Tag: lo-fi

New Audio: Johan Hiro Shares Vibey and Trippy “the vacancy”

Jonah Hiro is a Boston-based singer/songwriter, multi-instrumentalist and producer, who specializes in a brand of bedroom psych pop informed by his obsession with blown out sounds, trippy and hypnotic soundscapes, paired with dreamy vocals. 

Hiro released his debut EP, lost at sea earlier this year. The EP features the mesmerizing opening track “i gaze at mars” and “the vacancy.” Featuring twinkling keys, quivering synths, blown out beats paired with Hiro’s layered and dreamily delivered harmonies, “the vacancy” seemingly channels a mind-bending synthesis of Sgt. Pepper-era The Beatles, Dark Side of the Moon and Tame Impala to create a lo-fi, lysergic vibey tune.

New Audio: JOVM Mainstay The Offline Teams Up with Koralle on a Vibey and Laid-Back Remix of “Enfin, la paix”

Hamburg-born and-based photographer, composer Felix Müller is the creative mastermind of the JOVM mainstay cinematic soul project The Offline. The Offline was deeply inspired and informed by Müller’s travels along the Atlantic coastline of southern France with an analog camera, capturing beach life. Upon his return to Hamburg, he started writing compositions as the sonic counterpart to his visuals.

The German-born artist’s full-length debut, 2023’s Timor Litzenberg co-produced La couleur de la mer was inspired by the work of Francois de Roubaix, and saw him creating a soundtrack to an imaginary film with themes and atypical song structures. Morning from dramatic cues to fragile romanticism, the album’s material incorporated elements of psychedelia, retro soul and hip-hop — inspired by his extensive record collection.

2024’s Les Cigales saw the German-born JOVM mainstay building upon the head-nodding blend of hip-hop and 70s soul jazz that he developed on his debut with the effort’s material taking sonic cues from 1960s and 1970s film and TV scores, while nodding at Francois de Rouabix, David AxelrodSurprise Chef and Robohands.

Last year, saw Müller release the live EP, The Offline In Session, which featured live renditions of some of his previously released work including “Théme de la couleur de la mer,” and “Cap Camarat.”

Interestingly, his forthcoming effort, Révisé is reportedly a look back into his growing catalog — but this time with the hip-hop and beatmaker ramped up. The effort will feature contributions from highly sought-after producers across the global, lo-fi hip-hop scene including, Koralle, Knowsum, Jake Milliner and 53 Keys, as well as rising underground emcees like SANITY, Summer SonsTURT and Physical Graffiti.

“One of my main motivations for The Offline project was to create a modern version of television and film music from the 60s and 70s, with an analog touch reminiscent of the old funk and jazz albums that hip-hop artists used to sample,” Müller explains. “After releasing several albums an [sic] EPs, the idea arose to change perspective and look at the music from the point of view of hip-hop artists and beatmakers, leading to the remix project Révisé.”

Révisé‘s lead single, sees Müller team up with Italian producer Koralle on a remix of Le couleur de la mer album track, “Enfin, la paix.” The Koralle remix adds anecdotes a laid-back, lounge/headphone hip-hop feel with congo, boom bap beats and dub-inspired textures paired with the original’s twinkling and reverb-soaked Rhodes, Müller’s soulful and psychedelic guitar lines and sun soaked vibes. The remix is perfect for that Chill Out/Make Out/Daydream playlist you’re thinking of.

New Audio: Seoul’s Amohouse Shares Hook-Driven and Woozy “Lofi House”

Seoul-based producer, songwriter and multi-instrumentalist Amohouse blends lo-fi textures with driving house rhythms. The result is music that features a chill yet energetic vibe. The South Korean artist describes his music as “the perfect soundtrack for your daily life,” adding that “whether you’re studying, driving or just relaxing,” that he’ll give you the beats you need.

Amohouse’s latest single “Lofi House” features a woozy and looping production that brings Kainalu and MUNYA to mind: skittering and dusty beats, twinkling, reverb-drizzled synths and a chopped up, sultry vocal, paired with the Seoul-based artist’s ability to craft a razor sharp, catchy hook.

Although JOVM is a (mostly) one-man operation, I receive quite a bit of emails from artists, band managers, labels and publicists from across the world and admittedly I’ll look at a band name and think […]

Since their formation in 2007, the Mantles have developed a reputation within the Bay Area’s garage rock/lo-fi/pop scene. Their earliest shows were loose and loud bashing with strange chord changes – all while managing to […]