Throwback: Happy 51st Birthday, Lauryn Hill!


Welp, we’ve made it to May y’all. This year has been yet another infuriating, soul-crushingly brutal slog. I’m furious and exhausted. And if you have a conscience and a soul, you feel the same. There isn’t an easy way out of this hell. 

But there’s music, art, small pleasures, and every day joys. We’ll cling to that as much as possible in between fighting for the rights and futures for our loved ones — and ourselves.

Of course, with this site, it’s important to show respect to our legends and our contemporary artists. And to that end, let’s get to it: 

Ms, Lauryn Hill celebrates her 51st birthday today. Hill is arguably one of the most influential female artist of her time — as an emcee with the Fugees and as singer/songwriter and solo artist. The Fugees’ sophomore album, 1996’s The Score was a critical and commercial breakthrough: The album sold over 22 million copies globally, eventually winning a Grammy Award for Best Rap Album, while making Hill the first woman to win the award,

Hill’s solo debut 1998’s The Miseducation of Lauryn Hill debuted at #1 on the Billboard 200 with the highest first-week sales for a female artist at the time, and quickly became the first album by a female rapper to be certified diamond, thanks to the massive success smash-hits “Doo Woo (That Thing), which debuted at #1 on the Billboard 100, as well as “Ex-Factor,” “Everything Is Everything” and “Lost Ones.” The album went on to win an Album of the Year Grammy, making her the first rapper to win an Album of the Year Grammy — and she was the first woman artist to win five awards in a single night.

Around the same time, Hill became a highly sought-after collaborator, appearing on Nas‘ “If I Ruled The World (Imagine That)” and Refugee Camp All-Stars’ “The Sweetest Thing.” She also produced material for Whitney Houston, Mary J. Blige and Santana, while writing Aretha Franklin’s “A Rose Is Still A Rose.”

Hill is a trailblazer rand her work has been toweringly influential. Every female artist since her breakthrough work has been influenced and informed by it.

Happy birthday, Ms. Hill!

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The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 15+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have. 

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