Tag: Grammy

New Audio: Acclaimed Duo Silk City Team Up with Dua Lipa on a Sultry Classic Chicago House-Inspired Banger

Born Thomas Wesley Pentz, Diplo is a prolific and acclaimed Los Angeles-based producer, DJ and electronic music artist. As a solo artist, he’s managed to see a fair degree of commercial success with 2013’s Revolution EP, which debuted at #68 on the US Billboard 200 — and the EP’s title track was later featured in a Hyundai ad campaign and on the WWE 2K16 soundtrack. Diplo is also known as the co-founder and lead member of the electronic dancehall project Major Lazer, and one-half of electronic music production and artist duo Jack U with Skrillex. And as a producer, the Los Angeles-based producer, DJ and electronic music artist has collaborated with M.I.A., Gwen Stefani, Die Antwoord, Britney Spears, Madonna, Shakira, Beyonce, No Doubt, Justin Bieber, Usher, Snoop Dogg, Trippie Redd, Chris Brown, CL, and G-Dragon. 

Mark Ronson is a London-born and-based multi-instrumentalist, DJ, singer/songwriter and producer and although his debut effort, 2003’s Here Comes the Fuzz failed to make the charts, his sophomore effort, 2007’s Version landed at number 2 on the UK charts, thanks to the fact that the album had three Top 10 singles — and as a result, he won a Brit Award for Best British Male Solo Artist. Building upon a growing profile, 2010’s Record Collection peaked at #2 on the UK Charts.

Ronson also won Grammy Awards for Producer of the Year, Non Classical, Best Pop Album and Record of the Year for his work on Amy Winehouse’s “Rehab” and Back to Black. He also produced “Cold Shoulder,” off Adele’s critically applauded and commercially successful debut 19. And unless you’ve been living in a remote Tibetan monastery in the Himalayas, Ronson’s first UK and US #1 single was his collaboration with Bruno Mars “Uptown Funk,” and as a result of the single’s massive commercial success, Ronson won the Brit Award for British Single of the Year, as well as Grammy Awards for Record of the Year and Best Pop Duo/Group Performance. The London-born and-based producer, DJ, multi-instrumetanlist and singer/songwriter’s fourth full-length album Uptown Special was his first #1 album in the UK and peaked at #5.

Ronson’s and Diplo’s collaboration together Silk City can trace its origins to the duo’s long-time friendship, a friendship that dates back to the early 2000s. Their debut single “Only Can Get Better,” featuring Daniel Merriweather was released earlier this year, ahead of their Governor’s Ball set, and they’ve already made several other appearances across the international festival circuit with sets at Bestival and Treasure Island Music Festival among others.  The duo’s second single “Feel About You,” a collaboration with Mapei was a slickly produced and soulful track with arpeggiated synths that subtly nods at Robin S’s “Show Me Love” — but with a clean, hyper modern sheen. The acclaimed duo’s latest single “Electricity” find them collaborating with multi-Brit Award-winning Albanian-British singer/songwriter and model Dua Lipa, and The xx’s Romy Madley-Croft and Diana Gordon, who co-wrote and contributed lyrics and melodies, and much like it’s predecessors, “Electricity” is a slickly produced, anthemic banger. However, the piano-led, hook-driven track draws from classic Chicago house, complete with an irresistible sensual ecstasy at its core.

Directed by production duo Bradley and Pablo, the recently released video for “Electricity” is set during the Blackout of 2003 and stars Dua Lipa, who hosts a loft party that contains so much sexual energy that it keeps the lights on in the apartment. Of course, two of the guests — guess who, y’all? — wind up being stuck in an elevator and completely missing the party. 
 

OctFest 2018 Preview

Last year, Pitchfork, one of the premier music websites; October, a beer culture-centric website that aims to capture the spirit, ambition, making and drinking of the precious and beloved stuff through essays, travelogues and events; and Bon Appetit, the award-winning food lifestyle brand teamed up for what may arguably be one of the most unique festivals I’ve come across in some time: OctFest, a beer, music and food festival.  2018’s edition of OctFest, which will take place on Governor’s Island on September 8, 2018 and September 9, 2018 will feature a food lineup curated by Bon Appetit , a music lineup curated by Pitchfork that will include Vince Staples, The Flaming Lips and dozens of other music acts, 90+ craft breweries from all around the world – and with arguably some of the most gorgeous views of Manhattan you’ll see in your life.

So let’s talk a bit about each aspect of the festival, huh?

Food

The food program is centered around a Food Village that will offer a number of New York-based quick-serve staples including the Mission Chinese Food, Roberta’s Pizza, Oddfellows Ice Cream Co, Sweet Chick, the STUF’D Truck, Cervo’s, Best Pizza, Oakland, CA-based KronnerBurger and many others preparing specialties to compliment the domestic and international craft beer being sampled.  (Check out the full lineup below.)

FOOD LINEUP

Curated by Bon Appétit

Best Pizza

Cervo’s

Hank’s Juicy Beef

Island Oyster

KronnerBurger

Los Viajeros Food Truck

Mission Chinese Food

Oddfellows Ice Cream Co.

Sweet Chick

STUF’D Truck

Roberta’s Pizza

 

Beer

 OctFest will be hosting 90 breweries from 20 different countries, pouring more than 250 varieties of award-winning craft beer. Several breweries will be making their New York City debut, including Wicked Weed Brewing, DC Brau, Wedge Brewing Co, Four Peaks Brewing Co, Wild Beer Co., and Karbach Brewing, Co. (Check out the full lineup below.)

BREWERY LINEUP

North America – West

10 Barrel Brewing Co. (Bend, OR)
Austin Eastciders (Austin, TX)
Breckenridge Brewery (Littleton, CO)
Elysian Brewing Company (Seattle, WA)
FiftyFifty Brewing Company (Truckee, CA)
Firestone Walker Brewing Company (Paso Robles, CA)
Founders Brewing Co. (Grand Rapids, MI)
Four Peaks Brewing Co. (Tempe, AZ)
Golden Road Brewing (Los Angeles, CA)
Goose Island Beer Co. (Chicago, IL)
Jolly Pumpkin Artisan Ales (Dexter, MI)
Karbach Brewing Co. (Houston, TX)
Kona Brewing Company (Kailua-Kona, HI)
Live Oak (Austin, TX)
Monkless Belgian Ales (Bend, OR)
On Tour Brewing Company (Chicago, IL)
Rogue Ales (Newport, OR)
The Shop Beer Co. (Tempe, AZ)
Virtue Cider (Fennville, MI)
North America – East

Blue Point Brewing Company (Patchogue, NY)
Brasserie Archibald (Canada)
Braven Brewing Company (Brooklyn, NY)
Brewery Ommegang (Cooperstown, NY)
Brickworks Cider (Canada)
Circa Brewing Co. (Brooklyn, NY)
Cisco Brewers (Nantucket, MA)
Collective Arts Brewing (Canada)
DC Brau (Washington, D.C.)
Devils Backbone Brewing Company (Roseland, VA)
Flying Dog Brewery (Frederick, MD)
Hanging Hills Brewing Company (Hartford, CT)
Jack’s Abby Craft Lagers (Framingham, MA)
Keegan Ales (Kingston, NY)
Lamplighter Brewing Co. (Cambridge, MA)
LIC Beer Project (Long Island City, NY)
Lord Hobo Brewing Company (Woburn, MA)
M.I.A. Beer Company (Doral, FL)
Microbrasserie Gainsbourg (Canada)
Mill Street Brewery (Canada)
Narragansett Brewing Company (Pawtucket, RI)
Sand City Brewing Co. (Northport, New York)

Springdale (Framingham, MA)
Stanley Park Brewing (Canada)

Sunday Beer Co. (Brooklyn, NY)
The Bronx Brewery (Bronx, NY)
Veza Sur Brewing Co. (Miami, FL)
Wicked Weed Brewing (Asheville, NC)
Zero Gravity Craft Brewery (Burlington, VT)
Europe
Aktien Brewery of Kaufbeuren (Germany)
Birra del Borgo (Italy)
Brasserie La Binchoise (Belgium)
Brouwerij Bosteels (Belgium)
Brouwerij DeKroon (Belgium)
Camden Town Brewery (UK)
Ginette (Belgium)
Hertog Jan (Netherlands)
Jopen (Netherlands)
La Virgen (Spain)
Laugar Brewery (Spain)
Radeberger (Germany)
Wild Beer Co (UK)
Latin America
Barfuss (Argentina)
Bocanegra (Mexico)
Bogota Beer Co (Colombia)
Cervecería Urbana (Mexico)
Cervecería Wendlandt (Mexico)
Cerveza Patagonia (Argentina)
Colorado (Brazil)
Cucapá (Mexico)
Lohn Bier (Brazil)
Melas Beer (Colombia)
Nicaragua Craft Beer Co. (Nicaragua)
Pratinha (Brazil)
Wals (Brazil)
Asia, Africa, Oceania
Bira 91 (India)
4 Pines Brewing Company (Australia)
Balter Brewing Co (Australia)
Boxing Cat Brewery (China)
Cape Brewing Co. (South Africa)
Good George (New Zealand)
Newlands Spring Brewing Company (South Africa)
Pirate Life Brewing (Australia)
Playground Brewery (South Korea)
Taihu Brewery (Taiwan)
The Hand & Malt Brewery (South Korea)

Music

 While I’ll definitely have interest in the food and beer, my primary interest is the music and I’m looking most forward to catching sets from the following:

Saturday, September 8

 Vince Staples: Staples is a 25 year-old, North Long Beach, CA-born and-based emcee and actor, who first rose to prominence as member of hip-hop collective Odd Future, which also featured Mike G, Earl Sweatshirt and Tyler The Creator – and the collaborative Mac Miller-produced Stolen Youth mixtape. October 2014 saw the release of his solo debut EP, Hell Can Wait, which included attention grabbing singles “Hands Up” and “Blue Suede.”

Building upon a growing profile, Staples’ full-length debut 2015’s Summertime ’06 was released to critical applause – with Staples being featured as part of XXL’s 2015 Freshman Class. Staples’ critically acclaimed sophomore album, 2017’s Big Fish Theory found the acclaimed, young emcee expanding upon his sound as the album’s production incorporated avant-garde, dance and electronic influences. Additionally, Staples’ made a guest appearance on Gorillaz’s latest effort Humanz.

Staples is headlining Saturday night and I’m looking forward to hearing material off both Summertime ’06 and Big Fish Theory live.

BADBADNOTGOOD: Currently comprised of founding members Matthew Tavares (keys), Chester Hansen (bass), and Alexander Sowinski (drums) with newest member Leland Whitty (saxophone), the Toronto, Ontario, Canada instrumental act BADBADNOTGOOD derive their name from an abandoned comedy TV project that Tavares was working on before the band formed – and whether as trio or a quartet, the band has developed a reputation for a sound and compositional approach that draws from hip-hop, electronica, jazz, prog rock; but they’re perhaps best known for their jazz-based interpretation of hip-hop tracks, which have allowed them to collaborate with Kendrick Lamar, Tyler The Creator, Earl Sweatshirt, Denzel Curry, Danny Brown, Mick Jenkins, Ghostface Killah and others. Interestingly, the band can trace its origins to when the band’s founding trio bonding over a mutual love of hip-hop – in particular MF Doom and Odd Future.

As the story goes, the then-trio played a piece based on Odd Future’s music for a panel of their jazz performance instructors, who didn’t believe it had much musical value – but interestingly enough, after they released the track as “The Odd Future Sessions, Part 1,” the track caught the attention of Tyler The Creator, who helped the video go viral. The Canadian act followed that up with the 2011 release of their full-length debut BBNG, which featured interpretations of A Tribe Called Quest, Waka Flocka Flame and Odd Future. Building upon a growing profile, the members of BADBADNOTGOOD recorded a live jam session with Tyler The Creator in Sowinski’s basement, with videos from the session amassing more than a million views each.

2012’s sophomore effort BBNG2 was recorded over the course of a ten-hour studio session and featured Leland Whitty (saxophone) and Luan Phung (electric guitar) and featured their own original material, as well as renditions of sons by Kanye West, My Bloody Valentine, James Blake, Earl Sweatshirt and Feist. That year, the band was the official Coachella Festival house band, backing Frank Ocean and Odd Future over the course of its two weekends.

2013 saw the release of III, which featured “Hedron,” a track that was also featured on the compilation album Late Night Tales: Bonobo; “CS60” and “Can’t Leave the Night,” which was released with the B-side “Sustain,” and they were involved on the soundtrack for The Man with the Iron Fists, assisting with the production and composition.

2015 saw the release of the band’s fourth, full-length album Sour Soul, and the album found them collaborating with Ghostface Killah – and interestingly, the album is more of a hip-hop album that nods at jazz. They ended the year with covers of a handful of holiday standards, including “Christmas Time Is Here” with Choir! Choir! Choir!

Leland Whitty joined the band as a full-time member in early 2016, and followed that up with producing “Hoarse” off Earl Sweatshirt’s full-length debut Doris and “GUV’NOR,” a remix, which appeared on JJ DOOM’s Keys to the Kuffs (Butter Edition). By the middle of that year, BADBADNOTGOOD released their fifth full-length album IV, an album that featured guest spots from Future Islands’ Sam Herring, Colin Stetson, Kaytranada, Mick Jenkins and Charlotte Day Wilson, and was named BBC Radio 6’s #1 album of the year.

Live the act, which also includes keyboardist James Hill can easily shift between jazz, acid jazz, jazz fusion, hip-hop, prog rock, advant-garde jazz, funk and rock with an effortless and seamless fashion – and seemingly at will. I saw them earlier this summer at BRIC Celebrate Brooklyn! Festival at the Prospect Park Bandshell  and they are a must see.

Preoccupations: Now throughout the past handful of years of this site’s history, I’ve written quite a bit about Canadian post-punk act and JOVM mainstays Preoccupations, and as you may recall, the band which is comprised of Matt Flegel (bass, vocals), Mike Wallace (drums), Scott Munro (guitar) and Daniel Christiansen (guitar) initially formed under the highly controversial name Viet Cong – and as a result of their original name, the members of the band found themselves in the middle of a furious and frenzied debate around cultural appropriation and the usage of terms, names and symbols closely associated with historical groups and actions that evoke the horrors and brutality of despotism, fascism, war, genocide and so on. Ultimately, the band decided it was best to change their name before the release of their sophomore album, an effort that found each of the individual members of the band in unsteady and uncertain positions – at the time, each of the individual members of the band had relocated to different cities across North America, which forced the band to change their long-established creative process.

Unlike their previously recoded material, the band went into the writing sessions without having a central idea or theme to consider or help guide them along, essentially making the recording sessions a collective, blind leap of faith. Interestingly, the band’s sophomore, self-titled album wound up drawing from that mix of anxiety, despair and regret that creates sleepless nights. New Material, the band’s third full-length album was released earlier this year, and the album builds upon the Canadian post-punk act’s growing reputation for crafting dark and moody post-punk centered around themes of anxiety, uncertainty, futility, frustration, creation and destruction but as the band’s Matt Flegel says of the self-recorded album, the album is “an ode to depression. To depression and self-sabotage, and looking inward at yourself with extreme hatred.”  And while the material is dark, murky and deeply introspective, the members of Preoccupations have developed a reputation for having an intense and energetic live show, which reveals the material’s anthemic nature.

Sunday, September 9

 

The Flaming Lips: Currently comprised of founding members Wayne Coyne (guitar, vocals) and Michael Ivins (bass), with Steven Drozd, Derek Brown, Jake Ingalls, Matt Duckworth and Nicholas Ley, the Norman, OK-based psych rock/psych pop/indie rock act The Flaming Lips formed back in 1983 with Coyne (guitar), Coyne’s brother Mark (vocals), Ivins (bass) and Dave Kotska (drums). Interestingly, after Kotska joined the band, Richard English joined the band – and that year, they recorded the only full-length album with Mark Coyne, the band’s self-titled effort.

After Mark Coyne left the band, Wayne assumed vocal duties and the and released their 1986 full-length debut Hear It Is on Pink Dust Records, a psych rock imprint of Engima Records. With that initial lineup, the band released two more albums, 1987’s Oh My Gawd!!! and 1989’s Telepathic Surgery, which was originally planned to be a 30-minute sound collage. From that point on, the band has gone through a series of lineup changes – 1989’s Dave Fridmann-produced In a Priest Driven Ambulance featured Nathan Roberts (drums) and Mercury Rev’s Johnathan Donahue (guitar), and saw the band expanding upon their sound with further experimentation with tape loops and effects, as well as Coyne making a transition to vocal style inspired by Neil Young.

Back in 1990, the members of The Flaming Lips caught the attention of Warner Brothers Records and were promptly signed when an AR rep witnessed a show in which the band almost burned down the American Legion Hall in their hometown with the use of pyrotechnics. In 1991, the members of the band started recording their major label debut Hit to Death in the Future Head, which was delayed for nearly a year because of their use of a sample from Michael Kamen’s score from the major motion picture Brazil, which had a lengthy clearance process. After the recoding of the album, Donahue left the band to focus on his work with Mercury Rev and Roberts leaving the band, citing creative differences.

Ronald Jones and Steven Drozd joined the band and with that lineup they released Transmissions from the Satellite Heart, their only full-length album in which their longtime producer and collaborator Fridmann wasn’t involved; however, because of the success of album single “She Don’t Use Jelly,” the band was featured on Beverly Hills 90210, Late Show with David Letterman, Charmed and Beavis and Butthead. Building upon a growing profile, the band went on a lengthy stint of touring opening for Red Hot Chili Peppers and Candlebox.

1995’s Clouds Taste Metallic was released to critical fanfare in 1995 although it didn’t achieve the same commercial success of its predecessor. In 1996, the band went through another lineup chance with the depature of Ronald Jones. The three remaining members of the band felt a growing dissatisfaction with stand rock music, led to the extremely experimental Zaireeka, a four CD album intended to be heard by playing all four CDs in four separate CD players simultaneously. Sonically, the material incorporated traditional musical elements, found sounds often manipulated by contemporary recording studio techniques and electronics.

And while their experimental efforts received, the band received mainstream success with 1999’s The Soft Bulletin, which meshed catchy melodies with synthetic strings, hypnotic and carefully manipulated beats, booming cymbals and weird but deeply philosophical lyrics. Critically, the album has been compared to The Beach Boys’ Pet Soundsas it featured the entire studio as an instrument to be manipulated. The Soft Bulletin’s critically applauded follow-up, 2002’s Yoshimi Battles the Pink Robots featured guest musician Yoshimi P-We and found the band incorporating the increasing use of electronics and computer manipulation – and the album is generally considered their first critical and commercially successful album after 20 years as a band; in fact, “Approaching Pavonis Mons by Balloon (Utopia Planitia)” won a Grammy for Best Rock Instrumental Performance, and the album was certified Gold in 2006. Since then the band has been considered one of those must-see acts, thanks in part to a show that has largely been described as a pure spectacle.  

Nile Rodgers & Chic: Nile Rodgers is a New York-born and-based songwriter, guitarist, composer, arranger and producer, who is best known as a co-founding member of smash-hit disco act Chic and for his work as a producer and collaborator with the likes of Sister Sledge, Diana Ross, Philip Bailey, Thompson Twins, Sheena Easton, David Bowie, Bryan Ferry, Duran Duran, Madonna, INXS, Britney Spears, Spoons, Daft Punk, Pharrell Williams, Avicii, Disclosure, Sam Smith, Pitbull, Lady Gaga, Kylie Minogue, Max Pezzali, Nervo, Laura Mvula, Sigala, Keith Urban, Christina Aguilera and George Michael among a growing list of artists.

Rodgers is arguably one of the more influential and important figures of pop music and dance music of the past 40+ years, and he’s had a role on some of the most beloved albums and singles, and I gotta admit I’m looking forward to hearing all of those old Chic songs live.

 Yo La Tengo: Yo La Tengo is Spanish for “I have it” — referring to a female-gendered object or person, in which it would be “I’ve got her,” but the Hoboken, NJ-based indie rock band actually derive their name from an old baseball anecdote. During the New York Mets‘ inaugural season in 1962, centerfielder Richie Ashbury and Venezuelan-born shortstop Elio Chacon found themselves colliding in the outfield. As the story goes, whenever Ashbury went for a catch, he wold scream “I’ve got it! I’ve got it!” but Chacon spoke Spanish and had a limited understanding of English. During a game later that year, Ashbury yelled “Yo la tengo! Yo la tengo!” instead and saw Chacon backing off on the play, avoiding further collisions; however, left fielder Frank Thomas, who didn’t understand Spanish and missed the team meeting that proposed using “Yo la tengo!” to avoid outfield collisions, collided into Ashburn. After getting up from their collision Thomas reportedly asked Ashburn, “What the hell is a Yellow Tango?”

As far as the band, the New Jersey-based indie rock band, which is currently comprised of founding members Ira Kaplan (guitar, piano, vocals), and Georgia Hubley (drums, piano, vocals), along with James McNew (bass, vocals) can trace their origins back to 1984. When Kaplan and Hubley formed the band, they played an advertisement to recruit other musicians, who shared their mutual love of The Soft BoysMission of Burma and Arthur Lee and his band Love, and as a result, the band’s first lineup featured Kaplan, Hubley, Dave Schramm (lead guitar) and Dave Rick (bass) with whom they released their debut 7 inch “The River of Water,” which featured a cover of Arthur Lee’s “A House Is Not a Motel.” After the band recorded “Private Doberman” for the Coyote Records compilation Luxury Condos Coming to Your Neighborhood Soon, the band went through a number of lineup changes before settling on their current lineup in 1992 — although the band’s original guitarist Dave Schramm joined the band during the sessions for their 14th record, Stuff Like That There.

Despite achieving limited mainstream success, Yo La Tengo have developed a reputation for being a critically applauded act while maintaining a devoted cult following, thanks in part to their live shows, which reveal an almost encyclopedic repertoire of covers — their SummerStage set last year began with a cover of Ace Frehely‘s “Back in the New York Groove“– and for their annual Hanukkah residency at Maxwell’s that featured a shit ton of covers and special guests, including their parents. Live, they manage to walk a tightrope between power and lush beauty, irony and sincerity within the turn of a phrase.

 

No Age: Comprised of Randy Randall (guitar) and Dean Allen Spunt (vocals, drums), the Los Angeles, CA-based noise rock duo No Age can trace their origins to the breakup of their previous band Wives, in which Spunt played bass and sang while Randall played guitar. The duo’s first official release was an extremely limited release collection of 5 vinyl singles  and Eps that they released on 5 different labels on or around the same day – March 26, 2007. Designed by Brian Roettinger and the members of No Age, the back of each record’s sleeve was a different color and had a different letter that when put together spelled out the band’s name. Half of the songs on the singles and EPs wound up comprising their full-length debut Weirdo Rippers.

Since the release of Weirdo Rippers, Randall and Spunt have developed a reptaution for relentless touring, frequently playing shows at unusual locations – they once played a show at the Los Angeles River and they famously accompanied video artist Doug Aitken and Chloe Sevigny to Athens, Greece and Hydra Island, Greece to perform a multimedia piece “Black Mirror.” The performances took place on an old Greek barge at the Port of Piraeus, off the Island of Hydra and a final performance with the barge driven to the middle of the ocean. Additionally, they’ve found new and interesting ways to pair art around the release of their music – 2009’s Losing Feeling EP was released with a limited edition “Losing Feeling” companion zine; 2012’s “Collage Culture” 12 inch was a soundtrack to readings of excerpts of Aaron Rose, Mandy Kahn and Brian Roettinger’s Collage Culture, split in two channels – one side with readings from the book, the other side with No Age music written specifically for the release.

The acclaimed noise rock act is currently touring to support their latest effort Snares Like a Haircut, which was released earlier this year through Drag City Records.

 

Check out the full musical lineup below.

MUSICAL LINEUP

Saturday, September 8

Vince Staples

BADBADNOTGOOD

NAO

Saba

Preoccupations

Vagabon

Standing on the Corner

Hatchie

Flasher

Madison McFerrin

 

Sunday, September 9

The Flaming Lips

Nile Rodgers & CHIC

Yo La Tengo

Girlpool

Hop Along

No Age

Kamaiyah

Shopping

Julie Byrne

The Courtneys

Tickets are still available, please check out OctFest.co for information.

You can check out information and updates on the festival at Oct.co, and on Twitter by following @Pitchfork and @ReadOctober.

 

I’ll be covering the festival through my various social accounts, so feel free to check me out through the following:

Twitter: @yankee32879

Twitter: @williamhelms3rd

Instagram: @william_ruben_helms

 

New Video: Up-and-Coming Melbourne-based Punk Rockers Bakers Eddy Release Mischievous and Colorful Visuals for “Good Decisions”

Comprised of CJ Babbington (guitar, vocals), Ian Spagnolo (bass, vocals), Jamie Gordon (drums, vocals), and Alex Spagnolo (guitar, vocals), the up-and-coming Melbourne, Australia-based indie rock act Bakers Eddy initially formed in Wellington, New Zealand. And since their formation back in 2009, the band has made quite a name from themselves across both New Zealand’s and Australia’s punk rock scenes; not only have they opened for Gang of Youths, The Rubens and the Grammy-nominated act Highly Suspect, they’ve received airplay from Amazing Radio, praise from Pilerats and Tone Deaf. And adding to a growing profile, the band has played their homeland’s festival circuit with sets at Homegrown, Rock the Park and Going Global Music Summit — and earlier this year they made their live debut on British shores with a set at The Great Escape Festival (which they followed with some stops in Germany). 

The New Zealand-born, Melbourne-based band’s Tom Larkin-produced EP I’m Not Making Good Decisions was released earlier this year and the  EP’s latest single is 90s grunge rock, power chord bruiser “Good Decisions,” a track that the band describes as ac coming of age tale about “spending all your money on partying so you can’t pay the bills. Making silly decisions!” Unsurprisingly, the song is deeply inspired by the experience of the band’s members relocating from their native New Zealand to Melbourne where they “were all living together for the first time in a new country and probably having too much fun.”  

Directed by Fagan Wilcox, the recently released video follows a day in the life of the band, who quickly suspect that the house they live in was once a swingers pad. “There is a fully working spa bath in the middle of our hallway, you can see Jamie sleeping in it in the video.” the band says.  Throughout, there’s the sense that the band parties hard — harder than most, but the footage is grainy and damaged. And as Wilcox says “the execution was always going to have the footage destroyed. The idea was to make it raw and low budget using effects, but rather than just pop a filter on it with a VHS effect, we used pixel bending and channel blending to add an intensity to the final edit.”

New Audio: Goldfrapp Team Up with Depeche Mode’s Dave Gahan on a Reworked Version of “Ocean”

With the release of 2013’s Tales of Us, Goldfrapp, comprised of Alison Goldfrapp and Will Gregory, released one of their most hauntingly cinematic and gorgeous efforts they’ve ever released, as the album’s material found the duo pairing Goldfrapp’s arresting vocals with classical music-inspired arrangements centered around piano and strings, acoustic guitar and occasional electronic flourishes. However, last year’s critically applauded and commercially successful Silver Eye was a striking return to form — and as you may recall Anymore,” the album’s first single featured a slick yet abrasive sound featuring  enormous, thumping 808-like beats, layers of buzzing and undulating synths. Interestingly, “Anymore” much like the rest of the material on the album buzzed with a restless, creative energy and sense of experimentation that was partially the result of the acclaimed duo working with  Grammy-wining producer John Congleton, who has worked with St. Vincent, John Grant and Wild Beasts; as well as collaborations with electronic composer Bobby Krlic, best known as The Haxan Cloak and Leo Abrahams, a guitarist, who has collaborated with Brian Eno.

Album single “Ocean” continued in a similar vein as the song centered around an abrasive and minimalist-leaning production of arpeggiated synths, thunderous beats. As the duo explained to Billboard the song was created during a morning writing and recording session and was originally built from what Goldfrapp called a “a very small improvisation.” “I remember coming into the studio one morning and I think we just had a few drums going and it was really basic,” Goldfrapp recalled. “Will said ‘Do you fancy doing some vocals this morning?’ So I was like, ‘Alright then’ and slightly reluctantly, i went into the vocal both and the words just came out.” And as a result, the song manages to bristle with a furious sense of unpredictability. 

July 6, 2016 will mark the release of Silver Eye: Deluxe Edition and while the deluxe edition will include the original album material, there will be a bonus disc of remixes and alternate versions, including a re-recording of “Ocean” that features Depeche Mode’s Dave Gahan, as well a previously unreleased Will Gregory remix of “Anymore.” Naturally, turning the original song into a duet with Gahan’s and Goldfrapp’s imitable vocals gives the song a harder, darker, moodier, goth edge while still managing to be a straightforward rendition of the song. But perhaps, more important, if you’re a fan of both, it’s the most necessary and effortless collaboration that you needed to hear. 

 

 

Scott Hansen is a San Francisco, CA-based songwriter, multi-instrumentalist, producer, and electronic music artist, best known for his critically applauded and commercially successful solo recording project Tycho, and with the release of  2006’s Past Is Prologue, 2011’s Dive, 2014’s Awake and 2016’s Epoch, Hansen has developed a reputation for crafting material centered around vintage, analog synthesizers, ambient melodies, organic instrumentation and the frequent use of samples of the human experience, including weather broadcasts, talking, breathing and the like.

“Horizon” off Hansen’s Grammy-nominated 2016 full-length Epoch is a funky yet moody and introspective track centered around layers of arpeggiated synths, thumping, tweeter and woofer rocking beats, shimmering guitars, a sinuous bass line and an atmospheric melody.

Interestingly enough Hansen recruited Poolside, a Los Angeles-based electronic music artist, production and DJ duo, comprised of Filip Nikolic and Jeff Paradise, best known for crafting breezy, pop-tinged disco to remix “Horizon.” And the result is a breezy and summery, cosmic disco track with handclaps, a looped chorus sample, tribal percussion that creates a club banging vibe while retaining the atmospheric melody of the original. As Poolside’s Jeffrey Paradise explains “”It’s tricky to approach a Tycho remix because there are no vocals. By definition a remix would typically strip away the textures and layers, which are the signatures of Tycho, and use the vocals. We kept the original melody as the fingerprints and added classic Poolside synths and percussion. This remix essentially became a Poolside B-side through the process.”

Hansen and his backing band will be touring through the summer and it’ll include stops at Lollapalooza, Outside Lands and SummerCamp Music Festival. Check out the tour dates below.

 

Tour Dates:

15 MAY Sacramento, CA – B Street Theater

16 MAY Eugene, OR – McDonald Theater

17 MAY Spokane, WA – Knitting Factory

18 MAY Boise, ID – Knitting Factory

19 MAY Salt Lake City, UT – The Depot

21 MAY Morrison, CO – Red Rocks +

22 MAY Albuquerque, NM – Villa Hispana *

23 MAY Phoenix, AZ – The Van Buren *

24 MAY San Diego, CA – Cal Coast Credit Union Open Air Theater *

27 MAY Chillicothe, IL – Summercamp Music Festival

02 AUG Chicago, IL – Lollapalooza

11 AUG San Francisco, CA – Outside Lands

 

* w/ Phantogram

+ w/ Phantogram & Poolside

 

New Video: Evidence and Strong Arm Steady’s Krondon Team Up to Wander Around a Desolate Los Angeles in Visuals for Nottz-Produced “Bad Publicity”

I’ve written quite a bit about the Los Angeles, CA-based emcee and producer Evidence, and as you may recall, he’s best known as a member of the renowned hip-hop act Dilated Peoples with whom he has released four full-length albums — and as a producer, the emcee and producer born Michael Taylor Perretta has worked with Beastie Boys, Linkin Park, Swollen Members, Defari, Planet Asia and has a co-production credit on Kanye West’s Grammy-winning, full-length debut The College Dropout.

Perretta’s 2007 full-length full-length debut The Weatherman was released by ABB Records, the long-time label home of Dilated Peoples and featured tracks produced by Perretta,  The Alchemist, Sid Roams (the production team of Joey Chavez and Tavish “Bravo” Graham), Jake One, DJ Babu, and DJ Khalil, as well as collaborations with the Dilated Peoples crew. By 2009 Evidence signed with Minneapolis, MN-based hip-hip label Rhymesayers Entertainment, who released his 2011 sophomore effort Cats & Dogs, an album that wound up being among his most commercially successful as it landed at #64 on the Billboard 200. Perretta’s fourth album Weather or Not was released earlier this year, and the album is the first catch of new material from the Los Angeles-based emcee and producer since the 2014’s The Alchemist-produced Lord Steppington.

Weather or Not’s third single, the  DJ Premier-produced “10,000 Hours” was centered around a  swaggering and strutting West Coast hip-hop meets menacing, old school, boom bap, old school East Coast hip-hop production paired with one of contemporary hip-hop’s criminally unheralded emcees, rhyming about the time he has spent practicing, developing and honing his skills to become one of the very best — or in other words talent ain’t shit, if you don’t work very hard at it. The album’s fourth single “Powder Cocaine” continued Evidence’s ongoing collaboration with The Alchemist, who contributed an atmospheric yet soulful production consisting of boom bap beats, warm blasts of bluesy guitar, a chopped up choral vocal sample and a soaring hook and the production managed to be roomy enough to allow Evidence and Slug to trade bars full of diverse metaphors and descriptive symbolism.

The album’s fifth and latest single, the Nottz-produced “Bad Publicity” much in the vein of its predecessors as it’s golden era hip-hop inspired, tweeter and woofer rocking boom bap hip-hop, complete with some dexterous scratching — and the production manages to be roomy enough for Evidence and Strong Arm Steady’s gravelly-voiced Krondon to spit fiery, braggadocio-filled bars. Directed by Todd Angkauswan, the recently released video for “Bad Publicity” is shot in an deserted, almost post apocalyptic Los Angeles, featuring the city’s most prominent locations.

New Audio: Introducing the Laid-Back and Mischievous Sounds of Country Supergroup Traveller

Traveller is an indie rock/Americana supergroup comprised of some of contemporary Americana’s most accomplished and acclaimed, contemporary, solo artists: Jonny Fritz, a singer/songwriter who, has been considered a logical heir to country music legend Roger Miller; Cory Chisel, a Grammy-nominated, singer/songwriter who has collaborated with Rosanne Cash and Rodney Crowell and runs a recording studio in a former Wisconsin monastery that’s also an arts space; and Robert Ellis, a a critically applauded artist known for being a rather inventive singer/songwriter. Interestingly, the act can trace its origins to when longtime friends Ellis and Fritz had been collaborating together for some time got a ridiculous idea to head to India to write a country album.  The duo set off on their epic journey to India but after an ill-advised, exuberant jump into the Ganges, Ellis got ill and almost died. Fortunately though, Ellis was able to kick his illness and recover — and the idea of their collaboration didn’t die either.

Several months later, Ellis and Fritz recruited Chisel, and within a couple of weeks the new band had written an album’s worth of material, which they followed with their live debut at the Newport Folk Festival and sets at Stagecoach and Austin City Limits. Reportedly, the trio’s aesthetic and songwriting approach  draws from the likes of both The Highwaymen and The Traveling Wilburys, supergroups in which each individual member plays to their well-known and beloved strengths while taking turns showing off their chops as been-there-done-that, played-every-venue-including-that-shitty-one-that-stank-of-stale-beer-and-puke old pros — but they do so with a tongue-in-cheek sense of humor throughout.
 
Western Movies, the supergroup’s highly-anticipated, forthcoming full-length debut is slated for a May 4, 2018 release, and the album’s latest single “Hummingbird” is a jangling and twangy bit of old-timey rock/country that to my ears manages to nod to The Beatles and to George Harrison’s “Got My Mind Set On You” but with a mischievous sense of humor, complete with some winklingly ribald double entendres and pop cultural references that give the song a wild anachronistic feel.
 

Rachel K. Collier is a Swansea, Wales, UK-born, London-based singer/songwriter, producer and electronic music artist, who achieved both commercial and critical success across the UK relatively early in her career; in fact, Collier is credited as a co-writer or producer or several chart-topping, smash hits including Ray Foxx‘s “Boom Boom (Heartbeat),” which peaked at number 12 on the UK Singles chart back in 2013; Mat Zo‘s Grammy-nominated album Damage Control, which peaked at number 1 on the iTunes Dance Album charts; and on pioneering garage producer Wookie‘s comeback single “2 Us.” As a solo artist, she recorded a cover of Jimmy Cliff’s Hard Road to Travel,” which landed at number 79 on the UK Singles chart, and her debut original single “Predictions” was named Sarah Jane Crawford’s “Smash of the Week” on the radio personality’s BBC Radio 1Xtra show. Collier has also received airplay and praise from the likes of Annie NightingaleCapitol XtraTiësto and Oliver Heldens, which has added to the growing buzz surrounding her in electronic music circles.

Building upon a growing national profile, Collier released her self-produced, debut EP Words You Never Heard through Love and Other Records in late 2015 and followed that up with “Ships,” a single she released during the last few months of 2016. Now, as you may recall, last year I wrote about Collier’s “Paper Tiger,” a slick yet un-fussy club banger, which she followed up with extensive touring playing sets at clubs and festivals across the European Union and unsurprisingly, with the release of her latest single “Darkshade,” her experiences touring throughout 2017 have influenced her creative process and her sound, as the new single finds Collier pairing what arguably may be the most emotionally direct lyrics she’s written with a sound that manages to be simultaneously radio and club friendly — all while further cementing her reputation for crafting rousingly anthemic hook.

“I’ve been heavily inspired from playing live at clubs and festivals throughout 2017 -playing my synths on stage at full volume is so satisfying and fulfilling that I’ve been incorporating synth solos and counter melodies way more into my actual production rather than just doing it on stage for fun!” Collier explains in press notes. “Darkshade feels like a song I needed to get off my chest — many of us will go through life hiding, disguising or playing down a physical/emotional element that we have but we don’t like. This song is about that and how I deal with it.”

This year may be a breakthrough year for the Swansea-born, London-based singer/songwriter, producer and electronic music artist as her full-length debut is slated for a September release.

 

 

Michelle Blanchard is a Los Angeles, CA-based singer/songwriter, guitarist and alt pop artist, whose recording project Madyx draws from P!nk, Katy Perry, The DistillersBrody Dalle and Melissa Etheridge — although Blanchard has received attention for pairing earnest and socially relevant lyrics with crowd pleasing, infectious production. Adding to a growing profile, her debut EP was recorded with Grammy nominated producer Brian Howes, who has worked with Daughtry, Simple Plan and Hedley among others. Her latest single is a bold cover/re-imagining of Modern English‘s iconic “I Melt With You,” turning the familiar song into a contemporary singer/songwriter guitar pop – and although the melody and the tempo have been slowed down, Blanchard cover manages to reveal a subtly different take, while retaining it’s essence.