Tag: industrial

New Audio: JOVM Mainstay LutchamaK Releases an Industrial Influenced Banger

Throughout the course of this year, I’ve spilled quite a bit of ink covering French electronic music artist, producer and JOVM mainstay LutchamaK. LutchamaK grew up as a voracious music listener and fan with eclectic and wide-ranging tastes that include hip-hop, rock. techno and countless others. As a solo artist, LutchamaK’s work is deeply influenced by and generally draws from techno — but while reflecting his lifelong devotion to eclecticism: his work generally possesses elements of techno, deep house and EDM among other electronic music genres and subgenres.

The French JOVM electric music artist, producer and JOVM has managed to remain remarkably prolific, releasing new material through an increasing number of EPs, standalone singles and a couple of albums, which include his latest album, the recently released Moments. So earlier, I wrote about the album’s opening track “Moment,” and as it turns out the JOVM has released several singles off the album simultaneously, including “Their Future.” Featuring aggressive synth arpeggios, twinkling blasts of keys, tweeter and woofer rocking beats and vocoder’d vocals, “Their Future” continues a run of sleek club banging material — but unlike its immediate predecessors, it has a retro-futuristic and industrial air.

Kite · Teenage Bliss

Kite is a rising Swedish duo — Nicklas Stenemo (vocals) and Christian Berg (keys) — that has developed and honed a unique take on pop, centered around tight, focuses songs in which they mesh adventurous and ambitious songwriting with propulsive and throbbing beats, enormous hooks and an early 90s pop aesthetic.
The Swedish duo’s latest single, the Benjamin John Power-produced “Teenage Bliss” is an intimate and swooning song within an arena rock banger featuring tweeter and woofer, industrial-like beats, shimmering synth arpeggios and a rousingly anthemic hook. Sonically, the song might draw comparisons to New Order and Elastica as it possesses a similar sort of bombast. But at its core, the song will conjure up images of sweaty and booze soaked club shows and nightclubs with your friends and the urgent swooning of first love — with the foolish passions and naivety of youth.
“When we started Kite, the band Fuck Buttons were a big source of inspiration to us,” the Swedish duo says. “Since then, we have been following Benjamin John Powers’ brilliant music as Blanck Mass. We are now extremely excited to announce that we were workin bon the production of two new Kite tracks with him”

 

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New Video: Oakland’s Houses of Heaven Releases a Shadowy and Symbolic Visual for “Dissolve The Floor”

With the release of their debut EP Remnant, the Oakland-based electronic act, Houses of Heaven — Kevin Tecon, Adam Beck and Nick Ott — quickly established their sound, a sound centered around layers of synths, guitar, electronic percussion and drums, the act meshes early industrial and techno rhythms with shoegaze melodicism and dub-influenced effects.

The Bay Area-based trio’s highly-anticiated Matia Simovich-produced, full-debut Silence Places was released digitally earlier this month through Felte Records and will see a vinyl release on Friday.  The album’s material was written against a harsh contemporary backdrop: Northern California’s wildfires, expanding tent cities through Los Angeles, rampant greed and gentrification in San Francisco, rapidly changing the city’s character and soul with empty, luxury high-rises. Thematically, the album touches upon and explores the intimate experiences that transpire within the chaotic and uncertain confines of everyday, modern life. 

“Dissolve The Floor,” Silent Places first single may arguably be the album’s most dance floor friendly song. Centered around a pulsing synth arpeggios, industrial clang and clatter, muscular techno beats, woozy tape delay, an enormous hook and  emotionally detached vocals, “Dissolve The Floor” recalls early Depeche Mode, Factory Floor and others — but with a shadowy sense of menace and unease.

Directed by Cloaking, the recently released video is an appropriate shadowy visual that features the members of the band playing in front of projected geometric shapes and strobe light to create an eerie and surreal effect of the band being separated and pieced back together again. “The visible economic and social disparities in San Francisco create the illusion of parallel worlds, which gives living in the city a painfully surreal quality,” the band’s Kevin Tecon says in press notes. “‘Dissolve the Floor’ depicts a moment in two people’s lives when the false veil of separation is lifted and their worlds suddenly become one. By combining projected and three-dimensional images, the video takes the idea of parallel existence into abstract territory inspired by classic sci-fi and horror films.”

New Audio: Brooklyn’s Wetware Releases a Stark and Menacing New Single

Formed back in 2015, the Brooklyn-based industrial electronica outfit Wetware– Roxy Farman and Matt Morandi — quickly developed a reputation for odd and unpredictable live shows, which they further established with the release of their full-length debut, 2018’s Automatic Drawing. Slated for a June 26, 2020 release through Dais Records, the Brooklyn-based duo’s forthcoming sophomore album, the 11 track Flail reportedly captures disorientating confusion with a concentrated, nosier sound that pushes and pulls against electronic textures paired with frenetically delivered vocals. The end result is material that’s wild and unhinged sonic collage-like dirges.  

“Shiny Face,” Flail’s latest single is a sparse yet menacing track centered around droning synths, relentless clang and clatter and shouted vocals. And while drawing heavily from both industrial electronica and No Wave, the track manages to evoke the anxious unease and paranoia of our contemporary moment, a moment in which there’s no solutions, no answers and no ideas in the face of our near annihilation. 

New Video: Watch Detroit’s ADULT. Smash a Room in Frustration in New Visual for Tense and Claustrophobic “Total Total Damage”

Detroit-based multimedia and electronic music production and artist duo ADULT. — the husband and wife team of Adam Lee Miller and Nicola Kuperus — have developed a sprawling catalog of material that obscures and blurs defined genres and styles, while drawing from industrial electronic, house music, punk rock and visual art with releases through Mute Records, Ghostly International, Thrill Jockey, Third Man Records and a list of other labels throughout their two plus decades together. 

Slated for an April 10, 2020 release through Dais Records, the acclaimed Detroit-based electronic duo’s forthcoming album Perception is/as/of Deception was conceived, written and recorded in a temporary black hole they created: the duo painted their windowless basement entirely black, with the sole intention of sensory deprivation so that they could question their perceptions and witness the resulting ramifications. And as result, the album’s material may be the most introspective and punk-leaning they’ve written to date: the frustration and apprehension that has long been at the center of their work are heightened — but interestingly enough, the material was written with a much more head-on approach, making it forceful and strident.

Last month, I wrote about Perception is/as/of Deception‘s second single, the club banging “Have I Stated at the End.” Centered around a classic electronic body music production featuring industrial clang and clatter, tweeter and woofer rocking beats, shimmering synth arpeggios, an enormous hook and a repetitive mantra that questions the fragility and temporality of life “Total Total Damage,” the album’s third and latest single is a tense and claustrophobia-inducing track centered around industrial clang and clatter, layers of synth arpeggios and Kuperus’ howled vocals. Thematically, the song is a dystopian anthem that focuses on the slow and painful collapse of our society and systems and the growing uncertainty and uneasiness we all feel but while expressing the desperate cabin fever. 

While in social isolation, the members of ADULT. decided to build a room-like set indie their house for the Miller and Kuperus-filmed and edited visual for “Total Total Damage,” which features the duo losing their minds and destroying their room with a sledgehammer.  “We’re hoping that the video speaks to a lot of people, because everyone’s feeling cabin fever and wanting to get out, get back to ‘normal’ life,” the Detroit-based duo say in press notes. 

New Audio: Acclaimed Detroit Duo Adult. Releases an Anxious and Uneasy Club Banger

Over the course of their 23 year history together, Detroit-based multimedia and electronic music production and artist duo ADULT. — the husband and wife team of Adam Lee Miller and Nicola Kuperus — have developed a sprawling catalog of material that obscures and blurs defined genres and styles, while drawing from industrial electronic, house music, punk rock and visual art with releases through Mute Records, Ghostly International, Thrill Jockey, Third Man Records and a list of other labels. 

Slated for an April 10, 2020 release through Dais Records, the acclaimed Detroit-based electronic duo’s forthcoming album Perception is/as/of Deception was conceived, written and recorded in a temporary black hole they created: the duo painted their windowless basement entirely black, with the sole intention of sensory deprivation so that they could question their perceptions and witness the resulting ramifications. And as result, the album’s material may be the most introspective and punk-leaning they’ve written to date: the frustration and apprehension that has long been at the center of their work are heightened — but interestingly enough, the material was written with a much more head-on approach, making it forceful and strident. 

“Have I Started at the End,” Perception is/as/of Deception’s second and latest single is a club banger, centered around a classic electronic body music production featuring industrial clang and clatter, tweeter and woofer rocking beats, layers of shimmering synth arpeggios, an enormous hook and a repetitive mantra that questions the fragility and temporality  of life while expressing frustration and unease. Unsurprisingly, the song evokes the unease and uncertainty of our time. 

New Video: Kill Your Boyfriend’s Horror Movie-Inspired Visuals for “Elizabeth”

Since their formation back in 2011, the Venice, Italy-based industrial psych act Kill Your Boyfriend, comprised of Matteo Scarpa (vocals, guitar) and Antonio Angeli (drums), have developed a cold and sinister sound that manages to be simultaneously atmospheric and pummeling. Or as the Italian duo described in an interview, their sound is “a killer that came in the night, violent and cold.”

Over the past few years, the Venice-based industrial psych act has released a handful of singles and an album, which allowed them to tour across the European Union with the likes of Zola Jesus, The KVB, Civil Civic and Zu among others. Adding to a growing profile, the members of Kill Your Boyfriend have shared a stage with JOVM mainstays Preoccupations and they played Manchester‘s The Psych Rising Festival alongside Gnod and The Telescopes.

Officially released today through Depths Records, the duo’s latest single “Elizabeth” is a chilly track that finds them further honing their sound as it features elements of Ministry and Nine Inch Nails-like industrial rock, A Place to Bury Strangers and Sisters of Mercy-like noisey shoegaze centered around a motorik groove, Angeli’s mathematically precise four-on-the-floor drumming and Scarpa’s desperate and anguish-filled howls. 

Hot on the heels of the single’s release, the recently released classic Italian horror movie-inspired, Blau!-directed video follows a woman whose obsession with her lover gradually leads her to a world of madness and feverish hallucinations, which feature the members of Kill Your Boyfriend menacing her. The woman’s obsession and hallucinations eventually creates an ironic and horrifyingly tragic ending — of which she can never escape. 

Since their formation back in 2011, the Venice, Italy-based industrial psych act Kill Your Boyfriend, comprised of Matteo Scarpa (vocals, guitar) and Antonio Angeli (drums), have developed a cold and sinister sound that manages to be simultaneously atmospheric and pummeling. Or as the Italian duo described in an interview, their sound is “a killer that came in the night, violent and cold.”

Over the past few years, the Venice-based industrial psych act has released a handful of singles and an album, which allowed them to tour across the European Union with the likes of Zola Jesus, The KVB, Civil Civic and Zu among others. Adding to a growing profile, the members of Kill Your Boyfriend have shared a stage with JOVM mainstays Preoccupations and they played Manchester‘s The Psych Rising Festival alongside Gnod and The Telescopes.

Officially released today through Depths Records, the duo’s latest single “Elizabeth” is a chilly track that finds them further honing their sound as it features elements of Ministry and Nine Inch Nails-like industrial rock,A Place to Bury Strangers and Sisters of Mercy-like noisey shoegaze centered around a motorik groove, Angeli’s mathematically precise four-on-the-floor drumming and Scarpa’s desperate and anguish-filled howls. The B side is a remix by Preoccupations’ Daniel Christiansen, retains Scarpa’s vocals and Angeli’s four-on-the-floor drumming but while adding a muscular. industrial clang and clatter to the proceedings.