Tag: King Gizzard & The Lizard Wizard

Video by William Ruben Helms

New Video: King Gizzard & The Lizard Wizard Share Glitchy and Club Friendly “Level 5”

Wildly prolific Melbourne-based JOVM mainstays King Gizzard & The Lizard Wizard — Stu Mackenzie (vocals, guitar), Ambrose Kenny-Smith (harmonica, vocals, keys), Cook Craig (guitar, vocals), Joey Walker (guitar, vocals), Lucas Harwood (bass) and Michael Cavanaugh (drums) — have a long-held reputation for being restlessly creative and never standing still musically, exploring everything from prog-tinged thrash metal, primitive synth-rock, down-home jam rock and on recent releases feel-good symphonic rock.

The Aussie outfit’s remarkable 28th album Alien Metal follows on from 2023’s The Silver Cord — and grew out of last year’s “rave shows,” in which traditional instruments were abandoned, with the band gathering around an expansive modular synthesizer setup they named “Nathan,” each member making their own manipulations to create a mind-altering whole. And what initially began as an experiment soon became an obsession, inspiring what may arguably be one of the band’s most ambitious albums to date. “It completely rewired my brain,” Gizz’s Stu Mackenzie says, having discovered the possibilities of the Eiurorack synthesizer format on the recommendation of bandmate and self-confessed “techno head of the group” Joey Walker. “I was like, ‘I’m going to forget everything I know about music and relearn it all from scratch.”

The album was far from straightforward to make. Over the course of several years, the band scrapped countless recordings and abandoned entire creative directions while searching for the album’s identity. “We’ve never scrapped so much material as we have for this album,” Mackenzie says. “Entire albums, entire universes that were formulated, created, recorded, deleted and started again.”

The breakthrough finally arrived during a late night, improvisatory jam session that went over an hour. That spontaneous jam became the foundation for the entire record with every track on Alien Metal evolving from the same source performance. The result is a seamless, constantly shifting journey through techno, hardcore, house and jungle influences, filtered through King Gizzard’s unmistakable psychedelic lens. Pulsing rhythms, distorted textures and unexpected twists collide across material that’s at once futuristic and uniquely their own. “It sounds so crunchy, but also beautiful,” says Mackenzie.

“Alien Metal goes really hard, but it also goes to really interesting places,” adds Joey Walker. “And it feels unique – it feels like us, still.”

Alien Metal‘s first single “Level 5” sees Mackenzie’s heavily vocodered vocals beneath a mind-bending bit of industrial techno featuring glistening and glitchy synth textures paired with skittering, machine gun staccato beats that showcases how hard the band’s material typically goes while arguably being the most club friendly song they’ve released to date.

Directed by Hayden Somerville, the accompanying video places the viewer in a dystopian hellscape in which a collection of scientists perform a weird experiment on a humanoid mutant to hilariously weird effect. Not to spoil things too much, but it involves an autopsy and a connection to a modular synthesizer.

Video by William Ruben Helms

New Video: CAVS Shares Gorgeous and Groove-Driven “First Light”

Best known for drumming with acclaimed JOVM mainstay King Gizzard & The Lizard Wizard, Michael Cavanagh is the creative mastermind behind the solo instrumental project CAVS. Cavanagh’s sophomore CAVS album Sojourn is slated for an April 24, 2026 release through p(doom) records.

Unlike the fantasy and sci-fi driven storytelling found in much of his work with King Gizz, Sojourn‘s 10 compositions builds its world entirely through music, shaped by Cavanagh’s long-standing interest in spiritual jazz, prog rock and krautock while simultaneously moving beyond traditional genre boundaries. The album’s material follows an imagined journey, using shifting moods, textures and rhythmic structures to suggest exploration, confrontation and transformation.

The King Gizz drummer began developing Sojourn during the recording sessions of his solo debut, 2021’s CAVS, a percussion-only album. Determined to expand his musical palette, he took on the roles of composer, arranger and musical director for his sophomore album — despite not playing pitched instruments. Early demos were constructed from sampled bass, drums and synthesizers, which were expanded and further fleshed out through collaboration.

Cavangh’s key collaborators for Sojourn included Mildlife‘s Jim Rindfleish, who co-arranged the material, alongside a group of Melbourne musicians that included Adam Halliwell (flute, guitar), Siwei Wong (harp), Archibald Pommelhorse (sax), Selene Messinis (keys), Robbin Poppins (percussion) and his King Gizz bandmate Joey Walker (bass). Recording sessions combined structured takes with free-flowing improvisation, which were later edited and arranged to retain a cohesive, live-sounding feel.

Drawing from artists like Herbie Hancock, Alice Coltrane, Tony Williams, Billy Cobham and Harvey Mason, Sojourn‘s material emphasizes atmosphere and groove over technical prowess.

Sojourn’s second and latest single “First Light” evokes the woozy yet awe-inspiring moment of capturing a brilliant burst of dappled light across rippling water while sonically nodding at Midllife and 70s jazz fusion with the composition being anchored around a deep, funky groove.

“The first rays of a gentle sunrise touching a river’s glassy surface, painting the water in soft hues of gold and emerald,” Cavanagh says of the new single. “Slowly, your eyes flutter open — not to the velvet darkness of the night before, but to an unfamiliar brilliance that seems almost too vivid to believe.” 

“Two persons and a yowie got a room at a halfway house motel for the night with three beds but only one was ripped apart, the others left in tack [sic]. This is real footage, Cavs is now a Cavsquatch and this proof that sasquatches are real,” the video’s director Jackson Devereaux says of the accompanying video. “Sojourn is an odyssey of an album, and so we wanted to add another chapter to the story, building off the first music clip. In the video for ‘First Light,’ we follow Cavs transition to his new tree form, and his first stages of coping with this new reality. We found a literal halfway house and booked a room for him to tweak out.”