Tag: Melkbelly

Earlier this year, I wrote a bit about the Austin, TX-based trio Exhalants, and as you may recall, the band which features Steve (guitar, vocals), Bill (bass) and Body Pressure’s Tommy (drums), can trace its origins to the breakup of Steve’s and Bill’s previous band  Carl Sagan’s Skate Shoes. As the story goes, with the inevitably downtime that’s a result of a band’s breakup, Steve wound up spending his free time further honing his guitar playing before he recruited his former CSSS bandmate and Tommy to complete the project’s lineup.

Released earlier this year, the band’s self-titled full-length debt was recorded and mixed by Ghetto Ghouls‘ Ian Rundell and mastered by Yeesh’s Greg Obis, and the albums largely inspired by  ShellacUnwound and Cherubs, while nodding at the work of contemporaries like MelkbellyKal Marks and A Deer A Horse  — or in other words, much like those bands, the album finds the band balancing pummeling and bruising heaviness with an underlining melodic sensibility. Interestingly, album single “Punishers” is an aptly titled, furious, abrasive and — well, punishing ripper centered by enormous power chords, wild peals of feedback and pummeling drumming. Sonically speaking, the song is a mosh pit-friendly anthemic that should be played way too loudly in a dark, sweaty room.

Unsurprisingly, the recently released video for “Punishers” will bring 120 Minutes-era MTV to mind, as its an equally pushing visual, consisting of warped, distorted VHS footage — and while old-timey, it manages to evoke the terror and fury of our time.

Over the past month, I’ve managed to write a bit about the Austin, TX-based trio Exhalants, and as you may recall the band which features Steve (guitar, vocals), Bill (bass) and Tommy (drums), a member of Body Pressure, can trace its origins to the breakup of Steve and Bill’s previous band  Carl Sagan’s Skate Shoes. With the inevitable downtime that happens when a band breaks up, Steve spent his free time further honing his guitar playing before recruiting his former CSSS bandmate and Tommy to complete the project’s lineup.

Exhalants’ selff-titled debut is slated for release next week, and the soon-to-be released album is largely inspired by ShellacUnwound and Cherubs, while nodding at the work of contemporaries like MelkbellyKal Marks and A Dear A Horse — or in other words, the album’s material finds the band balancing pummeling heaviness with an infectious melodicism; however, the album’s third and latest single “If Only” is a slow-burning grunge-era inspired dirge, centered around pummeling drumming, distortion-fed power chords, howled vocals and an alternating quiet-loud-quiet song structure. Sonically, the new single seems to recall Melvins, Soundgarden, Nirvana and Alice in Chains while maintaining their uncanny sense of melody.  And from the album’s first three singles, Exhalants may be releasing one of the hardest hitting albums of the year.

 

Earlier this month, I wrote about the Austin, TX-based trio Exhalants, and as you may recall the band which features Steve (guitar, vocals), Bill (bass) and Tommy (drums), a member of Body Pressure, the band can trace its origins to the break of Steve and Bill’s previous band  Carl Sagan’s Skate Shoes. With the inevitable downtime that happens when a band breaks up, Steve spent his free time further honing his guitar playing before recruiting his former CSSS bandmate and Tommy to complete the project’s lineup.

Recorded and mixed by Ghetto Ghouls‘ Ian Rundell and mastered by Yeesh’s Greg Obis, Exhalants’ forthcoming self-titled debut is largely inspired by the likes of ShellacUnwound and Cherubs, while nodding at the work of contemporaries like MelkbellyKal Marks and A Dear A Horse — or in other words, the album’s material finds the band balancing pummeling heaviness; in fact, album single “Latex” was an an anthemic ripper with enormous “raise your beer in the air and shout along” hooks, arena rock-like power chords and deep low end. And while being deceptively simple, the song upon repeated listens reveals rapid tonal and tempo shifts that are barely held together by the explosiveness of the band’s playing. “Punishers,” Exhalants’ latest single is a furious and aptly punishing ripper, complete with angular guitar power chords, wild peals of feedback and forceful drumming. It may arguably be the most punk rock and mosh-pit friendly songs off the album so far — but they do so while nodding at 90s alt rock.