Tag: Lodge Room

New Audio: Kiefer Teams up with Shibo and Planet Giza on Strutting and Soulful “BusyForYa”

Los Angeles-based acclaimed pianist and producer Kiefer Shackelford, a.k.a. Kiefer was raised in San Diego by parents, who were both aerospace engineers and keen pianists, who both influenced him in their own way: His mother taught him at a very young age how to read music and play piano, starting with simple Bach minuets. His father was a huge jazz head, and a fan big fan of Blue Note Records in particular. who released albums by Sonny Clark and Gene Harris.

Shacklelord would endlessly listen to Kind of Blue and after reading Miles Davis‘ biography when he was 13, he knew that he wanted to become a jazz musician. During high school, he studied jazz piano with a local teacher and went to attend UCLA, where Blue Note recording artist and legendary guitarist Kenny Burrell, who was head of the school’s jazz program, became one of his tutors throughout his studies.

After completing his studies, Shackelford signed to Stones Throw Records, where he quickly established his musical identity and gained attention with a series of releases including 2018’s Happysad, 2021’s Between Days and 2023’s It’s Okay B U. Adding to a growing profile, he has collaborated with Dr. Dre, De La Soul, Pete Rock, Anderson .Paak, Terrace Martin and a growing list of others. He’s also a member of the collective FATHERS with Ben “CARRTOONS” Carr, Nate Smith and producer Kenneth Blume, who released their self-titled debut on Blue Note earlier this year.

2026 is a busy year for the acclaimed pianist: His fourth album, and Blue Note Records debut, the Kiefer, Shibo, and CARRTOONS co-produced Memory Bomb is slated for a September 25, 2026 release. The album will feature guest spots from Tony Stone, Erick The Architect, CARRTOONS, Nate Smith, Walter Smith III, Cisco Swank, Relyae, Rae Khalil, Moonchild‘s Amber Navarn, Planet Giza, and more.

Long considered one of Los Angeles’ best kept musical secrets, Kiefer has been described as a musician, who doesn’t just play keys with his fingers, but his soul. He’s a truly gifted artist, who has actively redefined that sweet spot between jazz improvisation and hip-hop beat making through a distinctive musical style, which he calls “Over The Breaks,” which reaches new heights of creativity on Memory Bomb.

The acclaimed Los Angeles-based artist is a believer in embracing new inferences and new styles through collaboration with others — and that’s where the journey to his first Blue Note bandleader album began. His first priority was to get his two best friends — CARRTOONS and Shibo — to co-produce the album with him, as they completely understood his sound, his harmonic sensibility and both are extremely adept at drum programming. The innovation through collaboration mindset extended to the inclusion of a talented cast of vocalist, rappers and musicians in interesting combinations, The result was something new and exciting while still sounding like a Kiefer-led project.

The album’s title, Memory Bomb is a poetic and metaphoric way of saying a dream. For Keifer, there are three types of dreams/memory bombs, the sort you experience when you sleep, the wishful longing type and the ambitious type — and those themes populate the direction of many of the album’s songs. Throughout the album’s runtime, there is a lyrical feel with the album’s material telling a story. It’s wistful, poetic and groove-driven, centered around the sensation of being in a dreamscape. And because of the material’s improvisational moments, the story changes every time the listener listens to it.

The album will include the previously released “NewLevels NewDevils” feat. Tony Stony, Erick The Architect and CARRTOONS, album title track “Memory Bomb” feat. Walter Smith III, Flanafi, and Shibo,” and the album’s third and latest single “BusyForYa” feat. Planet Giza and Shibo. “BusyForYa” is a soulful blend of neo-soul, R&B and pop and hip-hop built around the acclaimed pianist’s strutting and twinkling keys, a strutting bass line and swaggering hip-hop beats beneath soulful crooning and a thoughtful, conscious verse.

Live Footage: The Midnight Hour and Black Thought Perform “Noir” at The Lodge Room

A Tribe Called Quest’s Ali Shaheed Muhammad and Adrian Younge, a Los Angeles-based composer, arranger and producer teamed up with a 10 member ensemble, The Midnight Hour, which features vocalists Loren Oden and Angela Munoz and guitarist Jack Waterson to compose and record the score to the acclaimed Netflix series Luke Cage. Last year, the ensemble released their self-titled debut which further established their sound: jazz and orchestral-inspired hip-hop that recalls David Axelrod, Quincy Jones and Jazzmatazz-era Gang Starr. 

The act has been and will continue to be rather busy:  Linear Labs has already released Jack Waterson’s psych rock solo album Adrian Younge Presents Jack Waterson and albums from the act’s Oden and Munoz, as well as the act’s highly-anticipated sophomore album are slated to be released over the coming months.

The Midnight Hour will be embarking on an extensive fall tour across North America with  collaborative opening sets from Oden, Munoz and Waterson. The tour includes a stop tomorrow night at Brooklyn Bowl — and if you want to check out the rest of the tour dates, as well as ticket information, check out the following link:

http://www.artdontsleep.com/2019/07/20/tmhustour19/

In the meantime, Linear Labs and The Midnight Hour released live footage of the band performing “Noir” with The Roots’ Black Thought. The track originally appeared as part of Amazon Music’s Produced By series that Younge curated, produced and recorded to collectively celebrate the spectrum of Black Music — with the series appropriately being released during Black History Month. Interestingly, the live footage was filmed this past month at Los Angeles’ Lodge Room that featured collaborations with Estelle, Gallant, Georgia Anne Muldrow and a long list of others. 

Of course, the live footage will give you a great sense of what you should expect of the Brooklyn Bowl shows and onward. But just as important, it’s a reminder of a few things — if you’ve forgotten about them: 

Black Thought is fucking dope. 
All dope emcees should record an album with a live jazz or orchestral ensemble. 
When I rule the world, I’ll make sure that’s a law. 
As far as the track, it’s a gorgeous and crafted take on hip-hop that’s sophisticated and cinematic while still being gritty street shit that raises the proceedings to a transcendent, Curtis Mayfield/Issac Hayes soundtrack-level artistry. In an age where a lot of hip-hop is mass produced product, we need to be reminded that it can be a transcendent and powerful art form.