Tag: Factory Floor

Mariatti · Patches

 

Andrea Mariatti is a 26 year old,Turin, Italy-born and-based electronic music producer, electronic music artist and DJ, who can trace the origins of his music career to when he turned 12. Around that time, he had started creating and making music from his laptop. Mariatti’s music career started in earnest when he was 15: he started releasing albums under the name Andrea Dub. Some of the young producer and DJ’s work was played by a number of DJs across the European Union.

After completing high school, Mariatti studied at SAE Institute, Milan, eventually earning a degree in Audio Production and Creative Music Industry, which helped him pushed the boundaries of his sound and technical limits. Over the past few yers, Mariatti has been rather busy: three years ago, he returned to his hometown, where he built a studio, so he could work on music every day.

Two years ago, the up-and-coming Italian produced signed with NBM Music Agency, who helped him sign with Deadmau5′s mau5trap Records, who released music from his latest musical projects Thin King and his latest solo project Mariatti. Additionally, he founded Recall, a live events brand whose mission is to create and foster a community of passionate people about electronic music with his friend and colleague HolyU.

Now, as you may recall, Mariatti has also released a batch of new material that included the trance house meets New Jack Swing-like “Other Vibes” and the lush, Between Two Selves-era Octo Octa-like “Variable Speed of Life.” Mariatti’s latest single “Patches” is a lushly melodic yet brash banger centered around layers of shimmering and wobbling synth arpeggios, stuttering beats placed with an expansive, seemingly free-flowing song structure. Subtly recalling Tour de France-era Kraftwerk, Factory Floor and others, the track may arguably be the most mesmerizing of the Italian producer’s growing catalog.

“‘Patches’ is the most melodic and evolving arrangement I went through,” Mariatti says. “The process of this song came from only one synthesizer: Korg MS-20; every single sound you hear is made by that astonishing machine.” 

 

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CARRÉ · Freeform

If you’ve been following this site over the past few months, you may know that Carré is a rapidly rising Los Angeles-based indie electro rock act featuring:

  • Julien Boyé (drums, percussion, vocals): Boyé has had stints as a touring member of Nouvelle Vague and James Supercave. Additionally, he has a solo recording act Acoustic Resistance, in which he employs rare instruments, which he has collected from all over the world.
  • Jules de Gasperis (drums, vocals, synths, production and mixing): de Gasperis is a Paris-born, Los Angeles-based studio owner. Growing up in Paris, he sharpened his knowledge of synthesizers, looping machines and other electronics around the same time that Justice, Soulwax and Ed Banger Records exploded into the mainstream.
  • Kevin Baudouin (guitar, vocals, synth, production): Baudouin has lived in Los Angeles the longest of the trio — 10 years — and he has played with a number of psych rock acts, developing a uniquely edgy approach to guitar, influenced by Nels Cline, Jonny Greenwood and Marc Ribot.

Deriving their name for the French word for “square,” “playing tight” and “on point,” the Los Angeles-based trio formed last year — and as the band’s Jules de Gasperis explains in press notes, “The making of our band started with this whole idea of having two drummers perform together. It felt like a statement. We always wanted to keep people moving and tend to focus on the beats first when we write.”

The act specializes in a French electronica-inspired sound that blends aggressive, dark and chaotic elements with hypnotic drum loops. Thematically, their work generally touches upon conception, abstraction and distortion of reality through a surrealistic outlook of our world. Visually, their work features geometric shapes and patterns.

The French-born, Los Angeles-based trio’s self-titled EP is slated for a Friday release through Nomad Eel Records — and so far, I’ve written about “This is not a band,” a propulsive club banger that brought Factory Floor, The Rapture, Primal Scream, Kasabian, The Chemical Brothers and The Crystal Method to mind—  and the Ministry and early Nine Inch Nails-like “Urgency.” “Freeform,” the EP’s latest single is decidedly free flowing and improvised jam centered around glistening synth arpeggios, shimmering blasts of guitar an insistent motorik groove, hi-hat led four-on-the-floor, ethereal samples and vocodered vocals. And while the song sonically brings Uncanny Valley-era Midnight JuggernautsTour de France-era Kraftwerk and Primal Scream to mind, it also reveals an incredibly tight band of musicians, who are pushing each other and their work into new and trippy dimensions.

 

New Video: Oakland’s Houses of Heaven Releases a Shadowy and Symbolic Visual for “Dissolve The Floor”

With the release of their debut EP Remnant, the Oakland-based electronic act, Houses of Heaven — Kevin Tecon, Adam Beck and Nick Ott — quickly established their sound, a sound centered around layers of synths, guitar, electronic percussion and drums, the act meshes early industrial and techno rhythms with shoegaze melodicism and dub-influenced effects.

The Bay Area-based trio’s highly-anticiated Matia Simovich-produced, full-debut Silence Places was released digitally earlier this month through Felte Records and will see a vinyl release on Friday.  The album’s material was written against a harsh contemporary backdrop: Northern California’s wildfires, expanding tent cities through Los Angeles, rampant greed and gentrification in San Francisco, rapidly changing the city’s character and soul with empty, luxury high-rises. Thematically, the album touches upon and explores the intimate experiences that transpire within the chaotic and uncertain confines of everyday, modern life. 

“Dissolve The Floor,” Silent Places first single may arguably be the album’s most dance floor friendly song. Centered around a pulsing synth arpeggios, industrial clang and clatter, muscular techno beats, woozy tape delay, an enormous hook and  emotionally detached vocals, “Dissolve The Floor” recalls early Depeche Mode, Factory Floor and others — but with a shadowy sense of menace and unease.

Directed by Cloaking, the recently released video is an appropriate shadowy visual that features the members of the band playing in front of projected geometric shapes and strobe light to create an eerie and surreal effect of the band being separated and pieced back together again. “The visible economic and social disparities in San Francisco create the illusion of parallel worlds, which gives living in the city a painfully surreal quality,” the band’s Kevin Tecon says in press notes. “‘Dissolve the Floor’ depicts a moment in two people’s lives when the false veil of separation is lifted and their worlds suddenly become one. By combining projected and three-dimensional images, the video takes the idea of parallel existence into abstract territory inspired by classic sci-fi and horror films.”

New Video: Rapidly Rising Act Carré Releases a Lysergic Visual for Club Banging “Urgency”

Carré is a rapidly rising Los Angeles-based indie electro rock act featuring:

Julien Boyé (drums, percussion, vocals): Boyé has had stints as a touring member of Nouvelle Vague and James Supercave. Additionally, he has a solo recording act Acoustic Resistance, in which he employs rare instruments, which he has collected from all over the world.
Jules de Gasperis (drums, vocals, synths, production and mixing): de Gasperis is a Paris-born, Los Angeles-based studio owner. Growing up in Paris, he sharpened his knowledge of synthesizers, looping machines and other electronics around the same time that Justice, Soulwax and Ed Banger Records exploded into the mainstream.
Kevin Baudouin (guitar, vocals, synth, production): Baudouin has lived in Los Angeles the longest of the trio — 10 years — and he has played with a number of psych rock acts, developing a uniquely edgy approach to guitar, influenced by Nels Cline, Jonny Greenwood and Marc Ribot.
Deriving their name for the French word for “playing tight” and “on point,” the Los Angeles-based trio formed last year — and as the band’s Jules de Gasperis explains in press notes, “The making of our band started with this whole idea of having two drummers perform together. It felt like a statement. We always wanted to keep people moving and tend to focus on the beats first when we write.”

The act specializes in a French electronica-inspired sound that blends aggressive, dark and chaotic elements with hypnotic drum loops while thematically, their work generally touches upon conception, abstraction and distortion of reality centered around geometric shapes and patterns, and a surrealistic outlook on our world.

Released earlier this year, the Los Angeles-based trio’s debut single “This is not a band” was a propulsive, club banger that sonically brought Factory Floor, The Rapture, Primal Scream, Kasabian, The Chemical Brothers and The Crystal Method to mind— but with a primal and furious intensity. Building upon the momentum of their debut single, the rising trio’s second and latest single is the dark and seductive, “Urgency.” Centered around a bed of  tweeter and woofer rocking beats, layers of shimmering synth arpeggios, bursts of slashing guitars and gauzy electronic textures — while words from Terence McKenna hover ethereally. Continuing an ongoing run of hypnotic, thumping, club rocking material, the new single possess a menacing air that brings Ministry and early Nine Inch Nails to mind. 

Directed by Patrick Fogarty, the recently released video for “Urgency” manages to continue the trio’s ongoing collaboration with the directer is a slick synthesis of live action footage and CGI-based graphics that evoke a lysergic journey through the subconscious. 

 

felte · Houses of Heaven – Dissolve The Floor

With the release of their debut EP Remnant, the Oakland-based electronic act, Houses of Heaven — Kevin Tecon, Adam Beck and Nick Ott — quickly established their sound: centered around layers of synths, guitar, electronic percussion and drums, the act meshes early industrial and techno rhythms with shoegaze melodicism and dub-influenced effects.

Building upon a growing profile, the Bay Area-based trio’s highly-anticipated full-length debut, the Matia Simovich-produced Silent Places is slated for a digital release through Felte Records on Friday and a vinyl release on May 22, 2020. The album’s material was written against the backdrop of the Northern California wildfires, expanding tent cities, the rampant greed and gentrification in San Francisco that has resulted in empty, luxury high-rises — and thematically, the album explores the intimate experiences that transpire within the chaotic and uncertain confines of everyday modern life.

“Dissolve The Floor,”Silent Places first single is the arguably the album’s most dance floor friendly song. Centered around a pulsing synth arpeggios, industrial clang and clatter, muscular techno beats, woozy tape delay, an enormous hook and  emotionally detached vocals, “Dissolve The Floor” recalls early Depeche Mode, Factory Floor and others — but with an underlying  and shadowy sense of menace and unease.

CARRÉ · Urgency

 

Carré is a Los Angeles-based indie electro rock act featuring:

  • Julien Boyé (drums, percussion, vocals): Boyé has had stints as a touring member of Nouvelle Vague and James Supercave. Additionally, he has a solo recording act Acoustic Resistance, in which he employs rare instruments, which he has collected from all over the world.
  • Jules de Gasperis (drums, vocals, synths, production and mixing): de Gasperis is a Paris-born, Los Angeles-based studio owner. Growing up in Paris, he sharpened his knowledge of synthesizers, looping machines and other electronics around the same time that Justice, Soulwax and Ed Banger Records exploded into the mainstream.
  • Kevin Baudouin (guitar, vocals, synth, production): Baudouin has lived in Los Angeles the longest of the trio — 10 years — and he has played with a number of psych rock acts, developing a uniquely edgy approach to guitar, influenced by Nels Cline, Jonny Greenwood and Marc Ribot.

Deriving their name for the French word for “playing tight” and “on point,” the Los Angeles-based trio formed last year, and as the band’s Jules de Gasperis explains in press notes, “The making of our band started with this whole idea of having two drummers perform together. It felt like a statement. We always wanted to keep people moving and tend to focus on the beats first when we write.”

The act specializes in a French electronica-inspired sound that blends aggressive, dark and chaotic elements with hypnotic drum loops while thematically, their work generally touches upon conception, abstraction and distortion of reality centered around geometric shapes and patterns, and a surrealistic outlook on our world.

Released last month, the Los Angeles-based trio’s debut single “This is not a band” was a propulsive, club banger that sonically brought Factory Floor, The Rapture, Primal Scream, Kasabian, The Chemical Brothers and The Crystal Method to mind— but with a primal and furious intensity. Building upon the momentum of their debut single, the rising trio’s second and latest single is the dark and seductive, “Urgency.” Centered around a bed of  tweeter and woofer rocking beats, layers of shimmering synth arpeggios, bursts of slashing guitars and gauzy electronic textures — and just over that, words from Terence McKenna ethereally hover. And while being a hypnotic and dance floor friendly song, it possesses a murky and menacing air, that subtly recalls Ministry and others.

 

New Video: Introducing the Explosively Aggressive Dance Floor Friendly Sound of Los Angeles’ Carré

Carré is a Los Angeles-based indie electro rock act featuring: 

Julien Boyé (drums, percussion, vocals): Boyé has had stints as a touring member of Nouvelle Vague and James Supercave. Additionally, he has a solo recording act Acoustic Resistance, in which he employs rare instruments, which he has collected from all over the world. 
Jules de Gasperis (drums, vocals, synths, production and mixing): de Gasperis is a Paris-born, Los Angeles-based studio owner. Growing up in Paris, he sharpened his knowledge of synthesizers, looping machines and other electronics around the same time that Justice, Soulwax and Ed Banger Records exploded into the mainstream. 
Kevin Baudouin (guitar, vocals, synth, production): Baudouin has lived in Los Angeles the longest of the trio — 10 years — and he has played with a number of psych rock acts, developing a uniquely edgy approach to guitar, influenced by Nels Cline, Jonny Greenwood and Marc Ribot. 
Deriving their name for the French word for “playing tight” and “on point,” the Los Angeles-based trio formed last year. And as the band’s Jules de Gasperis explains in press notes, “The making of our band started with this whole idea of having two drummers perform together. It felt like a statement. We always wanted to keep people moving and tend to focus on the beats first when we write.”  

Aesthetically, the act specializes in blending aggressive, dark and chaotic elements with hypnotic drum loops inspired by French electronica. Thematically, their work is generally about conception, abstraction and distortion of reality, inspired by a geometric shapes and patterns and a surrealistic outlook on our world. The act’s debut single “This is a not a band” is a propulsive, club banger centered around layers of synth arpeggios, explosive and angular guitar squiggles, tweeter and woofer rocking beats, four-on-the-floor drumming, some industrial clang and clatter, shouted vocals, a distorted vocal loop and an arena rock friendly hook. Sonically, the song finds the trio’s sound somewhere in between Factory Floor, The Rapture, Primal Scream, Kasabian, The Chemical Brothers and The Crystal Method– but with a primal and furious intensity. 

Directed by Patrick Fogarty the recently released video is hypnotic and mind-bending visual shot features glitchy and explosive blasts of color that undulate with the music, glowing geometric shapes and more. 

Slated for an August 3, 2018 release through Phantasy SoundPhysical is the full-length solo debut from Factory Floor‘s co-founder Gabe Gurnsey, and from “Eyes Out,” the album’s first single, the album’s material is a decided change in sonic direction and approach from his work with Factory Floor; instead of the icy, no wave electronica and industrial techno he’s best known for, Physical’s first single was sensual Chicago-styled house music-inspired sound centered around layers of arpeggiated synths, tweeter and woofer rocking beats and enormous crowd pleasing hooks. Arguably, it’s among the most straightforward and club-friendly material Gurnsey has ever written or recorded — while sonically bearing a resemblance to Octo Octa’s impressive Between Two Selves. “What I wanted to get into with Physical had to do with exploring songwriting and structure,” Gurnsey explains in press notes. “The album is very escapist in one sense even though I don’t want to escape from Factory Floor but what I do on my own has to be separate and it has to explore new avenues.”  As for the new single, Gurnsey says “I wanted to use the vehicle of a 4/4 track to set up a simulated night club. To communicate the feeling that comes when we are losing ourselves in that love/lust- filled situation.

“Harder Rhythm,” Physical‘s second and latest single is a sensual, primal, lust-filled track centered around layers of arpeggiated synths, thumping beats — but unlike it’s predecessor it finds Gurnsey leaning a bit more towards industrial house, with the track sounding as though it were inspired by Yaz‘s “Situation” and New Order‘s “Blue Monday.” As Gurnsey explains, “When writing ‘Harder Rhythm’ I was drawing from the two very connected basic primal instincts of sexual attraction and our instilled affinity with rhythm. It’s a straight up celebration of both and the associated feelings of euphoria and tension. A love for the very first drum machine beat I ever heard on Michael Jackson‘s ‘Wanna Be Startin’ Somethin” definitely made its way in.”

Unsurprisingly, the album’s material is based around a larger narrative in which the album’s material is meant to evoke a night out from start to finish. “It’s a record about clubbing, even more than it’s a record to played in clubs,” Gurney says. “Getting ready to go out, driving into town, arriving at the club, being on the dance floor, how you get home afterwards, early the next morning . . . even when you step outside to get some air, when you’re outside at 3am having a cigarette . . . even that is represented here.”

Gurnsey will be opening for Nine Inch Nails for three dates, during part of their Midwestern tour. Check out the tour dates below:

Tour Dates:
10/22/2018 – Detroit, MI @ Fox Theater
10/23/2018 – Detroit, MI @ Fox Theater
10/25/2018 – Chicago, IL @ Aragon Ballroom

Slated for an August 3, 2018 release through Phantasy SoundPhysical is the full-length solo debut from Factory Floor‘s co-founder Gabe Gurnsey, and the album will be a decided change in sonic direction and approach from his Factory Floor — instead of the chilly, no wave electronica and industrial techno, he’s best known for, the album’s material, as you’ll hear on album single “Eyes Out”  finds Gurnsey  leaning towards a  sensual, Chicago-styled house music-inspired sound centered around layers of arpeggiated synths, tweeter and woofer rocking beats and enormous crowd pleasing hooks. Arguably, it’s among the most straightforward and club-friendly material Gurnsey has ever written or recorded — while sonically bearing a resemblance to Octo Octa’s impressive Between Two Selves. “What I wanted to get into with Physical had to do with exploring songwriting and structure,” Gurnsey explains in press notes. “The album is very escapist in one sense even though I don’t want to escape from Factory Floor but what I do on my own has to be separate and it has to explore new avenues.”  As for the new single, Gurnsey says “I wanted to use the vehicle of a 4/4 track to set up a simulated night club. To communicate the feeling that comes when we are losing ourselves in that love / lust- filled situation.”

Unsurprisingly, the album’s material is based around a larger narrative in which the album’s material is meant to evoke a night out from start to finish. “It’s a record about clubbing, even more than it’s a record to played in clubs,” Gurney says. “Getting ready to go out, driving into town, arriving at the club, being on the dance floor, how you get home afterwards, early the next morning . . . even when you step outside to get some air, when you’re outside at 3am having a cigarette . . . even that is represented here.”

Gurnsey will be opening for Nine Inch Nails for three dates, during part of their Midwestern tour. Check out the tour dates below:

Tour Dates:
10/22/2018 – Detroit, MI @ Fox Theater
10/23/2018 – Detroit, MI @ Fox Theater
10/25/2018 – Chicago, IL @ Aragon Ballroom