Tag: Icons Creating Evil Art

2020 was a big year for the acclaimed Malmö-born, Los Angeles-based singer/songwriter, multi-instrumentalist and producer David Alexander, the creative mastermind being the critically applauded dream pop recording project and JOVM mainstay act Summer Heart: Alexander signed to renowned Swedish record label Icons Creating Evil Art, who released his critically applauded EP Ambitions.

Continuing upon the momentum of last year, Alexander released his latest single “Oceans” late last month. Centered around a sumptuous bass line, the JOVM mainstay’s plaintive vocals, skittering, blown out beats and twinkling synth arpeggios, “Oceans” finds its narrator running to beach for sea air and quiet as a salve from the heartache and confusion of a relationship, the fervent rush of city life. The track essentially invites its listener to slow down and chill out a bit — sometimes it’s necessary after all.

The track follows on from the wide success of his 2020 EP, ‘Ambitions’ which harboured the support of Noisey, FADERThe Line of Best Fit and The Guardian.

New Video: JOVM Mainstay Summer Heart Releases a Gorgeous, Animated Visual for Shimmering “Black Jeans”

I’ve managed to spill quite a bit of ink over the course of the past decade, covering the Malmö-born, Los Angeles-based singer/songwriter, multi-instrumentalist, electronic music producer and electronic music artist David Alexander, best known to the world, as the creative mastermind behind the critically applauded, internationally acclaimed recoding project Summer Heart.

Alexander began 2020 signing to renowned Swedish label Icons Creating Evil Art, who released his latest effort, Ambitions EP last month. And much like his previously released work, Ambitions draws from the JOVM mainstay’s daily life — with the material conceptually revealing the story of the man behind the breezy and infectious synth pop tunes. Written during a recent trip to California and Malmö, the EP touches thematically touch upon tales about his love-life and allowing himself to let go and experience life as it happens.

“Before going on tour I always make sure to wrap up all the work I have postponed or ignored so I can come back to a blank slate,” the acclaimed Swedish JOVM mainstay says of the forthcoming EP. “But since my tour got cancelled it was the first time in my adult life I actually didn’t have anything to do. It was very freeing and I could sit down and think about what I wanted to create and what I had struggled with in the past. I realised I’ve just wanted too much and never really been able to slow down and see things from a different perspective. The EP itself is about having high ambitions and wanting to do so many things at the same time but not always knowing where to put your focus.”

“One recurring theme in the lyrics is that it is difficult to live in the present,” Alexander adds. “How would it be if you did everything differently? It is the thought of that the grass is greener on the other side, though you know it is not. You just remember the nice things, even though something might have been crap. Like traveling or going to a festival for example. When you are in it, it is neither how you imagined it before, when you where looking forward to it, nor how you remember it afterwards when you remember it as wonderful. It is very much what the texts are about, that you dream away, it is about relationships and life in general. It’s something I’m trying to practice – living in the present, but it’s hard, unfortunately.”

Earlier this year, I wrote about Ambitions single “Good Together,” a swooning pop confection centered round a breezy and atmospheric poduction featuring shimmering synths, strummed acoustic guitar, stuttering beats, a propulsive bass line and the Malmö-born, Los Angeles-born artist’s unerring knack for an infectious hook paired with his plaintive vocals. EP single “Black Jeans” is centered around shimmering and synth arpeggios, skittering trap beats and a sinuous hook. Sonically, the track strikes me as a slick yet earnest synthesis of 80s Quiet Storm pop and brooding atmospherics, making it one of the JOVM mainstay’s more cinematic tracks of his catalog. Much like its immediate predecessor, the track finds its narrator reliving a relationship that has left him with lingering ghosts and regrets with the sort of nostalgia that takes him away from the present he should be paying attention to right this moment.

Directed and animated by James Edwards, the recently released video follows a white-clad, motorcycle riding Alexander, cruising through town. Eventually winding up in a romantic little bar by himself, the animated Alexander has thoughts on one thing — the beautiful women, who got away.

“’Black Jeans’ is episode two in the animated series about Summer Heart. It takes place in Summer Heart’s hometown Los Angeles,” James Edwards explains. “Still in his white suit and on his red motorbike he continues helping people conquer their negative thoughts. At the same time the protagonist struggles on a personal level as he is falling back into bad habits and bad relationships.”

Initially making a name for herself with her critically applauded recording project Völuspa, the Bay Area-raised, Brooklyn-based singer/songwriter and multi-instrumentalist Kristen Knick is stepping out and away from her alter ego to release material under her known name. But there’s one thing that remains consistent: Knick employs a colorful sound palette to bring her lyrical themes of lucid dreams, forgotten nightmares, past mistakes and future possibilities to vivid life.

Some of Knick’s earliest influences include Kate Bush, Brian Eno, Neil Young and Stevie Nicks — but after discovering punk rock through her high school sweetheart, the Bay Area raised, Brooklyn-based artist found herself inflated with life; experiencing good music, love, drink and drugs. After several years, countless lovers, jobs and travels that resulted in a breakdown, Knick found herself in New York. Realizing that alcohol and drugs had been a detriment to her creativity, she got sober, and started writing and putting her experiences and emotions into very personal songs.

Knick’s latest album Close Your Eyes is slated for a release this fall through Swedish tastemaker label Icons Creating Evil Art, and the album’s latest single “Life’s a Placebo” is centered around a hazy, sepia-toned nostalgic production — tinny stuttering beats, woozy and shimmering ambient synths paired with Knick’s warmly inviting vocals. While evoking some long ago summer of carousel rides and unconcerned, childhood day dreaming, the song explores loos in its entirely, as the Brooklyn-based artist explains. “The song is sort of an epiphany, that life is a placebo,” Knick says. “Life is as we see it. I could choose to grieve over this loss and wallow in self-pity, or I could move on and make shit happen.” 

“The recording process was with Eric Hoegemeyer and his chihuahua, Hoover, in his Astoria Queens apartment,” the Bay Area raised, Brooklyn-based artist adds. “I wrote the song when I first got sober in 2014 and when I brought it to him last year, he added some sweet synth tones and effects that gave it more dynamic than the bratty punk version I had recorded on my phone.”

Over the course of this site’s ten-plus year history, I’ve managed to spill quite a bit of virtual ink covering the internationally acclaimed, Malmö-born and-based singer/songwriter, multi-instrumentalist, electronic music producer and electronic music artist David Alexander, best known for his solo recording project Summer Heart.

Last year, Alexander released a batch of new material in a new-single-of-the-month series 12 Songs of Summer. According to Alexander, the series allowed him to “show people what I am currently working on instead of what I was doing two years ago, which can be the case if you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

Alexander began 2020 signing to renowned Swedish label Icons Creating Evil Art, who will be releasing his forthcoming Ambitions EP on November 6, 2020. Interestingly, much like his previously released work Ambitions draws from the JOVM mainstay’s daily life — with the material revealing the story of the man behind the breezy and infectious synth pop songs. Written between a recent trip to California and Malmö, the new EP’s material touches upon a blend of tales about his love-life and allowing himself to let go and experience life as it happens. “Before going on tour I always make sure to wrap up all the work I have postponed or ignored so I can come back to a blank slate,” the acclaimed Swedish JOVM mainstay says of the forthcoming EP. “But since my tour got cancelled it was the first time in my adult life I actually didn’t have anything to do. It was very freeing and I could sit down and think about what I wanted to create and what I had struggled with in the past. I realised I’ve just wanted too much and never really been able to slow down and see things from a different perspective. The EP itself is about having high ambitions and wanting to do so many things at the same time but not always knowing where to put your focus.”

“Good Together,” Ambitions EP‘s latest single is a swooning pop confection featuring Alexander’s plaintive vocals and earnest songwriting paired with a breezy and atmospheric production centered around shimmering synths, strummed acoustic guitar, stuttering beats, a propulsive bass line and the acclaimed Swedish JOVM mainstay’s unerring knack for writing an infectious hook. And at its core is a achingly nostalgic love song in which its narrator making a plea to a former lover, with the hope that this time they can get it right.