Since the release of 2015’s Peanut Butter, the Cardiff, Wales, UK-based indie rock band Joanna Gruesome has gone through a major lineup change with the band’s long-time vocalist Alanna McArdle leaving the band. And the band’s […]
Tag: New Video
New Video: Hanging out with Twin River in Europe for “Settle Down”
Conceived as the brainchild of founding members and primary songwriters Courtney Ewan and Andy Bishop, the members of the Vancouver, BC-based garage pop/indie rock quintet Twin River has expanded upon their sound throughout their first few recorded efforts — with 2012’s Rough Gold EP possessing a swooning and swaying sound and their full-length debut Should The Light Go Out had the band stepping up the tempo quite a bit; however, “Settle Down,” the second single off the band’s sophomore full-length effort Passing Shade reveals that the band has refined their sound yet again — with the material leaning towards the reverb-heavy, shimmering and jangling guitar pop of The Smiths, complete with thoughtful and earnest lyrics and some stunningly gorgeous guitar work.
The recently released music video captures some of the members of the band driving through Europe, presumably while on tour and features them goofing off and exploring with a sense of awe and wonder.
New Video: Shearwater’s Incredible Cover of Bauhaus’ “Kick In The Eye”
Although currently comprised of primary songwriter and founding member Jonathan Meiburg, Danny Reisch, Lucas Oswald, Abram Shook, Jesca Hoop and Josh Halpern, the Austin, TX-based septet Shearwater can trace its origins to when Meiburg and […]
New Video: Mello Music Re-Releases Another Single from a Rare Early 200os Collaborative Effort Featuring Ice-T, Kool Keith and Others
. The third and latest single “More Freaks” features a collective of emcees rhyming about pimping, hustling, being a bigger badass than anyone else, complete with ridiculous pop culture references, surreal imagery and punch lines that are both hilarious and morally bankrupt over a sample that features a looped horn sample and enormous, old school-leaning boom bap drum programming reminiscent of a sleazier version of Mary J. Blige’s “Real Lov
New Video: The Shimmering Sounds and Gorgeously Trippy Visuals for Corbu’s “Battles”
“Battles,” the latest single off the duo’s highly-anticipated dull-length debut Crayon Soul is a cinematic track with a soaring and anthemic hook paired with a shimmering and breezy melodies and plaintive vocals to craft a sound that’s reminiscent to Moonbabies and M83. As the band’s Jonathan Graves explains in press notes, the recently released video for “Battles” is a scene from a larger movie in its creators’ heads. “Every piece of artwork we make is a snapshot from it. Nothing you see is in order as far as the story, but it’s more fun that way. You have to put the pieces together yourself.” And as you’ll see the animated video is a mesmerizing, futuristic epic adventure with some gorgeous and trippy visuals.
New Video: The Creepily Uneasy Visuals for Tobacco’s “Human Om”
Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage is slated for release this summer, and as you may remember I wrote about “Gods In Heat,” the first single off the album. I think that single will further cement his burgeoning reputation for crafting scuzzy, abrasive and anthemic electronic music as he pairs layers of abrasive industrial clang and clatter, skittering drum programming, surface-level analog tape hiss and sizzle, a chanted mantra and an infectious hook; but with a subtle dreamy element that nods towards psych rock. The album’s second and latest single “Human Om” pairs layers of buzzing, whirring synths, industrial clang and clatter, mathematically precise handclap-led drum programming and mantra-like lyrics fed through vocoder. Interestingly, the song displays a dreamy and breezy melodicism just underneath the murky surface and as a result it gives the song a darkly mischievous feel; but while radiating a strange sense of calm.
Directed by the artist himself, the recently released music video employs the use of distorted rubber masks of celebrities, politicians and other characters nodding over the song’s distorted beats and superimposed over a variety of scenes and scenarios — and it gives the video a nightmarish, surreal logic while it lulls the viewer into an uneasy hypnotic state.
New Video: The Surreal, Dream-like Visuals for Polyenso’s “17 New Years”
“The chorus is about that moment in a relationship when you realize that the person you love is using you as a scapegoat for their past emotional injuries. And despite how much you care for an desire this person, you can’t let them bring you down.”
New Video: Phoebe Ryan’s Modern, Feminist Anthem “Dollar Bill”
With the early 2015 release of a trippy, post-modern mashup/cover of of R. Kelly’s “Ignition” and Miguel’s “Do You Like,” followed the release of by her highly-anticipated full-length debut effort, Mine, Texas-born, New Jersey-reared and Los Angeles-based pop artist Phoebe Ryan exploded both across the blogosphere and nationally — and throughout the past year, Ryan has developed a reputation for a breathily coquettish vocal style, emotionally and sexually frank lyrics paired around infectiously catchy hooks and slickly contemporary electronic productions. Her latest single “Dollar Bill,” is a collaboration with Kid Ink and it will likely further cement her attention for infectiously catchy and coquettish pop while the song thematically focuses on the big dreams and the life of constant hustle that many artists have but just underneath the surface is a feminist anthem similar to Eurythmics and Aretha Franklin’s “Sisters Are Doin’ It For Themselves,” says — that a woman can clearly have dreams of taking over the world and picturing her own face on a dollar bill, just like the dudes.
New Video: The Gorgeously Cinematic and Symbolic Video for Joseph’s “White Flag”
Now, as you may remember “White Flag” is the first single off the trio’s forthcoming full-length debut I’m Alone, No You’re Not, which is slated for an August 26, 2016 release. And as you’ll hear the song pairs an ambient and gently undulating production consisting of swirling and ambient electronics, handclap-led percussion and folky guitar chords, a rousingly cathartic and anthemic hook and the Closner Sisters’ gorgeous vocals in a song that sonically reminds me of Pearl and the Beard and Lucius, complete with the same earnest urgency. While lyrically, the song possesses a powerfully positive message — that despite what everyone around you may tell you about your dreams and desires that you should never give up if it’s what you desperately feel that it’s what you must be doing.
The recently released music video for the song is a gorgeously cinematic video that features the Closner sisters in what appears to be the Oregon woods, building a bonfire to set a white flag on fire — and as a result the video manages to be both literal and symbolic.
New Video: The Surreal and Ironic Visuals for Courtney Barnett’s Equally Ironic “Elevator Operator”
With the release of her first two critically applauded EPs I’ve Got a Friend Called Emily Farris and How to Carve a Carrot Into a Rose, Melbourne, Australia-based singer/songwriter and guitarist Courtney Barnett quickly received attention from the North American, British […]
New Video: Israeli Superstar Ninet Tayeb is Set to Take Over the World with Ass-Kicking Visuals for “Superstar”
With a relocation to Los Angeles and the forthcoming Stateside release of her fifth full-length release this fall, Tayeb hopes to become an international superstar — and with the aptly titled first single “Superstar” Tayeb may well be the next big thing. Although some have said that the Israeli-born singer/songwriter and actress seems to take cues from Yeah Yeah Yeahs’ Karen O., The Kills’ Allison Mossheart, sonically her sound reminds me quite a bit of Garbage — namely the self-titled debut and Version 2.0 — as the song is comprised of buzzing power chords, propulsive and thundering drumming, rousingly anthemic hooks and a towering self-assuredness that simply says “I’m here and I ain’t fucking around.”
The recently released music video directed by Yoni Ronn features Tayeb in action movie-like music video that features the singer/songwriter as a vengeance-seeking assassin, following her enemy through the streets of New York.
New Video: The Symbolistic Visuals for Mountain Bird’s “Hearts To Gold”
Öhman’s latest single “Hearts to Gold” is as he explains in press notes “a tale of celebration. Shining positive light on creators, the over-thinkers, anyone who has ever been a part of a sub-culture anyone who dealt with the anxiety of society’s expectations.” Sonically speaking Öhman pairs layers of shimmering synths, swirling electronics, boom bap beats and wobbling low end in an ethereal, dreamy yet anthemic song that possess an encouraging and hopeful message to struggling creatives everywhere, and it should push those folks forward when times seem particularly difficult.
The recently released music video is an extremely symbolistic video that begins by following a lone, black leather clad motorcyclist speeding along lonely country roads before stopping in the woods to have a fight for the death against what appears to behis/her doppleganger — or more loathsome and dangerous enemy, suggesting the intense struggles creative people often have with themselves and with outside forces as they attempt to create.
New Video: JOVM Mainstays, The Coathangers Return with 60s Girl Group Inspired Visuals and Sounds for New Single “Down Down”
“Down Down” Nosebleed Weekend’s latest single will further cement the band’s reputation for crafting incredibly catchy hook in a song that possesses an obvious studio sheen — but without removing the scuzzy and primal feel of the album’s previously released material; in fact, “Down Down” possesses a mosh pit-ready feel while pairing it with a 60s girl group-leaning harmonies and layers of distorted and towering guitar chords.
Directed by Matt Odom, the recently released music video for “Down Down” interestingly enough draws from old footage and videos of 60s girls groups playing on American Bandstand, The Ed Sullivan Show and others complete with the members of the band singing and playing in front of psychedelic and art school projects — but with a clean, hyper-modern feel.
New Video: The Wistful and Gorgeous Visuals for Charlotte Cardin’s “Faufile”
Cardin’s latest single “Faufile,” which translates into English as “to slip or sneak away” features Cardin’s gorgeous and aching vocals paired with the singer/songwriter accompanied by a sparse yet eerie piano accompaniment, and the single will further cement the French Canadian singer/songwriter’s growing reputation for crafting hauntingly eerie pop that owes a debt to jazz. And hot on the heels of the release of “Faufile,” comes the wistful music video, which features a brooding and seemingly heartbroken on the rooftops and streets of what appears to be Montreal after a devastating breakup.
New Video: England’s Rude Audio Specializes in a Bold, Dub Meets Kraftwerk Electronica Sound, Paired with Trippy Visuals
Comprised of Mark Ratcliff (arrangement, production and keyboards), Amanda Greatorex (vocals and lyrics), Eucalypta LV (guest vocals), Lamis Harper (piano and keys), Tony Shea (guitar and ostrich guitar), and Owain Lloyd (mixing desk and lyrics) London-based production and DJ collective Rude Audio features members who range […]
