Tag: Jersey City NJ

Founded by some of the originators of CMJ and its long-running CMJ Marathon, Mondo.NYC is a music, technology and innovation-based festival that within its first couple years has quietly taken the place of both the CMJ Marathon and New Music Seminar’s New Music Nights Festival. Now, as you may recall, the third edition of Mondo.NYC took place last week and it found the global, emerging music, technology and innovation conference moving a few miles east across the East River to Williamsburg, Brooklyn with  The Williamsburg Hotel,Rough Trade and Brooklyn Bowl hosting daytime conference-related events hosted by  The Recording Industry Association of America (RIAA), Guild of Music Supervisors,Record Store Day, and others meant to connect fans, artists, music industry professionals, business pioneers and leading names in tech and music to network, trade ideas and learn in a rapidly changing industry landscape. Additionally, the panels, talks and other events were meant to inspire young people to take control of their careers — whether they were heading towards a technological-based career, behind the scenes in A&R, marketing, promotion, management and publicity or up in front as an artist.

Live music showcases took place across a handful of venues in the New York metropolitan area, including the aforementioned Brooklyn Bowl, Piano’s, Berlin, Arlene’s Grocery,  Coney Island Baby, The Delancey, DROM, Hank’s Saloon, Niagara, N.O.R.D. and Jersey City’s White Eagle Hall that featured artists from the US, Switzerland, Sweden, Hungary, Canada, France and elsewhere performing music across a wide array of genres and styles.

One of the artists who played during the music festival portion was the Swedish adult contemporary pop artist ELINDA, the collaborative music project of the Ekerö, Sweden-born, Stockholm, Sweden-based singer/songwriter and dancer Linda Östergren Frithiof and her husband, multi-instrumentalist and producer Mikael Frihiof. Linda Östergren Frithiof can trace the origins of her performing career as a trained dancer, studying at  the Lasse Kühler Dansskola School and the Ballet Academy, one of Scandinavia’s leading dance schools. While training as a dancer, it was discovered that Östergren Frithiof had a commanding voice and once she graduated dance school, she began performing at nightclubs, cabarets, vacation resorts, cruise ships and corporate events before landing gigs as a backup singer for a number of major Scandinavian artists including Magnus Uggla, Markoolio and E-Type, Shirley Clamp, Martin Stenmarck and Charlotte Perrelli, as well as Lutricia McNeal. She’s also sang vocal demos for Celine Dion, and collaborated with the likes of Leif Larsson and Anders Borgius for Swedish artists like Björn Skifs and David Hasselhoff. (Yes, David Hasselhoff.)

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Adding to a rather diverse and eclectic career path, Östergren Frithiof has played Sally Bowles in the Stockholm-based production of Cabaret and Joanne in the Stockholm-based production of RENT before joining The Original Band — The Abba Tribute, which features a number of musicians who have played with ABBA either on their records or tours. Additionally, Östergren Frithiof, was involved in the casting, choreography and scripting for the show, which has toured across Sweden and has performed in China several times, including a televised audience of more than 100 million viewers for the Chinese New Year broadcast.

Östergren Frithof, has been building up a profile as a solo artist largely inspired by the sounds, vocal styles and stage shows of Celine Dion, Whitney Houston, Chaka Khan, Prince, Justin Timberlake,Beyonce, Alicia Keys, Ariana Grande and Bruno Mars. With her husband and collaborator Mikael, they formed a label Breaking Records and began writing and recording original material that draws from her own life, centered around her struggles and victories as an artist and mother of five. Interestingly, her MONDO.NYC set at Piano’s was her Stateside debut and I spoke to the up-and-coming Swedish adult contemporary pop artist and her husband at P.J. Clarke’s Lincoln Center location about her career to date, the MONDO.NYC Festival, her dance floor friendly, feminist anthem “Superwoman” and a lot more. Check it out.

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Blood Blush is a rather mysterious New York-based post-punk act, and their latest single, the shimmering and moody “Demon Clout” as the band told me through email is “one on the lines of post-punk and goth but I think we are trying to blur some lines and call it ‘dreamgoth’ or something along those lines.” Interestingly enough, to my ears, Blood Blush’s latest single reminds me a bit of Chain of Flowers, Sisters of Mercy, Siouxsie and the Banshees and others.

The New York-based act will be touring throughout the summer and it includes two local dates — July 10, 2018 at Jersey City’s Pet Shop and July 13, 2018 at Bushwick Public House. Check out the rest of the tour dates below.

Tour Dates
J U L Y
07.10.18 JERSEY CITY, NJ at Pet Shop with Diap, Gherdty and Sailor Boyfriend.
07.13.18 BROOKLYN, NY at Bushwick Public House with Live Well, Leight Blumer and Keef Clan.
07.25.18 PHILADELPHIA, PA at Philamoca with NITE, The New Division and Korine.
07.26.18 PITTSBURGH, PA at Belvederes (Coven) with Death Instinct.
07.27.18 BALTIMORE, MD at The Baltimore Free Farm with Carl Gene and The Ward.
A U G U S T
08.16.18 KUTZTOWN, PA at Mind Palace with Reaches.
08.17.18 WILKES BARRE, PA at Karl Hall with Draining Youth, The Ordinals and Mr. Softee.
08.18.18 SYRACUSE, NY at The Spit Fam Haus with Siren’s Image and The Shuvits.
08.19.18 ROCHESTER, NY at Rosen Krown with Jan The Actress and Buffalo Sex Change.
08.20.18 SARATOGA SPRINGS, NY at Desperate Annie’s (Super Dark Collective Showcase).
O C T O B E R
10.19.18 COLUMBUS, OH at No Culture (Video Performance – 5pm).
10.19.18 COLUMBUS, OH at Tree Bar with Master Servos and Child of Night.
10.20.18 INDIANAPOLIS, IN at The Spruce Goose with Tombaugh Regio and Den Dwellers.
10.22.18 HAMMTRACK, MI at The New Dodge Lounge with TBA.
10.24.18 MONTREAL, QE at Mademoiselle with Spring Blades and TBA.
10.25.18 SARATOGA SPRINGS, NY at Desperate Annie’s (Super Dark Collective Showcase) with Spell Runner and Bare Mattress.

New Video: JOVM Mainstays Screaming Females Release Surreal and Artistic Visuals for Their Most Restrained Single To Date “Glass House”

Now, if you’ve been frequenting this site over the course of the past few years, you’ve likely come across a number of posts featuring New Brunswick, NJ-based JOVM mainstays Screaming Females, comprised of Marissa Paternoster (guitar, vocals), King Mike (bass) and Jared Dougherty (drums). And as you may recall, the trio cut their teeth playing their hometown’s renowned all-ages basement scene; however, with the release of  2012’s Steve Albini-engineered Ugly, 2014’s forceful live album, Live from the Hideout and 2015’s Matt Bayles-produced Rose Mountain, the Central New Jersey-based band received wider exposure from NPR, Last Call with Carson Daly and MTV.  Adding to a growing profile, the New Jersey-based punk rockers have toured with a number of internationally and nationally known acts including Garbage, Throwing Muses, Dinosaur, Jr., The Dead Weather, Arctic Monkeys, Ted Leo and The Pharmacists, JEFF the Brotherhood, Little Lungs, Cheeky, The Ergs, Shellsshag and others.

Interestingly enough, 2015’s Rose Mountain was a decided change in songwriting and recording approach, with the band writing arguably some of the most concise, melodic and accessible material they’ve released, while retaining the blazing guitar work and muscular insistence of their previously recorded work. Up until relatively recently, some time had passed since they had released new, original material, and while “Black Moon,” continues their ongoing collaboration with Matt Bayles, it also reveals a band that’s restlessly experimenting with their songwriting approach and sound. Unsurprisingly, “Black Moon” finds the band crafting material with a forceful conciseness with razor sharp hooks — but thematically, the song also reveals a band that’s simultaneously meshing larger metaphors of a post apocalyptic earth with the universal experience of a relationship that ends in an embittering and frustrating fashion.

All At Once. the band’s seventh full-length studio album is slated for a February 23, 2018 release through Don Giovanni Records and the band reportedly set out to write an album in the spirit of a salon-style gallery show, where the larger pieces provide an eye-level focal point to a galaxy or smaller works — and as a result of a more expansive thematic reach, the members of the band openly and decidedly focused on experimentation with arrangements and song structure to evoke the energy and spontaneity of their live sets. As the band’s Mike Dougherty explains of their motivation “When you’ve been a band for 12 or 13 years, the resources can dry and you just go back to what feels comfortable. The other option is that you develop stuff that a younger band would not have been able to do.”

The album’s first official single “Glass House” finds the band practicing a sense of restraint in which the band embraces simplicity as Paternoster plays two relatively simple riffs in a 90s grunge rock song structure — quiet verses, loud, rousingly anthemic hook, quiet verse. But along with that, the song features some of Paternoster’s most melodic vocals of their catalog. “A song like ‘Glass House’ is something we knew we were capable of, but it took a while to fully embrace,” Paternoster says in press notes. “It’s something very simple — just bass, drums and twos simple riffs. In the past, I might have insisted on adding more. Practicing self-restraint is something I have consciously been trying to do.”

The recently released video for the song may be among the most surreal and artfully done videos they’ve released to date, as it cuts between the members of the band brooding and pensively sitting in a rather sparse room, Paternoster singing the song in dramatic lighting and a butler, who arranges vases — before smashing them over each band member’s head. 

If you’ve been frequenting JOVM over the past couple of years, you may be familiar with the Jersey City, NJ-based trio Overlake. Comprised of founding members Tom Barrett (vocals, guitar) and Lysa Opfer (vocals, bass) and Nick D’Amore (drums), the trio can trace their origins to when Overlake’s founding duo Barrett and Opfer were in a previous band, and the duo began bonding over a mutual love of shoegaze and 80s and 90s alt rock.  As Opfer recalled in press notes, her and Barrett would often stay late after practices  normally with Opfer on a Rhodes piano and Barrett on drums, jamming and creating songs that were largely influenced by My Bloody ValentinePavement and Sonic Youth. And about a year after those jam sessions, the band started working on the material that would become their debut full-length, Sighs which Killing Horse Records released last year.

Initially, the band started as a duo but they recently recruited local drummer, Nick D’Amore to help flesh out the band’s sound.  Since the release of their debut effort Sighs, the newly constituted trio have worked on a 7 inch, “Travelogue”/”Winter Is Why,” which officially drops today.

The 7 inch’s A side single “Travelogue” is a breezy refinement of the sound that first captured my attention as its comprised of shimmering reverb-y guitar chords, propulsive drumming, ethereal boy-girl harmonies and an anthemic hook that makes the song sound as though it draws influence from the pioneers of shoegaze, RIDE. The trio will be embarking on a tour through November and more extensively through 2016, as they put the finishing touches for their much-anticipated sophomore effort slated for a release late in 2016. Check out tour dates below.

FALL TOUR DATES

11/1 – Brooklyn NY – The Grand Victory w/ Sink Tapes, Superpony
11/2 – Bethlehem PA – The Funhouse
11/3 – Raleigh NC – Slim’s w/ Make Light, Michael Venutolo-Mantovani
11/4 – Athens GA – Flicker Theatre & Bar w/ Sound of Ceres, Spaceflyte
11/5 – Nashville TN – Springwater Supper Club w/ Nightblonde
11/6 – Memphis TN – Murphy’s w/ Jack Alberson, Matthew Trisler
11/7 – Kansas City MO – Record Bar w/ Birth Defects, Wet Ones
11/8 – Lincoln NE – Duffy’s  w/ Powers, Gordon
11/9 – Des Moines IA – Lefty’s w/ Men in Lead Masks & Special Guest
11/11 – Columbus OH – Broken Records & Beehives In-Store
11/11 – Columbus OH – King Avenue 5  w/ Tethers
11/12 – Philadelphia PA – The Fire w/ Teeel
11/13 – Asbury Park NJ – Asbury Park Yacht Club w/ Dead Stars, Seaside Caves