Dan “SHUB” General is a Mohawk producer and member of the Six Nations of the Grand River, the largest First Nation reserve in Canada. As a co-founder of the trailblazing and acclaimed, Juno Award-winning Indigenous electronic music outfit A Tribe Called Red, now known as The Hallucci Nation, General has been instrumental in the development of powwow-step, a blend of the ancient rhythms of powwow music with scratching, hip-hop, and modern, bass-heavy electronic music production.
In 2014, General left A Tribe Called Red and stepped out into the spotlight as a solo artist and producer. His debut, 2016’s six-song PowWowStep EP featured collaborations with the Northern Cree Singers, smoke dance singer Frazer Sundown and a Blackfeet Nation-based drum group, Black Lodge Singers. Th EP won an Indigenous Music Award for Best Instrumental Album and the Canadian Organization of Campus Activities (COCA) named him DJ of the Year in 2017.
Since then, the Canadian producer and DJ has released two albums, 2020’s War Club and last year’s Heritage (Part One). Conceived as part of a two-part series, Heritage (Part One) saw General stepping beyond the DJ both and boldly stepping forward as a composer, storyteller and artist dedicated to expanding the reach of Indigenous music on a global scale.
The second part of the series, Heritage (Part Two) is slated for a May 1, 2026 release. Across Heritage, SHUB brings together Indigenous artists across generations, using collaboration as a way to explore identity, community and continuity within contemporary music. The Canadian producer and artist is helping to actively expanding the space Indigenous artists occupy within modern music. Heritage (Part Two) completes that vision, bringing together voices across cultures and styles into a single body of work. “This album is about movement and growth,” SHUB explains. “It’s not trying to be one genre — it’s just where I’m at right now.”
Heritage (Part Two)‘s latest single “I Know,” feat. Sebastian Gaskin is a sleek, hook-driven bit of club friendly, contemporary R&B/contemporary pop featuring glistening synth arpeggios, thumping beats serving as a lush bed for Gaskin’s yearning and plaintive falsetto. While SHUB’s work has been known for being centered on blending traditional Indigenous sounds with electronic production, “I Know” is a deliberate and thoughtful shift in sound, stripping the more ceremonial aspects of his sound for an emphasis on intimacy and personal connection that will feel familiar — and universal.
The song also captures the organic and seemingly effortless chemistry of the duo’s collaboration. “Working on this one with Sebastian was one of those sessions where the chemistry was instant,” SHUB explains. “We actually ended up writing two songs that day, but this one stood out straight away. Sometimes a record just finds its own lane when the right people are in the room.”
That sense of connection carried into the song’s overall themes. “Shub & I wrote this imagining our cultures as a lover,” Sebastian Gaskin says. “It’s about returning to where we come from and remembering that our roots don’t just ground us — they hold us.”
Directed by Matt Guarrasi, the accompanying video for “I Know” feat. Sebastian Gaskin follows the duo through a late-night drive through Toronto, with the city’s light reflected on windshield that features stops on various rooftops for the duo to rock out on. Fittingly, the video further emphasizes the deeply reflective, almost brooding energy of the track.