Tag: Factory Records

Andy Clockwise is a Sydney, Australia-born, Los Angeles-based singer/songwriter, multi-instrumentalist, producer and engineer, who emerged into his homeland’s music scene with the release of his critically applauded, commercially successful debut double album Classic FM. As a result of the album’s success, Clockwise earned opening slots for INXS and The StranglersHugh Cornwell.

After briefly relocating to London, Clockwise eventually wound up in Los Angeles, where he quickly immersed himself into his new hometown’s music scene. Receiving airplay on NPR, KCRW and KROQ, Clockwise also discovered that the successful he attained back in Australia managed to translate rather quickly in the States, as he released a string of successful EPs before the release of his sophomore full-length effort The Socialite. Additionally, since relocating to Los Angeles, Clockwise founded his own record label, Exhibition Records, “to make as much music as possible before we are old,” the Aussie-born, Los Angeles-based singer/songwriter, multi-instrumentalist, producer and engineer says in press notes. In fact, labelmates Bella Darling and George Stanford released material on the Motown and Factory Records inspired label.

Last summer Clockwise released The Good Book EP, an effort that featured singles “Open Relationship,” a collaboration with Warpaint‘s Stella Mozgawa and “The Best,” which debuted on the US Speciality Radio Charts at #15 with fellow countrymen The Avalanches. Both singles spent several weeks on the FMQB Radio Charts in North America with “Open Relationship” landing at #1 on KROQ’s fan-voted Locals Only Charts — and the track received airplay on KCRW and Alt 98.7FM in the States, and double J and FBi in Australia.  He’s also toured with The Black Keys, Julian Casablancas, and Warpaint. Along with that Clockwise has been extremely busy working in the studio on multiple releases for artists and composing for film and television, with some of his compositions appearing in Netflix’s WanderlustMeet Me In MontenegroPump The Movie and several others.

Building upon that momentum, the Aussie-born, Los Angeles-based singer/songwriter, multi-instrumentalist, producer and engineering will be releasing his forthcoming album War Stories in three volumes over the next two years. After dealing with the illness and death of his mother, Clockwise took the time to work on the album’s material in his New South Wales-based studio, writing and recording the album primarily by himself — but with the assistance of co-producer and co-engineer Omar Yakar, Jr. at Boulevard Recording, once Clockwise returned to Los Angeles to finish it. “War Stories is about the wars we put each other through…a pop musical ode to human dysfunction, heartache, sex, grief, revolution, and the death of our youth,” Clockwise explains in press notes. “War Stories was pretty much made by myself in LA/London/Australia while my mum was ill and i was traveling back and forth to look after her and getting back to what I actually enjoy about music which is folk/classic post punk/ pop / my Irish trad music and early electronic house — I gave it a name Warrior pop. Something to stop you from thinking everything is awful. It sounds alright too.” 

Centered around propulsive drumming, atmospheric synths, a sinuous bass line, shimmering guitars, War Stories‘ latest single is the moody and rousingly anthemic, New Wave meets Bruce Springsteen-like “This Town (Used To Be Great).” The song’s heartbroken narrator tells a familiar tale of finding love and failed love in a new town — and as a result, the song is imbued with the lingering  ghosts of past love and the bitter and uncertain feelings it can invoke.

 

 

 

 

 

 

 

 

 

 

 

 

New Video: Cold Showers Release an Intimate Visual for “Faith”

Formed back in 2010, the Los Angeles-based post-punk act Cold Showers released a handful of singles through Mexican Summer Records and Art Fag Recordings that quickly established the band’s reputation for crafting a sound and aesthetic that would have fit in well among the classic Factory Records and Rough Trade catalogs.

In 2012, the Los Angeles-based quartet signed to Dais Records, who released their critically applauded full-length debut Love and Regret. Building upon a growing profile, the members of the band went on successful tours with The Soft Moon and Veronica Falls, which they promptly followed with decidedly pop-orientated material that was initially released as a handful of singles and live cassette releases. This new pop-leaning direction filtered through the writing and recording sessions for their sophomore album Matter of Choice, an effort that found the band crafting much more polished material while retaining the piston-precision rhythm section and post-punk-like hooks that won them acclaim. 

Slated for a May 24, 2019 release through their longtime label home, Dais Records, Cold Showers’ third album, the Tony Bevilacqua-co-written Motionless reportedly finds the band taking greater control of their creative process, with the band further refining their sound through the incorporation of ambient sounds, acoustic arrays and female vocals. The album’s lead single “Faith,” a dance floor friendly track centered around arpeggiated synths, thumping beats, a motorik groove, slashing bass lines, crooned vocals and layers of distortion pedal effects-led guitars, and a soaring hook. And while retaining the post punk meets shoegaze sound that has won them attention, the song focuses on the transitory nature of our reality and of shame with a swooning urgency.

Directed by Chris Slater, the recently released video for “Faith” is inspired by the intimacy and voyeurism of Warhol’s screen tests, capturing the awkwardness, the simmering hate and uncertainty, the pride and boundless joy of its subjects. 

Tiny Fireflies is an indie electro pop/dream pop duo that initially began when two Chicago, IL-based electronic music producers and artists Lisle and Kristine, who were best known for their own solo projects,  Fireflies and Tiny Microphone were invited to contribute to “Between Two Waves,” an Eardrums Pop Records compilation series centered around the concept of two musicians collaborating together to write and record a song together. Their song together, “Don’t Wait Until I Fall Asleep” paid homage to the Factory Records synth pop/post punk-era sound and was a fan favorite.

In October 2010, Tiny Fireflies became the first act to release a single for the label’s single  club with the three song offering being voted as one of Eardrum Pops favorite releases and featured one of the favorite singles of the singles club, “Snow.” And since then, the duo have played at New York City Popfest, toured the UK and Spain, and opened for Memoryhouse during the renowned indie act’s Midwest tour. Building upon a growing profile, the duo released their Ian Catt-produced, 2015 full-length debut The Space Between to critical applause from the likes of AllMusic.com and CMJ. 

Late last year saw the release of “2040,” the first single off a forthcoming vinyl 7″ single slated for release during the first few months of this year, and the new single will further cement the duo’s reputation for crafting smoky and gossamer-like synth pop, reminiscent of JOVM mainstay ACES and others, complete with a soaring hook and achingly tender vocals.

 

New Audio: Mute Records to Re-issue Series of Albums by Influential Cult Favorited Genre Bending British Post-Punk Band

Featuring a core lineup of Jeremy Kerr, Martin Moscrop and Donald Johnson with a rotating cast of members to full out the band, the Manchester-based post-punk band A Certain Ratio formed in 1978 — and naturally, while embracing the ethics and culture of the post-punk era, they had developed a reputation for being uncompromisingly difficult to pigeonhole, as their sound incorporated elements of funk, jazz, punk and rock while employing electronics, tape loops and early technology.

With the release of the critically applauded and commercially successful single “Shack Up,” on both sides of the Atlantic, the Manchester-based band became hailed as pioneers of a sound dubbed “punk funk,” and as a result that single and the rest of the work they’ve released together has managed to influence an incredible and impressive array of acts including Talking Heads, LCD Soundsystem, Happy Mondays, Franz Ferdinand, ESG, Factory Floor and Andrew Weatherall among others — all of which has led to an increased interest in the British post-punk act and their catalog; in fact, the members of A Certain Ratio and renowned indie label Mute Records announced the launch of a long-awaited series of re-issues, featuring a selection of the influential Manchester band’s albums and will continue into 2018 with a compilation, a rarities box set and further re-issues.

Starting on November 24, 2017 the Mute Records-A Certain Ratio re-issue series will begin with the re-issue of the Manchester band’s debut, The Graveyard and The Ballroom, which was originally released through Factory Records in December 1979. The album will be available on limited edition vinyl with colored PVC sleeve, CD (and echoing its original release 38 years ago), cassette. Mute will also be re-issuing 1981’s To Each and 1986’s Force on colored vinyl and CD. While being superficially reminiscent of Entertainment! and Solid Gold-era Gang of Four, thanks in part to the angular guitar attack, The Graveyard and The Ballroom’s re-issue single “Do the Du,” possesses a disco-like bass line paired with vocalist, who sounds anxious and distracted in an all too post-modern fashion — and with a deeper, more attentive ear, you’l hear echoes of Talking Heads 77 and Fear of Music-era Talking Heads (think of “Psycho Killer,” and “I Zimbra”) with a hint of mod-era rock.