Tag: Frank Ocean

Gareth “Gaz” Coombes is an Oxford, UK-born and raised singer/songwriter and multi-instrumentalist best known as a founding member and frontman of renowned British indie rock act Supergrass, who over the course of their 17 years together released six full-length albums — 1995’s I Should Coco, 1997’s In It for the Money 1999’s self-titled, 2002’s Life on Other Planets, 2005’s Road to Rouen and 2008’s Diamond Hoo Ha, all of which landed on the UK Top 20. (Reportedly, the band had written material for a seventh album, just before their breakup, Release the Drones that remains unfinished and unreleased.)

Since Supergrass’ breakup Coombes has released two solo efforts — 2011’s Sam Williams-produced Here Comes the Bombs and his breakthrough 2015, self-produced sophomore album, Matador, which received a Mercury Prize nod thanks to the commercial success of its five singles, as well as critical praise from the likes of Q Magazine and Mojo Magazine. Interestingly, Coombes’ third, full-length album World’s Strongest Man, which is slated for a May 4, 2018 release through Hot Fruit/Caroline International Records was written and recorded at Coombes’ home studio and at Oxford’s Courtyard Studios with co-production with his longtime collaborator Ian Davenport, in a working process that Coombes has compared to being like “editing a novel.” And in som way that shouldn’t be surprising as the album was reportedly inspired by Grayson Perry’s autobiography The Descent of Man, Frank Ocean‘s Blonde, the work of Neu! and hip-hop while at points exploring the effects of unchecked and toxic masculinity among other things — but with a deeply personal bent.

The album’s latest single “Deep Pockets” finds the former Supergrass frontman taking on a decided motorik groove, with the song nodding at Screamadelica and Evil Heat-era Primal Scream, complete with a slick and infectious hook — and the song will likely cement Coombes reputation for crafting mischievously forward thinking and hook driven rock.

 


Now, if you’ve been frequenting this site over the past couple of years, you’ve likely come across a number of posts about Detroit, MI-based electro pop duo Gosh Pith. And in that period of time, the act has not only become a JOVM mainstay, they’ve seen a growing national profile for a sound that seamlessly meshes elements of hip-hop, electro pop, stoner rock, indie rock, dub, trap music, drum ‘n’ bass, indie rock and several other related  genres.

Interestingly, the duo’s guitarist and vocalist Josh Smith has a solo side project under the simple mononym Joshua. Influenced by Morrissey, Frank Ocean, Bob Dylan, Bob Marley, Jean-Luc Goddard, Jim Jarmusch and others, Smith’s first single as Joshua is a mash up/cover of The Weeknd‘s “Starboy” and Kiiara’s “Gold,” that he has dubbed “GOLDBOY.” Smith’s mash up/cover retains the glitchy and stuttering production of “Gold” but pairs it with Smith singing The Weeknd’s sultry lyrics. Admittedly, I’m not a big mainstream pop guy but after listening to both songs, my immediate thought was similar to the folks at All Things Go  — “Holy shit, those two songs work together. How come no one has done that before?” Sonically speaking, will further the reputation Smith developed while with Gosh Pith while gently and subtly breaking their mold.

Comprised of Peter White, Brayden Leske, Sam Baird, Tom Baird and Matt Crago, Adelaide, Australia-based indie rock quintet Lost Woods have quickly developed a growing national reputation for a 90s alt rock/indie rock inspired sound that has been compared to Jeff Buckley, Holy Holy and Soundgarden among others. The Australian quintet’s debut single “Overflow” reached the top ten of Triple J Unearthed charts and was on received airplay across several Australian radio stations including Radio Adelaide, Three D Radio, 4ZZZ and Syn FM. And as a result the band has opened for the likes of Harts, Holy Holy, Andy Bull, Jesse Davidson, SKIES, Bad Pony, Citizen Kay, Horror My Friend, The Vanns and others. With the release of their second single “Ancient Psychic Tandem War Elephant” Lost Woods went on Peter White told me  their first national tour last year, a tour that managed to be extremely successful as the band continued to see support from local radio stations across Australia, which has lead to growing buzz around the band.

As the band’s Peter White explained to me via email, Lost Woods’ latest single “Vodka Ocean” is inspired by a tragicomic personal experience that happened to him while he was attending Australia’s Splendour in the Grass festival. White was looking forward to catching Frank Ocean perform at the festival and when it was announced that Ocean had to cancel, White wound up drinking way too much vodka “in a fit of melancholic sadness.” Eventually White wound up at the medical tent. “My girlfriend dragged me back to our tent, where I proceeded to throw up all over her rucksack and clothes, leaving the rest of the tent unscathed. Naturally, a song was born.” Sonically speaking, the Australian quintet pairs propulsive drumming, jangling guitar chords, an anthemic hook and a throbbing bass line with White’s soaring falsetto to craft a song that sounds as though it drew from The Bends-era Radiohead and The Smiths; in fact, much like The Smiths, this particular single pairs upbeat music with bitterly ironic lyrics.

 

Frank Ocean, The Weeknd, Steven A. Clark and a lengthy list of others represent a progressive movement in both Black music (if such a thing truly exists) and in pop/R&B as these artists and their […]

Best known under the moniker of MNEK, Uzo Emenike is a Grammy-nomiated British-Nigerian singer, songwriter, producer and remixer, who has worked with an incredible list of of artists including Kylie Minogue, Naughty Boy, Gorgon City, Duke […]

If you’ve been following JOVM for quite some time now, you’ve probably come across countless mentions of the increasing numbers of emails I receive from labels, publicists, band managers, and artists from all over the […]

Up and coming artist Jordan Bratton started to make waves after the releasee of last year’s The Grey Area. Building up on the momentum The Gray Area created, Bratton is putting the finishing touches on its follow up; […]

a Q&A with Steven A. Clark

Ranking fourth on this site’s Best of 2012 list, behind the co-number ones, Cody ChesnuTT’s certain classic, Landing on a Hundred and Lee “Scratch” Perry and the Orb’s trippy, mind-bending The ORBSERVER in the star […]

Album Review: Steven A. Clark’s Fornication Under Consent of the King

Steven A. Clark Fornication Under Consent of the King L&E Media Company/BloodyGround USA Release Date: September 11, 2012   Track Listing 1.     F.U.C.K. Part 1 2.     Lonely Roller feat. J. Nics 3.     Just Ride 4.     […]