Tag: Haiku Hands

New Video: Haiku Hands Release a Defiantly Campy and Fierce Visual for “Fashion Model Art”

Last year saw Aussie electro pop act Haiku Hands — Claire Nakazawa, Beatrice Lewis and Mie Nakazawa — embarking on their first ever Stateside tour, which included a series of critically applauded, attention-grabbing sets at SXSW, opening slots for the likes of Japanese punk act CHAI, JOVM mainstays Tame Impala and Sofi Tukker, Chicago-based emcee CupcaKke and footwork producer DJ Taye.

Building upon a rapidly growing national and intentional profile, the Aussie trio’s highly-anticipated, self-titled full-length debut is slated for a September 10, 2020 release through Mad Decent. Recorded primarily in Melbourne with Joel Ma (a.k.a. Joelistics), the Aussie electro pop trio’s self-titled debut further cements the act’s reputation for being rebellious, experimental and wildly unconventional. While featuring collaborations with Sofi Tukker, Mad Zach, Machine Drum, Mirac, Hermitude‘s Elgusto and Lewis CanCut, the album thematically probes technology, relationships and the absurd — with incisive social commentary. “The record explores an attitude of empowerment, humour and positivity whilst also delving into darker themes and expressions,” the members of Haiku Hands explain. “We aimed to be original in our creative choices, we were influenced by multiple genres and artists but were aiming to create something that sounded new and different.” 

“Fashion Model Art,” the self-titled album’s latest single features a collaboration with Sofi Tukker. Centered around twinkling keys, stuttering beats and handclaps, layers of shimmering synths,  and chanted, non-sequiturs, “Fashion Model Art” is a euphoric and  decidedly 80s inspired house music banger that sounds like a brash and mischievous take on Madonna’s “Vogue” and David Bowie‘s “Fashion.”

“The chorus of ‘Fashion Model Art’ was created on the train coming home from the Sydney Biennale,” the Aussie electro pop act explain in press notes. “It was the moment we swapped from being our composed observant art critiques to our boisterous playful selves. We ended up having half the carriage chanting fashion fashion, model model, art art art art on the train.

“This song celebrates the fashion model art character within ourselves. We revel in the hilarious, tense, fun, ridiculous and utmost seriousness of these moments.

Sofi Tukker jumped on this song after we toured with them for a month in the US.

We ask ourselves, what should we do with our hands?”

“We met Haiku Hands on tour in Australia,” Sofi Tukker says in press notes. “After seeing them literally once live, we immediately asked them to go on tour with us. We’ve been good friends ever since. It was so fun working on this track with them. We love how they build in humor and choreography into their music. ”

Directed by Jasmin Tarasin, the recently released video for “Fashion, Model, Art” is a slick synthesis of high fashion, art and of course, fashion models in a way that’s fiercely and defiantly campy, mischievous, pro womxn and pro queer. “Haiku Hands are in fact a wonderful collide of Fashion, Model, Art in the very best way,” Jasmin Tarasin says. “It was so inspiring to be able to play and create with these women in collaboration with our combined creative community . I enjoyed the process so much and feel that the fun and beauty we found is seen on screen. We had the very best time.”

New Audio: Haiku Hands Team Up with JOVM Mainstays Sofi Tukker on a Club Banger

Last year saw  Aussie electro pop act Haiku Hands — Claire Nakazawa, Beatrice Lewis and Mie Nakazawa — embarking on their first ever Stateside tour, which included a series of critically applauded, attention-grabbing sets at SXSW, opening slots for the likes of Japanese punk act CHAI, JOVM mainstays Tame Impala and Sofi Tukker, Chicago-based emcee CupcaKke and footwork producer DJ Taye. 

Building upon aa rapidly growing national and intentional profile, the Aussie trio’s highly-anticipated, self-titled full-length debut is slated for a September 10, 2020 release through Mad Decent. Recorded primarily in Melbourne with Joel Ma (a.k.a. Joelistics), the Aussie electro pop trio’s self-titled debut further cements the act’s reputation for being rebellious, experimental and wildly unconventional. While featuring collaborations with Sofi Tukker, Mad Zach, Machine Drum, Mirac, Hermitude’s Elgusto and Lewis CanCut, the album thematically probes technology, relationships and the absurd — with incisive social commentary. “The record explores an attitude of empowerment, humour and positivity whilst also delving into darker themes and expressions,” the members of Haiku Hands explain. “We aimed to be original in our creative choices, we were influenced by multiple genres and artists but were aiming to create something that sounded new and different.” 

“Fashion Model Art,” the self-titled album’s latest single features a collaboration with Sofi Tukker. Centered around twinkling keys, stuttering beats and handclaps, layers of shimmering synths,  and chanted, non-sequiturs, “Fashion Model Art” is a euphoric and  decidedly 80s inspired house music banger that sounds like a brash and mischievous take on Madonna’s “Vogue” and David Bowie’s “Fashion.” 

“The chorus of ‘Fashion Model Art’ was created on the train coming home from the Sydney Biennale,” the Aussie electro pop act explain in press notes. “It was the moment we swapped from being our composed observant art critiques to our boisterous playful selves. We ended up having half the carriage chanting fashion fashion, model model, art art art art on the train.

“This song celebrates the fashion model art character within ourselves. We revel in the hilarious, tense, fun, ridiculous and utmost seriousness of these moments.

 Sofi Tukker jumped on this song after we toured with them for a month in the US.

 We ask ourselves, what should we do with our hands?”

“We met Haiku Hands on tour in Australia,” Sofi Tukker says in press notes. “After seeing them literally once live, we immediately asked them to go on tour with us. We’ve been good friends ever since. It was so fun working on this track with them. We love how they build in humor and choreography into their music. ”

New Audio: Rising Aussie Electro Pop Trio Haiku Hands Release a Thumping, Old School Hip Hop Inspired Banger

Splitting their time between Melbourne and Sydney. the Aussie indie electro pop act Haiku Hands, which features a core trio of Claire Nakazawa, Beatrice Lewis and Mie Nakazawa have received attention both nationally and internationally for a sound that draws from hip-hop, electro pop, dance music and house music. Interestingly, the trio is part of a larger collective that engages with and explores social norms with their lyrical, musical and visual content. 

Now, as you may recall last year was a breakthrough year for the Aussie electro pop trio: their high energy club bangers “Squat,” “Jupiter,” and “Not About You” amassed over 3.5 million streams — and as a result, each single landed spots on iTunes charts across the globe. Adding to an enormous year, “Jupiter” was included on Matt Wilkinson‘s Best Songs of 2018 So Far list, and received airplay on BBC Radio 1 and Radio X. Continuing on  the momentum, the members of Haiku Hands went on a month-long North American tour with CHAI that featured stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, an opening date for Cupcake in Chicago, and appearances at a handful of SXSW showcases. 

The Aussie indie electro pop trio’s highly-anticipated full-length debut is slated for release next year through Mad Decent and Spinning Top in Australia and New Zealand. In the meantime, the trio’s latest single, the Mad Zach-produced “Onset” is a brash and infectious banger centered around a glitchy and thumping 808-based, old school hip-hop production reminiscent of Afrika Bambaataa and the Soul Sonic Force’s “Renegades of Funk” and Missy Elliott paired with the trio delivering equally brash and dexterously flows that nod at Khia’s “My Neck, My Back (Lick It),” schoolyard rhymes and chants. As a child of the 80s, this song brings boom boxes, shell toe Adidas and B Boys breaking — but with a modern touch. 

The acclaimed New York-based electronic duo and JOVM mainstays Sofi Tukker — comprised of Sophie Hawley-Weld and Tucker Halpern — have been widely celebrated for an inclusive, global take on electronic music that thematically is centered around self-empower, unity and liberation. The debut single “Drinkee” received a Grammy Award-nomination for Best Dance Recording — and they continued an extraordinary run of success with their full-length debut, Treehouse receiving a Grammy Award-nomination for Best Dance/Electronic Album.
Building upon a growing international profile, the duo’s releases have gone Gold or Platinum on every continent on this planet, excluding Antarctica. They’ve played sold out shows and festival stops across the planet, and they’ve performed on some of the world’s most beloved shows including Italy’s X-Factor, the UK’s Sunday Brunch, Russia’s Late Show and Japan’s BuzzRhythm, The Tonight Show Starring Jimmy Fallon and most recently Good Morning America.  Additionally, the duo have a long-held reputation for being passionate activists, who have raised funds an awarenesses for a number of different causes including Planned Parenthood, The Trevor Project, and March For Our Lives.
Slated for a September 20, 2019 release, DANCING ON THE PEOPLE EP is the duo’s much-anticipated follow-up to their highly-successful full-length debut. And the EP’s latest single “Purple Hat” is a joyous, club banger that stars with a breezy Brazilian Tropicalia intro before quickly turning into a thumping club banger centered around tweeter and woofer rocking low-end, a funky, strummed and looped guitar line, an enormous, crowd pleasing hook and Bhangra-like percussion while Hawley-Weld and Halpern trade vocal lines about a wild and joyous party, in which the attendees let go of pretense and facades and let their freak flags proudly flow. It’s a joyous song that says “come all, be yourself — and most important, shake that ass and show ’em what you working with!” Considering the hate and opposition we’ve been inundated with over the past few years, this song feels necessary.
“We wrote ‘Purple Hat’ the day after our first Animal Talk party,” the duo explains. “We started throwing these parties to bring back the wild and inclusive dancing vibe to the nightclub experience. Tuck was literally wearing a purple hat and a cheetah print shirt, people were climbing on top o people, it was over-sold and sweaty, our favorite people were packed in the booth, everyone was loose AF and feeling themselves. It was wild. Every Animal Talk party since then has been like that, and we wanted to capture that raw feeling in a song. If there was a song that included everything we are about, this would be the one.”
The duo will be embarking on a lengthy North American and European tour that they’ve dubbed The R.I.P. Shame World Tour to support the release of their new EP to close out the year. This tour, Hawley-Weld and Halpern are on “a mission to kill shame one loose dance party at at time.” Up-and-coming Aussie dance pop act Haiku Hands and DJ/producer LP Giobbi will be opening for the acclaimed JOVM mainstays for all of their North American tour dates, which includes an October 24, 2019 stop at Avant Gardner’s Great Hall. You can check out the tour dates below, along with a link to buy tickets. 
This tour finds the duo supporting the National Alliance on Mental Illness (NAMI), of the nation’s largest grassroots mental health organization decided to building better lives for millions of Americans affected by mental illness and their local affiliates. $1 from each ticket sold during each US stop will go to support NAMI and heir programs and services through PLUS1. For the Vancouver show, $1 from each ticket sold will go to support Urban Native Youth Association (UNYA)’s Native Youth Health and Wellness Centre, providing culturally-relevant, welcoming, accessible health and wellness services to Indigenous youth. The centre is a safe, accessible health clinic, where Indigenous youth can feel comfortable seeking support for their physical, mental, emotional, and spiritual health. And in Calgary, $1 from each ticket sold with go to a local organization that supports mental health initiatives, bringing dignity, equity, and access to communities who need it.
Tour Dates:
North American Headline Tour
10/2: Calgary, AB @ The Palace
10/4: Vancouver, BC @ Commodore Ballroom
10/6: Portland, OR @ Crystal Ballroom
10/7: Seattle, WA @ Showbox SoDo
10/9: Oakland, CA @ Fox Theater
10/10: Los Angeles, CA @ Shrine Expo Hall
10/13: Tucson, AZ @ The Rialto Theatre
10/15: Dallas, TX @ Granada Theater
10/16: Austin, TX @ Stubb’s Waller Creek Amphitheater
10/17: Houston, TX @ White Oak Music Hall
10/19: New Orleans, LA @ The Joy Theater
10/21: Atlanta, GA @ Terminal West
10/23: Washington, DC @ 9:30 Club
10/24: Brooklyn, NY @ Avant Gardner Great Hall
11/17: Mexico City, MX @ Corona Capital
European Headline Tour
11/20: Dublin, Ireland @ Vicar Street
11/22: Manchester, UK @ Gorilla
11/23: London, UK @ Electric Brixton
11/25: Frankfurt, DE @ Gibson Club
11/26: Amsterdam, NL @ Paradiso
11/27: Rotterdam, NL @ Maassilo
111/28: Paris, FR @ Elysee Montmartre
12/1: Hamburg, DE @ Markthalle
12/2:  Cologne, DE @ Carlswerk
12/3: Munich, DE @ Technikum
12/5: Vienna, AT @ Arena Wien
12/6: Bern, Switzerland @ Bierhubeli
12/9: Zurich, CH @ Harterei Club
12/10: Brussels, BE @ Botanique Orangerie
​​​​​​​12/12: Berlin, DE @ Tempodrom

New Video: Up-and-Coming Aussie Electro Pop Act Haiku Hands Release a Cinematically Shot Visual for “Dare You Not To Dance”

Featuring a core trio comprised of Claire Nakazawa, Beatrice Lewis and Mie Nakazawa, the Australian indie electro pop act Haiku Hands is split between Melbourne and Sydney, and together the members of the act, who are influenced by hip-hop, pop, electro pop dance music and others, curate, perform and work as part of a larger collective that engages with and explores social norms with their lyrical, musical and visual content. Last year was a big year for the Aussie electro pop act as their previously released, high-energy bangers “Squat,” “Jupiter,” and “Not About You” amassed over 3.5 million streams — and as a result, each single landed spots on iTunes charts across the globe; in fact, “Jupiter” was included on Matt Wilkinson‘s Best Songs of 2018 So Far list, and received airplay on BBC Radio 1 and Radio X.

Earlier this year, the Aussie electro pop act went on a month-long North American tour with CHAI that featured stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, as well as an opening date for Cupcake in Chicago, along with appearances at a handful of SXSW showcases.

Building upon a rapidly growing national and international profile, the Aussie electro pop act are about to embark on a month-long tour of North America with CHAI that features stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, as well as an opening slot for Cupcake in Chicago, and along with that they had a busy SXSW, making appearances at a number of showcases, which have helped expand their profile internationally. But in the meantime, the act’s latest single is the brash and infectious “Dare You Not To Dance,” which will further cement their reputation for crafting club bangers that mesh elements of riot grrl punk, hip-hop, house music, drum ‘n’ bass, EDM and trap music with enormous, shout along worthy hooks in a way that brings M.I.A. and Gwen Stefani to mind.

Directed by Nathan Lewis, the recently released, incredibly cinematic video follows a collection of different young people, enthusiastically dancing in public — and in some cases while they’re supposed to be working or some other moment; and unlike the occasional passerby, these dancers are completely unguarded and free. 

New Audio: Haiku Hands Release an Infectious Club Banger

Featuring a core trio comprised of Claire Nakazawa, Beatrice Lewis and Mie Nakazawa, the Australian indie electro pop act Haiku Hands is split between Melbourne and Sydney, and together the members of the act who are influenced by hip-hop, pop, electro pop dance music and more, curate, perform and work as part of a larger collective that engages with and explores social norms with their lyrical, musical and visual content. Interestingly, last year was a big year for the Aussie electro pop act as their previously released, high-energy bangers “Squat,” “Jupiter,” and “Not About You” amassed over 3.5 million streams — and as a result, each single landed spots on iTunes charts across the globe; in fact, “Jupiter” was included on Matt Wilkinson’s Best Songs of 2018 So Far list, and received airplay on BBC Radio 1 and Radio X. 

Building upon a rapidly growing national and international profile, the Aussie electro pop act are about to embark on a month-long tour of North America with CHAI that features stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, as well as an opening date for Cupcake in Chicago. (You can check out the tour dates below.) They’re also making appearances at several SXSW showcases. But in the meantime, their latest single, the brash and infectious “Dare You Not To Dance,” will further cement their reputation for crafting club bangers that mesh elements of riot grrl punk, hip-hop, house music, drum ‘n’ bass, EDM and trap music with enormous, shout along worthy hooks in a way that brings M.I.A. and Gwen Stefani to mind. 

SXSW APPEARANCES
03/12 – Roologic Records / CS Disco at The Main @ 12:00 AM
03/13 – Ladiez Showcase at Scoot Inn @ 5:00 PM
03/13 – DIY Magazine showcase at Swan Dive @ 12:00 AM
03/14 – Aussie BBQ at Australia House @ 5:15 PM
03/15 – Panache showcase at Hotel Vegas @ 9:00 PM
03/16 – Do512’s The Big One at Barracuda @ 2:30 PM

Tour Dates
03/12 – Roologic Records / CS Disco at The Main @ 12:00 AM $
03/13 – Ladiez Showcase at Scoot Inn @ 5:00 PM $
03/13 – DIY Magazine showcase at Swan Dive @ 12:00 AM $
03/14 – Aussie BBQ at Australia House @ 5:15 PM $
03/15 – Panache showcase at Hotel Vegas @ 9:00 PM $
03/16 – Do512’s The Big One at Barracuda @ 2:30 PM $
03/18 – DC9, Washington DC *
03/19 – Market Hotel, Brooklyn *
03/20 – Velvet Underground, Toronto *
03/21 – Thalia Hall, Chicago #
03/25 – Moroccan Lounge, LA *
03/27 – Rickshaw Stop, SF *
03/29 – Vera Project, Seattle *
03/30 – Holocene, Portland *
04/26 – 05/11 – Groovin the Moo Festival, AUS

$ = SXSW
* = supporting CHAI
# = supporting Cupcakke