Tag: Moaning Uneasy Laughter

New Video: JOVM Mainstays Moaning Releases a Brooding and Introspective Single

Throughout the past handful of years of this site’s almost ten year history, I’ve managed to spill a lot of virtual ink covering rapidly rising Los Angeles-based post-punk trio and JOVM mainstays Moaning. Now, as you may recall the members of the band — ean Solomon (vocals, guitar), Pascal Stevenson (keys, bass) and Andrew MacKelvie (drums) — have been friends and collaborators in Los Angeles’ DIY scene for the better part of a decade through music and other creative pursuits in different media: Solomon is also a noted illustrator, art director and animator while Stevenson and MacKelvie have played in or produced and engineered acclaimed and rapidly rising acts like Cherry Glazerr, Sasami and Surf Curse.

With the release of 2018’s self-titled, full-length debut, the JOVM mainstays received attention from a number of nationally and internationally known media outlets including The Fader, The Guardian, DIY Magazine, Stereogum, and others for a moody and angular post-punk sound that — to some ears — recalled the likes of Joy Division, Interpol and Preoccupations. The trio’s highly-anticipated Alex Newport-produced and  engineered sophomore album Uneasy Laughter is slated for release tomorrow through Sub Pop Records. Reportedly, the album is a much more collaborative effort than their self-titled debut, and the material find site band brightening the claustrophobic and uneasy sound of their debut a bit, by replacing guitars for synths and beats.

Thematically, the album focuses on the everyday anxieties of being a somewhat functioning human in the madness of our current century — with the material touching upon the deeply personal and the universal. “We’ve known each other forever and we’re really comfortable trying to express where we’re at. A lot of bands aren’t so close,” the band’s Andrew MacKelvie says in press notes. Sean Solomon, who celebrated a year of sobriety during the Uneasy Laughter sessions adds “Men are conditioned not to be vulnerable or admit they’re wrong. But I wanted to talk openly about my feelings and mistakes I’ve made.”

Over the past couple of months I’ve written about three of the album’s previously released singles: the brooding, 80s New Order-like single “Ego,” the cynical A Flock of Seagulls-like “Fall In Love,” and the bleak yet explosive, guitar-driven ripper “Make It Stop.” “Connect the Dots,” Uneasy Laughter’s fourth and latest single is a brooding and atmospheric track, centered around shimmering synths, a soaring hook, Solomon’s achingly plaintive vocals, squiggling blasts of guitar, and an angular and expressive guitar solo. And while continuing a run of New Wave-like material, “Connect the Dots” may arguably be the most personal and introspective songs of the album. “The song is about realizing you need help and being brave enough to ask for it. It’s a misconception that asking for help is a sign of weakness. In reality it’s one of the hardest things you can do,” the band’s Sean Solomon explains in press notes.

Directed by Campbell Logan, the recently released video for “Connect the Dots” uses some mind-bending computer animated graphics. “I created this video with the intention of inspiring self-forgiveness, something I think we should all practice,” Logan says. “Making it gave me the opportunity to practice an approach that I like to call Filmmaking Simulation, which is a process of doing film production using virtual cinematography, set design and performance. The result is photorealistic and mimics live action. We had an extremely quick turnaround on the video, but were able to complete it in a little over a month, and despite these hurdles I’m so proud of it!”

Lyric Video: Moaning Releases an Angular and Uneasy Ripper

Over the past couple of years of this site’s almost ten year history — yeah, 10 years, y’all! — I’ve managed to spill quite a bit of virtual ink covering the rapidly rising Los Angeles-based post-punk trio Moaning.  The members of the band —  Sean Solomon (vocals, guitar), Pascal Stevenson (keys, bass) and Andrew MacKelvie (drums) — have been friends and collaborators in Los Angeles’ DIY scene for the better part of a decade through music and other creative pursuits in different media: Solomon is also a noted illustrator, art director and animator while Stevenson and MacKelvie have played in or produced and engineered acclaimed and rapidly rising acts like Cherry Glazerr, Sasami and Surf Curse.

With the release of 2018’s self-titled, full-length debut, the members of Moaning received attention from a number of nationally and internationally known media outlets including The Fader, The Guardian, DIY Magazine, Stereogum, and others for a moody and angular post-punk sound that — to some ears — recalled the likes of Joy Division, Interpol and Preoccupations. Now, as you may recall, the trio’s highly-anticipated Alex Newport-produced and  engineered sophomore album Uneasy Laughter is slated for a March 20, 2020 release through Sub Pop Records. The album is reportedly a much more collaborative effort than its immediate predecessor, that finds the band actively brightening the claustrophobia and uneasy sound of their debut, with the band trading guitars for synths and beats. 

Thematically, the album focuses on the everyday anxieties of being a somewhat functioning human in the madness of our current century — with the material touching upon the deeply personal and the universal. “We’ve known each other forever and we’re really comfortable trying to express where we’re at. A lot of bands aren’t so close,” the band’s Andrew MacKelvie says in press notes. Sean Solomon, who celebrated a year of sobriety during the Uneasy Laughter sessions adds “Men are conditioned not to be vulnerable or admit they’re wrong. But I wanted to talk openly about my feelings and mistakes I’ve made.”

So far I’ve written about two of the album’s released singles: the brooding, 80s New Order-like single “Ego,” which featured a desperate narrator taking stock of himself and his relationships to others with a brutally unflinching honesty — and the cynical  A Flock of Seagulls-like “Fall In Love,” which featured a dysfunctional narrator, who’s ruled by distortions, self-loathing and the expectations of failure. Interestingly, Uneasy Laughter’s third and latest single is the explosive, guitar-driven ripper “Make It Stop.”  Centered around angular and distorted power chords, an enormous hook and propulsive drumming, the track features a depressed narrator, who’s stuck within his own obsessive compulsive thoughts and can’t seem to find a way out from himself and his own worst instincts.  Certainly, if  you’ve ever been in the throes of depression, the song would feel eerily familiar, evoking the dark and fucked up places your mind can go when things seem bleak. 

“The song is about questioning negative thoughts, but struggling to find a solution. Being stuck in your head,” Moaning’s Sean Solomon says in press notes about the song. “There was a period of time where I thought everyone hated me and was out to get me. Now, I realize no one actually is putting that much energy into thinking about me at all. Depression can be extremely narcissistic. I encourage people, who relate to this song to call someone and ask for help.” 

Directed by the band, the recently released video features an enormous collage the band made. “The whole band made a collage for the video. It was really fun piecing different elements together,” Solomon explains in press notes. “We’ve also added  some extra surprises. The dimensions of the collage are 1920 by 40,000 pixels. It’s a big ass thing!”

New Video: Moaning Release’s a Surreal and Uneasy Visual for “Ego”

Back in 2018, I spilled quite a bit of virtual ink covering the Los Angeles-based indie rock/post punk trio Moaning.  Comprised of Sean Solomon (vocals, guitar), Pascal Stevenson (keys, bass) and Andrew MacKelvie (drums), the members of Moaning have been friends and collaborators in Los Angeles’ DIY scene for the better part of a decade through music and other creative pursuits in different media — Solomon is also a noted illustrator, art director and animator while Stevenson and MacKelvie have played in or produced and engineered acclaimed and rapidly rising acts like Cherry Glazerr, Sasami and Surf Curse.

With the release of 2018’s self-titled full-length debut, the Los Angeles-based trio received attention from a number of nationally and internationally known media outlets including  The Fader, The Guardian, DIY Magazine,Stereogum, and others for a moody and angular post-punk sound that seemed to recall Joy Division, Interpol and Preoccupations. Building upon the success of their self-titled debut, the trio’s long-awaited sophomore album Uneasy Laughter is slated for a March 20. 2020 release through Sub Pop Records. Interestingly, Moaning’s Alex Newport-produced and engineered sophomore album is a more collaborative effort that finds the members of the band brightening the claustrophobic and uneasy sound that first won them attention — mainly through trading guitars for synths and beats. Thematically, the album focuses on the everyday anxieties of being a somewhat function human in the madness that’s this current century — with the material touching upon the personal and universal. “We’ve known each other forever and we’re really comfortable trying to express where we’re at. A lot of bands aren’t so close,” the band’s Andrew MacKelvie says in press notes. Sean Solomon, who celebrated a year of sobriety during the Uneasy Laughter sessions adds “Men are conditioned not to be vulnerable or admit they’re wrong. But I wanted to talk openly about my feelings and mistakes I’ve made.” 

Uneasy Laughter’s first single, the brooding “Ego” will further cement the trio’s long-held reputation for crafting moody material — and while featuring guitars during a blistering solo, the song is primarily centered around shimmering synths and a soaring hook. Although “Ego” finds the band’s sound boldly moving in the direction of say, 80s New Order, the song thematically finds its narrator desperately taking stock of himself and his relationships to others with an unflinching honesty. Interestingly, the initial demo was slower and was written in what the band’s Stevenson calls “a strange time signature,” which at the time stymied Solomon’s attempt to write vocal melodies. Borrowing a MacKelvie drumbeat from a demo of a different song, Stevenson found that it fit his original song perfectly. The track was fleshed out further in practices and through passing demos back and forth, with the result “perfectly capturing every idea we wanted to play with,” says MacKelvie. “I don’t think we would have been able to approach writing a song that way before,” adds Stevenson. “We purposely avoided the impulse to add guitars to everything, letting the melodies of the synth and vocals be the focus. We wanted to embrace the songs ability to slip between genre lines.

“The lyrics are about letting go of your own bullshit to help other people. Wanting to love yourself to love others. The ego can make you feel like you’re the greatest person in the world or the worst.” stated vocalist Sean Solomon. It makes you think your problems are abnormally different which is isolating and rarely true. The song is a reminder that listening to other perspectives is important and beneficial to both parties involved.”

Directed by Ambar Navarro, the recently released video for “Ego” features the members of the band in a variety of different costumes — but at its core, the video’s protagonist takes stock of himself, his life and how he relates to others.