Tag: hip-hop

New Video: A!MS Teams Up with ZieZie, Ramz, Lillz, and leon & Brodie on Swaggering “Wait What”

A!MS is an emerging and rising Ayia Napa, Cyprus-based artist, who has received international attention for a sound that he has dubbed “Global Street,” which is informed by his multicultural background and blends hip-hop’s spirit, street culture, global sounds, and digital-era creativity. He sees this new, hybrid sub-genre as a home for artists beyond traditional scenes, and as a way to unite voices from overlooked corners of the globe with a “as street, as it is worldwide” ethos.

The Cyprus-based artist’s sophomore album, last year’s Peak Season includes the Antaeus-produced “Light & Love,” feat. Julian Marley and Hypertone, the Golden Boy-produced  Stjge co-written “Need Somebody” feat. UK-based rapper ArrDee, and the album’s latest single “Wait What?” features a collection of rising British emcees ZieZie, Ramz, Lillz, and Leon & Brodie. Clocking in at a little under two-and-a-half minutes, the song showcases each artist’s unique energy and distinct flows over a slick, hook-driven trap-meets-grime production, which features a looping, fluttering flute sample paired with bursts of twinkling keys, skittering, tweeter and woofer rattling triplets.  

While anchored around an All-Star cast of up-and-comers, along with an established veteran, “Wait What” showcases the UK scene’s remarkable talent to a global audience hungering for new talent outside of North America.

Directed by WALKMNS, the accompanying video for “Wait What” is shot in a gorgeous, cinematic black and white and is split between footage of the artists performing at a festival and hanging out at what looks like a mix of suburban hotel, house, and mall.

New Video: JOVM Mainstay Genesis Owusu Shares Breakneck “LIFE KEEPS GOING”

Acclaimed multi-ARIA Award-winning Ghanian-born Canberra-based JOVM mainstay Genesis Owusu will be releasing his highly-anticipated third album REDSTAR WU & THE WORLDWIDE SCOURGE through OURNESS on May 15, 2026.

REDSTAR WU & THE WORLDWIDE SCOURGE reportedly sees one of Australia’s most celebrated and visionary contemporary artists construct an exposed state-of-the-day record that’s experimental yet cohesive, desolate yet ecstatic, unflinching yet free. Duality is at the core of an album that sees the JOVM mainstay layering musings on an unsettled world with piercing reflections of his, and our own places within the world. Rich in lyricism and earnest in its message, REDSTAR WU & THE WORLDWIDE SCOURGE is a resolute effort that confronts a divisive era in which humanity and its institutions seem to be ripping apart at the seams and heeds a desperate need for unity.

Sonically drawing from and meshing elements funk, neo-soul, Brit rock and alt pop the album’s overall sound feels both sprawling and deliberate.

“The world hasn’t ended yet,” Owusu. says. “We’re still moving, we’re still jumping, we’re still living, and so we shall continue. Through rain, shine, exploitation and warfare. We, the people, will always stubbornly persist, and hopefully persist hand in hand.”

“LIFE KEEPS GOING,” the album’s latest single is a gritty, club friendly tune anchored around a propulsive, drum ‘n’ bass-like production featuring rapid-fire skittering beats, thumping, organ rattling low end and atmospheric synths. The track’s production evokes seemingly unstoppable force and movement and over the breakneck instrumentation, Owusu muses on time and the motions of life, finding strength and inspiration in their relentless, disobedient nature. Birth, love, war, heartache, despair, time cycling forward and death will continue well after all of us — and in turn, all of this — will be gone.

Directed by Isaac Brown, the frenetic accompanying video for “LIFE KEEPS GOING” was shot in Accra‘s massive Black Star Square, which was built for their independence and is steeped in national unity. We see Owusu by himself dancing and rocking out in the square and in a gorgeous, dream-like sequence on the beach at sunset. And although Owusu is a larger-than-life figure, his smallness in the face of such immense settings, the sea rolling in and out, the sky above are all serve as reminders of the song’s central themes — and why we need more unity in our world.

New Video: JOVM Mainstay Genesis Owusu Shares Breakneck “STAMPEDE”

Last year, the acclaimed multi-ARIA Award-winning Ghanian-born Canberra-based JOVM mainstay Genesis Owusu released two singles “PIRATE RADIO,” and “DEATH CULT ZOMBIE,” the first bit of new material since the release of 2023’s acclaimed STRUGGLER.

The JOVM mainstay’s first single of 2026, “STAMPEDE” is anchored around the acclaimed Ghanian-Australian artist’s punchy punk rock-meets-hip-hop delivery and a breakneck production featuring menacing, reverb-drenched synth subs, skittering and relentless military-like motorik pulse. The song conveys the desperate urgency of our moment while being a rallying cry to prioritize community and unity as a way out of our techno-feudalist/Christo-fascist hellscape.

“Left side to the right side, front side to the back,” he says in his latest offering, “we’re all in this together. And there’s a real problem. There are people who have expansive amounts of money, who are intentionally acting to separate us so they can keep getting richer at the expense of general human wellbeing. We’re all under that same thumb and we need to realise that.”

Continuing an ongoing collaboration with Isaac Brown, the accompanying video for “STAMPEDE” was filmed in the streets and surroundings of Accra and turns Owusu’s worlds to life: an army of rebels mobilize on motorcycles and horseback around him.

“This whole project is about humanity and community, not just in Australia where I live, but globally. It felt nourishing to go back to my home country (Ghana) for the first time in 11 years and showcase a bit of the culture there; the youth and the deep subcultures, far beyond the perceptions a lot of people may have of Africa,” says Owusu.