Tag: Evidence

New Video: JOVM Mainstay Evidence Releases a Haunting Visual for Brooding “Taylor Made Suit”

Los Angeles-based emcee, producer and JOVM mainstay Evidence — born Micheal Taylor Perretta — has established himself as one of hip-hop’s most accomplished emcees and producers: as a solo artist and as a producer, Perretta has worked with Beastie Boys, Linkin Park, Defari, Planet Asia, DJ Premier, WestsideGunn, Prodigy, Rapsody, Aloe Blacc, Action Bronson, Atmosphere’s Slug, Cypress Hill and a lengthy list of others. He won a Grammy for his co-production on Kanye West’s critically applauded, breakthrough debut album The College Dropout. He also has won two Juno Awards for his production work for Canadian hip-hop act Swollen Members. But he’s arguably best known for being a member of beloved hip-hop act Dilated Peoples with Rakaa Iriscience and DJ Babu. 

Evidence has recorded and released five albums with his Dilated Peoples bandmates. And as a solo artist, the Los Angeles-based emcee and producer has released three full-length albums, including 2018’s critically and commercially successful effort Weather Or Not and an EP. He has also released an album with The Alchemist as Step Brothers. Managing to remain extraordinarily busy, Evidence released this fourth solo album Unlearning Vol. 1 the other day through his longtime label home Rhymesayers Entertainment. 

The 14 track album pairs Evidence’s own production work with the likes of The Alchemist, Nottz, Sebb Bash, Animoss, Mr. Green, V Don, Daringer, Khrysis, and QThree [EARDRUM] showcasing the Los Angeles-based JOVM mainstay’s ability to collaborate with a wide and eclectic array of producers while still crafting a cohesive album. Additionally, the album features a small cast of guests that includes Boldy James, Conway The Machine, Fly Anakin, Navy Blue, and Murkage Dave. Recently Evidence offered insight into the transition from Weather Or Not into the writing and recording of the material that would become Unlearning Vol 1: “I don’t feel like I’m Evidence, the character. I feel like I’m me,” he told DJ Booth, adding “I don’t mind evolving publicly.” 

During the build up to the album’s release, I wrote about three of the album’s single: 

“Pardon Me” an example of grown shit hip-hop, centered around a soulful Pete Rock-like production that serves as a warm and comfortable bed for Perretta’s contemplative verses reflecting on mortality, hard-won lessons, adulthood and being a parent and artist — and how those particular roles can be contradictory and difficult to manage. 
“All Of That Said” found Evidence collaborating with Boldy James. Prominently featuring a soulful and cinematic sample featuring soaring strings, buzzing guitars and chopped up vocals, the song sees the JOVM mainstay and Boldy James reminiscing on the long and hard journey to achieve what they’ve achieved both personally and professionally. And while seemingly a bit world-weary, there’s a profound wisdom within both emcees bars — the wisdom that comes from struggle, setbacks and victories small and large. Like I said before, this is adult shit coming from adult places. 
“Where We Going From Here,” which was centered around a dusty and woozy production featuring boom-bap beats and lurching synths. Over that uneasy production, the Los Angeles-based JOVM mainstay effortlessly rhymes about where he’s been while wondering what exactly is next for him.

Unlearning Vol. 1’s latest single “Taylor Made Suit” is a brooding song centered around a sparse and haunting production featuring a repeated guitar figure, skittering beats and reverb-drenched vocal samples throughout. Over that spectral production Evidence spits rhymes with an unusually deep emotional heft, with a verse directly addressing the death of his son’s mother, detailing two painful scenes — that his wedding suit was the same suit that he wore to his son’s mother’s funeral and later, a scene in which he has to hold back tears before telling his boy with somewhat false assurance “Your momma is in heaven.” There’s heartbreak, despair and love and devotion in very adult, and very real terms.

Continuing an ongoing collaboration with director and photographer Stephen Vanasco, we see the Los Angeles-based JOVM mainstay in a suit and trench coat arriving at a bungalow — as though coming from something. He rhymes to his own reflection in the window, as though gearing himself up to tell someone something hurtful yet important. We also follow him through the desert and under palm trees. The video ends with a devastating close up that focuses on Evidence wearing the titular suit.

New Video: JOVM Mainstay Evidence Looks Towards an Uncertain Future in “Where We Going From Here”

Los Angeles-based emcee, producer and JOVM mainstay Evidence — born Micheal Taylor Perretta — has established himself as one of hip-hop’s most accomplished emcees and producers: as a solo artist and as a producer, Perretta has worked with Beastie Boys, Linkin Park, Defari, Planet Asia, DJ Premier, WestsideGunn, Prodigy, Rapsody, Aloe Blacc, Action Bronson, Atmosphere’s Slug, Cypress Hill and a lengthy list of others. He won a Grammy for his co-production on Kanye West’s critically applauded, breakthrough debut album The College Dropout. He also has won two Juno Awards for his production work for Canadian hip-hop act Swollen Members. But he’s arguably best known for being a member of beloved hip-hop act Dilated Peoples with Rakaa Iriscience and DJ Babu. 

Evidence has recorded and released five albums with his Dilated Peoples bandmates. And as a solo artist, the Los Angeles-based emcee and producer has released three full-length albums, including 2018’s critically and commercially successful effort Weather Or Not and an EP. He has also released an album with The Alchemistas Step Brothers. Managing to remain extraordinarily busy, Evidence released this fourth solo album Unlearning Vol. 1 the other day through his longtime label home Rhymesayers Entertainment. 

The 14 track album pairs Evidence’s own production work with the likes of The Alchemist, Nottz, Sebb Bash, Animoss, Mr. Green, V Don, Daringer, Khrysis, and QThree [EARDRUM] showcasing the Los Angeles-based JOVM mainstay’s ability to collaborate with a wide and eclectic array of producers while still crafting a cohesive album. Additionally, the album features a small cast of guests that includes Boldy James, Conway The Machine, Fly Anakin, Navy Blue, and Murkage Dave. Recently Evidence offered insight into the transition from Weather Or Not into the writing and recording of the material that would become Unlearning Vol 1: “I don’t feel like I’m Evidence, the character. I feel like I’m me,” he told DJ Booth, adding “I don’t mind evolving publicly.” 

During the build up to the album’s release, I wrote about two of the album’s single:

“Pardon Me” an example of grown shit hip-hop, centered around a soulful Pete Rock-like production that serves as a warm and comfortable bed for Perretta’s contemplative verses reflecting on mortality, hard-won lessons, adulthood and being a parent and artist — and how those particular roles can be contradictory and difficult to manage.
“All Of That Said” found Evidence collaboration with Boldy James. Prominently featuring a soulful and cinematic sample featuring soaring strings, buzzing guitars and chopped up vocals, the song sees the JOVM mainstay and Boldy James reminiscing on the long and hard journey to achieve what they’ve achieved both personally and professionally. And while seemingly a bit world-weary, there’s a profound wisdom within both emcees bars — the wisdom that comes from struggle, setbacks and victories small and large. Like I said before, this is adult shit coming from adult places. 

Unlearning Vol. 1’s fourth and latest single “Where We Going From Here” is centered around a dusty and woozy production featuring boom-bap beats, lurching synths. Over that uneasy sounding production, the Los Angeles-based JOVM mainstay effortless rhymes about where he’s been while wondering what exactly is next for him. For all of us, who have suffered and lost so much, the clouds have seemed to clear a bit and we’re all wondering what’s next — both positively and negatively. May it be more positive than negative for us all.

Directed by frequent collaborator Stephen Vanasco through a hazy filer, the video follows the JOVM mainstay walking through his hometown of Venice, evoking the uneasy feel of our our moment.

New Video: JOVM Mainstay Evidence Teams Up with Boldy James on a Brooding and Contemplative Single — and Visual

s Angeles-based emcee and producer Evidence — born Micheal Taylor Perretta — has established himself as one of hip-hop’s most accomplished emcees and producers: as a solo artist and as a producer, Perretta has worked with Beastie Boys, Linkin Park, Defari, Planet Asia, DJ Premier, WestsideGunn, Prodigy, Rapsody, Aloe Blacc, Action Bronson, Atmosphere’s Slug, Cypress Hill and a lengthy list of others. He won a Grammy for his co-production on Kanye West’s critically applauded, breakthrough debut album The College Dropout. He also has won two Juno Awards for his production work for Canadian hip-hop act Swollen Members. But he’s arguably best known for being a member of beloved hip-hop act Dilated Peoples with Rakaa Iriscience and DJ Babu. 

Evidence has recorded and released five albums with his Dilated Peoples bandmates. And as a solo artist, the Los Angeles-based emcee and producer has released three full-length albums, including 2018’s critically and commercially successful effort Weather Or Not and an EP. He has also released an album with The Alchemist as Step Brothers. Managing to remain extraordinarily busy, Evidence will be releasing his fourth full-length solo album Unlearning Vol. 1 through Rhymesayers on June 25, 2021. 

Reportedly, the 14 track album pairs Evidence’s own production work with the likes of The Alchemist, Nottz, Sebb Bash, Animoss, Mr. Green, V Don, Daringer, Khrysis, and QThree [EARDRUM] showcasing the Los Angeles-based JOVM mainstay’s ability to collaborate with a wide and eclectic array of producers while still crafting a cohesive album. Additionally, the album features a small cast of guests that includes Boldy James, Conway The Machine, Fly Anakin, Navy Blue, and Murkage Dave. Recently Evidence offered insight into the transition from Weather Or Not into the writing and recording of the material that would become Unlearning Vol 1: “I don’t feel like I’m Evidence, the character. I feel like I’m me,” he told DJ Booth, adding “I don’t mind evolving publicly.” 

month, I wrote about Unlearning Vol 1’s second single “Pardon Me.” Clocking in at a little over three minutes, “Pardon Me” is yet another example of grown shit hip-hop, centered around a shimmering, 70s soul jazz production reminiscent of Pete Rock serving as a warm and comfortable bed for the JOVM mainstays contemplative verses reflecting on mortality, hard won lessons, adulthood and being a parent and artist – and how those roles can be contradictory and difficult to mange. And throughout Evidence peppers references to other emcees, including a reference to Kool G. Rap‘s “Ill Street Blues.” 

t single “All Of That Said” finds the Los Angeles-based JOVM mainstay collaborating with Boldy James. Prominently featuring a soulful and cinematic sample featuring soaring strings, buzzing guitars and chopped up vocals, the song sees the JOVM mainstay and Boldy James reminiscing on the long and hard journey to achieve what they’ve achieved both personally and professionally. And while seemingly a bit world-weary, there’s a profound wisdom within both emcees bars — the wisdom that comes from struggle, set backs and victories small and large. Like I said before, this is adult shit coming from adult places.

The recently released video for “All That Said” continues the JOVM mainstay’s ongoing collaboration with Stephen Vanasco: The video features the two emcees near LAX during golden hour as planes take off just above them. And much like its predecessor, the video captures the song’s contemplative and brooding air.

New Video: JOVM Mainstay Evidence Releases a Contemplative Visual for “Pardon Me”

Born Micheal Taylor Perretta, the Los Angeles, CA-based emcee and producer Evidence has established himself as one of hip-hop’s most accomplished emcees and producers: as a solo artist and as a producer, Perretta has worked with Beastie Boys, Linkin Park, Defari, Planet Asia, DJ Premier, WestsideGunn, Prodigy, Rapsody, Aloe Blacc, Action Bronson, Atmosphere’s Slug, Cypress Hill and a lengthy list of others. He won a Grammy for his co-production on Kanye West’s critically applauded, breakthrough debut album The College Dropout. He also has won two Juno Awards for his production work for Canadian hip-hop act Swollen Members. But he’s arguably best known for being a member of beloved hip-hop act Dilated Peoples with Rakaa Iriscience and DJ Babu.

Evidence has recorded and released five albums with his Dilated Peoples bandmates. As a solo artist, the Los Angeles-based emcee and producer has released three full-length albums, including 2018’s critically and commercially successful effort Weather Or Not and an EP. He has also released an album with The Alchemist as Step Brothers. Managing to remain busy, Evidence will be releasing his fourth full-length solo album Unlearning Vol. 1 through Rhymesayers on June 25, 2021.

Reportedly, the 14 track album pairs Evidence’s own production work with the likes of The Alchemist, Nottz, Sebb Bash, Animoss, Mr. Green, V Dom Daringer, Khrysis and QThree’s EARDRUM showcasing the Los Angeles-based JOVM mainstay’s ability to collaborate with a wide and eclectic array of producers while still crafting a cohesive album. Additionally, the album features a small cast of guests that includes Boldy James, Conway The Machine, Fly Anakin, Navy Blue and Murkage Dave. Recently Evidence offered insight into the transition from Weather Or Not into the writing and recording of the material that would become Unlearning Vol 1: “I don’t feel like I’m Evidence, the character. I feel like I’m me,” he told DJ Booth, adding “I don’t mind evolving publicly.”

 

Currently featuring Blake Milliser (vocals), Alex Hamby (guitar, vocals), Zane Emory (guitar, synth, vocals), Tom Hopper (drums, vocals), Myles Hamby (bass, vocals), Bryce Muse (saxophone) and Rachel Fritz (keys, synth), the Tucson, AZ-based indie septet Chateau Chateau formed early last year as a loose, garage pop quartet that rehearsed and wrote songs in an abandoned airplane hanger. After a while, they began to win over an audience of semi-casual, drunkards, who would be passing by on their way to the brewery next door. Shortly, after their formation they expanded to their current lineup — and as a result, by the middle of last year their sound morphed to a glimmering, synth-based hook-driven sound that recalls A Flock of Seagulls and others. Interestingly, the act’s latest single “Evidence” is a crowd-pleasing and anthemic song centered around a buoyant bass line, shimmering synths and Milliser’s crooned vocals. However, underneath the dance floor friendly vibes, the song’s narrator is in the midst of a mental breakdown, giving the song an underlying bitter irony.

 

New Video: JOVM Mainstays Atmosphere Release Surreal and Gritty Visuals for Bluesy Album Single “Jerome”

Now, throughout the bulk of this site’s eight-plus year history, I’ve written quite a bit about the critically applauded and commercially successful Minneapolis, MN-based hip-hop act Atmosphere, and as you may recall the act initially formed over 20 years ago as a trio featuring Slug, Spawn D and Ant under the name Urban Atmosphere. And whether as a trio or a duo, the Minneapolis-based act have developed and maintained a long-held reputation for pushing the boundaries of what hip-hip should sound like and concern itself with thematically — especially as the members of the act find themselves inching to middle age, as well as for relentless touring. 

2016’s Fishing Blues continued a string of insightful, soulful and mature material reflecting men, who evolved from tortured hedonists into settled down family men, who have seen and experienced much more than they can put into words — and while settling down in a much-deserved and peaceful bliss of family and art seems ideal in almost every circumstance, the world has fundamentally changed in a frightening and uncertain fashion. Naturally, if you’re s sensitive and thoughtful person, you can’t help but recognize that while you may have a little paradise, that within a mad, mad, mad world, it won’t last; that “nothing lasts forever,” as a song says. Unsurprisingly, Atmosphere’s soon-to-be released seventh album Mi Vida Loca thematically finds the pair grappling with their own mortality and the anxiety and fear that comes with the painful acknowledgment that you’re powerless and that you can’t possibly protect yourself, let alone your loved ones from the dangers of our world. Thematically sobering, indeed; but the album much like the bulk of their creative output has long been centered around the duo’s deep and abiding friendship. “Virgo,” Mi Vida Loca’s eerie first single may arguably be the most intimate and urgent song they’ve ever written and recorded — and just because the song evokes (and focuses on) the anxieties and fears of our moment, it isn’t completely dark and hopeless. If anything, the song proudly and sincerely says that as a man, it’s okay to admit that you’re scared shitless and not know what the fuck to do about anything; that when you’re uncertain and afraid that there are friends and loved ones, and music, small joys and small victories, and sweet and tender moments that we need to cling to and cherish with every fiber of our beings.  Sonically, the song featured a bluesy production centered around strummed guitar, twinkling old-timey keys and eerily buzzing synths that nodded at Everlast’s Whitey Ford Sings the Blues but somehow starker. 

Album opening track “Jerome” is the album’s latest single and it continues in a similar vein — featuring a production consisting of a looped sample of boozy and woozy buzzing power chords, rumbling and thumping percussion, brief blasts of twinkling and shimmering synths. Throughout Slug rhymes about the weight of familial history, aging, death, the vapidity and insincerity of social media and a bevy of other things with an incredibly dexterous rhyme scheme but underneath the swaggering self-assuredness of Slug’s delivery is a vulnerability and aching, world weariness. 

Directed by Evidence, the recently released and incredibly cinematic  video for “Jerome” begins with Slug and a homey taking a short ride to house down the street to the home studio, where two tow-headed little ones play with a hill of Legos, while the duo write and record — but some point, Slug quickly realizes that he may be too old for this shit and leaves mid-stream. It’s surreal yet rooted in a gritty reality. 

New Video: JOVM Mainstay Evidence Releases Kaleidoscopic and Psychedelic Visuals for “The Factory”

Throughout the past few months, I’ve written quite a bit about the Los Angeles, CA-based emcee and producer Evidence. Now, as you may recall, the emcee and producer, who was born Michael Taylor Perretta is best known as member of renowned hip-hop act Dilated Peoples with whom he has released four full-length albums — and as a producer, Perretta has worked with Beastie Boys, Linkin Park, Swollen Members, Defari, Planet Asia, and has a co-production credit on on Kanye West’s Grammy-winning, full-length debut The College Dropout.

Perretta’s fourth album Weather or Not was released earlier this year, and the album is the first batch of new material from the Los Angeles-based emcee and producer since the 2014’s The Alchemist-produced Lord Steppingstone. Interestingly a number of singles from the album have been released, including the DJ Premier-produced third single “10,000 Hours,” which featured a swaggering and strutting West Coast gangsta hip-hop meets East Coast boom bap production paired with a criminally unheralded emcee rhyming about the dedication and time he has spent practicing, developing and honing his skills to become one of the very best. The album’s fourth single “Powder Cocaine” continued Evidence’s ongoing collaboration with The Alchemist, who contributed an atmospheric yet soulful production consisting of boom bap beats, warm blasts of bluesy guitar, a chopped up choral vocal sample and a soaring hook, and yet the production managed to be roomy enough to allow Evidence and Slug to trade bars full of diverse metaphors and descriptive symbolism. “Bad Publicity,” Weather or Not’s Nottz-produced fifth single continued in a similar vein as its predecessors as it was centered around a golden era hip-hop production that was roomy enough for  Evidence and Strong Arm Steady‘s gravelly-voiced Krondon to spit fiery, braggadocio-filled bars. 

The album’s latest single is the Twiz the Beat Pro-produced “The Factory,” a track centered around a kaleidoscopic and somewhat ambient production consisting of explosive blasts of scratching, twinkling strings, tweeter and woofer rocking boom bap beats — and much like its predecessor, the production manages to be roomy enough for one of contemporary hip-hop’s most dexterous emcees displaying an uncanny ability to craft complex rhymes with witty and hilarious punchlines. 

New Video: Evidence and Strong Arm Steady’s Krondon Team Up to Wander Around a Desolate Los Angeles in Visuals for Nottz-Produced “Bad Publicity”

I’ve written quite a bit about the Los Angeles, CA-based emcee and producer Evidence, and as you may recall, he’s best known as a member of the renowned hip-hop act Dilated Peoples with whom he has released four full-length albums — and as a producer, the emcee and producer born Michael Taylor Perretta has worked with Beastie Boys, Linkin Park, Swollen Members, Defari, Planet Asia and has a co-production credit on Kanye West’s Grammy-winning, full-length debut The College Dropout.

Perretta’s 2007 full-length full-length debut The Weatherman was released by ABB Records, the long-time label home of Dilated Peoples and featured tracks produced by Perretta,  The Alchemist, Sid Roams (the production team of Joey Chavez and Tavish “Bravo” Graham), Jake One, DJ Babu, and DJ Khalil, as well as collaborations with the Dilated Peoples crew. By 2009 Evidence signed with Minneapolis, MN-based hip-hip label Rhymesayers Entertainment, who released his 2011 sophomore effort Cats & Dogs, an album that wound up being among his most commercially successful as it landed at #64 on the Billboard 200. Perretta’s fourth album Weather or Not was released earlier this year, and the album is the first catch of new material from the Los Angeles-based emcee and producer since the 2014’s The Alchemist-produced Lord Steppington.

Weather or Not’s third single, the  DJ Premier-produced “10,000 Hours” was centered around a  swaggering and strutting West Coast hip-hop meets menacing, old school, boom bap, old school East Coast hip-hop production paired with one of contemporary hip-hop’s criminally unheralded emcees, rhyming about the time he has spent practicing, developing and honing his skills to become one of the very best — or in other words talent ain’t shit, if you don’t work very hard at it. The album’s fourth single “Powder Cocaine” continued Evidence’s ongoing collaboration with The Alchemist, who contributed an atmospheric yet soulful production consisting of boom bap beats, warm blasts of bluesy guitar, a chopped up choral vocal sample and a soaring hook and the production managed to be roomy enough to allow Evidence and Slug to trade bars full of diverse metaphors and descriptive symbolism.

The album’s fifth and latest single, the Nottz-produced “Bad Publicity” much in the vein of its predecessors as it’s golden era hip-hop inspired, tweeter and woofer rocking boom bap hip-hop, complete with some dexterous scratching — and the production manages to be roomy enough for Evidence and Strong Arm Steady’s gravelly-voiced Krondon to spit fiery, braggadocio-filled bars. Directed by Todd Angkauswan, the recently released video for “Bad Publicity” is shot in an deserted, almost post apocalyptic Los Angeles, featuring the city’s most prominent locations.

New Video: Evidence Teams Up with Atmosphere’s Slug and Catero on a Soulful and Earnest Single Paired with Gorgeous and Surreal Visuals

Born Michael Taylor Perretta, Evidence is a Los Angeles, CA-based emcee and producer, best known as a member of the renowned hip-hop act Dilated Peoples with whom he has released four full-length albums. As a producer, Perretta has collaborated with the likes of Beastie Boys, Linkin Park, Swollen Members, Defari, Planet Asia and a co-production credit on Kanye West’s Grammy-winning, full-length debut The College Dropout.

The Los Angeles, CA-based emcee and producer’s 2007 full-length debut, The Weatherman, which was released by ABB Records, the long-time label home of Dilated Peoples featured tracks produced by Perretta, The Alchemist, Sid Roams (the production team of Joey Chavez and Tavish “Bravo” Graham), Jake One, DJ Babu, and DJ Khalil, as well as collaborations with the Dilated Peoples crew. By 2009 Evidence signed with Minneapolis, MN-based hip-hip label Rhymesayers Entertainment, who released his 2011 sophomore effort Cats & Dogs, an album that wound up being among his most commercially successful as it landed at #64 on the Billboard 200.

Evidence’s four full-length album Weather or Not was released earlier this year through Rhymesayers, and the the album is the  first batch of new material since 2014’s The Alchemist-produced Lord Steppington, and as you may remember, the album’s third single “10,000 Hours” found the Los Angeles, CA-based producer and emcee further cementing his reputation as an incredibly dexterous and criminally unheralded emcee, who has ridiculous rhyme schemes — all while discussing ho much time he spent practicing, refining and developing his skills over a swaggering DJ Premier production featuring squiggly synths, boom bap beats, a forceful bass line, samples from Snoop Dogg, Dr. Dre and GURU that managed to be anamalgamation of strutting West Coast hip-hop and stomping, menacing, old school East Coast hip-hop.

Weather or Not’s latest single “Powder Cocaine” is a collaboration between Evidence and Atmosphere’s Slug that features an atmospheric The Alchemist production that consists of tweeter and woofer rocking boom bap beats, a subtly chopped up choral vocal sample and warm blasts of bluesy guitar paired with a soaring hook sung by Catero that’s the emotional and metaphorical underpinning of the song. In fact, as the story goes, after enlisting Catero to write the song’s hook. the vocalist came back with a verse that ended with “but everything’s fine if I try to remain like powder cocaine . . .”  Understandably, the line stuck with both Rhymesayer labelmates, and it opened the doors for the duo to write rhymes full of diverse metaphors and descriptive symbolism. Yet, despite the song’s title, Evidence has never used the drug. “I’m like the only person in Los Angeles, who didn’t do cocaine, and Alchemist, too,” Evidence says in press notes. “We made a pact, you know, when friends are young and we actually stuck to it. The song is not a pro-cocaine song, but rather just using the saying as an expression of being all good.” 

Directed by Jason Goldwatch, the recently released video for “Powder Cocaine,” is actually influenced by Evidence, a passionate shutterbug — and as a result, the video is full of gorgeous and surreal visuals that employ a photographer’s sense of composition and framing to emphasize very specific things. 

New Video: Evidence Takes You on a Gritty Tour of Los Angeles in Visuals for “10,000 Hours”

Born Michael Taylor Perretta, Evidence is a Los Angeles, CA-based emcee and producer, best known as a member of the renowned hip-hop act Dilated Peoples with whom he has released four full-length albums. As a producer, Perretta has collaborated with the likes of Beastie Boys, Linkin Park, Swollen Members, Defari, Planet Asia and a co-production credit on Kanye West’s Grammy-winning, full-length debut The College Dropout.

The Los Angeles, CA-based emcee and producer’s 2007 full-length debut, The Weatherman, which was released by ABB Records, the long-time label home of Dilated Peoples featured tracks produced by Perretta, The Alchemist, Sid Roams (the production team of Joey Chavez and Tavish “Bravo” Graham), Jake One, DJ Babu, and DJ Khalil, as well as collaborations with the Dilated Peoples crew. However, by 2009 Evidence signed with Minneapolis, MN-based hip-hip label Rhymesayers Entertainment, who released his 2011 sophomore effort Cats & Dogs, an album that wound up being among his most commercially successful as it landed at #64 on the Billboard 200.

Evidence’s soon-to-be released fourth, full-length album Weather or Not is slated for a January 26, 2018 release through Rhymesayers is the first batch of new material since 2014’s The Alchemist-produced Lord Steppington, and with the release of the album’s third single “10,000 Hours” Evidence further cements his reputation as an incredibly dexterous and criminally unheralded emcee with the rhyme scheme in this particular track being ridiculous — all while discussing about how he spent time developing his own unique flow. With Evidence spitting over a swaggering DJ Premier production featuring squiggly synths, boom bap beats, a forceful bass line, samples from Snoop Dogg, Dr. Dre and GURU, the track manages to be a amalgamation of strutting West Coast hip-hop and stomping, menacing, old school East Coast hip-hop. But just as important, as I’ve relentlessly reminded readers of this site, real hip-hop, and not that prepackaged bullshit on your multinational conglomerate propaganda and advertising radio, is still out there if you’re willing to look for it.

Filmed and directed by Stephen Vanasco, the recently released video for “10,000 Hours” is a lush and cinematically shot black and white video in a number of gritty and underground Los Angeles sights before meeting with the legendary DJ Preemo.