ Les Docks
12/7 – Paris, @ Elysée Montmartre
12/11- Hamburg @ Docks
12/14 – Stockholm @ Vasateatern
12/15 – Oslo @ Rockefeller

Formed in the early 90s and featuring Dermot Lambert (vocals, guitar), Robbie Sexton (keys), Brian McLoughlin (bass) and Barry Campbell (drums), Blink is a Dublin, Ireland-based rock quartet who have released three albums to date, 1994’s A Map of the Universe, 1998’s The End is Nigh and 2004’s Deep Inside the Sound of Sadness. And as the story goes with their inclusion on a New York-based trade festival CD in the early 90s, the Irish quartet quickly received international attention as EMI Records had signed the band for their 1994 debut; but before that the band had achieved quite a bit of attention back home in Ireland — their first two singles “Going to Nepal” and “Happy Day” reached the Irish Top 20, and their third single “It’s Not My Fault” debuted at number 8.
With the Irish quartet’s sophomore effort, the band broke through Stateside as The End Is Night was named Billboardfive-star album of the month and was named Billboard‘s album of the week before going on to quickly sell 90,000 copies, which allowed them to open for a number of well-known acts of the era including Mercury Rev, Moby, Lloyd Cole, The Cardigans, Mark Geary and Blink-182 (who ironically enough, the members of Blink sued for copyright infringement when Blink-182 was originally known as Blink; so talk about an awkward tour, huh?). And the band’s most recent album was nominated for Best Irish Album during 2005’s Meteor Music Awards.

It’s been a while since the band has released anything although the band’s frontman Dermot Lambert released a critically applauded solo effort back in 2013; however, March 3, 2017 will mark the re-issue of the band’s debut effort A Map of the Universe and the beginning of the a series of re-issues of their back catalog. And to mark the release, the band recently released “Happy Christmas 22 (I Still Miss You)” as a standalone single for the first time ever — although the single was released on A Map of the Universe. While being fitting for the season, the song is a rousingly anthemic track, which also appropriately sound of its era; in other words, it manages to be reminiscent of Brit Pop superstars RIDE, Oasis and others.