CARRÉ · Urgency
- Julien Boyé (drums, percussion, vocals): Boyé has had stints as a touring member of Nouvelle Vague and James Supercave. Additionally, he has a solo recording act Acoustic Resistance, in which he employs rare instruments, which he has collected from all over the world.
- Jules de Gasperis (drums, vocals, synths, production and mixing): de Gasperis is a Paris-born, Los Angeles-based studio owner. Growing up in Paris, he sharpened his knowledge of synthesizers, looping machines and other electronics around the same time that Justice, Soulwax and Ed Banger Records exploded into the mainstream.
- Kevin Baudouin (guitar, vocals, synth, production): Baudouin has lived in Los Angeles the longest of the trio — 10 years — and he has played with a number of psych rock acts, developing a uniquely edgy approach to guitar, influenced by Nels Cline, Jonny Greenwood and Marc Ribot.
Deriving their name for the French word for “playing tight” and “on point,” the Los Angeles-based trio formed last year, and as the band’s Jules de Gasperis explains in press notes, “The making of our band started with this whole idea of having two drummers perform together. It felt like a statement. We always wanted to keep people moving and tend to focus on the beats first when we write.”
The act specializes in a French electronica-inspired sound that blends aggressive, dark and chaotic elements with hypnotic drum loops while thematically, their work generally touches upon conception, abstraction and distortion of reality centered around geometric shapes and patterns, and a surrealistic outlook on our world.
Released last month, the Los Angeles-based trio’s debut single “This is not a band” was a propulsive, club banger that sonically brought Factory Floor, The Rapture, Primal Scream, Kasabian, The Chemical Brothers and The Crystal Method to mind— but with a primal and furious intensity. Building upon the momentum of their debut single, the rising trio’s second and latest single is the dark and seductive, “Urgency.” Centered around a bed of tweeter and woofer rocking beats, layers of shimmering synth arpeggios, bursts of slashing guitars and gauzy electronic textures — and just over that, words from Terence McKenna ethereally hover. And while being a hypnotic and dance floor friendly song, it possesses a murky and menacing air, that subtly recalls Ministry and others.