Tag: Matt Wilkinson

New Video: Psymon Spine Teams Up with Barrie on a Shimmering Pop Confection and Playful Visual

Rising Brooklyn-based psych pop/dance pop act Psymon Spine can trace its origins back to when founding and core members Noah Prebish and Peter Spears met while attending college. Bonding over mutual influences and common artistic aims, the duo went off to tour Europe with Prebish’s electronic act Karate. While in Paris, Spears and Prebish wrote their first song together and when they got to London, they were offered a record deal.

Upon returning to the states, Spears recruited Micheal “Brother Micheal” Rudinski and their Karate bandmates Devon Kilbern, Nathaniel Coffey to the band — and with that lineup they fleshed out the demos, which would eventually become their full-length debut, 2017’s You Are Coming to My Birthday, which they supported with immersive art and dance parties through their Secret Friend series across Brooklyn and some relentless touring.

Simultaneously, Prebish’s work with rising Brooklyn-based dream pop act Barrie began to receive quite a bit of attention across the blogosphere and elsewhere with a handful of buzz-worthy singles and their critically applauded full-length debut, last year’s Happy to Be Here. Interestingly, this led Prebish to meet his Barrie bandmate, vocalist and multi-instrumentalist Sabine Holler, who then joined Psymon Spine.

“Milk” feat. Barrie is the first bit of new material from the Brooklyn-based psych pop/dance pop act in three years — and it’s the first recorded output with their newest member Sabine Holler. Since the single’s release, it has received airplay on BBC Radio 6 and it has earned praise from a number of media outlets including Vanyaland, High Clouds, Echowave Magazine, The Revue, Hype Machine and a list of others. The track also landed on a number of YouTube channels including David Dean Burkhart’s. Nice Guys’ and Birp.fm, as well as Spotify playlists like Undercurrents, All New Indie and Fresh Finds. Additionally, Apple Music’s Matt Wilkinson featured the track. And when you hear the new track, the attention its earned shouldn’t be surprising: the track is centered around an angular bass line, shimmering guitars, glistening synth arpeggios, thumping beats, a punchy and anthemic hook, and Barrie’s sultry vocals. Sonically, the track may remind some listeners of In Ghost Colours-era Cut Copy and Soft Metals’ Lenses –but with a mischievously coquettish air that makes it a club friendly banger.

Directed by Maya Prebish, Noah’s sister, the recently released video for “Milk” uses the wildly popular video game Animal Crossing: New Horizons and features each member of the band as a game avatar. And of course, each member of the band does something within the game — including play (sort of) an outdoor set, fish, sit in cafes and daydream.

“We were trying to come up with a way to shoot a music video together during a pandemic, with Sabine stuck in Germany and Barrie being god-knows-where,” Noah Prebish says of the new video made during pandemic-related social distancing and quarantine guidelines. “I remembered that my sister is a genius wizard and Nintendo dork and thought: ‘what’s more quarantine than a hap-hazard Animal Crossing video organized via a bunch of confusing Zoom calls?'” The video’s director, Maya Prebish, adds: “When Noah came to me with the idea, I jumped onboard right away. It was a lot of fun turning Psymon Spine and Barrie into villagers, and I think it was a super fun way to bring everyone together even though they’re dispersed all over the world at the moment. I don’t think any of them know how to fish in real life, but that’s creative license.”

New Audio: Rising Aussie Electro Pop Trio Haiku Hands Release a Thumping, Old School Hip Hop Inspired Banger

Splitting their time between Melbourne and Sydney. the Aussie indie electro pop act Haiku Hands, which features a core trio of Claire Nakazawa, Beatrice Lewis and Mie Nakazawa have received attention both nationally and internationally for a sound that draws from hip-hop, electro pop, dance music and house music. Interestingly, the trio is part of a larger collective that engages with and explores social norms with their lyrical, musical and visual content. 

Now, as you may recall last year was a breakthrough year for the Aussie electro pop trio: their high energy club bangers “Squat,” “Jupiter,” and “Not About You” amassed over 3.5 million streams — and as a result, each single landed spots on iTunes charts across the globe. Adding to an enormous year, “Jupiter” was included on Matt Wilkinson‘s Best Songs of 2018 So Far list, and received airplay on BBC Radio 1 and Radio X. Continuing on  the momentum, the members of Haiku Hands went on a month-long North American tour with CHAI that featured stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, an opening date for Cupcake in Chicago, and appearances at a handful of SXSW showcases. 

The Aussie indie electro pop trio’s highly-anticipated full-length debut is slated for release next year through Mad Decent and Spinning Top in Australia and New Zealand. In the meantime, the trio’s latest single, the Mad Zach-produced “Onset” is a brash and infectious banger centered around a glitchy and thumping 808-based, old school hip-hop production reminiscent of Afrika Bambaataa and the Soul Sonic Force’s “Renegades of Funk” and Missy Elliott paired with the trio delivering equally brash and dexterously flows that nod at Khia’s “My Neck, My Back (Lick It),” schoolyard rhymes and chants. As a child of the 80s, this song brings boom boxes, shell toe Adidas and B Boys breaking — but with a modern touch. 

New Video: Up-and-Coming Aussie Electro Pop Act Haiku Hands Release a Cinematically Shot Visual for “Dare You Not To Dance”

Featuring a core trio comprised of Claire Nakazawa, Beatrice Lewis and Mie Nakazawa, the Australian indie electro pop act Haiku Hands is split between Melbourne and Sydney, and together the members of the act, who are influenced by hip-hop, pop, electro pop dance music and others, curate, perform and work as part of a larger collective that engages with and explores social norms with their lyrical, musical and visual content. Last year was a big year for the Aussie electro pop act as their previously released, high-energy bangers “Squat,” “Jupiter,” and “Not About You” amassed over 3.5 million streams — and as a result, each single landed spots on iTunes charts across the globe; in fact, “Jupiter” was included on Matt Wilkinson‘s Best Songs of 2018 So Far list, and received airplay on BBC Radio 1 and Radio X.

Earlier this year, the Aussie electro pop act went on a month-long North American tour with CHAI that featured stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, as well as an opening date for Cupcake in Chicago, along with appearances at a handful of SXSW showcases.

Building upon a rapidly growing national and international profile, the Aussie electro pop act are about to embark on a month-long tour of North America with CHAI that features stops in San Francisco, Los Angeles, Seattle, Portland and the Market Hotel, as well as an opening slot for Cupcake in Chicago, and along with that they had a busy SXSW, making appearances at a number of showcases, which have helped expand their profile internationally. But in the meantime, the act’s latest single is the brash and infectious “Dare You Not To Dance,” which will further cement their reputation for crafting club bangers that mesh elements of riot grrl punk, hip-hop, house music, drum ‘n’ bass, EDM and trap music with enormous, shout along worthy hooks in a way that brings M.I.A. and Gwen Stefani to mind.

Directed by Nathan Lewis, the recently released, incredibly cinematic video follows a collection of different young people, enthusiastically dancing in public — and in some cases while they’re supposed to be working or some other moment; and unlike the occasional passerby, these dancers are completely unguarded and free.