Tag: Iceland Airwaves Festival

Comprised of Sólveig Matthildur,  Margrét Rósa and Laufey Soffía, the Reykjavik, Iceland-based synth-based post-punk act Kælan Mikla have had a breakthrough year so far: they played a critically applauded set at this year’s Roadburn Festival, were championed by The Cure’s Robert Smith and toured with King Dude — and all of this before the release of their forthcoming album Nótt eftir nott, which is slated for a November 9, 2018 release through Artoffact Records.

The members of the Icelandic post-punk trio will be playing an album release show on November 8, 2018 at this year’s Iceland Airwaves but before then, the album’s first official single is the chilly yet dance floor friendly, synth-led track “Nornalagið” — and the track, which is centered by a motorik groove and punctuated by piercing wailing manages to be both eerily atmospheric and cinematic, evoking a storm rolling across enormous skies.

 

 

 

 

 

With the release of “Superego,” which received nearly 3 million streams on Spotify, the Vienna, Austria-based indie electro pop duo Leyya, quickly emerged into both the national and international scenes. Adding to a growing profile, the duo comprised of Sophie Lindinger and Marco Kleebauer played sets across the European Union’s festival circuit. including The Great EscapeLiverpool Sound CityTallinn Music WeekPrimavera SoundReeperbahn FestivalIceland Airwaves and a headlining set at Popfest. Along with that the duo have received airplay on Huw Stephens‘ and Phil Taggart‘s BBC Radio 1 shows and Lauren Laverne‘s BBC Radio 6 show, been playlisted on Germany’s Radio 1, as well as praise from Pigeons and PlanesWonderland MagazineClash MagazineKonbiniThe 405 and Consequence of Sound among others.

Now, if you’ve been frequenting this site over the past year or so, you’d know that the duo’s sophomore effort Sauna was released earlier this year, and from album single “Drumsolo,” the duo further cemented a growing reputation for crafting ambient and moody electro pop while expanding upon their sound with elements of hip-hop, R&B and jazz in a way that reminded me of Flourish//Perish-era BRAIDS and Clearing-era Softspot but with a coquettish and swaggering self-assuredness. Interestingly, “Wannabe,” is a standalone single, released as a follow up to their critically applauded sophomore effort and the track is a breezy and summery track that finds the duo’s sound nodding at JOVM mainstays Sylvan Esso, as Lindinger’s coquettish and ethereal vocals float over a slick production consisting of layers of stuttering and staccato beats, bubbling synths, gently swirling electronics and an anthemic hook. Lyrically, the song manages to walk a tightrope between spirited animation and deep introspection, which gives the danceable song a palpable yet subtle emotional heft.

As the duo says of the single, “After releasing our second album Sauna we tried to avoid the post-release-down with being creative and writing new music straight away. The song is circling around a problem almost everyone can relate to: Wanting to be like somebody else. Ironically – we find – its often also the other way around.“

 

 

 

 

Live Footage: Fufanu Live on KEXP

Over the past couple of months here, I’ve written quite a bit about the Reykjavik, Iceland-based indie rock/post-punk trio Fufanu. The trio, which is currently comprised of founding members Kaktus Einarsson (vocals, guitar), whose father Einar, was a member of The Sugarcaubes and Guðlaugur “Gulli” Einarsson (guitar, programming) (no relation, by the way) along with Erling Bang (drums) can trace their origins to when the band’s founding members met while at school. According to the band’s founding duo, Katkus had glanced at Gulli’s iTunes and noticed that they had listened to a lot of the same techno and electronic music. And after quickly bonding over mutual interests, the duo went into a studio and began writing and recording electronic music under the name Captain Fufanu. Within a month of their formation, Kaktus Einarsson and Gulli Einarsson had started playing shows in and around Reykjavik.

Building on a growing local profile, the duo went into the studio to record what would be their full-length debut as Captain Fufanu; but in a strange twist of fate, the studio where Kaktus Einarsson and Gulli Einarsson had recorded the album was burgled. And as a result, the album was presumed lost. Instead of trying to recall the material they initially wrote from memory, Kaktus Einarsson and Gulli Einarsson decided that the moment was a perfect time for them to completely reinvent their sound. Interestingly, as that happened, Katkus was in London working on Damon Albarn’s Everyday Robots and touring with Bobby Womack when he began writing lyrics. Simultaneously Gulli had started to create a revised sound, which according to Kaktus Einarsson managed to coney exactly what he had been thinking. The duo then added guitars and drums, along with Kaktus’ brooding and detached vocals — and with their revised sound, renamed themselves Fufanu.

Their first live set with their new sound and aesthetic was at Iceland Airwaves and they quickly became one of the most talked about bands of the entire festival. Building upon the buzz they had received, they went into the studio their full-length debut A Few More Days To Go. And with the release of their debut, the duo received a rapidly growing national and international profile as they toured with a number of internationally renowned acts including The Vaccines and have played at JaJaJa Festival. With their recently released sophomore effort Sports, Kaktus and Gulli recruited Erling “Elli” Bang (drums) to further flesh out their sound as they expanded upon it and its thematic direction.

Now, you may recall that I’ve written about the first two singles off the Icelandic trio’s recently released sophomore effort Sports — the album’s title track “Sports,” which retained the synth-driven sound that first captured national and international attention while pairing it with a tight, motorik-like groove reminiscent of Can, Neu! Joy Division and early ’80s Peter Gabriel (in particular, think of Peter Gabriel 3 and Security) along with live instrumentation, which gives the material both an organic feel and a forcefulness — and “Liability,” which while continuing in a similar vein was a bit more slow-burning. Both singles possessed a murky and enigmatic air, they point at the soul-crushing mundanity and drudgery of daily life but just under the surface there’s the broiling frustration and resentment of someone who’s desperate to break free — and not sure how to do so without some recrimination.

Last year, the members of the band were on KEXP and the set included live versions of “Circus Life” and “Now” off their full-length debut Few More Days to Go along with “Sports” and then-unreleased single “Bad Rockets” off the recently released Sports. And while being fairly straightforward renditions of the material, the KEXP set will give you a sense of their intense and live set, a live set that frequently includes Kaktus Einarsson storming, strutting and stomping about the stage, alternating between being menacing and playful and so on. During this set, Kaktus throws his monitor headphones off his head and on to the floor, to headbang and stomp about as Gulli plays a furious and blistering solo. Just from this particular footage, I’m hoping that the Icelandic act will play a set or two here in NYC.

New Video: Icelandic Post-Punk Trio Fufanu Return with Surreal Sports-Themed Visuals for “Liability”

Over the past couple of months, I’ve written about the Reykjavik, Iceland-based indie rock/post-punk trio Fufanu. And you may recall that the trio, which is currently comprised of founding members Kaktus Einarsson (vocals, guitar), whose father Einar, was a member of The Sugarcaubes and Guðlaugur “Gulli” Einarsson (guitar, programming) (no relation, by the way) along with Erling Bang (drums) can trace their origins to when the band’s founding members met while at school. According to the band’s founding duo, Katkus had glanced at Gulli’s iTunes and noticed that they had listened to a lot of the same techno and electronic music. Quickly bonding over mutual interests, the duo went into a studio and began writing and recording electronic music under the name Captain Fufanu. And within a month of their friendship and the project’s life, they had began to play shows in and around Reykjavik.

In a strange twist of fate, the studio where Kaktus Einarsson and Gulli Einarsson had recorded their full-length Captain Fufanu album was burgled. And as a result, the album they recorded was presumed lost. Instead of trying to call the material they initially wrote from memory, Kaktus Einarsson and Gulli Einarsson decided that the moment was a perfect time for them to completely reinvent their sound. Interestingly, at the time, Kaktus was in London working on Damon Albarn’s Everyday Robots and touring with Bobby Womack when he began writing lyrics. Simultaneously Gulli had started to create a revised sound, which managed to convey what Kaktus had been thinking at the time. The duo then added guitars and drums, along with Kaktus’ brooding and detached vocals — and with their revised sound, renamed themselves Fufanu.

Their first live set with their new sound and aesthetic was at Iceland Airwaves and they quickly became one of the most talked about bands of the entire festival. Building upon the buzz they had received, they went into the studio their full-length debut A Few More Days To Go. And with the release of their debut, the duo received a rapidly growing national and international profile as they toured with a number of internationally renowned acts including The Vaccines and have played at JaJaJa Festival. With their recently released sophomore effort Sports, Kaktus and Gulli recruited Erling “Elli” Bang (drums) to further flesh out their sound as they expanded upon it and its thematic direction.

Now you might remember that I wrote about Sports’ first single, album title track “Sports,” a single that retained the synth-driven sound that first captured national and international attention while pairing it with a tight, motorik-like groove reminiscent of Can, Neu! and Joy Division while nodding at Security-era Peter Gabriel. “Liability,” Sports‘ second single continues in a similar vein as the trio pair angular busts of guitar with shimmering synths that twist and turn through the mix, a sinuous bass line and a mid-tempo groove that nods at the techno that the project once was. However, much like “Sports” the single possesses a dark, enigmatic air while pointing out the mundanity, drudgery and banality of daily life; but just under the surface there’s a broiling frustration and resentment of someone wanting to break free and yet not knowing how to do so.

Co-directed by the members of Fufanu and Gabriel B. Bachmann, the recently released music video for “Liability” continues the sporting leitmotif the band introduced with the “Sports” video; however, the actual sports are reduced to a seemingly surrealistic abstraction in which the members of the band are competing against themselves.