Tag: LIL INTERNET

New Video: JOVM Mainstay Boys Noize Teams Up With Steven A. Clark on an Industrial Take on Adamski and Seal’s Classic “Killer”

Throughout the course of this site’s eight year history, I’ve written quite a bit about Berlin, Germany-based JOVM mainstay producer, electronic music artist, DJ and Boys Noize Records label head Alex Ridha, best known as Boys Noize. Now it’s been a while since I’ve personally written about Ridha, but he’s been remarkably busy as he’s released 2016’s Mayday and has spent the past couple of years collaborating with a diverse and impressive array of artists including Lady Gaga, 03 Greedo, A$AP Rocky, RL Grime and Steven A. Clark.

Interestingly enough, while working with Clark on his recently released Where Neon Goes to Die, Clark and Ridha bonded over a mutual love and appreciation of Seal and Adamski’s “Killer,” an acid house anthem that dominated European charts in 1989, appeared on Seal’s eponymous 1990 self-titled debut and covered by George Michael in 1993. Clark’s and Ridha’s cover hews closely to the original but with a punchier and harsher, industrial take on the house music classic. It’s subtly 

As Ridha says of the cover, “Being a 90’s kid, I kind of grew up with this song which later became one of these tunes I’d play out at the end of the night. When I met Steven and heard his voice for the first time I immediately thought of that track and the idea of doing a cover version was born. It was initially just for fun, but it turned banging and lit the dancefloors wherever I’d drop it – so here I am sharing my industrial KILLER.”

Directed by long-time collaborator LIL INTERNET, the recently released video is a remake of the original video, shot at Berlin’s c-base, known for being “the mother of all hackspaces,” with the bulk of the video shot in a space referred to the “airlock,” with the members of the c-space crew referring to themselves as a Space Station. 

New Video: The Swooning and Psychedelic Visuals for Boys Noize’s Equally Swooning and Urgent Single “2 Live”

Mayday’s latest single “2 Live” is an ecstatic and swooning, club banger which features layers of cascading and twinkling synths, tweeter and woofer rocker bass drops, propulsive and insistent beats are paired with a swooning and anthemic hook to create what may arguably be one of the Berlin-based producer’s most euphoric and lovelorn songs to date. Interestingly, the recently released music video, which continues Ridha’s ongoing collaborations with LIL INTERNET and SUSBOY follows a young couple as they explore the outskirts of Mexico City in the near future — and while the couple is desperately in love, the video explores what can happen when song love and virtual reality are combined. Ultimately, the result is a video that’s psychedelic and yet urgent.

New Video: The Tense, Paranoid Visuals and Sounds of Boys Noize’s “Mayday”

The album’s latest single, album title track “Mayday” has the internationally renowned producer pairing layers of glitchy and stuttering cascading towards the listener, industrial clang and clatter, enormous tweeter and woofer rocking, boom bap beats, wobbling and tumbling low end and a wild array of vocal samples in a swaggering, club banger that feels tense and paranoid, as though its creator was aware of the fact that he’s being monitored every single moment of his life, whether he noticed or wanted it. Interestingly, along with scoring the soundtrack to Oliver Stone’s latest major motion picture Snowden, about the controversial Edward Snowden, who revealed a complicated and invasive governmental surveillance, “Mayday” is featured in the movie and the recently released video, which was created by collaborators LIL INTERNET and Susboy combines footage from Snowden with public global surveillance camera footage and some sobering facts about the NSA and their surveillance program. It should frighten the shit out of you.