Asheville, NC-based, Grammy Award-nominated production, songwriting and artist duo King Garbage — longtime friends Zach Cooper and Vic Dimotsis — have quiet put their imprint on pop, R&B and hip-hop through their work with The Weeknd, SZA, Ellie Goulding, Gallant, and even Billy Porter.

Cooper and Dimotsis made their debut as King Garbage with 2017’s Make It Sweat, an album that amassed millions of streams while receiving praise from Wonderland Magazine and Paste Magazine, who hailed the effort as a “grin-inducing collection of modern R&B and funk.”

The Asheville-based duo were extremely busy last year: They co-wrote “Sing,” which appeared on Jon Batiste‘s We Are and received eight Grammy Award nods, including Album of the Year. They also co-wrote “Sweeter,” feat. Terrace Martin, which appeared on Leon Bridges‘ Gold-Diggers Sound and received a Grammy nod for Best R&B Album.

In the middle of a prolific and wildly creative whirlwind, the duo turned to King Garbage, finding the perfect time to return. “It’s the right time, because it’s been about five years since the last album,” King Garbage’s Vic Dimotsis says. “We were lucky enough to have successes with Leon and Jon. In entertainment, it doesn’t hurt to have stuff to brag about during press releases,” he laughs. “We were also insanely lucky to have met Mr. Mike Patton and be given a chance to work with Ipecac. We had been drawn to Ipecac since we were young, so it seemed natural to respect the very source that had inspired us in the first place.”

The duo’s highly-anticipated sophomore album Heavy Metal Greasy Love is slated for an April 1, 2022 release through Ipecac Recordings. The album reportedly sees the duo breaking from the “rough and ruddy” vibe of their critically applauded debut and incorporating a rock ‘n’ roll spirit within the soul sphere they’re best known for.

“It’s a taste of retro without being a reproduction,” the duo’s Vic Dimotsis explains in press notes. “Love and life are very sweet, bitter, and heavy. You’re going to need big tires and a dense frame to cross the desert life can give you. The name felt right. The music is crispy, searing, spacious, sandy, and welded with perfect dimes at the seams. If you read anything about history, you can fall in love with its brutality. Nature is the most metal, always at war with itself and never asking ‘Why?’ when change comes. I believe if you live long enough, the crushing weight and terrible beauty begin to hold hands, and an appreciation is reached, or at least an understanding. This was the best way to describe the album as well as what we see in the world. Love, nature, past, present, and future.”

“If just one person would listen and come away with less fear, less rigidity, more human spirit, and a respect for the unknown, it’s worth it,” Dimotsis adds. “Maybe you think, ‘Well, if these bozos are taking chances and making what they want under the name King Garbage, what could I do with my idea or dreams?’”

Heavy Metal Greasy Love‘s third and latest single “Busy On A Saturday Night” is a slow-burning and atmospheric, Quiet Storm inspired soul ballad centered around shimmering, flamenco-like plucked guitar, strutting horns, jazz-like drumming skittering beats and a soulful and breathy falsetto vocal. But the acclaimed duo’s take on soul is a woozy and left field take that features elements of old-school rock, 60s and 70s soul and trap in a production that helps emphasize the narrator’s unfulfilled, aching yearning.

Interestingly, the song is inspired by a magnet that was on Vic’s Dimotsis’ great grandmother’s refrigerator. “It had a sweaty male stripper pictured on it and said, ‘Everything I want is either taken, or busy on a Saturday night,'” Dimotsis laughs. “Blurry as a memory on a slinky night out. A Tom Waits inspired roadster awaits high high heels on a sure fire adventure. Losing articles of clothing to the magnet of the pavement, the band plays on through a duct from another world, and our eyes blur from both lust and disgust. Such motion seems still, as the accelerator and brakes lose meaning. A quiet lonely brunch awakens us from a distant stare.”

The recently released video for “Busy On A Saturday Night” begins with something we’re all too familiar with — a Zoom conference, where its viewers are introduced to a choreographed dance routine, called “The Scorpion Dance” featuring four extremely similar women, who perform in different rooms with different lights. Clearly influenced by our weird and uncertain moment, the video evokes the deep longing for people — and the gatherings with people we couldn’t have during the bulk of the pandemic.