Tag: Late Late Show with James Corden

New Video: Ether Feather Releases a Surreal Italian Thriller-Inspired Visual for Expansive Album Single “New Abyss”

Ether Feather is a Los Angeles-based trio featuring an acclaimed and highly-regarded collection of musicians: the band’s creative mastermind Dylan Ryan (vocals, drums) has played with the likes of Man Man, Cursive, Red Kraoyla and others; Tim Young (guitar) is currently a member of the Late Late Show with James Corden house band with extensive experience as a session player, playing with the likes of Todd Rundgren, Mike Patton and Fiona Apple; and JOVM mainstay Sylvia Black, an acclaimed solo artist, who has collaborated with Telepopmusik, Lydia Lunch, The Black-Eyed Peas and others.

The Los Angeles-based trio can trace its origins to a previous project, which featured Ryan and Young, SAND, which released two albums.  “By the time I started writing the third SAND record, it became clear the music was shifting from the Mahavishnu-esque, mid 70’s-fusion to more part-oriented structures and the songs seemed to want vocals,” Ryan says of the gradual shift from SAND to Ether Feather. Encouraged by engineer Andrew Murdock, the members of Ether Feather fully embraced the stylistic shift and recorded their debut EP, 2017’s Other Memory.  “Ether Feather is definitely a band where we can try weirder stuff and stretch out creatively in ways that may not be appropriate in other musical situations,” Ryan adds. “We can mix and blend aesthetics and make hard turns. Tim was in the Pacific Northwest during the first wave of grunge and brings something very different from me to the table, having come up in the late 90’s Chicago No Wave/Free Jazz/Metal scene.”

After touring to support the EP with the likes of Cursive and Minus the Bear, the members of Ether Feather further honed their sound — with the result being their recently released full-length debut Devil – Shadowless – Hand. Last month, I wrote about “Cayenne,” a track that was one part desert/stoner rock, one part alt rock, one part grunge rock as it was centered around a dream-like melody for its verse, sludgy power chords during its anthemic hook and a guitar solo that recalls Pearl Jam‘s Evenflow. “New Abyss,” the album’s latest single is an trippy and expansive track that’s one part free-flowing jazz fusion, one part prog rock, and one part psych rock freakout — and while revealing some extraordinary musicianship and a telepathic sort of simpatico, the song will further cement the act’s genre-defying sound and approach. Written and directed by Matt Hewitt, the recently released video for “New Abyss” stars the band in a surreal, feverish, Italian thriller-inspired visual full of paranoiac dread, dopplegangers, and unease. 

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Ether Feather is a Los Angeles-based trio featuring an acclaimed and highly-regarded collection of musicians: the band’s creative mastermind Dylan Ryan (vocals, drums) has played with the likes of Man Man, Cursive, Red Kraoyla and others; Tim Young (guitar) is currently a member of the Late Late Show with James Corden house band with extensive experience as a session player, playing with the likes of Todd Rundgren, Mike Patton and Fiona Apple; and JOVM mainstay Sylvia Black, an acclaimed solo artist, who has collaborated with Telepopmusik, Lydia Lunch and others. Interestingly, Ether Feather can trace its origins to a previous project, which featured Ryan and Young, SAND, which released two albums.

“By the time I started writing the third SAND record, it became clear the music was shifting from the Mahavishnu-esque, mid 70’s-fusion to more part-oriented structures and the songs seemed to want vocals,” Ryan says of the gradual shift from SAND to Ether Feather. As the story goes, encouraged by engineer Andrew Murdock, the band fully embraced stylistic shifts and recorded their debut EP, 2017’s Other Memory. “Ether Feather is definitely a band where we can try weirder stuff and stretch out creatively in ways that may not be appropriate in other musical situations,” Ryan adds. “”We can mix and blend aesthetics and make hard turns. Tim was in the Pacific Northwest during the first wave of grunge and brings something very different from me to the table, having come up in the late 90’s Chicago No Wave/Free Jazz/Metal scene.”

After touring to support the EP with the likes of Cursive and Minus the Bear, the members of Ether Feather further honed their sound — with the result being their soon-to-be released full-length debut Devil – Shadowless – Hand. The album’s latest single “Cayenne” finds the band further establishing their sound, which for this single at least is one part desert/stoner rock, one part alt rock, one part grunge, as it features a pretty, dreamlike melody during its verses, sludgy power chords during its anthemic hooks and a guitar solo that recalls Pearl Jam‘s Evenflow. What really caught my attention about the track is that there’s a quirkiness and whimsy to the track that belies its straightforward nature.

 

 

 

 

 

 

 

Live Footage: Royal Blood Performs “Lights Out” on “The Late Late Show with James Corden”

Comprised of Worthing, UK-born, West Sussex, UK-based Mike Kerr (vocals, bass) and Rustington, UK-born, West Sussex, UK-based Ben Thatcher, the British rock duo Royal Blood can trace their origins to when Kerr and Thatcher met when the duo were briefly members of the local rock quartet Flavour Country, in which Kerr played keys and keytar; however, the band can trace their official origins to sabbatical that Kerr had spent in Australia, where had started Royal Blood with Matt Swan (drums). And as the story goes, when Kerr returned to England, Thatcher had picked him up from the airport and they quickly decided to start a band together. Initially, the duo had a difficult time landing gigs and according to Kerr, they played a lot of open-mic nights with acoustic singer/songwriters. But after further developing their sound at Brighton Electric Studios, the band was signed to Warner/Chappell Music, and as a result of sharing the same management company as blogosphere darling act Arctic Monkeys, the duo began to receive a steady amount of buzz before the release of their first official single. 

Kerr and Thatcher’s sophomore album How Did We Get So Dark? was released earlier this summer and the album debuted at Number 1 on the UK charts. Since its release, the album has garnered over 30 million streams across Spotify and Apple Music and has sold over 250,000 copies, while receiving praise from the likes of USA Today, Rolling Stone, NME, Entertainment Weekly, and Forbes. And adding to a growing international profile, the band played the main stage at last week’s Outside Lands Festival, and will be opening for Queens of the Stone Age for a series of dates in the fall. (Check out those dates, as well as the band’s headlining Stateside dates below.) 

But before I forget, album single “Lights Out,” recently reached Number 1 on the Rock Radio charts, as the Number 1 Gainer, marking the second time the band has reached Number 1, and as soon as you hear the song you’ll see why it’s been dominating the charts, as it further cements the band’s growing reputation for crafting blistering and swaggering power chord-based arena rock.