Tag: James Chatburn The Hurt

New Video: JOVM Mainstay James Chatburn Shares a Woozy, Classic Soul-Inspired Jam

James Chatburn is a rising, Sydney-born, Berlin-based singer/songwriter and producer. Since relocating to the German capital back in 2015, Chatburn has carved out a reputation for being a highly in-demand singer/songwriter and producer, who has collaborated with acclaimed Aussie hip-hop outfit Hilltop Hoods‘ certified Gold single “Higher,”  rum.goldJordan RakeiNoah SleeSedric Perry, and a growing list of others. As a solo artist, the Sydney-born, Berlin-based JOVM mainstay has developed and honed a sound that meshes elements of soul, blues, electro pop, neo-soul and psych pop with the release of his full-length debut, 2020’s David Tobias co-produced Faible

During the lead-up to Fabile‘s release, I managed to write about three of the album’s singles: 

  • In My House,” a warm and vibey, two-step inducing bit of soul, centered around introspective, earnest songwriting, reverb-drenched guitars and thumping beats.
  • Jewellery and Gold,” one of the album’s more tongue-in-cheek tracks, featuring a narrator looking forward to a future, where he’s flush with cash, and as a result, any of the major issues of his life being settled with that newfound cash — because dollar dollar bill y’all. 
  • The Hurt,” a ballad that saw the Aussie-born, German-based JOVM mainstay express longing and heartache in a way that reminded me quite a bit of Nick Hakim.

Chatburn’s highly-anticipated sophomore album Late Night Howling officially dropped today. And if you’ve been following this site over the past month, you might recall that I wrote about “Do You Wanna Live Like That,” feat. Noah Slee, an expansive and mind-bending take on neo-soul and pop centered around a unique and woozily dynamic song structure that rapidly shifts in tone, time signature and instrumentation: The song’s introduction begins with twinkling pianos in a Latin jazz like tempo before quickly shifting to tweeter and woofer rattling trap beats and then shifting again to a vibey 70s neo-soul-inspired coda. 

Lyrically, the song is intimate and introspective, with its narrator vacillating between self-doubt, analysis, progression and gratefulness. “‘Do You Wanna Live Like That’ is a track I created which ended up kind of being a few different tracks in one, inspired by people like Tyler, The Creator with just these sudden drops and Sault with this vibe – simple not perfect, but just perfectly imperfect,” James Chatburn explains. “Noah Slee and I have been friends basically since we both moved to Berlin, it just took 7 years but we finally got around to releasing a track together.” 

Late Night Howling‘s latest single “Some Kind of Fool” sonically is indebted to Quiet Storm-meets-classic, late 60s-mid 70s psych soul as it’s centered around an arrangement of shimmering Rhodes, supple and sinuous bass lines, some metronomic time keeping, squiggling bursts of funk guitar and a soaring string arrangement serving as an ethereal and brooding bed for Chatburn, who fittingly adopts a yearning and heartbroken falsetto for most of the song. Although the song’s narrator is heartbroken and deceived, they have taken some degree of power back by clearly calling out someone, who has manipulated and exploited them.

“This song is about noticing being taken advantage of by other people and manipulated, but taking power over that situation by noticing it and calling out the behaviour,” Chatburn explains. “When producing and performing this song I wanted to land somewhere between Cleo Sol, Shuggie Otis, and Curtis Mayfield, I was like fuck it, I love it, I am going to make one of these songs.”

Directed by Dhanesh Jayaselan and featuring set design by Shari Annabel Marks, the accompanying video for “Some Kind of Fool” is an ethereal, fever dream that features an entirely black-clad Chatburn with his entirely white-clad backing band performing the song in a mistily lit, loft space. Local dancers — Nino Benito Marks, Kandi Alum and Lara Scheiber — perform some free, floating movements to the song’s slow-burning groove, and it gives the entire affair a woozy and floating feel.

New Video: James Chatburn and Noah Slee Team Up with Local Musicians in Intimate Visual for Woozy “Do You Wanna Live Like That”

James Chatburn is a rising, Sydney-born, Berlin-based singer/songwriter and producer. Since relocating to the German capital back in 2015, Chatburn has carved out a reputation for being a highly in-demand singer/songwriter and producer, who has collaborated with acclaimed Aussie hip-hop outfit Hilltop Hoods‘ certified Gold single “Higher,”  rum.goldJordan RakeiNoah SleeSedric Perry, and a growing list of others. As a solo artist, the Sydney-born, Berlin-based JOVM mainstay has developed and honed a sound that meshes elements of soul, blues, electro pop, neo-soul and psych pop with the release of his full-length debut, 2020’s David Tobias co-produced Faible

During the lead-up to Fabile‘s release, I managed to write about three of the album’s singles: 

  • In My House,” a warm and vibey, two-step inducing bit of soul, centered around introspective, earnest songwriting, reverb-drenched guitars and thumping beats.
  • Jewellery and Gold,” one of the album’s more tongue-in-cheek tracks, featuring a narrator looking forward to a future, where he’s flush with cash, and as a result, any of the major issues of his life being settled with that newfound cash — because dollar dollar bill y’all. 
  • The Hurt,” a ballad that saw the Aussie-born, German-based JOVM mainstay express longing and heartache in a way that reminded me quite a bit of Nick Hakim.

Chatburn’s highly-anticipated sophomore album Late Night Howling is forthcoming. The album’s latest single “Do You Wanna Live Like That,” feat. Noah Slee is an expansive and mind-bending take on neo-soul and pop centered around a unique and woozily dynamic song structure that rapidly shifts in tone, time signature and instrumentation: The song’s introduction begins with twinkling pianos in a Latin jazz like tempo before quickly shifting to tweeter and woofer rattling trap beats and then shifting again to a vibey 70s neo-soul-inspired coda. 

Lyrically, the song is intimate and introspective, with its narrator vacillating between self-doubt, analysis, progression and gratefulness. “‘Do You Wanna Live Like That’ is a track I created which ended up kind of being a few different tracks in one, inspired by people like Tyler, The Creator with just these sudden drops and Sault with this vibe – simple not perfect, but just perfectly imperfect,” James Chatburn explains. “Noah Slee and I have been friends basically since we both moved to Berlin, it just took 7 years but we finally got around to releasing a track together.” 

Directed by Dhanesh Jayaselan, the accompanying video is a live performance-styled video shot at Callie’s in Berlin and features Chatburn and Slee with a backing band featuring Berlin-based musicians Tim Granbacka (keys, vocals), Johnny Kulo (guitar, vocals), Adam Sait (bass) and Richard Young (drums). The live footage is intimate and stylish but ends with Chatburn walking over to contemplatively strum an acoustic guitar.

James Chatburn is a rising, Sydney-born, Berlin-based singer/songwriter and producer. Since relocating to the German capital back in 2015, Chatburn has carved out a reputation for being a highly in-demand singer/songwriter and producer, who has collaborated with acclaimed Aussie hip-hop outfit Hilltop Hoods‘ certified Gold single “Higher,” rum.gold, Jordan Rakei, Noah Slee, Sedric Perry, and a growing list of others. As a solo artist, the Sydney-born, Berlin-based JOVM mainstay has developed and honed a sound that meshes elements of soul, blues, electro pop, neo-soul and psych pop with the release of his full-length debut, 2020’s David Tobias co-produced Faible.

During the lead-up to Fabile‘s release, I managed to write about three of the album’s singles:

  • In My House,” a warm and vibey, two-step inducing bit of soul, centered around introspective, earnest songwriting, reverb-drenched guitars and thumping beats.
  • Jewellery and Gold,” one of the album’s more tongue-in-cheek tracks, featuring a narrator looking forward to a future, where he’s flush with cash, and as a result, any of the major issues of his life being settled with that newfound cash — because dollar dollar bill y’all. 
  • The Hurt,” a ballad that saw the Aussie-born, German-based JOVM mainstay express longing and heartache in a way that reminded me quite a bit of Nick Hakim.

Chatburn’s highly-anticipated sophomore album Late Night Howling is forthcoming. The album’s latest single “Do You Wanna Live Like That,” feat. Noah Slee is an expansive and mind-bending take on neo-soul and pop centered around a unique and woozily dynamic song structure that rapidly shifts in tone, time signature and instrumentation: The song’s introduction begins with twinkling pianos in a Latin jazz like tempo before quickly shifting to tweeter and woofer rattling trap beats and then shifting again to a vibey 70s neo-soul-inspired coda.

Lyrically, the song is intimate and introspective, with its narrator vacillating between self-doubt, analysis, progression and gratefulness. “‘Do You Wanna Live Like That’ is a track I created which ended up kind of being a few different tracks in one, inspired by people like Tyler, The Creator with just these sudden drops and Sault with this vibe – simple not perfect, but just perfectly imperfect,” James Chatburn explains. “Noah Slee and I have been friends basically since we both moved to Berlin, it just took 7 years but we finally got around to releasing a track together.” 

Live Footage: JOVM Mainstay James Chatburn Performs “The Hurt” in Leipzig

With the release of his first two EPs and a string of critically applauded, commercially successful collaborations =- including Aussie hip-hop act Hilltop Hoods‘ certified Gold single “Higher,” Brookyln’s rum.gold, the Sydney-born, Berlin-based singer/songwriter, producer and JOVM mainstay James Chatburn has quickly established himself as an in-demand songwriter and producer and as one of indie soul’s rising talents, developing and honing a sound that features elements of soul, blues, electro pop and neo-soul.

Chatburn’s split his highly-anticipated David Tobias co-produced full-length debut Faible into two parts — with the first part of the album released last week. Faible finds the rising Sydney-born, Berlin-based artist further cementing the warm, soulful sound that has won him international attention — but while pushing his sound towards a subtly psychedelic direction, influenced by Unknown Mortal Orchestra, D’Angelo, Donny Hathaway, and Shuggie Otis among others.

Failble’s material finds Chatburn exploring his own vulnerability. “For long as I can remember, before people spoke so openly about it, I had these issues with anxiety,” the Sydney-born, Berlin-based singer/songwriter, producer and JOVM explains in press notes. “I kind of wanted to explore these ‘weaknesses’ that we all susceptible to. I mean, the way I am wired led me to be quite insular and creative especially when I was in my teens. I I now see how much of a strength it can be, it opened up my empathy and creativity and I think we all have these things we gotta talk through, if we talk about it we can band together and be stronger for it.”

Chatburn continues “David Tobias and I produced this album in his house. He is like this mad collector of vintage gear and his this incredible scope of music throughout the decades. I had this vision of soul meeting hip hop and modern psychedelic music I have been listening to. I could not have made it sound old but new without this genius dude backing me.”

Earlier this year I wrote about two of Faible’s singles:

“In My House,” a warm and vibey, two-step inducing bit of soul, centered around introspective, earnest songwriting, reverb-drenched guitars and thumping beats.
“Jewellery and Gold,” one of the album’s more tongue-in-cheek tracks, featuring a narrator looking forward to a future, where he’s flush with cash, and as a result, any of the major issues of his life being settled with that newfound cash — because dollar dollar bill y’all.

Recently, Chatburn performed an atmospheric version of the album’s third single “The Hurt,” which found him accompanying his achingly tender vocals with shimmering, gently picked guitar. At its core the song expresses longing and heartache in a way that reminds me quite a bit of fellow JOVM mainstay Nick Hakim.