Tag: Le Couleur

Video by William Ruben Helms

New Video: DVTR Shares a Breakneck Spanish Language Version of “Rhum CokeMD”

Deriving their name as an acronym for the French phrase “D’où vient ton riz?” (Where does your rice come from?), Montréal-based duo DVTR is a new collaborative project featuring two of the city’s most highly acclaimed artists:

  • Laurence G-Do, the frontpweaon of JOVM mainstays  Le Couleur, an act that has toured internationally several times, and has opened for Giorgio Moroder, Polo & Pan and others, while amassing over 18 million streams across digital streaming platforms. 

  • JC Tellier, who has played with Gazoline, an act that has received multiple ADISQ and GAMIQ award nominations. Tellier has also played with Kandle, Xavier Caféine, Gab Bouchard and a lengthy list of other well-regarded artists in Québec. 

With the release of their debut EP BONJOUR, the French Canadian duo have been burning up the Canadian indie scene: The EP amassed a plethora of rapturous reviews, landed on a number of Best of 2023 Lists and earned the duo a handful of awards in Québec.

If you frequented this site over the course of last year, you might recall that I wrote about three of BONJOUR EP‘s singles:

  • “DVTR,” a breakneck, blistering and incisive ripper built around scorching riffage, a relentless motorik-like groove, a shouted mantra-like chorus and mosh pit friendly hooks paired with G-Do’s feral shouts. The result is a song that kind of sounds like a wild yet seamless synthesis of Wild Planet-era The B-52s and La Femme’s “Foutre le bordel.“

  • “Vasectomia” another breakneck ripper built around scorching guitar riffage, G-Do’s shouted vocals and a relentless groove paired with the duo’s penchant for wildly catchy hooks and anthemic choruses. But underneath the attention to slick craftsmanship, is furious and incisive criticism of the modern condition, delivered with zero fucks given. With the song, it feels as though G-Do would shout “fuck you!” to every man she passes by while suggesting that if men don’t want unwanted pregnancies or are truly concerned about overpopulation that maybe they should get a vasectomy. 

  • “Rhum CokeMD,” a gritty mosh pit friendly, breakneck ripper featuring scorching guitar riffs, shout along worthy choruses and hooks paired with a balls-to-the-wall, zero fucks given immediacy.

The duo also supported the EP with stops across the global festival circuit.

Building upon a rapidly growing profile, the duo recorded a Spanish language version of “Rhum CokeMD” “Ron Coca MD” after a recent sold-out appearance at Mexico City‘s Hipnosis Festival — and it was their first show in Mexico, to boot. The Spanish version of the song sonically is a breakneck and furious mix of The B52s-like New Wave, psych punk and bedroom punk — while retaining the same breathless urgency.

The accompanying visual features footage of the band shot during their Mexico City tour stop.

women who kick ass by William Ruben Helms

VIdeo Interview: Le Couleur’s Steeven Chouinard

Montréal-based pop outfit and JOVM mainstays Le Couleur — currently founding members Laurence Giroux-Do (vocals), Patrick Gosselin (bass) and Steeven Chouinard (drums) along with newest members Phillipe Beaudin (percussion, synths), Jean-Cimon Tellier (guitar) and Louis-Joseph Cliche (synths, vocals) — debuted over a decade ago with 2013’s Voyage Love EP. And since then, the Canadian outfit has released 2015’s Dolce Désir EP, their critically applauded full-length debut, 2016’s P.O.P. and 2020’s Concorde, which have seen them plumb the depths of human desire, while firmly establishing a glittery and vintage-inspired electro pop sound that draws from a variety of influences including 70s erotica, psychedelia, disco, yéyé and French chanson.

Their long-awaited third album Comme dans un penthouse was released earlier this year through Lisbon Lux Records. The album is a concept album that sees Le Couleur revisiting a past album character: Barbara, the assistant, who stole her former employer’s fortune on 2016’s P.O.P. Giroux-Do was drawn back to Barbara when upon returning from the Montréal-based outfit’s most recent UK tour, she began feeling that her life was “flat, beige and pointless” and developed a “fear of falling into a routine,” while Barbara’s “search for novelty, new feelings, an addiction” was roughly the opposite. 

Over the past year or so I’ve managed to write about the following album singles:

  • “Sentiments nouveaux,” a sleek, slickly produced bop that to my ears sounded like a synthesis of Tame Impala, VEGA Intl. Night School-era Neon Indian and Nu Shooz.

  • “Autobahn,” a song fittingly built around a relentless Krautwerk-like motorik pulse, glistening synth arpeggios and the Montréal-based outfit’s penchant for crafting razor sharp, catchy hooks paired with Laurence Giroux-Do’s ethereal and sultry delivery.

  • “À la rencontre de Barbara,” another glittery, disco and electro pop-inspired track that features glistening Giorgio Moroder-like synth oscillations, squiggling Nile Rodgers-like funk guitar, tight four-on-the-floor, and a relentless motorik-like pulse. But underneath the disco vibes is a tension that’s sultry, unnerving and irresistible while simultaneously nodding at classic spy thriller soundtracks and French chanson — thanks in part to a guest spot from Choses Sauvages‘ Standard Emmanuel. 

  • “Addiction,” which continued a remarkable run of fun, glittery disco-tinged material that saw the Montrealers pairing a sinuous bass line with glistening bursts of keys, squiggling funk guitar and Laurence Giroux-Do’s ethereal and yearning vocals with catchy hooks. To my ears, “Addiction wouldn’t sound out of place on Roxy Music’s Avalon, Duran Duran’s self-titled debut or Rio. 

So with JOVM, I’m always up for experimentation and using different tech and apps. On Monday, I had a Zoom call with Le Couleur’s Steeven Chouinard. The conversation was illuminating, fun and wide-ranging. And in this nearly 40 minute interview, we chatted extensively about one of my favorite cities in the entire world, from where you should go to get a sense of the town and its locals, if it was your first time in the French Canadian city, to our favorite poutine shops, the city’s incredible Francophone and Anglophone music scenes and acts that Chouinard thinks should get more love. We also talked about their new album, Comme dans un penthouse, one of my favorite albums released this year and how it fits into their growing catalog and more.

The Montréal-based JOVM mainstays will be playing a free, album release show at The Sultan Room on November 29, 2023. Fellow Montreal pop artist and JOVM mainstay Ormiston will be opening. It’ll be a fun night of dance floor friendly hooks and grooves.

Video by William Ruben Helms

New Video: Montréal’s DVTR Returns with Another Breakneck Ripper

Deriving their name as an acronym for the French phrase “D’où vient ton riz?” (Where does your rice come from?), Montréal-based duo DVTR is a new collaborative project featuring two of the city’s most highly acclaimed artists:

  • Laurence G-Do, the frontwoman of JOVM mainstays  Le Couleur, an act that has toured internationally several times, and has opened for Giorgio Moroder, Polo & Pan and others, while amassing over 18 million streams across digital streaming platforms. 

  • JC Tellier, who has played with Gazoline, an act that has received multiple ADISQ and GAMIQ award nominations. Tellier has also played with Kandle, Xavier Caféine, Gab Bouchard and a lengthy list of other well-regarded artists in Québec.

Over the past couple of months, I’ve managed to write about the duo’s first two singles:

  • “DVTR,” a breakneck, blistering and incisive ripper built around scorching riffage, a relentless motorik-like groove, a shouted mantra-like chorus and mosh pit friendly hooks paired with G-Do’s feral shouts. The result is a song that kind of sounds like a wild yet seamless synthesis of Wild Planet-era The B-52s and La Femme’s “Foutre le bordel.“

  • “Vasectomia” another breakneck ripper built around scorching guitar riffage, G-Do’s shouted vocals and a relentless groove paired with the duo’s penchant for wildly catchy hooks and anthemic choruses. But underneath the attention to slick craftsmanship, is furious and incisive criticism of the modern condition, delivered with zero fucks given. With the song, it feels as though G-Do would shout “fuck you!” to every man she passes by while suggesting that if men don’t want unwanted pregnancies or are truly concerned about overpopulation that maybe they should get a vasectomy. 

The Montréal-based duo’s latest single “Rhum CokeMD” continues a run of gritty, mosh pit friendly breakneck rippers built around scorching guitar riffs, shout along worthy choruses and hooks paired with a zero fucks given immediacy.

Shot by Andy Jon, the accompanying video for “Rhum CokeMD” features slickly edited footage of the band performing a set on a party bus during the Tourné au Festiv! at Baie Saint-Paul, Québec earlier this year.

Video by William Ruben Helms

New Video: Le Couleur Shares Icy, Retro-Futuristic Visual for Glittery and Hook-Driven “Addiction”

Montréal-based pop outfit Le Couleur — currently founding members Laurence Giroux-Do (vocals), Patrick Gosselin (bass) and Steven Chouinard (drums) along with newest members Phillipe Beaudin (percussion, synths), Jean-Cimon Tellier (guitar) and Louis-Joseph Cliche (synths, vocals) — debuted over a decade ago with 2013’s Voyage Love EP. And since then, the Canadian outfit has released 2015’s Dolce Désir EP, their critically applauded full-length debut, 2016’s P.O.P. and 2020’s Concorde, which have seen them plumb the depths of human desire, while firmly establishing a glittery and vintage-inspired electro pop sound that draws from a variety of influences including 70s erotica, psychedelia, disco, yéyé and French chanson.

Their long-awaited third album Comme dans un penthouse was released earlier this year through Lisbon Lux Records. The album is a concept album that sees Le Couleur revisiting a past album character: Barbara, the assistant, who stole her former employer’s fortune on 2016’s P.O.P. Giroux-Do was drawn back to Barbara when upon returning from the Montréal-based outfit’s most recent UK tour, she began feeling that her life was “flat, beige and pointless” and developed a “fear of falling into a routine,” while Barbara’s “search for novelty, new feelings, an addiction” was roughly the opposite. 

Over the past year or so I’ve managed to write about the following album singles:

  • “Sentiments nouveaux,” a sleek, slickly produced bop that to my ears sounded like a synthesis of Tame Impala, VEGA Intl. Night School-era Neon Indian and Nu Shooz.

  • “Autobahn,” a song fittingly built around a relentless Krautwerk-like motorik pulse, glistening synth arpeggios and the Montréal-based outfit’s penchant for crafting razor sharp, catchy hooks paired with Laurence Giroux-Do’s ethereal and sultry delivery.

  • “À la rencontre de Barbara,” another glittery, disco and electro pop-inspired track that features glistening Giorgio Moroder-like synth oscillations, squiggling Nile Rodgers-like funk guitar, tight four-on-the-floor, and a relentless motorik-like pulse. But underneath the disco vibes is a tension that’s sultry, unnerving and irresistible while simultaneously nodding at classic spy thriller soundtracks and French chanson — thanks in part to a guest spot from Choses Sauvages‘ Standard Emmanuel. 

Comme dans un penthouse‘s fourth and latest single “Addiction” continues a remarkable fun of glittery disco-tinged tunes. Pairing a sinuous bass line with glistening bursts of keys, squiggling funk guitar and Laurence Giroux-Do’s ethereal and yearning vocals, the hook-driven “Addiction” wouldn’t sound out of place on Roxy Music’s Avalon, Duran Duran’s self-titled debut or Rio.

Continuing their ongoing visual collaboration with Nathan Nardin and his team at The NNS, which includes Steven Laudat and Alizée Legrain, the accompanying video for “Addiction” follows the similar icy video for “À la recontre de Barbara” feat. Standard Emmanuel and features eerie 3D black and white visuals and figures moving about in an entirely white, 80s-inspired futuristic world. The band describes the video as ““A white universe punctuated by lines, wire structures and motifs as an allegory of addiction and desire.”

Video by William Ruben Helms

New Video: Le Couleur Shares Eerie and Unsettling Visual for Sultry “À la rencontre de Barbara”

Montréal-based pop outfit Le Couleur — currently founding members Laurence Giroux-Do (vocals), Patrick Gosselin (bass) and Steven Chouinard (drums) along with newest members Phillipe Beaudin (percussion, synths), Jean-Cimon Tellier (guitar) and Louis-Joseph Cliche (synths, vocals) — debuted over a decade ago with 2013’s Voyage Love EP. Since then, the Canadian outfit has released 2015’s Dolce Désir EP, their critically applauded full-length debut, 2016’s P.O.P. and 2020’s Concorde, which have seen them plumb the depths of human desire, while firmly establishing a glittery and vintage-inspired electro pop sound that draws from a varied array of influences including 70s erotica, psychedelia, disco, yéyé and French chanson.

The French Canadian pop outfit’s long-awaited third album Comme dans un penthouse is slated for a September 22, 2023 release through Lisbon Lux Records. Comme dans un penthouse is reportedly a concept album that finds the band revisiting a past album character: Barbara, the assistant, who stole her former employer’s fortune on 2016’s P.O.P. Giroux-Do was drawn back to Barbara when upon returning from the Montréal-based outfit’s most recent UK tour, she began feeling that her life was “flat, beige and pointless” and developed a “fear of falling into a routine,” while Barbara’s “search for novelty, new feelings, an addiction” was roughly the opposite.

The album will feature two singles I’ve written about so far:

  • “Sentiments nouveaux,” a sleek, slickly produced bop that to my ears sounded like a synthesis of Tame Impala, VEGA Intl. Night School-era Neon Indian and Nu Shooz.

  • “Autobahn,” a song fittingly built around a relentless motorik pulse, glistening synth arpeggios and the Montréal-based outfit’s penchant for crafting razor sharp, catchy hooks paired with Laurence Giroux-Do’s ethereal and sultry delivery. “Autobahn” reintroduces Barbara from 2016’s P.O.P. Barbara has stole her boss’ money and fled to a collection of islands off the Panamanian coast. She has been on the run for a while, and is addicted to the chase and quest for new feelings, new experiences. Or as the members of Le Couleur says “sentiments nouveaux.” Barbara’s journey ends in a catastrophic car crash; for her, the end may well be the best way out. And yet despite the dark subject matter, “Autobahn” is the sort of song meant to be played loudly while speeding on the highway.

Built around glistening Giorgio Moroder-like synth oscillations, squiggling Nile Rodgers-like funk guitar, tight four-on-the-floor, and a relentless motorik-like pulse, Comme dans un penthouse‘s latest single “À la recontre de Barbara,” manages to continue a remarkable run of sleek, retro-futuristic, dance floor friendly jams. But underneath the disco vibes is a tension that’s sultry, unnerving, irresistible while simultaneously nodding at classic spy thriller soundtracks and French chanson — thanks in part to a guest spot from Choses Sauvages‘ Standard Emmanuel.

The song’s title translates into English as “Meet Barbara,” and the song fleshes out the album’s main character, while chronicling her destructive lust for thrills.

Created by Nathan Nardin and his team at The NNS, which includes Steven Laudat and Alizée Legrain, only uses AI to an eerie, unsettling effect. Hardin and his collaborators aim to explore the icy social dynamics that such artificial universes can bring forth. Barbara’s dehumanization and the eerie coldness of the video’s computer-generated world is somehow quite fitting.

As Le Couleur put it, “In the heart of a glittering metropolis, a pair of shoes triggers an enigmatic quest for an elusive figure. Guided by urban lights, a traveler explores a nocturnal stroll, awakening lost memories and forgotten dreams. As secrets converge, Barbara’s mysterious story unfolds, captivating the viewer between reality and illusion.”

Single Review by William Ruben Helms

Montréal-based pop outfit Le Couleur — currently founding members Laurence Giroux-Do (vocals), Patrick Gosselin (bass) and Steven Chouinard (drums) along with newest members Phillipe Beaudin (percussion, synths), Jean-Cimon Tellier (guitar) and Louis-Joseph Cliche (synths, vocals) — debuted over a decade ago with 2013’s Voyage Love EP. Since then, the Canadian outfit has released 2015’s Dolce Désir EP, their critically applauded full-length debut, 2016’s P.O.P. and 2020’s Concorde, which have seen them plumb the depths of human desire, while firmly establishing a glittery and vintage-inspired electro pop sound that draws from a varied array of influences including 70s erotica, psychedelia, disco, yéyé and French chanson.

The French Canadian pop outfit’s long-awaited third album Comme dans un penthouse is slated for a September 22, 2023 release through Lisbon Lux Records. The album is reportedly a concept album, and will feature “Sentiments nouveaux,” a sleek, slickly produced bop that to my ears sounded like a synthesis of Tame Impala, VEGA Intl. Night School-era Neon Indian and Nu Shooz.

Comme dans un penthouse‘s second and latest single “Autobahn” is fittingly built around a relentless motorik pulse, glistening synth arpeggios paired with Laurence Giroux-Do’s ethereal yet sultry delivery paired with the Montréal-based outfit’s penchant for crafting razor sharp, catchy hooks. Yes, it’s the sort of song that you should play loudly while driving on the highway.

“Autobahn” reintroduces Barbara, a character first seen on 2016’s P.O.P. Barbara is an assistant to a star that’s fallen from grace and flees to a collection of islands off the coast of Panama with stolen money. She’s constantly on the run, and addicted to the chase and quest of new feelings. Or as the members of Le Couleur says “sentiments nouveaux.” Barbara’s journey ends in a catastrophic car crash; for her, the end may well be the best way out.

“Barbara is the symbol of this relentless quest for intensity and thrill,” the Montréal-based outfit explains. “Always on the hunt for renewed sensations, all that’s left for her is to break down taboos in order to feel a tiny bit of excitement. Her tragic fate is inevitable. Death will steal her away as the ultimate pursuit.”

Video by William Ruben Helms

New Video: Montréal’s DVTR Shares a Breakneck Ripper

Deriving their name as an acronym for the French phrase “D’où vient ton riz?” (Where does your rice come from?), Montréal-based duo DVTR is a new collaborative project featuring two of the city’s most highly acclaimed artists:

  • Laurence G-Do, the frontwoman of Le Couleur, an act that has toured internationally several times, and has opened for Giorgio Moroder, Polo & Pan and others, while amassing over 18 million streams across digital streaming platforms.

  • JC Tellier, who has played with Gazoline, an act that has received multiple ADISQ and GAMIQ award nominations. Tellier has also played with Kandle, Xavier Caféine, Gab Bouchard and a lengthy list of others.

The duo’s debut single “DVTR” is a breakneck, blistering and incisive ripper built around scorching riffage, a relentless motorik-like groove, a shouted mantra-like chorus, mosh pit friendly hooks paired with G-Do’s feral shouts. The result is a song that kind of sounds like a wild yet seamless synthesis of Wild Planet-era The B-52s and La Femme’s “Foutre le bordel.“

Directed by Jean-Vital Joliat, the wildly kinetic accompanying video features the members of DVTR, acting as a paramilitary force in a pickup truck, driving in a suburban parking lot as they pull off a heist — of a 5LB bag of rice.

Single Review by William Ruben Helms

New Audio: Le Couleur Shares Sultry “Sentiments nouveaux”

Montreal-based trio Le Couleur — Laurence Giroux-Do (vocals). Patrick Gosselin (bass) and Steven Chouinard (drums) – – quick rose to prominence with a glittery electro pop sound seemingly influenced by Studio 54 with their earliest releases — 2013’s Voyage Love EP, 2015’s Dolce Désir and their critically applauded full-length debut, 2016’s P.O.P.

After sharing a stage with Giorgio Moroder, Moroder gave them some pertinent advice, which informed a decided change of approach as heard on the trio’s sophomore album, 2020’s Concorde, an album informed by vintage influences including 70s eroticism, psychedelia, disco, yéyé and French chanson among others.

The rising Canadian trio’s latest single “Sentiments nouveaux” is a sleek, slickly produced, languorous bop built around dense layers of glistening and wobbling synth arpeggios, skittering tweeter and woofer rattling thump paired with sultrily delivered vocals in French and English, a buzzing Tame Impala-like guitar solo, and the trio’s unerring knack for razor sharp hooks. Sonically, “Sentiments nouveaux” may arguably be the most 80s synth pop inspired song of their growing catalog, bringing Nu Shooz and others to mind.

“Sentiments nouveaux” is the first taste of a forthcoming album, slated for a fall release. Be on the lookout y’all.