Tag: Kainalu Lotus Gate

Lyric VIdeo: Kainalu Teams up with MUNYA on A Breezy and Funky Bop

Trent Prall is a Southern California-born, Madison,WI--based producer, multi-instrumentalist, singer/songwriter and creative mastermind behind the acclaimed solo recording project and JOVM mainstay act Kainalu

Deriving its name from the Hawaiian word for ocean wave, Prall’s work with Kanialu sees him drawing from psych pop, psych rock, dream pop, Tropicalia, synth pop and funk, and childhood trips to visit his mother’s family in Oahu. The end result is a breezy, funky and nostalgia-inducing sound that Prall has dubbed “Hawaii-fi,” which he further developed and expanded upon with his full-length Kainalu debut, Lotus Gate

Back in 2020, the JOVM mainstay collaborated with fellow JOVM mainstay MUNYA on the breezy and infectious “You Never Let Go,” which revealed some easy-going yet ambitious, hook-driven songwriting that found the pair seamlessly meshing their individual sound and aesthetics. 

Prall’s highly-anticipated sophomore Kainalu album Ginseng Hourglass is slated for a November 4, 2022 release, The 11-song album is reportedly a contemplative and philosophical exploration of the passage of time and the finite, fleeting nature of life. Ginseng Hourglass follows the recent and untimely death of Prall’s mother, and is deeply informed by the conversations they had about her life and mortality during the last few months of her life. While seeing Prall striking a delicate balance between breezy effervescence and the darkest depths of despair, the album’s material captures life’s small joys and victories amidst trauma, emotional ruin and hard-won wisdom. Ultimately, the album makes a concerted effect to find and see hope — in heartbreak and pain. 

“I don’t want people to think this album is sad because it’s not,” Prall says in press notes. “I have always used music as a way to heal. That’s what this music is — a way to escape into a vibe and atmosphere when the world was crumbling. It’s meant to transport you into a world because that’s what I needed when I wrote it.”

The album’s main thematic concern is also shown in the cover art, which resembles falling sand in an hourglass — the literal embodiment of time physically slipping away, knowing that one’s time is the most precious thing anyone could have. While the album will further cement Prall’s reputation for crafting dance floor friendly grooves, lyrically, it may arguably be the most personal of his growing catalog: The songs dig deep into a rabbit hole of complex, conflicting (and intimately familiar) emotions making the album a cathartic, therapeutic fever dream — with Prall’s story at the center. Created as a means of escape and healing, Prall explains, I write to escape the thoughts that keeps me up at night. It’s a therapy device and meditative practice. These past years we all experienced so much loss. On top of the pandemic, I really went through some serious trauma and I wrote this record because I needed to.” 

Last month, I wrote about album single “Queen of Wands,” a strutting, funky bop that sonically seems to draw from Currents-era Tame Impala, electro pop, 90s funk, and 90s house music centerdd around Krall’s unerring knack for yearning, nostalgia-inducing songwriting and infectious, soaring hooks. Interestingly, “Queen of Wands” took shape after a tarot card reading in which Prall drew the queen of wands card. (According to some interpretations, the queen of wands card suggests that the person is upbeat, courageous, determined, self-actualized and self-aware. and can channel their strengths and weaknesses to achieve their goals. In some cases, those who draw the card are inspirational, charismatic, creative sorts.) 

 “It’s about being overwhelmed in the complexities of modern dating and relationships. As we grow older, the desire for deep connection becomes increasingly stronger and a sort of existential longing develops.” An ode to the power of femininity, Prall continues, “The track is a metaphor for this desire as the card roughly symbolizes a strong, driven feminine persona. When the queen of wands reveals themselves to you, resisting the signs is futile.”

Ginseng Hourglass‘s latest single “Inhibitions/Intuitions” thematically and even sonically continues where its immediate predecessor left off. Seemingly influenced by Tame Impala with the song centered around a strutting bass line, bursts of glistening synths, buzzing guitars, “Inhibitions/Intuitions” continues Prall’s ongoing and wildly successful collaboration with Quebec-born-and-based singer/songwriter, multi-instrumentalist and fellow JOVM mainstay Josie Boivin, a.k.a. MUNYA, who contributes her ethereal and coquettish vocals. While reminding listeners of the pair’s unerring knack for crafting earnest, yet hook-driven bops, “Inhibitions/Intuitions” grapples with the apprehension that comes with taking risks in love and in other aspects of one’s life, and trusting your instincts, which aren’t always right.

“MUNYA, aka Josie Boivin, and I have been collaborating on tracks together for several years,” Prall says in press notes. “We met through Instagram and have actually never met in person despite creating countless songs together. The song dives deeper into the story presented by ‘Queen of Wands.’ Fighting one’s inhibitions about taking risks in love versus following their intuition which has previously led them astray.

“Trent and I have been working together for a few years now. Even if we have never met in person, we have built a strong connection that allows us to create and complete each other in a very natural way,” Boivin says. “I had a lot of fun singing on ‘Inhibitions / Intuitions’ and I’m so honoured to be part of Kainalu’s album. Super stoked for this one and the whole album.”

Lyric Video: Kainalu Shares a Breezy and Funky New Bop

Over the course of the past couple of years of this site’s 12 year history, I’ve managed to spill a bit of virtual ink covering the Southern California-born, Madison,WI--based producer, multi-instrumentalist and singer/songwriter, Trent Prall, the creative mastermind behind the rising psych pop, solo recording project Kainalu.

Deriving its name from the Hawaiian word for ocean wave, Prall’s work with Kanialu routinely sees him drawing from psych pop, psych rock, dream pop, Tropicalia, synth pop and funk, and childhood trips to visit his mother’s family in Oahu. The end result is a breezy, funky and nostalgia-inducing sound that Prall has dubbed “Hawaii-fi,” which he further developed and expanded upon with his full-length Kainalu debut, Lotus Gate.

Back in 2020, the JOVM mainstay collaborated with fellow JOVM mainstay MUNYA on the breezy and infectious “You Never Let Go,” which revealed some easy-going yet ambitious, hook-driven songwriting that found the pair seamlessly meshing their individual sound and aesthetics.

Prall’s highly-anticipated sophomore Kainalu album Ginseng Hourglass is slated for a November 4, 2022 release, The 11-song album is reportedly a contemplative and philosophical exploration of the passage of time and the finite, fleeting nature of life. Ginseng Hourglass follows the recent and untimely death of Prall’s mother, and is deeply informed by the conversations they had about her life and mortality during the last few months of her life. While seeing Prall striking a delicate balance between breezy effervescence and the darkest depths of despair, the album’s material captures life’s small joys and victories amidst trauma, emotional ruin and hard-won wisdom. Ultimately, the album makes a concerted effect to find and see hope — in heartbreak and pain.

“I don’t want people to think this album is sad because it’s not,” Prall says in press notes. “I have always used music as a way to heal. That’s what this music is — a way to escape into a vibe and atmosphere when the world was crumbling. It’s meant to transport you into a world because that’s what I needed when I wrote it.”

The album’s main concert is also shown in the cover art, which resembles falling sand in an hourglass — the literal embodiment of time physically slipping away, knowing that one’s time is the most precious thing anyone could have. While the album will further cement Prall’s reputation for crafting dance floor friendly grooves, but lyrically, it may arguably be the most personal of his growing catalog: The songs deep deep into a rabbit hole of complex, conflicting emotions making the album a cathartic, therapeutic fever dream — with Prall’s story at the center. Created as a means of escape and healing, Prall explains, I write to escape the thoughts that keeps me up at night. It’s a therapy device and meditative practice. These past years we all experienced so much loss. On top of the pandemic, I really went through some serious trauma and I wrote this record because I needed to.” 

Ginseng Hourglass‘s latest single “Queen of Wands” is a strutting, funky bop that sonically seems to draw from Currents-era Tame Impala, electro pop, 90s funk, and 90s house music centerdd around Krall’s unerring knack for swooningly yearning, nostalgia-inducing songwriting and infectious, soaring hooks. Interestingly, “Queen of Wands” took shape after a tarot card reading in which Prall drew the queen of wands card. (According to some interpretations, the queen of wands card suggests that the person is upbeat, courageous, determined, self-actualized and self-aware. and can channel their strengths and weaknesses to achieve their goals. In some cases, those who draw the card are inspirational, charismatic, creative sorts.)

 “It’s about being overwhelmed in the complexities of modern dating and relationships. As we grow older, the desire for deep connection becomes increasingly stronger and a sort of existential longing develops.” An ode to the power of femininity, Prall continues, “The track is a metaphor for this desire as the card roughly symbolizes a strong, driven feminine persona. When the queen of wands reveals themselves to you, resisting the signs is futile.”

Over the past couple of years, I’ve written a bit about the Southern California-born, Madison,WI--based producer, multi-instrumentalist and singer/songwriter, Trent Prall, best known for his solo recording project Kainalu, which derives its name for the Hawaiian word for ocean wave. Prall’s work draws from psych pop, psych rock, dream pop, Tropicalia, synth pop and funk, as well as his childhood trips to Oahu, HI visiting his mother’s family, coalescing in a breezy and nostalgia-including sound that Prall has dubbed “Hawaii-fi.” He further developed and expanded upon his sound with the release of his full-length debut Lotus Gate.

Interestingly, over that same period of time, I wound up writing a bit about the Quebec-born and-based classically trained pianist, opera vocalist, electronic pop producer, electronic music producer, multi-instrumentalist and singer/songwriter, best known for her solo recording project MUNYA. Now, as you may recall, as the story goes, Boivin had only written one song when she was asked to perform at 2017’s Pop Montreal Festival. Ironically, at the time, she never intended to pursue music full-time but after playing the festival, she realized that she was meant to be a musician.

Boivin quit her day job, moved in with her sister and turned their kitchen into a home recording studio, where she wrote every day. Those recordings would eventually become part of an EP trilogy that she named after significant places in her life. The Quebec-based JOVM mainstay’s self-released debut EP North Hatley derived its name from one of her favorite villages in her home province. Her second EP, 2018’s Delmano, which was released through Fat Possum Records derives its name from Williamsburg Brooklyn’s Hotel Delmano.

Blue Pine EP, the third and most recent EP of Boivin’s trilogy derives its name for the Blue Pine Mountains in David Lynch’s Twin Peaks — and continues the trilogy’s overall theme of EP’s being named for a significant place in Boivin’s life. The EP trilogy was then combined for the self-titled physical release.

The pair of JOVM mainstays have collaborated on the breezy and infectious “You Never Let Go.” Centered around shimmering synth arpeggios, a sinuous bass line, stuttering beats, Boivin’s plaintive and ethereal vocals and an enormous hook — and while revealing some easy-going yet, ambitious, hook-driven songwriting, the song is a swooning and seamless synthesis of the their individual sounds and aesthetics.

“Josie (Munya) and I met through the Spotify algorithm,” Prall explained in an email to me.”We both admire each other’s music and so we started messaging online and sending ideas back and forth until the song happened. Both of us are self-producing multi-instrumentalists, and so building a track together was very fluid and came easy. After about a week we had the song completed.”  

 

Over the course of 2017 and 2018, I wrote a bit about Trent Prall, a Southern California-born, Madison,WI--based producer, multi-instrumentalist and singer/songwriter, and his solo recording project Kainalu, which derives its name for the Hawaiian word for ocean wave.  The music that the Southern California-born, Madison,WI-based producer, multi-instrumentalist and singer/songwriter has worked on for the past decade or so have drawn from psych pop, psych rock, dream pop, Tropicalia, synth pop and funk, as well as his childhood trips to Oahu, HI visiting his mother’s family, coalescing in a breezy and nostalgia-including sound that Prall has dubbed “Hawaii-fi.”

Finding Peace of Mind” and “Folds Like Origami” consecutively landed at #1 on the Hype Machine Charts and received placements on some top Spotify playlists, and with the growing buzz surrounding him, there was high expectations for Prall to quickly write and release a career-launching debut EP. But rather than get swept up into the current of premature opportunities and expectations, the Southern California-born, Madison, WI-based JOVM mainstay spent the next year in isolation, exploring the unfiltered daydreams of a wandering mind and capturing ideas on tape whenever they drifted by. Interestingly, the end result is his long-awaited and highly-anticipated full-length debut Lotus Gate.

Slated for release this fall, the self-produced Lotus Gate is reportedly a retro-futuristic exploration of Eastern philosophy and contemporary groove and self-exploratory  psychedelia. The album’s latest single “Kamikaze Mushroom Palace” is centered around a warm and trippy, disco-tinged groove, shimmering and arpeggiated synths, a soaring hook and Prall’s ethereal falsetto — and while the single sonically sounds indebted to Tame Impala, but with the song’s narrator expressing an inward yearning to get their shit straight by any and all costs.