Tag: Live for Live Music

New Audio: Delvon Lamarr Trio Releases a Strutting and Soulful Bit of Funk

Acclaimed Seattle-based soul jazz outfit Delvon Lamarr Organ Trio formed back in 2015 and currently features:

  • Delvon Lamarr, a self-taught virtuosic musician, with perfect pitch, who taught himself jazz — and can play several different instruments, besides organ
  • Jimmy James, a guitarist, whose style meshes acid rock freak outs with slinky jazz
  • Dan Weiss, the Reno, NV-born drummer, the band’s new full-time drummer, who’s best known for his work with the soul and funk collective The Sextones

Since their formation, the Seattle-based trio has released two albums of what the band dubs “feel good music” that includes 2018’s full-length debut, Close But No Cigar and last year’s critically and commercially successful sophomore effort I Told You So, which debuted on the top of multiple Billboard Charts: #1 on the Contemporary Jazz Album Chart, #3 on the Jazz Album Chart, #4 on the Tastemaker Album Chart, and #12 on the Heatseaker Album Chart.

I Told You So also received praise by Under the Radar, AllMusic, American Songwriter, Popmatters, KEXP, Live For Live Music, Jazziz, Jambase, Glide Magazine and NPR, who named it one of their favorite albums of the first half of last year.

Delvon Lamarr Organ Trio’s third album Cold As Weiss is slated for a February 11, 2022 release through Colemine Records. Cold As Weiss is the first recorded output with Weiss, the band’s newest member. And while finding the band at its tightest, the album reportedly finds the band continuing to push funky instrumental music to a new generation of fans.

“Don’t Worry ‘Bout What I Do,” Cold As Weiss‘ second and latest single derives its title from a quote by the band’s Jimmy James. “No matter what you say to this cat, ‘Yo bro, your butt crack is showing,’ he always says the same thing: ‘Man . . . don’t worry ’bout what i do,” the band’s Delvon Lamarr explains. “Don’t Worry ‘Bout What I Do” is an old-school pimp strut, centered around an expansive arrangement featuring Weiss’ quickly building up a tight, rhythmic swing, Lamarr’s sultry organ lines and James’ psych rock-like guitar lines. The end result is a composition that seems indebted to the likes of The Meters and Booker T and the MGs.

With the release of last year’s Noelle and The Filthy No-Nos, the New York-born, New Orleans-based singer/songwriter and keyboardist  Noelle Tannen quickly developed a reputation for a unique approach to singer/songwriter soul that draws from old school soul, neo-soul, jazz, blues, indie rock and gospel. “Proof,” Tannen’s latest single continues in a similar vein as her previously released work: effortlessly soulful material centered around her self-assured and sultry vocals and an arrangement featuring shimmering blasts of keys, a sinuous bass line, shuffling jazz-like drumming, gorgeous horn arrangement and an infectious, radio friendly hook — within an expansive song structure in which you’ll hear temp changes and key changes throughout. Arguably, this track may be the most straightforward song in their growing profile; but paired with a powerful and uplifting message.

As Tannen explained to Live for Live Music, “”Proof’ is a song about the constant struggle many women face of having to Prove ourselves and work extra hard just for people to take us seriously,” Tannen shares. “It’s about how exhausting that struggle can be. However, the song is supposed to portray a motivational message. Let’s keep on working hard, but while doing so, not to forget about the beauty of life and the earnestness in creation. Let’s not allow the haters to get in the way! We got this ladies.”

Live Footage: A Shadow of Jaguar Performing “Too Many Knots” on a Random Tuesday

Comprised of Brian Hubbert (vocals, guitar) and Andrew Oakley (drums), the New York-based indie rock duo A Shadow of  Jaguar can trace their origins to when the duo of Hubbert and Oakley met in Boulder, CO and quickly bonded over their mutual desire to write and play the sort of music they felt was sorely missing from their local scene. And as the story goes, within a few short weeks, Hubbert and Oakley began writing and recording original material while honing their sound and live set playing shows both locally and throughout the country; in fact, with the release of their first two singles, “Mama Needs the Bottle,” and its follow up “Keep On Knocking” the band received praise from the likes of AXS and Live for Live Music.

Since then, the duo have released their full-length debut RAW, which was recorded, mixed and mastered in Denver, CO, by Todd Divel and Justin Peacock at Silo Sound. And as the duo explains in press notes, the album, which is slated for release later this month, was made “to stick a big middle finger up at all the fears and doubts that plague us. The goal was to force upon people the uncontrollable urge to scrunch their faces and nod their heads.” Now, if you had been frequenting this site towards the last few months of 2017, you may recall that I wrote about album single “Don’t Want to Die Here,” an explosive, arena-friendly blues rock tune that reminded me of The Black Keys but with a boozy swagger. 
“Too Many Knots,” the second and latest single from the duo’s debut effort RAW will further cement their growing reputation for gritty, bluesy rock with arena friendly hooks    but while their preceding single reminded me of The Black Keys, their latest single reminds me of The Hunted Crows and Royal Blood among others — thanks in part to a swaggering, self-assuredness. 

Filmed by Aaron Springston, the recently released video for “Too Many Knots” was shot live in one continuous take on a random Tuesday in Brooklyn, and it captures the band in their element — live. 

New Video: The Psychedelic Visuals and Arena Rock Blues Rock Sounds of Shadow of Jaguar’s “Don’t Want to Die Here”

Comprised of Brian Hubbert (vocals, guitar) and Andrew Oakley (drums), the New York-based indie rock duo A Shadow of a Jaguar formed in early 2015 in Boulder, CO — and as the story goes, the duo of Hubbert and Oakley bonded over their mutual desire to write and make the kind of music they felt was sorely missing from their local scene. Within a few weeks, the duo began writing and recording original material while honing their sound and live set playing shows locally and throughout the country; in fact, their debut single “Mama Needs the Bottle,” and its follow up “Keep On Knocking” were received to praise from the likes of AXS and Live for Live Music. 

Since then, the duo have been touring and writing and recording the material that comprises their soon-to-be released album RAW, recorded, mixed and mastered in Denver, CO, by Todd Divel and Justin Peacock at Silo Sound. And as the duo explains in press notes, the album, which is slated for release later this month, was made “to stick a big middle finger up at all the fears and doubts that plague us. The goal was to force upon people the uncontrollable urge to scrunch their faces and nod their heads. ” RAW’s latest single, “Don’t Want to Die Here,” will further cement the duo’s growing reputation for explosive, arena rock-friendly blues rock, along the lines of The Black Keys and others, but complete with a swaggering and boozy vibe. 

Directed and produced by Wondering Works and the members of A Shadow oF a Jaguar, the recently released video for “Don’t Want to Die here” features dancer Cara Diaz expressively dancing to the song in front of projections of country roads, explosions, billowing smoke, and other psychedelic splashes of color.