Splitting their time between Melbourne and Sydney. the Aussie indie electro pop act Haiku Hands, which features a core trio of Claire Nakazawa, Beatrice Lewis and Mie Nakazawa have received attention both nationally and internationally for a sound that draws from hip-hop, electro pop, dance music and house music. Interestingly, the trio is part of a larger collective that engages with and explores social norms with their lyrical, musical and visual content.
Now, as you may recall last year was a breakthrough year for the Aussie electro pop trio: their high energy club bangers “Squat,” “Jupiter,” and “Not About You” amassed over 3.5 million streams — and as a result, each single landed spots on iTunes charts across the globe. Adding to an enormous year, “Jupiter” was included on Matt Wilkinson‘s Best Songs of 2018 So Far list, and received airplay on BBC Radio 1 and Radio X. Continuing on the momentum, the members of Haiku Hands went on a month-long North American tour with CHAI that featured stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, an opening date for Cupcake in Chicago, and appearances at a handful of SXSW showcases.
The Aussie indie electro pop trio’s highly-anticipated full-length debut is slated for release next year through Mad Decent and Spinning Top in Australia and New Zealand. In the meantime, the trio’s latest single, the Mad Zach-produced “Onset” is a brash and infectious banger centered around a glitchy and thumping 808-based, old school hip-hop production reminiscent of Afrika Bambaataa and the Soul Sonic Force‘s “Renegades of Funk” and Missy Elliott paired with the trio delivering equally brash and dexterously flows that nod at Khia‘s “My Neck, My Back (Lick It),” schoolyard rhymes and chants. As a child of the 80s, this song brings boom boxes, shell toe Adidas and B Boys breaking — but with a modern touch.
